RAYMOND BIGOT – “DEUX CORBEAUX SUR UNE SOUCHE D’ARBRE”, CIRCA 1925
“DEUX CORBEAUX SUR UNE SOUCHE D’ARBRE”, CIRCA 1925
Carved oak panel
Signed
Showing 1–24 of 50 results
MAURICE MARINOT – FLATTENED BOTTLE, MM, N. 1015, 1925
FLATTENED BOTTLE, MM, N. 1015, 1925
Deeply etched flattened glass bottle
Signed
12.5 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier. Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 420
Exhibition
Jacques Seligman & C°, Twentieth Century Glass – American and European, New York, 1925, Metropolitan Museum of Art, New York, 1950
MAURICE MARINOT – VASE, MM N. 282, 1921
VASE, MM N. 282, 1921
Internally decorated footed thick glass vase
Signed
18 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier, Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 302
MAURICE MARINOT – BOTTLE, MM N. 694, 1923
BOTTLE, MM N. 694, 1923
Deeply etched glass
Signed
15 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier, Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, repr. p. 364.
RENE LALIQUE – “LA VIERGE A L’ENFANT”
“LA VIERGE A L’ENFANT”
Satinated molded glass
Signed
The base in wood
38 cm. high
GABRIEL ARGY-ROUSSEAU – “LE JARDIN DES HESPERIDES”, MODEL N° 26.01, 1926
“LE JARDIN DES HESPERIDES”, MODEL N° 26.01, 1926
Pâte de verre
Signed
Restored
24.2 cm. high
Bibliography
Gabriel Argy-Rousseau, Les pâtes e verre, catalogue raisonné, by Janine Bloch-Dermant, 1991, éditions de l’amateur, ill. pp. 72, 73 & 208
GABRIEL ARGY-ROUSSEAU – “LES LOUPS DANS LA NEIGE”, MODEL N° 26.02, 1926
“LES LOUPS DANS LA NEIGE”, MODEL N° 26.02, 1926
Pâte de verre
Signed
Restored
25 cm. high
Bibliography
Gabriel Argy-Rousseau, les pâtes de verre, catalogue raisonné, by Janine Bloch-Dermant, les éditions de l’amateur, 1991, ill. pp. 79 & 208
MARCEL GOUPY – VASES, CIRCA 1920
VASES, CIRCA 1920
Baluster vase with small flaring neck, mottled blue glass decorated with three pairs of magpies on branches and several dragonflies in polychrome enamel
Signed underneath
27 cm. high
Large baluster vase in clear glass decorated with four birds and stylized flowerheads in polychrome enamel outlined in black
Signed in enamel
22.5 cm. high
Baluster vase in clear glass decorated with three pairs of parakeets against a stylized pattern of berries branches in polychrome enamel
Signed
21.5 cm.
MARCEL GOUPY – VASES, CIRCA 1920
VASES, CIRCA 1920
Gourd shaped vase in mottled yellow glass decorated with three medalions of riverscapes in polychrome enamel
Signed underneath
24 cm. high
Baluster footed vase, clear glass with polychrome enamel trees
Signed
18 cm. high
Footed cylindrical vase with flaring neck, decorated with houses and trees against a blue sky in polychrome enamel
Signed underneath
22.5 cm. high
FRANCOIS-EMILE DECORCHEMONT – “SERPENTS” BOWL, 1925
“SERPENTS” BOWL, 1925
Model 260, A 108
Pâte de verre in mottled brown and amber
Impressed with the artist’s seal and numbered A108
12 x 30 cm.
Exhibition
Véronique Ayrolles, François Decorchemont, Maître de la pâte de verre, éditions Norma, 2006, other examples ill. pp. 6, 122, 123, 265
MAURICE MARINOT – AN IMPORTANT BOTTLE, 1923
AN IMPORTANT BOTTLE, 1923
Clear and acid-etched carved glass
Signed
With a certificate and a label marked n. 696 by Mrs Florence Marinot
18 cm. high
Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-22 September 2019, ill. pp. 36 & 37
Bibliography
Compare with a similar vase at the Kunstmuseum, Dusseldorf, ill. p. 308, n. 363 in European Art Glass par Ray & Lee Grover, published by Charles E. Tuttle Co. Rutland, Vermont, USA
Art Deco, Citadelles & Mazenod, 2009, p. 89
Yves Delaborde, Le Verre, art & design-XIXe-XXIe siècles, ACR édition, 2011, p. 89
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’œuvre de verre, les éditions de l’amateur, 2013, ill. p. 260
MICHEL ZADOUNAISKY – PAIR OF MODERNIST MASONIC THREE LIGHT CANDELABRAS
PAIR OF MODERNIST MASONIC THREE LIGHT CANDELABRAS
Wrought iron
The square and compass intertwined
Signed
29.5 cm. high
30 cm. wide
7.2 cm. deep
EDGAR BRANDT – AN “ANTIQUE” CONSOLE, CIRCA 1925
AN “ANTIQUE” CONSOLE, CIRCA 1925
Patinated wrought iron, steel and marble
92 cm. high
150 cm. wide
45 cm. deep
Bibliography
Edgar Brandt catalogue, circa 1926
DEMETER CHIPARUS – “LEAVING THE OPERA”, CIRCA 1930
“LEAVING THE OPERA”, CIRCA 1930
Bronze and ivory. The bronze with green patina, face and hands in carved ivory
On red marble base
Signed and marked Bronze. Stamped ETLING PARIS
23.5 cm. high
Base : 8 x 9 cm.
