GABRIEL ARGY-ROUSSEAU – PENDANT “ROSE”, 1920
PENDANT “ROSE”, 1920
Pâte de verre
Signed
5.3 cm. diameter
Bibliography
Janine Bloch-Dermant , G. Argy-rousseau Catalogue raisonné, les éditions de l’amateur, 1990, ill. p. 187
Showing 1–24 of 49 results
GABRIEL ARGY-ROUSSEAU – PENDANT “CHARDON DE MER”, 1920
PENDANT “CHARDON DE MER”, 1920
Pâte de verre
Signed
6.5 cm. diameter
GABRIEL ARGY-ROUSSEAU – PENDANT “DANSEUSE”, 1920
PENDANT “DANSEUSE”, 1920
Pâte de verre
Signed
5 cm. diameter
Bibliography
Janine Bloch-Dermant, G. Argy-Rousseau Catalogue raisonné, les éditions de l’amateur, 1990, ill. p. 184
GABRIEL ARGY-ROUSSEAU – PENDANT “PAPILLON”, 1924
PENDANT “PAPILLON”, 1924
Pâte de verre
Signed
6 cm. diameter
Bibliography
Janine Bloch-Dermant, G. Argy-rousseau Catalogue raisonné, les éditions de l’amateur, 1990, ill. p. 201, n. 24.37
DAUM NANCY – PAUL RACADOT – CANDY BOX – POSSIBLY UNIQUE, 1925
CANDY BOX – POSSIBLY UNIQUE, 1925
Clear glass with gold foil inclusions overlaid in deep violet and wheel carved with stylized flowers and leaves
Wheel engraved signature
34 cm. diameter
This piece was designed for the 1925 Exposition Universelle
Paul Racadot was the chief engraver at the Daum manufacture
Exhibition
Exposition Internationale des Arts décoratifs, 1925, Grand Palais, Paris
Bibliography
Janine Bloch-Dermant, Le verre en France d'Émile Gallé à nos jours, les éditions de l'amateur, 1983, ill. p. 48 on a period drawing (Daum archives) showing one of the display cabinets at the 1925 Exposition Universelle
Provenance
Collection Daum, acquired in 1987
MARCEL GOUPY – VASES, CIRCA 1920
VASES, CIRCA 1920
Round vase on circular foot and small flaring neck, mottled light blue glass decorated with eight tears
in green enamel, the foot and neck outlined in green enamel
Signed underneath in enamel
14 cm.
Flattened footed vase in clear glass, polychrome decoration of a pair of birds framed by flowers and leaves
Signed underneath in enamel Sold
Tapered cylindrical vase in mottled yellow glass decorated in polychrome enamel with three identical pairs
of parakeets and insects in flight
Signed in enamel underneath
Footed cylindrical vase with flaring neck, mottled yellow glass decorated with three medallions of stylized motifs
in black enamel, the rim and foot outlined in black enamel
Signed underneath in enamel
MAURICE MARINOT – VASE, MM N. 282, 1921
VASE, MM N. 282, 1921
Internally decorated footed thick glass vase
Signed
18 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier, Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 302
GORY AFFORTUNATO – “LA DANSEUSE AUX PERROQUETS”, CIRCA 1920
“LA DANSEUSE AUX PERROQUETS”, CIRCA 1920
Gilt bronze
The base in marble
50 cm. high
RAYMOND BIGOT – “DEUX CORBEAUX SUR UNE SOUCHE D’ARBRE”, CIRCA 1925
“DEUX CORBEAUX SUR UNE SOUCHE D’ARBRE”, CIRCA 1925
Carved oak panel
Signed
MAURICE MARINOT – FLATTENED BOTTLE, MM, N. 1015, 1925
FLATTENED BOTTLE, MM, N. 1015, 1925
Deeply etched flattened glass bottle
Signed
12.5 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier. Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 420
Exhibition
Jacques Seligman & C°, Twentieth Century Glass – American and European, New York, 1925, Metropolitan Museum of Art, New York, 1950
FRANCOIS-EMILE DECORCHEMONT – “SERPENTS” BOWL, 1925
“SERPENTS” BOWL, 1925
Model 260, A 108
Pâte de verre in mottled brown and amber
Impressed with the artist’s seal and numbered A108
12 x 30 cm.
