TWO-TIER TABLE, CIRCA 1900
Marquetry of precious woods
The top features a decoration of a dragonfly on a marsh iris. The lower tier has a central motif of flying insects
Marquetry signature on the top
74 x 61 x 39 cm.
PEDESTAL TABLE, CIRCA 1900
Marquetry on the upper shelf. Bears the inscription Semper gardate and is signed in marquetry within a cartouche Gallé 1898
Height: 75.5 cm. Top: 71 × 41.5 cm.
“LES OMBELLIFERES” DISPLAY CABINET, CIRCA 1900
Carved and moulded walnut
The interior has shaped shelves with naturalistic supports, and a back panel with an umbel motif in marquetry using different woods. The side panels and the glazed door, decorated with umbellifers and a butterfly in flight, are also in marquetry
Signed GALLÉ in marquetry
Height: 150 cm
Width: 63 cm
Depth: 43 cm
“LA BERCE DES PRES” CABINET, CIRCA 1900
Carved and moulded walnut with vegetal motifs, featuring a marquetry background with cut-out meadow hogweed, marsh irises, and dragonflies. The upper section is decorated with carved umbels
242 × 118 × 54 cm.
Exhibition
Exhibition of the École de Nancy, Paris, 1903 Similar model: Musée de l’École de Nancy (Bequest of Miss Pittet)
CEYLON SATINWOOD TABLE
Moulded and carved with Saint Bruno lilies; rectangular top, the frieze decorated with a garland of flowers on an ebony and mother-of-pearl marquetry ground
Slightly curved and fluted legs
Height: 75.5 cm
Top dimensions: 110 × 65 cm.
Exhibition
Exhibited at the Exposition de l’Intérieur, 3rd Salon des Industries du Mobilier, July–October 1908
Bibliography
Ian Millman, Georges de Feure, p. 214 to p. 216
CRADLE, CIRCA 1910
Sculpted moulded walnut with floral decoration with two lateral uprights mounted on a curved foot axis
The basket with a frame in moulded walnut carved presents in its partitions a decoration painted with oil of roses
Height: 92 cm.
Width: 108 cm.
Depth: 56 cm.
STORAGE CHEST, CIRCA 1900
Carved wood, with a decor of stylised flowers. The lock in stylized copper
Signed E. Bernaux on the right side panel, with the initials E. B. at the lower right of the three front panels, as well as on the left side panel
Width: 86.5 cm.
Depth: 36.5 cm.
Height: 46.5 cm.
“FLANEUSE N. 43” ARMCHAIR
Carved oak and original tooled leather
104 x 75 x 90 cm.
The model illustrated in the catalogue of La Maison Moderne is made of antelope leather lined with silk.
Our example is identical to the one exhibited at the 1906 SAD (Société des Artistes Décorateurs)
Exhibition
Société des Artistes Décorateurs, 1906
Bibliography “Documents sur l’Art Industriel au XXe siècle”, édition de la Maison Moderne, Paris, ill p. 16 (Ameublement et Décoration)
L’Art Décoratif, January 1903, ill. p. 19
Georges de Bartha, L’Art 1900, sd, ill. p. 140
Renate Ulmer, Art Nouveau Symbolismus und Jugendstil in Frankreich, Arnoldsche, 1999, ill. p. 165, n. 153
Provenance
Maison Moinat, Rolle, Switzerland
Neumann collection, Gingins, Switzerland, acquired in 1971
FIRESCREEN, CIRCA 1900
Rosewood with a design of magnolia flowers in mother-of-pearl and wood marquetry on
leather and copper slats
Unidentified initials
85 cm. high
88 cm. long
SIDEBOARD, CIRCA 1900-1910
Rectangular low sideboard in fruitwood. The doors are decorated with molded panels carved in low relief with a wooded lakeside landscape, framed with carved branches. The panels are incised with the silhouette of a seated wolf—seen from behind on one panel, and from the front on the other. The drawer is bordered by a carved vegetal pattern. The oval keyhole are made of engraved metal with foliage.
