MICHEL ZADOUNAISKY – PAIR OF MODERNIST MASONIC THREE LIGHT CANDELABRAS
PAIR OF MODERNIST MASONIC THREE LIGHT CANDELABRAS
Wrought iron
The square and compass intertwined
Signed
29.5 cm. high
30 cm. wide
7.2 cm. deep
Showing 1–24 of 43 results
EDGAR BRANDT – AN “ANTIQUE” CONSOLE, CIRCA 1925
AN “ANTIQUE” CONSOLE, CIRCA 1925
Patinated wrought iron, steel and marble
92 cm. high
150 cm. wide
45 cm. deep
Bibliography
Edgar Brandt catalogue, circa 1926
DEMETER CHIPARUS – “LEAVING THE OPERA”, CIRCA 1930
“LEAVING THE OPERA”, CIRCA 1930
Bronze and ivory. The bronze with green patina, face and hands in carved ivory
On red marble base
Signed and marked Bronze. Stamped ETLING PARIS
23.5 cm. high
Base : 8 x 9 cm.
Bibliography
Alberto Shayo, Chiparus, Editions Abbeville Press Publishers, New York, 1999, n. 12, ill. p. 80
MANUFACTURE NATIONALE DE SEVRES – NIGHT LIGHT, 1922
NIGHT LIGHT, 1922
Translucent porcelain with an enameled design of flowers
Marked with the manufacturer’s stamp S.1922 DN
Shape by Henri Rapin
Decored by Henri Rapin and Jean-Baptiste Gauvenet
Executed by Jean-Baptiste Gauvenet
23 cm. high
Bibliography
Les Œuvres de la Manufacture Nationale de Sèvres, tome V, Le Luminaire ill. pl. 3 under the ref. 3511
MAURICE MARINOT – BOTTLE, MM 1358, 1927
BOTTLE, MM 1358, 1927
Flattened bottle in clear glass with inclusions of bubbles and powdered glass
Original stopper
Signed
17.5 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 485
MAURICE MARINOT – AN IMPORTANT BOTTLE, 1923
AN IMPORTANT BOTTLE, 1923
Clear and acid-etched carved glass
Signed
With a certificate and a label marked n. 696 by Mrs Florence Marinot
18 cm. high
Bibliography
Compare with a similar vase at the Kunstmuseum, Dusseldorf, ill. p. 308, n. 363 in European Art Glass par Ray & Lee Grover,
published by Charles E. Tuttle Co. Rutland, Vermont, USA
Art Deco, Citadelles & Mazenod, 2009, p. 89
Yves Delaborde, Le Verre, art & design-XIXe-XXIe siècles, ACR édition, 2011, p. 89
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’œuvre de verre, les éditions de l’amateur, 2013, ill. p. 260
JOSEPH CZAKY – “FEMME AU PIGEON”, 1926
“FEMME AU PIGEON”, 1926
Bronze with a dark brown patina
Monogrammed JC
43 cm. high
Bibliography
Félix Marcilhac, Joseph Csaky, Les Editions de L’Amateur, Paris, 2007, n. 103, p. 338
DAUM NANCY – BOWL, CIRCA 1925
BOWL, CIRCA 1925
Thick clear glass, acid-etched
Wheel carved signature Daum Nancy, with the cross of Lorraine
12.5 cm. high
DAUM NANCY – VASE, CIRCA 1925
VASE, CIRCA 1925
Clear glass, internally decorated and acid-etched
Signed Daum Nancy France
15 cm. high
MAURICE MARINOT – VASE, 1922
VASE, 1922
Clear glass with an engraved decoration of tulips
Signed; with a certificate and a label marked n. 402 by Mrs Florence Marinot
17 cm. high
Exhibition
Infinite Obsessions, Barry Friedman Gallery, New York, 1999-2000
Bibliography
René Chavance, Maurice Marinot, peintre et verrier, L’Art et les Artistes, January 1923, p. 156
Yves Delaborde, Le Verre, art & design, XIX-XXIème siècles, ACR édition, 2011, p. 203
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 319
MANUFACTURE NATIONALE DE SEVRES – “RAPIN” VASE, 1934
“RAPIN” VASE, 1934
Porcelain with an incised geometric decor
With the Sèvres Manufacture seal and incised J (for 1934)
37 cm. high
EDGAR BRANDT – DAUM NANCY – “TENTATION” FLOOR LAMP, CIRCA 1925
“TENTATION” FLOOR LAMP, CIRCA 1925
Patinated bronze and inverted bell-shaped thick glass with gold leaf; the base in marble
The base stamped E.BRANDT and the shade signed Daum Nancy with the Cross of Lorraine
184.5 cm. high
With original in situ photographs dated 1929
Special commission, probably unique
Bibliography
Edgar Brandt catalogue, circa 1926, for an illustration of the standard model with different base and shade
HENRI SIMMEN – VASE, CIRCA 1910
VASE, CIRCA 1910
Black earthenware with an incised geometric design heightened in gold
Signed
20.5 cm. high
JEAN SERRIÈRE – ADRIEN-AURELIEN HEBRARD – A DINANDERIE VASE, CIRCA 1931
A DINANDERIE VASE, CIRCA 1931
