Showing 1–24 of 57 results

EMILE GALLE – TWO-TIER TABLE, CIRCA 1900

TWO-TIER TABLE, CIRCA 1900
Marquetry of precious woods
The top features a decoration of a dragonfly on a marsh iris. The lower tier has a central motif of flying insects
Marquetry signature on the top
74 x 61 x 39 cm.

EMILE GALLE – “LES OMBELLIFERES” DISPLAY CABINET, CIRCA 1900

 “LES OMBELLIFERES” DISPLAY CABINET, CIRCA 1900
Carved and moulded walnut
The interior has shaped shelves with naturalistic supports, and a back panel with an umbel motif in marquetry using different woods. The side panels and the glazed door, decorated with umbellifers and a butterfly in flight, are also in marquetry
Signed GALLÉ in marquetry
Height: 150 cm
Width: 63 cm
Depth: 43 cm

EMILE GALLE – “LA BERCE DES PRES” CABINET, CIRCA 1900

“LA BERCE DES PRES” CABINET, CIRCA 1900
Carved and moulded walnut with vegetal motifs, featuring a marquetry background with cut-out meadow hogweed, marsh irises, and dragonflies. The upper section is decorated with carved umbels
242 × 118 × 54 cm.

Exhibition
Exhibition of the École de Nancy, Paris, 1903
Similar model: Musée de l’École de Nancy (Bequest of Miss Pittet)

GEORGES DE FEURE – CEYLON SATINWOOD TABLE

CEYLON SATINWOOD TABLE
Moulded and carved with Saint Bruno lilies; rectangular top, the frieze decorated with a garland of flowers on an ebony and mother-of-pearl marquetry ground
Slightly curved and fluted legs
Height: 75.5 cm
Top dimensions: 110 × 65 cm.

Exhibition
Exhibited at the Exposition de l’Intérieur, 3rd Salon des Industries du Mobilier, July–October 1908

Bibliography
Ian Millman, Georges de Feure, p. 214 to p. 216

FRENCH – CRADLE, CIRCA 1910

CRADLE, CIRCA 1910
Sculpted moulded walnut with floral decoration with two lateral uprights mounted on a curved foot axis
The basket with a frame in moulded walnut carved presents in its partitions a decoration painted with oil of roses
Height: 92 cm.
Width: 108 cm.
Depth: 56 cm.

SOLD

LOUIS BROUHOT, Maison – TABLE, CIRCA 1901-1902

TABLE, CIRCA 1901-1902
Mahogany, marquetry and brass table, with a floral decor
Height: 91 cm.
Width: 73 cm.
Depth: 52 cm.

Bibliography
Alastair Duncan, Fin de siècle masterpieces from the Silverman collection, 1989, similar example
ill. p. 118, n. 58

EMILE BERNAUX – STORAGE CHEST, CIRCA 1900

STORAGE CHEST, CIRCA 1900
Carved wood, with a decor of stylised flowers. The lock in stylized copper
Signed E. Bernaux on the right side panel, with the initials E. B. at the lower right of the three front panels, as well as on the left side panel
Width: 86.5 cm.
Depth: 36.5 cm.
Height: 46.5 cm.

ABEL LANDRY – “FLANEUSE N. 43” ARMCHAIR

“FLANEUSE N. 43” ARMCHAIR
Carved oak and original tooled leather
104 x 75 x 90 cm.

The model illustrated in the catalogue of La Maison Moderne is made of antelope leather lined with silk.
Our example is identical to the one exhibited at the 1906 SAD (Société des Artistes Décorateurs)

Exhibition
Société des Artistes Décorateurs, 1906

Bibliography
“Documents sur l’Art Industriel au XXe siècle”, édition de la Maison Moderne, Paris, ill p. 16 (Ameublement et Décoration)
L’Art Décoratif, January 1903, ill. p. 19
Georges de Bartha, L’Art 1900, sd, ill. p. 140
Renate Ulmer, Art Nouveau Symbolismus und Jugendstil in Frankreich, Arnoldsche, 1999, ill. p. 165, n. 153

