Art Nouveau & Art Déco - Gallery in Monaco
Showing 1–24 of 42 results
“LEAVING THE OPERA”, CIRCA 1930
Bronze and ivory. The bronze with green patina, face and hands in carved ivory
On red marble base
Signed and marked Bronze. Stamped ETLING PARIS
23.5 cm. high
Base : 8 x 9 cm.
Bibliography
Alberto Shayo, Chiparus, Editions Abbeville Press Publishers, New York, 1999, n. 12, ill. p. 80
NIGHT LIGHT, 1922
Translucent porcelain with an enameled design of flowers
Marked with the manufacturer’s stamp S.1922 DN
Shape by Henri Rapin
Decored by Henri Rapin and Jean-Baptiste Gauvenet
Executed by Jean-Baptiste Gauvenet
23 cm. high
Bibliography
Les Œuvres de la Manufacture Nationale de Sèvres, tome V, Le Luminaire ill. pl. 3 under the ref. 3511
BOTTLE, MM 1358, 1927
Flattened bottle in clear glass with inclusions of bubbles and powdered glass
Original stopper
Signed
17.5 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 485
AN IMPORTANT BOTTLE, 1923
Clear and acid-etched carved glass
Signed
With a certificate and a label marked n. 696 by Mrs Florence Marinot
18 cm. high
Bibliography
Compare with a similar vase at the Kunstmuseum, Dusseldorf, ill. p. 308, n. 363 in European Art Glass par Ray & Lee Grover,
published by Charles E. Tuttle Co. Rutland, Vermont, USA
Art Deco, Citadelles & Mazenod, 2009, p. 89
Yves Delaborde, Le Verre, art & design-XIXe-XXIe siècles, ACR édition, 2011, p. 89
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’œuvre de verre, les éditions de l’amateur, 2013, ill. p. 260
“FEMME AU PIGEON”, 1926
Bronze with a dark brown patina
Monogrammed JC
43 cm. high
Bibliography
Félix Marcilhac, Joseph Csaky, Les Editions de L’Amateur, Paris, 2007, n. 103, p. 338
A UNIQUE VASE, CIRCA 1925
Bronze with a gilt-brown patina, cast with stylized overlapping vegetal motif, partly hammered
Inscribed in the bronze Albert Cheuret, stamped AC and M (as “Modèle”)
21 cm. high
Provenance
This unique piece was in the artist’s collection and was acquired from his estate
Probably the finest example of Cheuret’s hand-finished work of art
Albert Cheuret studied sculpture under Jacques Perrin, then Georges Lemaire
In his atelier close to the Champ-de-Mars, Paris, Cheuret both created his own designs and
executed commissions for others. He exhibited regularly at the Salon des Artistes Français
beginning in 1907. In 1922 he won the competition for a war memorial in Cannes which characterizes
itself by a great mastery of bronze.
The 1925 Exposition Internationale des Arts Décoratifs et Industriels in Paris provided him with the opportunity
to have his own exhibition.
In his boutique on the Alexander III Bridge, he presented his creations including clocks, consoles and guéridons.
He was celebrated for his lighting with naturalistic designs that was made of bronze with alabaster shades that
frequently incorporated birds. The following year ten of his models were published in the French publication Le Luminaire.
He also created mirrors and vases, most of them unique, with a talent for adapting animal and plant
subjects into strong, pure yet gracious forms.
Works of art by Cheuret are found in the most prestigious Art Déco collections, including the Yves St Laurent
& Pierre Bergé Collection and the Karl Lagerfeld Collection.
Our vase is a unique piece, and we only know of one other example of this design in smooth silvered bronze.
It is a brilliant example of Cheuret’s naturalistic and geometric inspiration, as an expression of his appeal for the exotic.
