EDGAR-WILLIAM BRANDT – IMPORTANT LAMP
IMPORTANT LAMP
Patinated wrought iron base featuring stylized foliage decoration
The shade in alabaster
Signed
Height: 60 cm.
JEAN-MICHEL FRANK (after) – GUERIDON
GUERIDON
Metal with three legs, made by the Comte workshop in Argentina
Height: 70 cm
Top diameter: 39 cm
ROYAL COPENHAGEN – HANS HENRIK HANSEN – VASE, 1926
VASE, 1926
Porcelain with celadon glaze decorated with a frog, flowers and leaves in high relief
Signed HHH, bearing three waves and dated 7-4-1926
14 cm. high
Hans Henrik Hansen was sculptor at Royal Copenhagen from 1908 and designer from 1926 to 1965
EDGAR-WILLIAM BRANDT – WROUGHT IRON FIREPLACE SET, CIRCA 1915-1920
WROUGHT IRON FIREPLACE SET, CIRCA 1915-1920
Featuring a bird head motif and scrollwork, resting on four crossed legs
With a fire poker, a shovel, and tongs
Height: 75 cm.
Bibliography
Documents de Décoration Moderne, 1st volume, Ferronnerie, pl. 20
EMILE LENOBLE – CONICAL VASE
CONICAL VASE
Chamois stoneware
Height: 17 cm.
FRANCOIS-EMILE DECORCHEMONT – BOWL, 1930
BOWL, 1930
White pâte de verre with purple streaks
Signed with the artist’s seal and numbered B913
Diameter: 13.8 cm.
Height: 7 cm.
DAUM FRERES – PAUL RACADOT – “HOMMAGE A CAMILLE CAVALLIER” LAMP, 1924
“HOMMAGE A CAMILLE CAVALLIER” LAMP, 1924
Blown and engraved glass
Inscribed: Charlon/Pont à Mousson/Camille Cavallier/Hommage/des Conseillers/du Commerce Extérieur/de la Région de l’Est/1924″ et “Métallurgie/Pont à Mousson/1856/Foug/1905 Au Boue/1905/S’Estienne du Rouvray/1915
Height: 74 cm.
“Ce magnifique vase est la réplique de celui qui a été offert officiellement à Camille Cavallier, président-fondateur des Fonderies de Pont-à-Mousson, en 1924. Sur un fond symbolique de blés mûrs au temps de la moisson, quatre médaillons reproduisent dans une dominante rougeoyante qui leur convient, des scènes d’atelier, depuis la mine jusqu’à la forge. Tous ces motifs sculptés finement dans le verre, sont les témoins de la qualité exceptionnelle des graveurs sur verre de cette époque. Leur travail n’était pas exempt d’aléas, et si ce vase n’est qu’une réplique de l’original, quoique terminé, c’est qu’il est légèrement fêlé. Au cours des derniers coups de roue, une crique s’est déclarée inopinèment, rendant nécessaire la reprise à zéro du travail sur une autre pièce en attente, qui ne dut qu’à un tour de force d’être prête à temps. Le principal auteur du travail était le célèbre H. Racadot”. (Notice of Noël Daum in the catalogue of the exhibition at the Musée des Beaux-Arts de Nancy)
Exhibition
DAUM Cent ans de verrerie d’art “trois styles”, 3ème exposition, March 1979 – March 1980, musée des Beaux-Arts de Nancy, n. 16 in the exhibition catalogue
Bibliography
Noël Daum, Daum Maîtres Verriers, Edita Denoël, 1980, ill. p. 108
Clothilde Bacri, Daum, Paris, 1992, ill. p. 152
FRANCOIS-EMILE DECORCHEMONT – BOWL, MODEL 477, 1931
BOWL, MODEL 477, 1931
Mottled pâte de verre with streaks
Signed with the artist’s seal and numbered C280
Height: 10.5 cm.
From an edition of 3 examples
Bibliography
Véronique Ayroles, François Décorchemont, Maître de la pâte de verre, 1880-1971, Paris, 2006,
ill. p. 292
Presently on loan to the Musée du Verre François Décorchemont, in Conches-en-Ouches
FRANCOIS-EMILE DECORCHEMONT – BOWL WITH TWO HANDLES, MODEL 330, 1927
BOWL WITH TWO HANDLES, MODEL 330, 1927
Pâte de verre in mottled yellow with brown streaks
Signed with the artist’s seal and numbered B577
From an edition of 31 examples
Height: 9.4 cm.
