LOUIS MAJORELLE – KELLER & GUERIN – VASE, CIRCA 1900
VASE, CIRCA 1900
Polychrome earthenware with a design of flower buds and leaves
Signed KG/Lunéville/Majorelle
48 cm. high
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VASE, CIRCA 1900
Polychrome earthenware with a design of flower buds and leaves
Signed KG/Lunéville/Majorelle
48 cm. high
PITCHER, CIRCA 1900
Glazed stoneware, stylized vegetal decoration in relief
Signed K.G. Lunéville Bussière
28.5 cm. high
Another example of this model is part of the Collections of the museum of Lunéville, inv. n. C337
Exhibition
Céramiques végétales – Ernest Bussière et l’Art Nouveau, musée de l’Ecole de Nancy,
21 June-25 September 2000, ill. p. 43, n. 40 in the catalogue
Bibliography
Buffet-Challié, Laurence, Le Modern Style, Baschet et Cie Editeurs, ill. p. 112, n. 1
Roselyne Bouvier, Majorelle, Editions Serpenoise, La Bibliothèque des Arts, 2009, ill. p. 32
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, éditions Norma, 2015, ill. p. 83
“CHARDONS DEUX LUMIERES” TABLE LAMP, CIRCA 1900
Patinated wrought-iron and etched glass shades by Daum
Signed
54 cm. high
Only a handfull of known examples to exist
WALL PLANTER, CIRCA 1878
Earthenware, japanese decor in semi-relief of a bird fisching a carp
Made in the Toul workshop
Signed
34 cm. diameter
TABLE LAMP, CIRCA 1900
Marmorean glass and wrought iron. The base in marble
Dimension of the shade: 30 x 14 cm.
63 cm. high (with the base)
This model is illustrated in the Maison Majorelle catalogue without the base
“AUX FOUGERES” AND “AUX ESCARGOTS” SALON, CIRCA 1900
Mahogany, comprising :
A sofa, two armchairs and two chairs
Armchair: 116 cm. high
“POINCARE” FLOOR LAMP, VERY RARE, CIRCA 1900
Patinated wrought iron, the shade in alabaster
197 cm. high
Bibliography
Alastair Duncan, Majorelle, Flammarion, 1991, n. 114
“FEMME AUX IRIS”, A PAIR OF WALL SCONCES DESIGNED FOR THE RESTAURANT LUCAS CARTON, CIRCA 1902
Gilt and chased bronze, the petals of the iris in hammered copper
96.5 cm. high
39.5 cm. wide
Lucas Carton is one of the first gourmet restaurants in Paris. Located on the prestigious Place de la Madeleine,
it is famous for its exceptional Art Nouveau interior designed by Louis Majorelle at the turn of the 20th century
The pair of appliques we are offering was acquired from the Benedict Silverman Collection, New York
Bibliography
Fin de siècle masterpieces from the Silverman collection, New York, 1989, one wall-light illustrated p. 180, n. 90
SALON “AUX FOUGERES”, CIRCA 1906
Carved gilt wood, re-upholstered, comprising:
A sofa, two chairs and two armchairs
The sofa: 109 cm. high | 139 cm. wide
Each armchair: 105 cm. high | 70 cm. wide
Each chair: 101 cm. high | 48 cm. wide
GUERIDON, CIRCA 1900
Walnut, decorated with inlaid water leaves patterns
Inlaid signature L. Majorelle
77 cm. high
77 cm. diameter
CEILING LIGHT, CIRCA 1900
Wrought iron and glass white shades with strips in relief, the mount by Louis Majorelle
Acquired directly at the crystal Daum factory around 1992
Signed
20.5 cm. high
14.3 cm. diameter
TABLE LAMP, CIRCA 1910
Wrought iron base and mottled glass shade
the inner part acid etched with a fern motif
70 cm. high
“LES BUTOMACEES”, CIRCA 1900
Carved and inlaid mahogany, with bronze handles
89 x 81 x 60 cm.
Another example of this design is part of the collection of the Yamazaki Mazak Museum of Art, Japon, inv. n. ANF-663701
“AUX ORCHIDEES” DESK, CIRCA 1903-1905
Mahogany, gilt and chased bronze
95 x 151 x 70 cm.