Showing 25–48 of 62 results

MAURICE MARINOT – CHALICE, 1912

CHALICE, 1912
Chalice with a slightly flared lip, in clear glass, its foot entirely decorated in polychrome enameled stylized flowers and leaves on a blue background
Signed in red enamel above one of the scrolls adorned on the lower part of the coupe
16.5 cm. high

With a certificate and a label marked n. 73/116 by Mrs Florence Marinot

An item with an identical shape and also enameled with flowers is in the collection of the Corning museum. For further details: Katharine McClinton, Art Deco, a guide for collectors, p. 140

Exhibition
Salon d’automne, 1912
Salon d’automne, 1913, in an ensemble by André Mare

Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’œuvre de verre, les éditions de l’amateur, 2013, ill. pp 52 and 260

Provenance
Formerly in the collection of Mr Poyet, Lyon, 1919
Mr Latil, Paris
Lillian Nassau, New York, acquired in 1972

According to Félix Marcilhac, this piece is from 1913 (so it could not have been exhibited in 1912)

MAURICE MARINOT – COUPE, 1913

COUPE, 1913
Chalice on a long and flared foot, in clear glass, acid-etched and decorated with blue, red and yellow enameled bunch of grapes
Signed with red enamel on the base of the foot
13.2 cm. high

With a certificate and a label marked n. 25/105 by Mrs Florence Marinot

Exhibition
Salon d’automne, Paris, 1913

Bibliography
Léandre Vaillat, Marinot peintre verrier, L'Art et les Artistes, May 1914, p. 140
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l'œuvre de verre, les éditions de l'amateur, 2013, ill. p. 253

Provenance
Former X Collection in 1919
Lillian Nassau, New York
Harvey Littleton, North Carolina, USA

DAUM NANCY – VASE, CIRCA 1925

VASE, CIRCA 1925
Clear glass internally decorated with orange stripes and air bubbles
Wheel-cut signature Daum Nancy France
23 cm. high

An identical model was exhibited at the 1925 Exposition and acquired by the State for the Musée des Arts Décoratifs in Paris

Exhibition
Exposition Internationale des Arts Decoratifs, Paris 1925
Bruxelles, Société Générale de Banque, “Art Déco 1925”

Bibliography
Duret-Robert François, Daum, Connaissance des Arts, November 1972, n. 249
Brunhammer, Yvonne, 1925, les presses de la connaissance, Paris 1976, full color ill. p. 79
Bacri Clothilde, Daum, Michel Aveline, éditeur, 1991, full page ill. p. 190

Provenance
Collection Daum, acquired in 1987

MANUFACTURE NATIONALE DE SEVRES – ANNE-MARIE FONTAINE – BONBONNIERE, 1922

BONBONNIERE, 1922
Polychrome and gilded porcelain, decorated with stylized branches and flowers
Designed by Dunaime
Decorated by Miss Anne-Marie Fontaine
Bearing manufacture and decoration stamps of 1922
Signed under its base A M Fontaine and the letter J
6 cm. high; 11 cm in diameter

Bibliography
Lechevallier-Chevignard, Georges “La Décoration Moderne à la Manufacture de Sèvres“, Ch. Massin & Cie Editeurs, Paris, s.d. pl.5

MAURICE MARINOT – “FLEURETTES” BOTTLE N°41, 1912

“FLEURETTES” BOTTLE N°41, 1912
Footed baluster bottle and its stopper, enameled blue, white and red flowers (roses and tulips) in glass, concentric lines on the stopper, neck, body and foot
Signed M.M. in enamel
17 cm. high

Provenance
Formerly in the Hoog collection

MARCEL GOUPY – VASES, CIRCA 1920

VASES, CIRCA 1920
Round vase on circular foot and small flaring neck, mottled light blue glass decorated with eight tears
in green enamel, the foot and neck outlined in green enamel
Signed underneath in enamel
14 cm.