Diameter: 16 cm (including the handles)
Bibliography
Véronique Ayrolles, François Décorchemont: Maître de la pâte de verre, 2006, éditions Norma, Paris, similar model ill. p. 274
Presently on loan to the Musée du Verre François Décorchemont, in Conches-en-Ouches
GEORGES MANZANA PISSARRO – GLASS COUPE DEPICTING A NATIVITY SCENE, CIRCA 1925
GLASS COUPE DEPICTING A NATIVITY SCENE, CIRCA 1925
Signed Manzana
5 x 10 cm.
MARCEL GOUPY – VASE
VASE
Transparent glass vase with polychrome enamels floral decoration
Signed
Height:22 cm.
GABRIEL ARGY-ROUSSEAU – “CHRYSANTHEMES” VASE, 1919
“CHRYSANTHEMES” VASE, 1919
Pâte-de-verre
Signed
Height: 14.4 cm.
Bibliography
Janine Bloch-Dermant, G. Argy-rousseau Catalogue raisonné, les éditions de l’amateur, 1990, ill. p. 47, ill. p. 180
EDGAR-WILLIAM BRANDT – DAUM FRERES, PAIR OF WALL LIGHTS, CIRCA 1925
PAIR OF WALL LIGHTS, CIRCA 1925
Wrought iron with a silvered patina. The shades in yellow and orange multilayered acid etched glass with gold powders inclusions
Height: 50 cm.
Width: 31 cm.
MANUFACTURE NATIONALE DE SEVRES – HENRI RAPIN – “FONTAINE LUMINEUSE”, 1924-1927
FONTAINE LUMINEUSE, 1924-1927
The shape and decor designed by Henri Rapin, executed by J.-B. Gauvenet
Porcelain, the base in bronze
The top bearing the Sèvres Factory seal S 1924; at the base, a plaque is engraved
AGENCE GENERALE ELLIOTT FISHER A SON CHER VICE-PRESIDENT
F. LECHER SEVRES PARIS NOVEMBRE 1927
App. 134 cm. high without the base
Four fountains are registered in the archives at the Sèvres Factory:
One at the Mobilier National, incomplete (lower part missing)
One at the Sèvres Porcelain Factory, in excellent condition
One in an unknown location, severely damaged
Our example
Exhibition
Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris, 1925 (Pavillon de Sèvres)
L’Exposition des porcelaines de Sèvres de style Art Déco, Tokyo Metropolitan Teien Art Museum,
2 October-19 December 1993, ill. p. 37, n. 30 in the exhibition catalogue
Bibliography
Les œuvres de la Manufacture nationale de Sèvres, tome V: Le Luminaire, nd, ill. pl. 5, n. 3528
Jean Paul Midant, Sèvres – La Manufacture au XXème siècle, Michel Aveline editor, Paris, 1992,
ill. full page p. 76 (formerly in the Pavillon de Sèvres collection, London, the bronze base missing)
SOLD
PAUL NICOLAS – BOWL, CIRCA 1928-1939
BOWL, CIRCA 1928-1939
Blue multilayered glass with brown, red and green inclusions. Acid-etched in light-relief and
weel-carved design of three jellyfish and two fishes on an acid etched backgound to simulate the movement of the water
Signed on the foot and located Nancy under the base
Height: 11.8 cm.
Diameter: 17 cm.
Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches, 9 March-22 September 2019, p. 50
DAUM FRERES – GROUP OF VASES AND A BOWL, CIRCA 1925
GROUP OF VASES AND A BOWL, CIRCA 1925
Blue glass, deeply acid etched with geometric patterns. 8.7 cm. high
Blue glass, acid etched with stylised flowers
Amber glass, deeply acid etched with geometric patterns on a frosted background
MAURICE MARINOT – BOTTLE, MM N. 469, 1922
BOTTLE, MM N. 469, 1922
Clear glass internally decorated with green spirals
Original stopper
Signed
21 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier, Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 328
Exhibition
“A propos du Salon des Décorateurs”, L’Amour de l’Art, March 1922, p. 85
Hélène Demoriane, Marinot, le maître verrier des années 1920, Connaissance des Arts, September 1967
Provenance
Galerie Witcomb (1923)
Lilian Nassau, New York, USA
Sotheby’s New York, USA, April 16-17, 1990, lot n. 60
Robert Zehil Gallery, Beverly Hills, USA
Private collection, New York, USA
Acquired from the above in December 2015
MAURICE MARINOT – BOWL, MM n°528, 1922
BOWL, MM n°528, 1922
Clear and etched glass
Signed
9.5 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier / Catalogue raisonné de l’Oeuvre de verre,
Les éditions de l’amateur, 2013, ill. p. 338
HENRI NAVARRE – SCULPTURE, CIRCA 1930
SCULPTURE, CIRCA 1930
Satinated glass representing a woman
Signed
Total height: 33 cm
Height of the sculpture: 24.5 cm.
