Art Nouveau

& Art Déco

The Robert Zehil Gallery showcases the most representative works of Art Nouveau and Art Déco

The largest collection of the finest Art Nouveau museum quality glass, ceramic, furniture, sculpture, silverware, enamel…

Escapade in Monaco: Robert Zehil Gallery is Marie Claire’s choice for a unique art getaway. Read more…

L’Ecole de Nancy. Art nouveau et industrie d’art
22 September 2018

About us in Antiquariato, September 2018
14 September 2018

Escapade in Monaco: Robert Zehil Gallery is Marie Claire’s choice for a unique art getaway.
8 May 2018

SERAPHIN SOUDBININE – PAUL JEANNENEY – “LA DOULEUR”, 1907

“LA DOULEUR”, 1907
Grès overlaid with green glaze
Signed and dated
35 cm. high
32 cm. wide
19 cm. deep

Bibliography
Marc Ducret and Patricia Montjaret, L’école de Carriès, art céramique à Saint-Amand-en-Puisaye
1888-1940, Paris, éditions de l’Amateur, 1997, similar example ill. p. 125
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, Norma éditions, 2015, similar example ill. p. 349

EDMOND LACHENAL – A SYMBOLIST FIGURAL GROUP, CIRCA 1897

A SYMBOLIST FIGURAL GROUP, CIRCA 1897
Agnès de Frumerie, Attributed to (sculptor)
Earthenware, featuring three nudes emerging from waves, in shades of blue and mauve
Signed
16 cm. high
21 cm. long

Bibliography
Quoted by Louis de Fourcaud, Revue des Arts décoratifs, 1897, p. 231:
“Quelques vases à figurines agitées, pleines de bonnes intentions et d’incertitudes techniques,
de Mme Kjelberg de Frumerie ont été traduits par M. Lachenal en une pâte céramique à couverte mate,
vert pâle ou vert conjugué de bleu”

EDMOND LACHENAL – A SYMBOLIST FIGURAL GROUP, CIRCA 1897

A SYMBOLIST FIGURAL GROUP, CIRCA 1897
Agnès de Frumerie, Attributed to (sculptor)
Earthenware, featuring three nudes emerging from waves, in shades of blue and mauve
Signed
16 cm. high
21 cm. long

Bibliography
Quoted by Louis de Fourcaud, Revue des Arts décoratifs, 1897, p. 231:
“Quelques vases à figurines agitées, pleines de bonnes intentions et d’incertitudes techniques,
de Mme Kjelberg de Frumerie ont été traduits par M. Lachenal en une pâte céramique à couverte mate,
vert pâle ou vert conjugué de bleu”

HENRI SIMMEN – VASE, CIRCA 1910

VASE, CIRCA 1910
Black earthenware with an incised geometric design hightened in gold
Signed
20.5 cm. high

LUCIEN LEVY-DHURMER – “LA PRIERE AU CREPUSCULE”, CIRCA 1890

“LA PRIERE AU CREPUSCULE”, CIRCA 1890
In tribute to Jean-François Millet
Pastel on paper
Signed lower right
77 x 56
With the frame: 114 x 96 cm.

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