Flattened footed vase in clear glass, polychrome decoration of a pair of birds framed by flowers and leaves
Signed underneath in enamel     Sold

Tapered cylindrical vase in mottled yellow glass decorated in polychrome enamel with three identical pairs
of parakeets and insects in flight
Signed in enamel underneath

Footed cylindrical vase with flaring neck, mottled yellow glass decorated with three medallions of stylized motifs
in black enamel, the rim and foot outlined in black enamel
Signed underneath in enamel

MAURICE MARINOT – VASE, MM N. 282, 1921

VASE, MM N. 282, 1921
Internally decorated footed thick glass vase
Signed
18 cm. high

Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier, Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 302

Provenance
Collection Adrien A. Hébrard (1921)
Bernard Lorenceau
Charles J. R. Liebman
Robert Zehil Gallery, Beverly Hills, USA
Private colletion, New York, USA
Acquired from the above in December 2015

MAURICE MARINOT – FLATTENED BOTTLE, MM, N. 1015, 1925

FLATTENED BOTTLE, MM, N. 1015, 1925
Deeply etched flattened glass bottle
Signed
12.5 cm. high

Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier. Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 420

Exhibition
Jacques Seligman & C°, Twentieth Century Glass – American and European, New York, 1925, Metropolitan Museum of Art, New York, 1950

FRANCOIS-EMILE DECORCHEMONT – “SERPENTS” BOWL, 1925

“SERPENTS” BOWL, 1925
Model 260, A 108
Pâte de verre in mottled brown and amber
Impressed with the artist’s seal and numbered A108
12 x 30 cm.

Exhibition
Véronique Ayrolles, François Decorchemont, Maître de la pâte de verre, éditions Norma, 2006, other examples ill. pp. 6, 122, 123, 265

Presently on loan to the Musée du Verre François Décorchemont, in Conches-en-Ouches

GEORGES DESPRET – YVONNE SERRUYS – “THE THREE GRACES”, CIRCA 1906

“THE THREE GRACES”,  CIRCA 1906
Monumental pâte de verre pedestal dish after a model by Yvonne Serruys representing the Three Graces holdind up a sea shell with green and orange highlights imitating mother-of-pearl, with the
base showing children blowing conch shells
Signed and numbered 940
40 cm. high
The shell: 31 cm. long

Exhibition
Sunderland Museum & Art Gallery, The Art of Glass: Art Nouveau to Art Deco, 17 July-27 October 1996

Bibliography
Gustave Kahn, Le goût moderne, November 1926, pp. 8-11: “Ainsi Mme Yvonne Serruys a donné le modèle d’une coupe haute, à large vasque étendue, exécutée dans les tons blancs du marbre ou la nacrure du coquillage, soutenue par les épaules
de porteurs nus, dont les pieds s’agrippent à un rocher mouvementé, et le verrier a obtenu des épreuves de colorations diverses, distinctes et toutes bien venues”
Victor Arwas, The Art of Glass, Andreas Papadakis, publisher, 1996, full page ill. p. 56

MARCEL GOUPY – VASES, CIRCA 1920

VASES, CIRCA 1920
Baluster vase with small flaring neck, mottled blue glass decorated with three pairs of magpies on branches and several dragonflies in polychrome enamel
Signed underneath
27 cm. high

Large baluster vase in clear glass decorated with four birds and stylized flowerheads in polychrome enamel outlined in black
Signed in enamel
22.5 cm. high

Baluster vase in clear glass decorated with three pairs of parakeets against a stylized pattern of berries branches in polychrome enamel
Signed
21.5 cm.

MAURICE MARINOT – VASE, 1922

VASE, 1922
Clear glass with an engraved decoration of tulips
Signed; with a certificate and a label marked n. 402 by Mrs Florence Marinot
17 cm. high

Exhibition
Infinite Obsessions, Barry Friedman Gallery, New York, 1999-2000

Bibliography
René Chavance, Maurice Marinot, peintre et verrier, L’Art et les Artistes, January 1923, p. 156
Yves Delaborde, Le Verre, art & design, XIX-XXIème siècles, ACR édition, 2011, p. 203
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 319

MANUFACTURE NATIONALE DE SEVRES – VASE, 1938

VASE, 1938
Model: PROU N.1
Author of the shape: René Prou
Decorated by Susanne Kaehrling in 1938
Decorated with reeds highlighted with gold, a bather, fishing boats and houses
Signed, rose seal, letter K and numbered 5935
45 cm. high