Exhibition
Véronique Ayrolles, François Decorchemont, Maître de la pâte de verre, éditions Norma, 2006, other examples ill. pp. 6, 122, 123, 265
GEORGES DESPRET – YVONNE SERRUYS – “THE THREE GRACES”, CIRCA 1925
“THE THREE GRACES”, CIRCA 1925
Monumental pâte de verre pedestal dish after a model by Yvonne Serruys representing the Three Graces holdind up a sea shell with green and orange highlights imitating mother-of-pearl, with the
base showing children blowing conch shells
Signed and numbered 940
40 cm. high
The shell: 31 cm. long
Exhibition
Sunderland Museum & Art Gallery, The Art of Glass: Art Nouveau to Art Deco, 17 July-27 October 1996
Bibliography
Gustave Kahn, Le goût moderne, November 1926, pp. 8-11: “Ainsi Mme Yvonne Serruys a donné le modèle d’une coupe haute, à large vasque étendue, exécutée dans les tons blancs du marbre ou la nacrure du coquillage, soutenue par les épaules
de porteurs nus, dont les pieds s’agrippent à un rocher mouvementé, et le verrier a obtenu des épreuves de colorations diverses, distinctes et toutes bien venues”
Victor Arwas, The Art of Glass, Andreas Papadakis, publisher, 1996, full page ill. p. 56
MAURICE MARINOT – AN IMPORTANT BOTTLE, 1923
AN IMPORTANT BOTTLE, 1923
Clear and acid-etched carved glass
Signed
With a certificate and a label marked n. 696 by Mrs Florence Marinot
18 cm. high
Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-24 November 2019, ill. pp. 36 & 37
Bibliography
Compare with a similar vase at the Kunstmuseum, Dusseldorf, ill. p. 308, n. 363 in European Art Glass par Ray & Lee Grover, published by Charles E. Tuttle Co. Rutland, Vermont, USA
Art Deco, Citadelles & Mazenod, 2009, p. 89
Yves Delaborde, Le Verre, art & design-XIXe-XXIe siècles, ACR édition, 2011, p. 89
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’œuvre de verre, les éditions de l’amateur, 2013, ill. p. 260
FRANCOIS-EMILE DECORCHEMONT – BOWL “SIX OLIVES”, MODEL 77/79A, 1915
BOWL “SIX OLIVES”, MODEL 77/79A, 1915
Pâte de verre multicolored
Impressed with the artist’s seal and numbered 74
6 x 12.5 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 95, p. 242
MICHEL ZADOUNAISKY – PAIR OF MODERNIST MASONIC THREE LIGHT CANDELABRAS
PAIR OF MODERNIST MASONIC THREE LIGHT CANDELABRAS
Wrought iron
The square and compass intertwined
Signed
29.5 cm. high
30 cm. wide
7.2 cm. deep
EDGAR WILLIAM BRANDT – AN “ANTIQUE” CONSOLE, CIRCA 1925
AN “ANTIQUE” CONSOLE, CIRCA 1925
Patinated wrought iron, steel and marble
92 cm. high
150 cm. wide
45 cm. deep
Bibliography
Edgar Brandt catalogue, circa 1926
MARCEL GOUPY – VASES, CIRCA 1920
VASES, CIRCA 1920
Baluster vase with small flaring neck, mottled blue glass decorated with three pairs of magpies on branches and several dragonflies in polychrome enamel
Signed underneath
27 cm. high
Large baluster vase in clear glass decorated with four birds and stylized flowerheads in polychrome enamel outlined in black
Signed in enamel
22.5 cm. high
Baluster vase in clear glass decorated with three pairs of parakeets against a stylized pattern of berries branches in polychrome enamel
Signed
21.5 cm.
MAURICE MARINOT – BOTTLE, MM 1358, 1927
BOTTLE, MM 1358, 1927
Flattened bottle in clear glass with inclusions of bubbles and powdered glass
Original stopper
Signed
17.5 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 485
DAUM NANCY – VASE, CIRCA 1925
VASE, CIRCA 1925
Clear glass, internally decorated and acid-etched
Signed Daum Nancy France
15 cm. high
MAURICE MARINOT – VASE, 1922
VASE, 1922
Clear glass with an engraved decoration of tulips
Signed; with a certificate and a label marked n. 402 by Mrs Florence Marinot
17 cm. high
Exhibition
Infinite Obsessions, Barry Friedman Gallery, New York, 1999-2000
Bibliography
René Chavance, Maurice Marinot, peintre et verrier, L’Art et les Artistes, January 1923, p. 156
Yves Delaborde, Le Verre, art & design, XIX-XXIème siècles, ACR édition, 2011, p. 203
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 319
MANUFACTURE NATIONALE DE SEVRES – HENRI RAPIN – VASE, 1934
VASE, 1934
Porcelain with an incised geometric decor
With the Sèvres Manufacture seal and incised J (for 1934)
37 cm. high
HENRI SIMMEN – VASE, CIRCA 1910
VASE, CIRCA 1910
Black earthenware with an incised geometric design heightened in gold
Signed
20.5 cm. high
JEAN SERRIÈRE – ADRIEN-AURELIEN HEBRARD – A DINANDERIE VASE, CIRCA 1931
A DINANDERIE VASE, CIRCA 1931
Hammered copper; decorated with three faces of women framed with curls, eyebrows,
eyes and mouth with silver inlays
Signed JS uner the piece; with Hebrard foundry mark and Paris
23 cm. high
25 cm. diameter
Probably executed for the Exposition Coloniale of 1931
MANUFACTURE NATIONALE DE SEVRES – VASE, 1938
VASE, 1938
Model: PROU N.1
Author of the shape: René Prou
Decorated by Susanne Kaehrling in 1938
Decorated with reeds highlighted with gold, a bather, fishing boats and houses
Signed, rose seal, letter K and numbered 5935
45 cm. high