Height: 93.5 cm.
Width: 143 cm.
Depth: 52 cm.
“CRANE AND REEDS” FLOOR LAMP, CIRCA 1900-1905
Bronze and patinated metal
Height: 175 cm.
This work, likely of Japanese origin, is a masterful example of the decorative appeal of bronze cranes around 1900, following the Western importation of sacred animals. Impressive in scale and retaining its original patina, our floor lamp is a brilliant illustration of the integration of fauna and flora into a lighting fixture in keeping with contemporary taste.
Other examples of this type of floor lamp are known: one is held in the Gillion Crowet Collection (Belgium), and another, from the Rispal donation (France, 2005), is part of the Musée d'Orsay collections.”
“VOSGES LANDSCAPE AND CLEMATIS” SCREEN, CIRCA 1896
Three-panel screen in molded walnut, featuring medallions in embossed leather with floral decoration, acid-etched glass depicting a Vosges landscape and clematis. The repoussé leather with poppy motifs was executed by Gruber
Clematis was Gruber’s emblem
Signed
Bibliography Jacques Gruber et l’art Nouveau, Gallimard – Musée de l’École de Nancy, Paris, 2011, a screen with a comparable design is illustrated on page 87
GRANDFATHER CLOCK, CIRCA 1910
Carved wood with bronze handles
Bearing the artist’s monogram on the upper door and signed in full on the side
222 cm. high
53 cm. wide
32 cm. deep
Pendule de parquet, bois sculpté, poignées de portes en bronze. Monogramme sur la porte supérieure. Signée en toutes lettres sur le côté. Hauteur : 222 cm Largeur max : 53 cm Profondeur : 32 cm
GUERIDON, CIRCA 1900
Walnut, decorated with inlaid water leaves patterns
Inlaid signature L. Majorelle
Height: 77 cm.
Diameter: 77 cm.
Grand guéridon triangulé, en noyer reverni, piétement tripode végétal sculpté de boutons floraux supérieurs, couronnés de larges éléments rainurés maintenant la ceinture ondée, plateau triangulé à large bordure, formant bassin à décor de grands motifs marquetés de feuilles d’eau. Signature marquetée L. Majorelle. Hauteur : 77 cm Diamètre : 77 cm
PSYCHE, CIRCA 1900
Psyche composed of a triptych, flanked by two drawer cabinets.
Bronze handles with honeysuckle motifs
Height: 206 cm.
Width: 159 cm.
Psyché composée d’un triptyque flanqué de deux caissons à tiroirs Poignées en bronze à motifs de chèvrefeuille Hauteur: 206 cm Largeur: 159 cm
TWO CHAIRS, CIRCA 1900
Sculpted wood
90.5 cm. high
Bibliography
Art et Décoration, 1900, vol. II, ill. p. 44
G. Weisberg, Art Nouveau Bing, ill. p. 181, fig. 177
Deux chaises en bois sculpté
Hauteur : 90,5 cm
Bibliographie
Art et Décoration, 1900, vol. II, repr. p. 44.
Album de référence de l’Art Nouveau, Bibliothèque du musée des Arts Décoratifs, Paris.
G. Weisberg, Art Nouveau Bing, rep. p. 181, fig. 177.
DRESSING TABLE, CIRCA 1900
Carved wood with a vegetal decor
146 cm. high
Bibliography
Laurence Buffet-Challié Le Modern Style, Baschet & Cie, éditeurs, n.d., ill. p. 66, falsely attributed to Georges Hoentschel
Coiffeuse en noyer ciré teinté et érable blanc sculpté d’un décor végétal Hauteur de la table : 75,5 cm Hauteur totale : 146 cm Largeur max. du plateau : 90 cm
Bibliographie Laurence Buffet-Challié, Le Modern Style, Baschet & Cie, éditeurs, n.d., repr. p. 66, faussement attribué à Georges Hoentschel