Bibliography
Alberto Shayo, Chiparus, Editions Abbeville Press Publishers, New York, 1999, n. 12, ill. p. 80
MANUFACTURE NATIONALE DE SEVRES – NIGHT LIGHT, 1922
NIGHT LIGHT, 1922
Translucent porcelain with an enameled design of flowers
Marked with the manufacturer’s stamp S.1922 DN
Shape by Henri Rapin
Decored by Henri Rapin and Jean-Baptiste Gauvenet
Executed by Jean-Baptiste Gauvenet
23 cm. high
Bibliography
Les Œuvres de la Manufacture Nationale de Sèvres, tome V, Le Luminaire ill. pl. 3 under the ref. 3511
MAURICE MARINOT – BOTTLE, MM 1358, 1927
BOTTLE, MM 1358, 1927
Flattened bottle in clear glass with inclusions of bubbles and powdered glass
Original stopper
Signed
17.5 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 485
DAUM NANCY – BOWL, CIRCA 1925
BOWL, CIRCA 1925
Thick clear glass, acid-etched
Wheel carved signature Daum Nancy, with the cross of Lorraine
12.5 cm. high
DAUM NANCY – VASE, CIRCA 1925
VASE, CIRCA 1925
Clear glass, internally decorated and acid-etched
Signed Daum Nancy France
15 cm. high
MAURICE MARINOT – VASE, 1922
VASE, 1922
Clear glass with an engraved decoration of tulips
Signed; with a certificate and a label marked n. 402 by Mrs Florence Marinot
17 cm. high
Exhibition
Infinite Obsessions, Barry Friedman Gallery, New York, 1999-2000
Bibliography
René Chavance, Maurice Marinot, peintre et verrier, L’Art et les Artistes, January 1923, p. 156
Yves Delaborde, Le Verre, art & design, XIX-XXIème siècles, ACR édition, 2011, p. 203
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 319
MANUFACTURE NATIONALE DE SEVRES – “RAPIN” VASE, 1934
“RAPIN” VASE, 1934
Porcelain with an incised geometric decor
With the Sèvres Manufacture seal and incised J (for 1934)
37 cm. high
EDGAR BRANDT – DAUM NANCY – “TENTATION” FLOOR LAMP, CIRCA 1925
“TENTATION” FLOOR LAMP, CIRCA 1925
Patinated bronze and inverted bell-shaped thick glass with gold leaf; the base in marble
The base stamped E.BRANDT and the shade signed Daum Nancy with the Cross of Lorraine
184.5 cm. high
With original in situ photographs dated 1929
Special commission, probably unique
Bibliography
Edgar Brandt catalogue, circa 1926, for an illustration of the standard model with different base and shade
HENRI SIMMEN – VASE, CIRCA 1910
VASE, CIRCA 1910
Black earthenware with an incised geometric design heightened in gold
Signed
20.5 cm. high
JEAN SERRIÈRE – ADRIEN-AURELIEN HEBRARD – A DINANDERIE VASE, CIRCA 1931
A DINANDERIE VASE, CIRCA 1931
Hammered copper; decorated with three faces of women framed with curls, eyebrows,
eyes and mouth with silver inlays
Signed JS uner the piece; with Hebrard foundry mark and Paris
23 cm. high
25 cm. diameter
Probably executed for the Exposition Coloniale of 1931
MANUFACTURE NATIONALE DE SEVRES – VASE, 1938
VASE, 1938
Model: PROU N.1
Author of the shape: René Prou
Decorated by Susanne Kaehrling in 1938
Decorated with reeds highlighted with gold, a bather, fishing boats and houses
Signed, rose seal, letter K and numbered 5935
45 cm. high