28 x 22 cm.

L’article RENE LALIQUE – “COLLIER, TETE DE FEMME ET CYGNES” est apparu en premier sur Art Nouveau | Art Déco - Antiquaire à Monaco | Robert Zehil Gallery.

L’article RENE LALIQUE – “COLLIER, DEUX PAPILLONS S’AFFRONTANT” est apparu en premier sur Art Nouveau | Art Déco - Antiquaire à Monaco | Robert Zehil Gallery.

L’article RENE LALIQUE – “COLLIER, QUATRE LIBELLULES” est apparu en premier sur Art Nouveau | Art Déco - Antiquaire à Monaco | Robert Zehil Gallery.

L’article RENE LALIQUE – “COLLIER, VOL DE LIBELLULES” est apparu en premier sur Art Nouveau | Art Déco - Antiquaire à Monaco | Robert Zehil Gallery.

L’article RENE LALIQUE – “COLLIER, FIGURINES EN MEDAILLONS” est apparu en premier sur Art Nouveau | Art Déco - Antiquaire à Monaco | Robert Zehil Gallery.

L’article RENE LALIQUE – “COLLIER, FEUILLES ET PAMPILLES” est apparu en premier sur Art Nouveau | Art Déco - Antiquaire à Monaco | Robert Zehil Gallery.

There exists a version of this work in color etching and aquatint, held at the Municipal Library, Le Puy-en-Velay. See: Charles Maurin, un symboliste du réel, Fage editions, for the Musée Crozatier, Le Puy-en-Velay, published on the occasion of the exhibition Charles Maurin (1856–1914), Symbolist Painter presented at the Musée Crozatier, Le Puy-en-Velay, from June 16 to September 30, 2006.

L’article CHARLES MAURIN – “SORTIE DE BAIN” est apparu en premier sur Art Nouveau | Art Déco - Antiquaire à Monaco | Robert Zehil Gallery.

Exhibition
Les Estampes Japonaises et les Impressionnistes, n. 30 in the catalogue
Eugène Grasset, 1845-1917. L’art et l’ornement. Musée cantonal des Beaux-Arts, Lausanne,
18 March-13 June 2011, ill. p. 117, n. 132 in the catalogue

Bibliography
Victor Arwas, Berthon & Grasset, London, 1978, ill. p. 71

The "Estampes Décoratives" were published by the printer G. de Malherbe beginning in 1896.
They consisted of five pairs, each pair of identical dimensions, depicting beautiful women surrounded by flowers and foliage. The most spectacular were "Danger" and "Meditation".
Between 1896 and 1898, Eugène Grasset exhibited six of his "Decorative Prints", two at a time at each exhibition of La Libre Esthétique, and in 1898 he presented six lithographs at the first exhibition of the Vienna Secession.
In the 1970s, the American dealer and collector Bob Walker owned all ten original watercolors
which had served as models for the lithographs.

L’article EUGENE GRASSET – “MEDITATION”, 1897 est apparu en premier sur Art Nouveau | Art Déco - Antiquaire à Monaco | Robert Zehil Gallery.

Exhibition
Salon du Champ-de-Mars, 1897 for the lithograph
Les estampes Japonaises et les Impressionnistes, n. 31 in the catalogue
Eugène Grasset, 1845-1917, L’art et l’ornement. Musée cantonal des Beaux-Arts, Lausanne,
18 March-13 June 2011, n. 136 in the catalogue, ill. p. 120

Bibliography
Revue des Arts décoratifs, 17ème année, 1897, for the lithograph
Victor Arwas, Berthon & Grasset, London, 1978, ill. p. 70

The "Estampes Décoratives" were published by the printer G. de Malherbe beginning in 1896.
They consisted of five pairs, each pair of identical dimensions, depicting beautiful women surrounded by flowers and foliage. The most spectacular were "Danger" and "Meditation".
Between 1896 and 1898, Eugène Grasset exhibited six of his "Decorative Prints", two at a time at each exhibition of La Libre Esthétique, and in 1898 he presented six lithographs at the first exhibition of the Vienna Secession.
In the 1970s, the American dealer and collector Bob Walker owned all ten original watercolors
which had served as models for the lithographs.

L’article EUGENE GRASSET – “DANGER”, 1897 est apparu en premier sur Art Nouveau | Art Déco - Antiquaire à Monaco | Robert Zehil Gallery.

Lithograph. Printed in olive green on cream vellum, numbered in the lower left corner
Stains, losses, and short tears at the sheet edges. Traces of adhesive in the corners on the verso. Full margins
27 × 17 cm.

L’article GEORGES DE FEURE – “A VERLAINE”, 1894-1895 est apparu en premier sur Art Nouveau | Art Déco - Antiquaire à Monaco | Robert Zehil Gallery.