Width: 13.5 cm.
Depth: 19 cm.
MANUFACTURE NATIONALE DE SEVRES – HENRI RAPIN – JEAN-BAPTISTE GAUVENET – “RAPIN” WALL LIGHT, 1923
“RAPIN” WALL LIGHT, 1923
Enamelled porcelain and gilt bronze
Bearing the Sèvres Factory and decoration marks for 1923
36 cm. high
No other example known to exist
Exhibition
Exposition Universelle des Arts Décoratifs et Industriels Modernes, Paris, 1925
Sèvres – Elégance du 20ème siècle. L’Exposition des Porcelaines de Sèvres de style Art Déco, Tokyo Metropolitan Teien Art Museum, 2 October-19 December 1993, n. 27 in the exhibition catalogue
Bibliography
Les Œuvres de la Manufacture Nationale de Sèvres 1738-1939, Volume V, Le Luminaire, illustrated under number 35245
BORIS LOVET-LORSKI – “MOTHER AND CHILD”, CIRCA 1930
“MOTHER AND CHILD”, CIRCA 1930
Bronze with silver patina.
Signed BORIS LOVET LORSKI
15 cm. high
Sold together with a plaster of the model.
EMILE GALLE – VERY RARE BOWL, CIRCA 1925
VERY RARE BOWL, CIRCA 1925
Decorated with engraved lotus leaves and fish
Signed
39 cm in diameter
ARISTIDE COLOTTE – DRAWING, CIRCA 1925
DRAWING, CIRCA 1925
Original designs of three vases with geometrical decor
Gouache and graphite on grey Canson type paper
Signed at the bottom, to the right
Bibliography
Mireille Mazet, A. Colotte sculpteur sur verre et sur cristal, les éditions de l’amateur, Paris 1994,
ill. p. 244, n. 154
ARISTIDE COLOTTE – DRAWING, CIRCA 1925
DRAWING, CIRCA 1925
Original designs of two large tapered vases with geometrical decor
Gouache and graphite on grey Canson type paper
Signed at the bottom, in the middle
Bibliography
Mireille Mazet, A. Colotte sculpteur sur verre et sur cristal, les éditions de l’amateur, Paris 1994,
ill. p. 244, n. 153
MAURICE MARINOT – CHALICE, 1912
CHALICE, 1912
Chalice with a slightly flared lip, in clear glass, its foot entirely decorated in polychrome enameled stylized flowers and leaves on a blue background
Signed in red enamel above one of the scrolls adorned on the lower part of the coupe
16.5 cm. high
With a certificate and a label marked n. 73/116 by Mrs Florence Marinot
An item with an identical shape and also enameled with flowers is in the collection of the Corning museum. For further details: Katharine McClinton, Art Deco, a guide for collectors, p. 140
Exhibition
Salon d’automne, 1912
Salon d’automne, 1913, in an ensemble by André Mare
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’œuvre de verre, les éditions de l’amateur, 2013, ill. pp 52 and 260
Provenance
Formerly in the collection of Mr Poyet, Lyon, 1919
Mr Latil, Paris
Lillian Nassau, New York, acquired in 1972
According to Félix Marcilhac, this piece is from 1913 (so it could not have been exhibited in 1912)
MAURICE MARINOT – COUPE, 1913
COUPE, 1913
Chalice on a long and flared foot, in clear glass, acid-etched and decorated with blue, red and yellow enameled bunch of grapes
Signed with red enamel on the base of the foot
13.2 cm. high
With a certificate and a label marked n. 25/105 by Mrs Florence Marinot
Exhibition
Salon d’automne, Paris, 1913
Bibliography
Léandre Vaillat, Marinot peintre verrier, L'Art et les Artistes, May 1914, p. 140
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l'œuvre de verre, les éditions de l'amateur, 2013, ill. p. 253
