Art Nouveau & Art Déco - Gallery in Monaco
Showing 1–24 of 38 results
GROUP OF VASES AND A BOWL, CIRCA 1925
Blue glass, deeply acid etched with geometric patterns. 8.7 cm. high
Blue glass, acid etched with stylised flowers
Amber glass, deeply acid etched with geometric patterns on a frosted background
BOTTLE – MM N. 1717, 1929
Internally crackled glass
Signed
13 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier / Catalogue raisonné de l’Œuvre de verre, Les éditions de l’amateur, 2013, ill. p. 551
Provenance
Formerly in the Hochschild’ collection
BOTTLE, MM N. 469, 1922
White glass with green spirals
Signed
21 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier, Catalogue raisonné de l'Oeuvre de verre, Les éditions de l'amateur, 2013, ill. p. 328
Exhibition
“A propos du Salon des Décorateurs”, L'Amour de l'Art, March 1922, p. 85
Hélène Demoriane, Marinot, le maître verrier des années 1920, Connaissance des Arts, September 1967
BOWL, MM n°528, 1922
Clear and etched glass
Signed
9.5 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier / Catalogue raisonné de l’Oeuvre de verre,
Les éditions de l’amateur, 2013, ill. p. 338
IMPORTANT ANTHROPOMORPHIC FIGURE, 1920-1927
Glazed earthenware jardiniere representing a woman’s face, her long curly hair shaping
the sculpture; multilayered in blue and brown shades inside
34.5 cm. high; 50 cm. long
Exhibition
A similar example enamelled in tones of green and blue is part of the collection of the Museum of Fine Arts, Bilbao, inv. n. 12/82
Salon d’Automne, 1945, retrospective exhibition of the works of Francisco Durrio (1876-1940),
catalogue n. 1, listed as “Large jardinière (blue), property of Mr. A. Ouvré”
Exhibition
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 154
VERY RARE BOWL, CIRCA 1925
Decorated with engraved lotus leaves and fish
Signed
39 cm in diameter
“THAIS” SCULPTURE, DESIGNED IN 1925
Glass
Amethyst color obtained by radiation of gamma rays
Signed R. Lalique France N°834
21.5 cm. high
VASE, CIRCA 1930
Multilayered, in clear glass, internally decorated with irregular grey and black sulfide inclusions, three small handles molded into the mass
Signed by hand with a diamond point and numbered 700
17.5 cm. high; 14 cm in diameter
Provenance
Formerly in the collection of James Harvey Stubblebine
CHALICE, 1912
Chalice with a slightly flared lip, in clear glass, its foot entirely decorated in polychrome enameled stylized flowers and leaves on a blue background
Signed in red enamel above one of the scrolls adorned on the lower part of the coupe
16.5 cm. high
With a certificate and a label marked n. 73/116 by Mrs Florence Marinot
An item with an identical shape and also enameled with flowers is in the collection of the Corning museum. For further details: Katharine McClinton, Art Deco, a guide for collectors, p. 140
Exhibition
Salon d’automne, 1912
Salon d’automne, 1913, in an ensemble by André Mare
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’œuvre de verre, les éditions de l’amateur, 2013, ill. pp 52 and 260
Provenance
Formerly in the collection of Mr Poyet, Lyon, 1919
Mr Latil, Paris
Lillian Nassau, New York, acquired in 1972
According to Félix Marcilhac, this piece is from 1913 (so it could not have been exhibited in 1912)
COUPE, 1913
Chalice on a long and flared foot, in clear glass, acid-etched and decorated with blue, red and yellow enameled bunch of grapes
Signed with red enamel on the base of the foot
13.2 cm. high
With a certificate and a label marked n. 25/105 by Mrs Florence Marinot
Exhibition
Salon d’automne, Paris, 1913
Bibliography
Léandre Vaillat, Marinot peintre verrier, L'Art et les Artistes, May 1914, p. 140
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l'œuvre de verre, les éditions de l'amateur, 2013, ill. p. 253
Provenance
Former X Collection in 1919
Lillian Nassau, New York
Harvey Littleton, North Carolina, USA
FLATTENED BOTTLE, 1927
Green crackled glass on a red background
Signed
19.5 cm. high
With a certificate and a label marked n. 1331 by Mrs Florence Marinot
Exhibition
« L'Exposition de la verrerie Art Déco », Tokyo, Matsuya Ginza, 25 April – 7 May 1990, Osaka, Umeda Hankyu, 21 September – 3 October 1990, n.122 in the catalog
Bibliography
Janine Bloch-Dermant, Le verre en France d'Émile Gallé à nos jours, les éditions de l'amateur, 1983, ill. p. 119
Janine Bloch-Dermant, Le Guide Argus de la Verrerie, les éditions de l'amateur, 1991, ill. p. 301
Bijutsu Shuppan-sha LTD, The Concise History of World Glass, Japan, ill. p. 143, n.10-12
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l'œuvre de verre, les éditions de l'amateur, 2013, ill. pp. 161 and 480
Provenance
Formerly in the collections of :
Mrs Louis Ewald
Mrs J. R. Fouchet-Ewald
Alain Lesieutre, Paris
VASE, CIRCA 1925
Clear glass internally decorated with orange stripes and air bubbles
Wheel-cut signature Daum Nancy France
23 cm. high
An identical model was exhibited at the 1925 Exposition and acquired by the State for the Musée des Arts Décoratifs in Paris
Exhibition
Exposition Internationale des Arts Decoratifs, Paris 1925
Bruxelles, Société Générale de Banque, “Art Déco 1925”
Bibliography
Duret-Robert François, Daum, Connaissance des Arts, November 1972, n. 249
