ARMAND POINT – “LA FEMME A LA FLEUR”, CIRCA 1900
“LA FEMME A LA FLEUR”, CIRCA 1900
Oil on panel
Bears a shipping label at the back evidencing a loan from Miss Morere, Paris
24.5 x 19 cm.
Showing 25–44 of 44 results
MAXWELL ASHBY ARMFIELD – TEMPERA ON WOOD “OEDIPE ET LE SPHINX”, CIRCA 1910
TEMPERA ON WOOD “OEDIPE ET LE SPHINX”, CIRCA 1910
After an ink drawing by Charles Ricketts, R.A titled “Oedipe et le Sphinx”
34 x 24 cm.
MANUEL ORAZI – LA MAISON MODERNE – RARE LITHOGRAPH “FEMME AUX ORCHIDEES”, CIRCA 1902-1904
RARE LITHOGRAPH “FEMME AUX ORCHIDEES”, CIRCA 1902-1904
Colour lithograph
Signed, with the artist’s circular seal adapted from a Japanese motif
46 x 61.5 cm.
Bibliography
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis Publisher, London, 2002, ill. p. 197-198
Manuel Orazi designed important Art Nouveau posters for La Maison Moderne, as well as for Sarah Bernhardt, the 1900 Exposition Universelle, Loïe Fuller, and the Palais de la Danse. His works in oils, gouache and watercolours were exhibited
at the Société Nationale des Beaux-Arts from 1897. He also supplied illustrations for periodicals and for books. As the principal artist working for La Maison Moderne, besides a poster, he created objets d’art and jewellery
CHARLES MAURIN – “LA TOILETTE”
“LA TOILETTE”
Charcoal drawing
Signed lower left
60 x 45 cm.
THEOPHILE ALEXANDRE STEINLEN – “LES TROIS CHATS”, 1915
“LES TROIS CHATS”, 1915
Charcoal, black pencil, watercolor
ALPHONSE GERMAIN-THILL – “YOUNG BEAUTY WEARING ART NOUVEAU JEWELS”, 1904
“YOUNG BEAUTY WEARING ART NOUVEAU JEWELS”, 1904
Oil on board lined with canvas
Signed lower left and dated (19)04
50 x 36 cm.
GEORGES ROCHEGROSSE – “LA MORT”, BEFORE 1910
“LA MORT”, BEFORE 1910
Watercolour
This is the watercolour that was used to illustrate Charles Baudelaire’s famous book Les Fleurs du Mal, engraved by Eugène Decisy and titled La Mort
PINKNEY MARCIUS-SIMONS – “LE GRAAL”, CIRCA 1900
“LE GRAAL”, CIRCA 1900
Oil on panel
Signed lower left
115 x 144 cm.
PINKNEY MARCIUS-SIMONS – “L’APPARITION DU GRAAL A PERCEVAL”
“L’APPARITION DU GRAAL A PERCEVAL”
Oil on panel
Signed
72 x 67 cm.
This painting depicts the moment in Richard Wagner’s opera Parsifal when “The light radiates,
the Graal sets itself ablaze and a dove comes down from the dome above Parsifal.
He refuses to kiss Kundry whom remorseful falls and dies”.
RENE LEVERD – “HERETIQUE SUR LE BUCHER”, CIRCA 1900
“HERETIQUE SUR LE BUCHER”, CIRCA 1900
Watercolor
Signed lower left
48 x 32 cm.
MAURICE CHABAS – “L’APPARITION”
“L’APPARITION”
Oil on canvas
Signed lower right
55 x 46 cm.
GEORGES DE FEURE – “VIEUX MONSIEUR DECORE, JEUNE FEMME DEBRAILLEE”, CIRCA 1900
“VIEUX MONSIEUR DECORE, JEUNE FEMME DEBRAILLEE”, CIRCA 1900
Lithograph on vellum
Signed with the initials of the artist and dedicated A mon ami John N… chaleureusement d.F
25.5 x 18.5 cm.
Bibliography
Ian Millman, Georges de Feure, Maître du symbolisme et de l’Art Nouveau, ACR édition, Courbevoie (Paris), 1992, ill. p. 22
GEORGES ROCHEGROSSE – “DREAMS”, BEFORE 1910
“DREAMS”, BEFORE 1910
Watercolour and indian ink on paper
Signed
34.5 x 23.5 cm.
This is the watercolour that was used to illustrate Charles Baudelaire’s famous book Les Fleurs du Mal by Rochegrosse
It represents the poet Baudelaire and his inspiration
FRANCOIS MARIUS VALERE-BERNARD – “LA VIGNE”, 1896
“LA VIGNE”, 1896
Oil on canvas
Signed
92 x 73 cm.
Bibliography
Jean-Roger Soubiran, Valère Bernard, édition Jeanne Laffitte, 1988, ill. p. 136, n. 115
GEORGES CLAIRIN – “FETE FLEURIE”, CIRCA 1900
“FETE FLEURIE”, CIRCA 1900
Gouache and watercolor
41 x 29 cm.
GUSTAV ADOLF MOSSA – “SUZANNE ET LES VIEILLARDS” TRIPTYCH, 1906
“SUZANNE ET LES VIEILLARDS” TRIPTYCH, 1906
Watercolor, ink, gouache and pencil on paper
Signed, inscribed and dated lower center: GUSTAV ADOLF MOSSA NICIENSIS PINXIT MCMVI and titled below the central panel SUZANNE ET LES VIEILLARDS
36.7 x 56 cm.
Exhibition
Exposition d’œuvres d’Alexis et de Gustav Adolf Mossa, L’Artistique, Nice, 1909, n. 92
Exposition d’œuvres de G.A. Mossa, Galerie George Petit, Paris, 1911, n. 21
Gustave-Adolphe Mossa. Niciensis Pinxit, Musée des Beaux-Arts Jules Chéret, France, 29 January – 15 May 2022
Bibliography
Un Domino, Le Gaulois, Echos de partout, 5 April 1911
Léon Riotor, Le Radical, Echos, 11 April 1911
Gustav Adolf Mossa, catalogue raisonné des œuvres “symbolistes”, Somogy éditions d’art, 2010, n. A154, ill. p. 221
GEORGES CLAIRIN – PORTRAIT OF SARAH BERNHARDT AT BELLE-ILE-SUR-MER, CIRCA 1900
PORTRAIT OF SARAH BERNHARDT AT BELLE-ILE-SUR-MER, CIRCA 1900
Watercolor and gouache on paper
Signed
36 x 22 cm.
GASTON BUSSIERE – “BRUNNHILD”, CIRCA 1900
“BRUNNHILD”, CIRCA 1900
Watercolor
Signed
28 x 20 cm.
LUCIEN LEVY-DHURMER – “LA MOISSON”
“LA MOISSON”
Pastel on paper
Signed lower right
77 x 56 cm.
With the frame: 114 x 96 cm.
Exhibition
Autour de Lévy-Dhurmer/ Visionnaires et Intimistes en 1900, Grand Palais, Paris,
3 March – 30 April 1973, similar work, n. 89 in the exhibition catalogue
EDOUARD LOUIS HENRY-BAUDOT – NAIADE
NAIADE
Gouache
Signed
88 x 98 cm.
Provenance
The artist’s estate