Provenance
Former X Collection in 1919
Lillian Nassau, New York
Harvey Littleton, North Carolina, USA
DAUM NANCY – VASE, CIRCA 1925
VASE, CIRCA 1925
Clear glass internally decorated with orange stripes and air bubbles
Wheel-cut signature Daum Nancy France
23 cm. high
An identical model was exhibited at the 1925 Exposition and acquired by the State for the Musée des Arts Décoratifs in Paris
Exhibition
Exposition Internationale des Arts Decoratifs, Paris 1925
Bruxelles, Société Générale de Banque, “Art Déco 1925”
Bibliography
Duret-Robert François, Daum, Connaissance des Arts, November 1972, n. 249
Brunhammer, Yvonne, 1925, les presses de la connaissance, Paris 1976, full color ill. p. 79
Bacri Clothilde, Daum, Michel Aveline, éditeur, 1991, full page ill. p. 190
Provenance
Collection Daum, acquired in 1987
MANUFACTURE NATIONALE DE SEVRES – ANNE-MARIE FONTAINE – BONBONNIERE, 1922
BONBONNIERE, 1922
Polychrome and gilded porcelain, decorated with stylized branches and flowers
Designed by Dunaime
Decorated by Miss Anne-Marie Fontaine
Bearing manufacture and decoration stamps of 1922
Signed under its base A M Fontaine and the letter J
6 cm. high; 11 cm in diameter
Bibliography
Lechevallier-Chevignard, Georges “La Décoration Moderne à la Manufacture de Sèvres“, Ch. Massin & Cie Editeurs, Paris, s.d. pl.5
MANUFACTURE NATIONALE DE SEVRES – MARGUERITE DE BAYZER-GRATRY – BONBONNIERE, 1938
BONBONNIERE, 1938
Large bonbonnière in enameled green celadon porcelain, decorated with two curled-up snakes
Signed and marked “J” for 1938
17 cm. high; 21 cm in diameter
CAMILLE FAURE – VASE, CIRCA 1930
VASE, CIRCA 1930
Flattened vase decorated with enameled flowers on copper
9 cm. high; 15 cm in diameter
MAURICE MARINOT – “FLEURETTES” BOTTLE N°41, 1912
“FLEURETTES” BOTTLE N°41, 1912
Footed baluster bottle and its stopper, enameled blue, white and red flowers (roses and tulips) in glass, concentric lines on the stopper, neck, body and foot
Signed M.M. in enamel
17 cm. high
Provenance
Formerly in the Hoog collection
EDGAR WILLIAM BRANDT – CENTER TABLE, CIRCA 1925-1930
CENTER TABLE, CIRCA 1925-1930
Double footed table, central wrought-iron panel decorated with scrolls and geometrical shapes, table top in green marble
Stamped E. BRANDT on one foot
74 cm. high
160 cm. wide
85 cm. deep
DAUM NANCY – VASE, CIRCA 1930
VASE, CIRCA 1930
Large green smoked glass vase.
Fluted, neck with faceted corners and a square base.
Wheel-cut signature.
44.5 cm. high; 23 cm. wide.
GABRIEL ARGY-ROUSSEAU – PENDANT “ROSE”, 1920
PENDANT “ROSE”, 1920
Pâte de verre
Signed
5.3 cm. diameter
Bibliography
Janine Bloch-Dermant , G. Argy-rousseau Catalogue raisonné, les éditions de l’amateur, 1990, ill. p. 187
GABRIEL ARGY-ROUSSEAU – PENDANT “PAPILLON”, 1924
PENDANT “PAPILLON”, 1924
Pâte de verre
Signed
6 cm. diameter
Bibliography
Janine Bloch-Dermant, G. Argy-rousseau Catalogue raisonné, les éditions de l’amateur, 1990, ill. p. 201, n. 24.37
MARCEL GOUPY – VASES, CIRCA 1920
VASES, CIRCA 1920
Round vase on circular foot and small flaring neck, mottled light blue glass decorated with eight tears
in green enamel, the foot and neck outlined in green enamel
Signed underneath in enamel
14 cm.