Brunhammer, Yvonne, 1925, les presses de la connaissance, Paris 1976, full color ill. p. 79
Bacri Clothilde, Daum, Michel Aveline, éditeur, 1991, full page ill. p. 190
Provenance
Collection Daum, acquired in 1987
“BAVETTES” BOWL, MODEL 361, 1928
Pâte de verre in mottled brown
Signed with the circular stamp and numbered B793
12,2 cm. high
From an edition of 11 examples
Bibliography
Véronique Ayrolles, François Décorchemont / Maître de la pâte de verre, 2006, éditions Norma, Paris, modèle similaire repr. p. 277
Provenance
Similar example at the National Museum of Decorative Arts, Buenos Aires, Argentina (ex. B477/1928)
“FLEURETTES” BOTTLE N°41, 1912
Footed baluster bottle and its stopper, enameled blue, white and red flowers (roses and tulips) in glass, concentric lines on the stopper, neck, body and foot
Signed M.M. in enamel
17 cm. high
Provenance
Formerly in the Hoog collection
VASE, CIRCA 1930
Vase in a tubular shape, slightly arched in thick transparent glass with yellow powder inclusions, application of large petals molded in transparent glass
Signed by hand with a diamond point and numbered 766
22 cm. high; 12 cm in diameter
VASE, CIRCA 1930
Vase in a tubular shape, slightly arched in thick transparent glass with grey powder inclusions, application of large petals molded in transparent glass
Signed by hand with a diamond point and numbered 709
22 cm. high; 13 cm in diameter
VASES, CIRCA 1920
Round vase on circular foot and small flaring neck, mottled light blue glass decorated with eight tears
in green enamel, the foot and neck outlined in green enamel
Signed underneath in enamel
14 cm.
Flattened footed vase in clear glass, polychrome decoration of a pair of birds framed by flowers and leaves
Signed underneath in enamel Sold
Tapered cylindrical vase in mottled yellow glass decorated in polychrome enamel with three identical pairs
of parakeets and insects in flight
Signed in enamel underneath
Footed cylindrical vase with flaring neck, mottled yellow glass decorated with three medallions of stylized motifs
in black enamel, the rim and foot outlined in black enamel
Signed underneath in enamel
VASE, MM N. 282, 1921
Internally decorated footed thick glass vase
Signed
18 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier, Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 302
FLATTENED BOTTLE, MM, N. 1015, 1925
Deeply etched flattened glass bottle
Signed
12.5 cm. high
Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier. Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 420
Exhibition
Jacques Seligman & C°, Twentieth Century Glass – American and European, New York, 1925, Metropolitan Museum of Art, New York, 1950
“SERPENTS” BOWL, 1925
Model 260, A 108
Pâte de verre in mottled brown and amber
Impressed with the artist’s seal and numbered A108
12 x 30 cm.
Exhibition
Véronique Ayrolles, François Decorchemont, Maître de la pâte de verre, éditions Norma, 2006, other examples ill. pp. 6, 122, 123, 265
“THE THREE GRACES”, CIRCA 1906
Monumental pâte de verre pedestal dish after a model by Yvonne Serruys representing the Three Graces holdind up a sea shell with green and orange highlights imitating mother-of-pearl, with the
base showing children blowing conch shells
Signed and numbered 940
40 cm. high
The shell: 31 cm. long
Exhibition
Sunderland Museum & Art Gallery, The Art of Glass: Art Nouveau to Art Deco, 17 July-27 October 1996
Bibliography
Gustave Kahn, Le goût moderne, November 1926, pp. 8-11: “Ainsi Mme Yvonne Serruys a donné le modèle d’une coupe haute, à large vasque étendue, exécutée dans les tons blancs du marbre ou la nacrure du coquillage, soutenue par les épaules
de porteurs nus, dont les pieds s’agrippent à un rocher mouvementé, et le verrier a obtenu des épreuves de colorations diverses, distinctes et toutes bien venues”
Victor Arwas, The Art of Glass, Andreas Papadakis, publisher, 1996, full page ill. p. 56
AN IMPORTANT BOTTLE, 1923
Clear and acid-etched carved glass
Signed
With a certificate and a label marked n. 696 by Mrs Florence Marinot
18 cm. high
Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-24 November 2019, ill. pp. 36 & 37
Bibliography
Compare with a similar vase at the Kunstmuseum, Dusseldorf, ill. p. 308, n. 363 in European Art Glass par Ray & Lee Grover, published by Charles E. Tuttle Co. Rutland, Vermont, USA
Art Deco, Citadelles & Mazenod, 2009, p. 89
Yves Delaborde, Le Verre, art & design-XIXe-XXIe siècles, ACR édition, 2011, p. 89
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’œuvre de verre, les éditions de l’amateur, 2013, ill. p. 260
BOWL “SIX OLIVES”, MODEL 77/79A, 1915
Pâte de verre multicolored
Impressed with the artist’s seal and numbered
6 x 12.5 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 95, p. 242
VASES, CIRCA 1920
Baluster vase with small flaring neck, mottled blue glass decorated with three pairs of magpies on branches and several dragonflies in polychrome enamel
Signed underneath
27 cm. high
Large baluster vase in clear glass decorated with four birds and stylized flowerheads in polychrome enamel outlined in black
Signed in enamel
22.5 cm. high
Baluster vase in clear glass decorated with three pairs of parakeets against a stylized pattern of berries branches in polychrome enamel
Signed
21.5 cm.