BOWL, CIRCA 1925
Thick clear glass, acid-etched
Wheel carved signature Daum Nancy, with the cross of Lorraine
12.5 cm. high
VASE, CIRCA 1925
Clear glass, internally decorated and acid-etched
Signed Daum Nancy France
15 cm. high
VASE, 1922
Clear glass with an engraved decoration of tulips
Signed; with a certificate and a label marked n. 402 by Mrs Florence Marinot
17 cm. high
Exhibition
Infinite Obsessions, Barry Friedman Gallery, New York, 1999-2000
Bibliography
René Chavance, Maurice Marinot, peintre et verrier, L’Art et les Artistes, January 1923, p. 156
Yves Delaborde, Le Verre, art & design, XIX-XXIème siècles, ACR édition, 2011, p. 203
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 319
“RAPIN” VASE, 1934
Porcelain with an incised geometric decor
With the Sèvres Manufacture seal and incised J (for 1934)
37 cm. high
“TENTATION” FLOOR LAMP, CIRCA 1925
Patinated bronze and inverted bell-shaped thick glass with gold leaf; the base in marble
The base stamped E.BRANDT and the shade signed Daum Nancy with the Cross of Lorraine
184.5 cm. high
With original in situ photographs dated 1929
Special commission, probably unique
Bibliography
Edgar Brandt catalogue, circa 1926, for an illustration of the standard model with different base and shade
VASE, CIRCA 1910
Black earthenware with an incised geometric design hightened in gold
Signed
20.5 cm. high
A DINANDERIE VASE, CIRCA 1931
Hammered copper; decorated with three faces of women framed with curls, eyebrows,
eyes and mouth with silver inlays
Signed JS uner the piece; with Hebrard foundry mark and Paris
23 cm. high
25 cm. diameter
Probably executed for the Exposition Coloniale of 1931
VASE, 1938
Model: PROU N.1
Author of the shape: René Prou
Decorated by Susanne Kaehrling in 1938
Decorated with reeds highlighted with gold, a bather, fishing boats and houses
Signed, rose seal, letter K and numbered 5935
45 cm. high
BEAKER, MM 1912, N. 11, 1911
Clear glass with an enamelled polychrome design of fruits
This piece was exhibited in a vitrine at Hebrard’s shop in Paris
12 cm. high
Exhibition
Salon d’automne, 1913
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 242
VASES, CIRCA 1920
Footed flaring vase decorated with one archer and three deers against a stylised background of trees
Polychrome enamel and gold highlights on an orange mottled ground
Signed underneath Sold
Baluster vase with small flaring lip, clear glass decorated with three nude hunters chasing tigers
Black and orange enamel heightened with gold enamel
Signed underneath
15.5 cm.
Large flaring bowl, clear glass, rim decorated with a frieze of stylized leaves and fruits in polychrome
enamel heighlighted in gold
Signed underneath Sold
VASES, CIRCA 1920
Round vase on circular foot and small flaring neck, mottled light blue glass decorated with eight tears
in green enamel, the foot and neck outlined in green enamel
Signed underneath in enamel
14 cm.
Flattened footed vase in clear glass, polychrome decoration of a pair of birds framed by flowers and leaves
Signed underneath in enamel Sold
Tapered cylindrical vase in mottled yellow glass decorated in polychrome enamel with three identical pairs
of parakeets and insects in flight
Signed in enamel underneath
Footed cylindrical vase with flaring neck, mottled yellow glass decorated with three medallions of stylized motifs
in black enamel, the rim and foot outlined in black enamel
Signed underneath in enamel
BOWL “ROSACE ET CHEVRONS”, MODEL 228, 1925
Pâte de verre in shade of brown and amber
Impressed with the artist’s seal and numbered A 150
13 x 21 cm.
Exhibition
L’Exposition de la verrerie Art Déco, Tokyo & Osaka, 1990, exhibition catalog n. 170, ill. p. 119
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 116, p. 261
VASE “CARPES”, MODEL 179, 1923
Pâte de verre in shade of green, amber and brown
Impressed with the artist’s seal and numbered 0457
Edition of 5
17.5 x 18.5 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 116, p. 255
VASE “FRUITS”, MODEL 135, 1921
Pâte de verre in shade of blue with black streaks
Impressed with the artist’s seal
Edition of 4 examples ; one is at the musée Bellerive, Zürich
13 x 11 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 114, p. 249
BOWL “FRUITS”, MODEL 282, 1925
Pâte de verre in shade of blue with black streaks
Impressed with the artist’s seal and numbered A 816
8.5 x 15.5 cm.
BOWL “SIX OLIVES”, MODEL 77/79A, 1915
Pâte de verre multicolored
Impressed with the artist’s seal and numbered 74
6 x 12.5 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 95, p. 242
BOWL “DANSEUSES”, MODEL 250, 1925
Pâte de verre in shade of brown and black with pink splashes
Impressed with the artist’s seal and numbered A 291
13 x 11 cm.
One example numbered A 122 is at the Chrysler Museum, Norfolk, Virginia
Exhibition
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 105, p. 264
BOWL “FRUITS”, MODEL 184, 1922
Pâte de verre, light green with purple streaks
Impressed with the artist’s seal and numbered 0879
16.5 x 15 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006,
similar example ill. p. 268
Exhibition
L’Exposition de la verrerie Art Déco, Tokyo & Osaka, 1990, n. 169, ill. p. 118