Flattened footed vase in clear glass, polychrome decoration of a pair of birds framed by flowers and leaves
Signed underneath in enamel Sold
Tapered cylindrical vase in mottled yellow glass decorated in polychrome enamel with three identical pairs
of parakeets and insects in flight
Signed in enamel underneath
Footed cylindrical vase with flaring neck, mottled yellow glass decorated with three medallions of stylized motifs
in black enamel, the rim and foot outlined in black enamel
Signed underneath in enamel
MAURICE MARINOT – VASE, MM N. 282, 1921
VASE, MM N. 282, 1921
Internally decorated footed thick glass vase
Signed
18 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier, Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 302
Provenance
Collection Adrien A. Hébrard (1921)
Bernard Lorenceau
Charles J. R. Liebman
Robert Zehil Gallery, Beverly Hills, USA
Private colletion, New York, USA
Acquired from the above in December 2015
MAURICE MARINOT – FLATTENED BOTTLE, MM, N. 1015, 1925
FLATTENED BOTTLE, MM, N. 1015, 1925
Deeply etched flattened glass bottle
Signed
12.5 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier. Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 420
Exhibition
Jacques Seligman & C°, Twentieth Century Glass – American and European, New York, 1925, Metropolitan Museum of Art, New York, 1950
FRANCOIS-EMILE DECORCHEMONT – “SERPENTS” BOWL, 1925
“SERPENTS” BOWL, 1925
Model 260, A 108
Pâte de verre in mottled brown and amber
Impressed with the artist’s seal and numbered A108
12 x 30 cm.
Exhibition
Véronique Ayrolles, François Decorchemont, Maître de la pâte de verre, éditions Norma, 2006, other examples ill. pp. 6, 122, 123, 265
Presently on loan to the Musée du Verre François Décorchemont, in Conches-en-Ouches
GEORGES DESPRET – YVONNE SERRUYS – “THE THREE GRACES”, CIRCA 1906
“THE THREE GRACES”, CIRCA 1906
Monumental pâte de verre pedestal dish after a model by Yvonne Serruys representing the Three Graces holdind up a sea shell with green and orange highlights imitating mother-of-pearl, with the
base showing children blowing conch shells
Signed and numbered 940
40 cm. high
The shell: 31 cm. long
Exhibition
Sunderland Museum & Art Gallery, The Art of Glass: Art Nouveau to Art Deco, 17 July-27 October 1996
Bibliography
Gustave Kahn, Le goût moderne, November 1926, pp. 8-11: “Ainsi Mme Yvonne Serruys a donné le modèle d’une coupe haute, à large vasque étendue, exécutée dans les tons blancs du marbre ou la nacrure du coquillage, soutenue par les épaules
de porteurs nus, dont les pieds s’agrippent à un rocher mouvementé, et le verrier a obtenu des épreuves de colorations diverses, distinctes et toutes bien venues”
Victor Arwas, The Art of Glass, Andreas Papadakis, publisher, 1996, full page ill. p. 56
FRANCOIS-EMILE DECORCHEMONT – BOWL “SIX OLIVES”, MODEL 77/79A, 1915
BOWL “SIX OLIVES”, MODEL 77/79A, 1915
Pâte de verre multicolored
Impressed with the artist’s seal and numbered
6 x 12.5 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 95, p. 242
MARCEL GOUPY – VASES, CIRCA 1920
VASES, CIRCA 1920
Baluster vase with small flaring neck, mottled blue glass decorated with three pairs of magpies on branches and several dragonflies in polychrome enamel
Signed underneath
27 cm. high
Large baluster vase in clear glass decorated with four birds and stylized flowerheads in polychrome enamel outlined in black
Signed in enamel
22.5 cm. high
Baluster vase in clear glass decorated with three pairs of parakeets against a stylized pattern of berries branches in polychrome enamel
Signed
21.5 cm.