Hammered copper; decorated with three faces of women framed with curls, eyebrows,
eyes and mouth with silver inlays
Signed JS uner the piece; with Hebrard foundry mark and Paris
23 cm. high
25 cm. diameter
Probably executed for the Exposition Coloniale of 1931
MANUFACTURE NATIONALE DE SEVRES – VASE, 1938
VASE, 1938
Model: PROU N.1
Author of the shape: René Prou
Decorated by Susanne Kaehrling in 1938
Decorated with reeds highlighted with gold, a bather, fishing boats and houses
Signed, rose seal, letter K and numbered 5935
45 cm. high
MAURICE MARINOT – BEAKER, MM 1912, N. 11, 1911
BEAKER, MM 1912, N. 11, 1911
Clear glass with an enamelled polychrome design of fruits
This piece was exhibited in a vitrine at Hebrard’s shop in Paris
12 cm. high
Exhibition
Salon d’automne, 1913
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 242
MARCEL GOUPY – VASES, CIRCA 1920
VASES, CIRCA 1920
Footed flaring vase decorated with one archer and three deers against a stylised background of trees
Polychrome enamel and gold highlights on an orange mottled ground
Signed underneath Sold
Baluster vase with small flaring lip, clear glass decorated with three nude hunters chasing tigers
Black and orange enamel heightened with gold enamel
Signed underneath
15.5 cm.
Large flaring bowl, clear glass, rim decorated with a frieze of stylized leaves and fruits in polychrome
enamel heighlighted in gold
Signed underneath Sold
MARCEL GOUPY – VASES, CIRCA 1920
VASES, CIRCA 1920
Round vase on circular foot and small flaring neck, mottled light blue glass decorated with eight tears
in green enamel, the foot and neck outlined in green enamel
Signed underneath in enamel
14 cm.
Flattened footed vase in clear glass, polychrome decoration of a pair of birds framed by flowers and leaves
Signed underneath in enamel Sold
Tapered cylindrical vase in mottled yellow glass decorated in polychrome enamel with three identical pairs
of parakeets and insects in flight
Signed in enamel underneath
Footed cylindrical vase with flaring neck, mottled yellow glass decorated with three medallions of stylized motifs
in black enamel, the rim and foot outlined in black enamel
Signed underneath in enamel
FRANCOIS-EMILE DECORCHEMONT – BOWL “ROSACE ET CHEVRONS”, MODEL 228, 1925
BOWL “ROSACE ET CHEVRONS”, MODEL 228, 1925
Pâte de verre in shade of brown and amber
Impressed with the artist’s seal and numbered A 150
13 x 21 cm.
Exhibition
L’Exposition de la verrerie Art Déco, Tokyo & Osaka, 1990, exhibition catalog n. 170, ill. p. 119
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 116, p. 261
FRANCOIS-EMILE DECORCHEMONT – VASE “CARPES”, MODEL 179, 1923
VASE “CARPES”, MODEL 179, 1923
Pâte de verre in shade of green, amber and brown
Impressed with the artist’s seal and numbered 0457
Edition of 5
17.5 x 18.5 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 116, p. 255
FRANCOIS-EMILE DECORCHEMONT – VASE “FRUITS”, MODEL 135, 1921
VASE “FRUITS”, MODEL 135, 1921
Pâte de verre, internally decorated
Signed
24.5 cm. high
Out of an edition of 4. Another example is in the collections of he Bellerive museum in Zurich
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 114, p. 249
FRANCOIS-EMILE DECORCHEMONT – BOWL “FRUITS”, MODEL 282, 1925
BOWL “FRUITS”, MODEL 282, 1925
Pâte de verre in shade of blue with black streaks
Impressed with the artist’s seal and numbered A 816
8.5 x 15.5 cm.
FRANCOIS-EMILE DECORCHEMONT – BOWL “SIX OLIVES”, MODEL 77/79A, 1915
BOWL “SIX OLIVES”, MODEL 77/79A, 1915
Pâte de verre multicolored
Impressed with the artist’s seal and numbered 74
6 x 12.5 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 95, p. 242
FRANCOIS-EMILE DECORCHEMONT – BOWL “DANSEUSES”, MODEL 250, 1925
BOWL “DANSEUSES”, MODEL 250, 1925
Pâte de verre in shade of brown and black with pink splashes
Impressed with the artist’s seal and numbered A 291
13 x 11 cm.
One example numbered A 122 is at the Chrysler Museum, Norfolk, Virginia
Exhibition
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 105, p. 264