CHAPLET Ernest-Emile (1835-1909)

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ERNEST-EMILE CHAPLET – WALL-MOUNTED FOUNTAIN, CIRA 1883–1885

WALL-MOUNTED FOUNTAIN, CIRA 1883–1885
Brown sandstone with high-relief decoration for the basin, depicting a gallant scene glazed in ochre-yellow and highlighted with gold
The fish-mouth spout is framed by a frog, a carp, and water lilies, glazed in yellow, green, and gold
Lid decorated with an eagle on a branch. The basin is decorated with a frieze of fish and glazed water lilies
Marked with a stamped signature bearing the number 99/R3/B1
The fountain is presented on its carved wooden panel
Height: 124 cm.

Bibliography
Jean d’Albis, Ernest Chaplet 1835-1909, Les Presses de la Connaissance, Paris, 1976, page 38

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ALBERT DAMMOUSE – ERNEST-EMILE CHAPLET – ROLL-SHAPED VASE, CIRCA 1900

ROLL-SHAPED VASE, CIRCA 1900
Terracotta decorated with barbotine
Floral design of Japanese composition executed by Albert-Louis Dammouse; impressionist technique by Ernest Chaplet excecuted in the Haviland workshop, Auteuil
Bearing the artist’s seal, label from the Roger Marx’s collection and an other old label A la paix …avenue de l’opéra on the reverse
Height: 33.5 cm.

Bibliography
Europäiche Keramik der Jugendstilzeit, Art Nouveau Modern Style, exhibition catalogue,
Hetjens-Museum, Düsseldorf (Allemagne), 1974, p. 50, n. 40 for a similar vase
Félix Marcilhac, Art nouveau 1900, éd. Ouest-France, 1981, ill. p. 25
Anne Lajoix, La céramique en France 1925-1947, éd. Sous le Vent, Paris, 1983, ill. p. 11

Provenance
Collection Roger Marx, Paris

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FELIX BRACQUEMOND – ERNEST-EMILE CHAPLET – IMPORTANT ZOOMORPHIC PITCHER, CIRCA 1900

IMPORTANT ZOOMORPHIC PITCHER, CIRCA 1900
Grès; beige and brown glaze
Signed
34.5 cm. high

Bibliography
Compare with the models executed in glass for the Manufacture Nationale de Sèvres and illustrated in Gustave Kahn, La Verrerie – verrerie usuelle – la verrerie de table, Art et Décoration, December 1901, pp. 129 à 139
“….En France, Bracquemond donna ses soins à trouver quelques modèles de verrerie. Le principe de cette recherche, où il ne semble pas avoir persisté, semble avoir été d’appliquer à la verrerie quelques-unes des formes utilisées dans la céramique, et stylisées en vue de l’usage nouveau”