DAUM NANCY – VASE, CIRCA 1925
VASE, CIRCA 1925
Clear glass, internally decorated and acid-etched
Signed Daum Nancy France
15 cm. high
MAURICE MARINOT – VASE, 1922
VASE, 1922
Clear glass with an engraved decoration of tulips
Signed; with a certificate and a label marked n. 402 by Mrs Florence Marinot
17 cm. high
Exhibition
Infinite Obsessions, Barry Friedman Gallery, New York, 1999-2000
Bibliography
René Chavance, Maurice Marinot, peintre et verrier, L’Art et les Artistes, January 1923, p. 156
Yves Delaborde, Le Verre, art & design, XIX-XXIème siècles, ACR édition, 2011, p. 203
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 319
MANUFACTURE NATIONALE DE SEVRES – HENRI RAPIN – VASE, 1934
VASE, 1934
Porcelain with an incised geometric decor
With the Sèvres Manufacture seal and incised J (for 1934)
37 cm. high
JEAN SERRIÈRE – ADRIEN-AURELIEN HEBRARD – A DINANDERIE VASE, CIRCA 1931
A DINANDERIE VASE, CIRCA 1931
Hammered copper; decorated with three faces of women framed with curls, eyebrows,
eyes and mouth with silver inlays
Signed JS under the piece; with Hebrard foundry mark and Paris
23 cm. high
25 cm. diameter
Probably executed for the Exposition Coloniale of 1931
MANUFACTURE NATIONALE DE SEVRES – VASE, 1938
VASE, 1938
Model: PROU N.1
Author of the shape: René Prou
Decorated by Susanne Kaehrling in 1938
Decorated with reeds highlighted with gold, a bather, fishing boats and houses
Signed, rose seal, letter K and numbered 5935
45 cm. high
MAURICE MARINOT – BEAKER, MM 1912, N. 11, 1911
BEAKER, MM 1912, N. 11, 1911
Clear glass with an enamelled polychrome design of fruits
This piece was exhibited in a vitrine at Hebrard’s shop in Paris
12 cm. high
Exhibition
Salon d’automne, 1913
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 242
MARCEL GOUPY – VASES, CIRCA 1920
VASES, CIRCA 1920
Baluster vase with small flaring lip, clear glass decorated with three nude hunters chasing tigers
Black and orange enamel heightened with gold enamel
Signed underneath
15.5 cm.
Large flaring bowl, clear glass, rim decorated with a frieze of stylized leaves and fruits in polychrome
enamel highlighted in gold
Signed underneath Sold
FRANCOIS-EMILE DECORCHEMONT – BOWL “ROSACE ET CHEVRONS”, MODEL 228, 1925
BOWL “ROSACE ET CHEVRONS”, MODEL 228, 1925
Pâte de verre in shade of brown and amber
Impressed with the artist’s seal and numbered A 150
13 x 21 cm.
Exhibition
L’Exposition de la verrerie Art Déco, Tokyo & Osaka, 1990, exhibition catalog n. 170, ill. p. 119
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 116, p. 261
Presently on loan to the Musée du Verre François Décorchemont, in Conches-en-Ouches
FRANCOIS-EMILE DECORCHEMONT – VASE “CARPES”, MODEL 179, 1923
VASE “CARPES”, MODEL 179, 1923
Pâte de verre in shade of green, amber and brown
Impressed with the artist’s seal and numbered 0457
Edition of 5
17.5 x 18.5 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 116, p. 255
Presently on loan to the Musée du Verre François Décorchemont, in Conches-en-Ouches
FRANCOIS-EMILE DECORCHEMONT – BOWL “DANSEUSES”, MODEL 250, 1925
BOWL “DANSEUSES”, MODEL 250, 1925
Pâte de verre in shade of brown and black with pink splashes
Impressed with the artist’s seal and numbered A 291
13 x 11 cm.
