VASES, CIRCA 1920
Baluster vase with small flaring neck, mottled blue glass decorated with three pairs of magpies on branches and several dragonflies in polychrome enamel
Signed underneath
27 cm. high
Large baluster vase in clear glass decorated with four birds and stylized flowerheads in polychrome enamel outlined in black
Signed in enamel
22.5 cm. high
Baluster vase in clear glass decorated with three pairs of parakeets against a stylized pattern of berries branches in polychrome enamel
Signed
21.5 cm.
VASES, CIRCA 1920
Gourd shaped vase in mottled yellow glass decorated with three medalions of riverscapes in polychrome enamel
Signed underneath
24 cm. high
Baluster footed vase, clear glass with polychrome enamel trees
Signed
18 cm. high
Footed cylindrical vase with flaring neck, decorated with houses and trees against a blue sky in polychrome enamel
Signed underneath
22.5 cm. high
AN IMPORTANT BOTTLE, 1923
Clear and acid-etched carved glass
Signed
With a certificate and a label marked n. 696 by Mrs Florence Marinot
18 cm. high
Exhibition Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-22 September 2019, ill. pp. 36 & 37
Bibliography
Compare with a similar vase at the Kunstmuseum, Dusseldorf, ill. p. 308, n. 363 in European Art Glass par Ray & Lee Grover, published by Charles E. Tuttle Co. Rutland, Vermont, USA Art Deco, Citadelles & Mazenod, 2009, p. 89
Yves Delaborde, Le Verre, art & design-XIXe-XXIe siècles, ACR édition, 2011, p. 89
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’œuvre de verre, les éditions de l’amateur, 2013, ill. p. 260
“LEAVING THE OPERA”, CIRCA 1930
Bronze and ivory. The bronze with green patina, face and hands in carved ivory
On red marble base
Signed and marked Bronze. Stamped ETLING PARIS
23.5 cm. high
Base : 8 x 9 cm.
Bibliography
Alberto Shayo, Chiparus, Editions Abbeville Press Publishers, New York, 1999, n. 12, ill. p. 80
VASE, 1922
Clear glass with an engraved decoration of tulips
Signed; with a certificate and a label marked n. 402 by Mrs Florence Marinot
17 cm. high
Exhibition Infinite Obsessions, Barry Friedman Gallery, New York, 1999-2000
Bibliography
René Chavance, Maurice Marinot, peintre et verrier, L’Art et les Artistes, January 1923, p. 156
Yves Delaborde, Le Verre, art & design, XIX-XXIème siècles, ACR édition, 2011, p. 203
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 319
“TENTATION” FLOOR LAMP, CIRCA 1925
Patinated bronze and inverted bell-shaped thick glass with gold leaf; the base in marble
The base stamped E.BRANDT and the shade signed Daum Nancy with the Cross of Lorraine
184.5 cm. high
With original in situ photographs dated 1929
Special commission, probably unique
Bibliography Edgar Brandt catalogue, circa 1926, for an illustration of the standard model with different base and shade
A DINANDERIE VASE, CIRCA 1931
Hammered copper; decorated with three faces of women framed with curls, eyebrows,
eyes and mouth with silver inlays
Signed JS uner the piece; with Hebrard foundry mark and Paris
23 cm. high
25 cm. diameter
Probably executed for the Exposition Coloniale of 1931
VASE, 1938
Model: PROU N.1
Author of the shape: René Prou
Decorated by Susanne Kaehrling in 1938
Decorated with reeds highlighted with gold, a bather, fishing boats and houses
Signed, rose seal, letter K and numbered 5935
45 cm. high
BEAKER, MM 1912, N. 11, 1911
Clear glass with an enamelled polychrome design of fruits
This piece was exhibited in a vitrine at Hebrard’s shop in Paris
12 cm. high
Exhibition Salon d’automne, 1913
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 242
Baluster vase with small flaring lip, clear glass decorated with three nude hunters chasing tigers
Black and orange enamel heightened with gold enamel
Signed underneath
15.5 cm.
Large flaring bowl, clear glass, rim decorated with a frieze of stylized leaves and fruits in polychrome
enamel heighlighted in gold
Signed underneath Sold
VASE “CARPES”, MODEL 179, 1923
Pâte de verre in shade of green, amber and brown
Impressed with the artist’s seal and numbered 0457
Edition of 5
17.5 x 18.5 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 116, p. 255