One example numbered A 122 is at the Chrysler Museum, Norfolk, Virginia
Exhibition
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 105, p. 264
Presently on loan to the Musée du Verre François Décorchemont, in Conches-en-Ouches
FRANCOIS-EMILE DECORCHEMONT – BOWL “FRUITS”, MODEL 184, 1922
BOWL “FRUITS”, MODEL 184, 1922
Pâte de verre, light green with purple streaks
Impressed with the artist’s seal and numbered 0879
16.5 x 15 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006,
similar example ill. p. 268
Exhibition
L’Exposition de la verrerie Art Déco, Tokyo & Osaka, 1990, n. 169, ill. p. 118
Presently on loan to the Musée du Verre François Décorchemont, in Conches-en-Ouches
MAURICE MARINOT – COUPE GLASS, 1920
COUPE GLASS, 1920
Clear frosted glass, decorated with four polychrome enamelled medallions featuring naked women,
the inside also with an enamelled decor, the foot circled with enamelled dots
Signed in enamel
With a certificate and a label marked n. 153 by Mrs. Florence Marinot
12 cm. high
Exhibition
Société des Artistes décorateurs, Paris, 1920
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre,
les éditions de l’amateur, 2013, ill. p. 83, p. 285
MANUFACTURE NATIONALE DE SEVRES – “VASE D’IGNY B”, 1921
“VASE D’IGNY B”, 1921
“Femme aux fleurs”
Shape designed by Alexandre Sandier, 1897
Decor by Robert Bonfils
Decorator: Marcel-Jean Piquet, 1921
Bearing the monogram MP (Marcel-Jean Piquet)
23.5 cm. high
Bibliography:
Lechevallier-Chevignard, Georges La Décoration Moderne à la Manufacture de Sèvres, Ch. Massin & Cie Editeurs, Paris, s.d. pl. 4
Les Oeuvres de la Manufacture Nationale de Sèvres, Vol. III, Les Vases et pièces décorées, ill., référence 2050 & 2051
MANUFACTURE NATIONALE DE SEVRES – HENRI RAPIN – ANNE-MARIE FONTAINE – VASE, “LES BLÉS D’OR”, 1936
VASE “LES BLÉS D’OR”, 1936
Shape: Rapin, model n. 27 (circa 1922)
Decor: Anne-Marie Fontaine, 1936
Porcelain; pink, green, blue, gray polychrome enamels
Bearing the foundry mark: S – Sèvres – Manufacture Nationale – France
49 cm. high
29 cm. diameter
MULLER FRERES – CHAPELLE – TABLE LAMP, CIRCA 1925
TABLE LAMP, CIRCA 1925
Wrought iron and molded blown glass on original marble base
Signed Chapelle Nancy
51.5 cm. high
40 cm. deep
Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March- 24 November 2019, pp. 40 & 41
MAURICE MARINOT – VASE, 1921
VASE, 1921
White clear glass decorated with an enamelled medallion
Signed Marinot
With a certificate and a label marked n. 249 by Mrs. Florence Marinot
19.5 cm. high
Exhibition
Salon des artistes décorateurs, 1921
Strasbourg, 1921
Wiesbaden, 1921
Bibliography
La Renaissance de l’art français et des industries de luxe, May 1921, ill. p. 280
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 87, p. 298
Provenance
M. Pelliot, 1926
Areta Kaufman, Florida, USA
Areta Kaufman, Florida, USA
Harvey Littleton, North Carolina, USA
MANUFACTURE NATIONALE DE SEVRES – D’ALENCON VASE, 1926-1936
VASE, 1926-1936
Model: D’ALENCON
Shape designed by: Alexandre Sandier, 1906
Decorated by: Adrien-Auguste Leduc, decorator at Sèvres from 1923 until 1948
After a design by François Quelvée
Glazed ceramic, with a stylized decor of woman in an exotic landscape
Bearing the manufacturing marks Made in France and S 1926 DN (for pâte dure nouvelle)
and decorating marks Manufacture Nationale RF Décoré à Sèvres 1936
Signed in the decor A. Leduc d’ap. F. Quelvée
90 cm. high
37 cm. diameter
We are not aware of the existence of another similar vase. Vessels of that size were extremely difficult to manufacture
Exhibition
Sèvres – Elégance du 20ème siècle. L’Exposition des porcelaines de style Art Déco,
Tokyo Metropolitan Teien Art Museum, 2 October-19 December 1993, n. 21 in the exhibition catalogue
MANUFACTURE NATIONALE DE SEVRES – HENRI RAPIN – JEAn-BAPTISTE GAUVENET – NIGHT LIGHT, 1922
NIGHT LIGHT, 1922
Translucent porcelain with an enameled design of flowers
Marked with the manufacturer’s stamp S.1922 DN
Shape by Henri Rapin
Decored by Henri Rapin and Jean-Baptiste Gauvenet
Executed by Jean-Baptiste Gauvenet
23 cm. high
Bibliography
Les Œuvres de la Manufacture Nationale de Sèvres, tome V, Le Luminaire ill. pl. 3 under the ref. 3511
MARCEL GOUPY – VASES, CIRCA 1920
VASES, CIRCA 1920
Gourd shaped vase in mottled yellow glass decorated with three medallions of riverscapes in polychrome enamel
Signed underneath
24 cm. high
Baluster footed vase, clear glass with polychrome enamel trees
Signed
18 cm. high
Footed cylindrical vase with flaring neck, decorated with houses and trees against a blue sky in polychrome enamel
Signed underneath
22.5 cm. high