Provenance
Maison Moinat, Rolle, Switzerland
Neumann collection, Gingins, Switzerland, acquired in 1971

FRENCH – FIRESCREEN, CIRCA 1900

FIRESCREEN, CIRCA 1900
Rosewood with a design of magnolia flowers in mother-of-pearl and wood marquetry on
leather and copper slats
Unidentified initials
85 cm. high
88 cm. long

LOUIS HESTAUX – SIDEBOARD, CIRCA 1900-1910

SIDEBOARD, CIRCA 1900-1910
Rectangular low sideboard in fruitwood. The doors are decorated with molded panels carved in low relief with a wooded lakeside landscape, framed with carved branches. The panels are incised with the silhouette of a seated wolf—seen from behind on one panel, and from the front on the other. The drawer is bordered by a carved vegetal pattern. The oval keyhole are made of engraved metal with foliage.
Height: 93.5 cm.
Width: 143 cm.
Depth: 52 cm.

Provenance
From the descendants of Louis Hestaux

ANONYMOUS – “CRANE AND REEDS” FLOOR LAMP, CIRCA 1900-1905

“CRANE AND REEDS” FLOOR LAMP, CIRCA 1900-1905
Bronze and patinated metal
Height: 175 cm.

This work, likely of Japanese origin, is a masterful example of the decorative appeal of bronze cranes around 1900, following the Western importation of sacred animals. Impressive in scale and retaining its original patina, our floor lamp is a brilliant illustration of the integration of fauna and flora into a lighting fixture in keeping with contemporary taste.

Other examples of this type of floor lamp are known: one is held in the Gillion Crowet Collection (Belgium), and another, from the Rispal donation (France, 2005), is part of the Musée d'Orsay collections.”

JACQUES GRUBER – “VOSGES LANDSCAPE AND CLEMATIS” SCREEN, CIRCA 1896

“VOSGES LANDSCAPE AND CLEMATIS” SCREEN, CIRCA 1896
Three-panel screen in molded walnut, featuring medallions in embossed leather with floral decoration, acid-etched glass depicting a Vosges landscape and clematis. The repoussé leather with poppy motifs was executed by Gruber
Clematis was Gruber’s emblem
Signed

Bibliography
Jacques Gruber et l’art Nouveau, Gallimard – Musée de l’École de Nancy, Paris, 2011, a screen with a comparable design is illustrated on page 87

WALL SHELF, CIRCA 1900

WALL SHELF, CIRCA 1900
Carved oak with a repoussé leather panel featuring a mountain landscape design.
Bearing a monogram.
55 x 78 cm.

Etagère murale en chêne sculpté, panneau en cuir repoussé à décor de paysage montagneux.
Porte un monogramme.
55 x 78 cm

1 800 €

EMILE BERNAUX – GRANDFATHER CLOCK, CIRCA 1910

GRANDFATHER CLOCK, CIRCA 1910
Carved wood with bronze handles
Bearing the artist’s monogram on the upper door and signed in full on the side
222 cm. high
53 cm. wide
32 cm. deep

Pendule de parquet, bois sculpté, poignées de portes en bronze.
Monogramme sur la porte supérieure.
Signée en toutes lettres sur le côté.
Hauteur : 222 cm
Largeur max : 53 cm
Profondeur : 32 cm

3 000 €

LOUIS MAJORELLE – GUERIDON, CIRCA 1900

GUERIDON, CIRCA 1900
Walnut, decorated with inlaid water leaves patterns
Inlaid signature L. Majorelle
Height: 77 cm.
Diameter: 77 cm.

Grand guéridon triangulé, en noyer reverni, piétement tripode végétal sculpté de boutons floraux supérieurs, couronnés de larges éléments rainurés maintenant la ceinture ondée, plateau triangulé à large bordure, formant bassin à décor de grands motifs marquetés de feuilles d’eau.
Signature marquetée L. Majorelle.
Hauteur : 77 cm
Diamètre : 77 cm

9 000 €

EMILE GALLE – GUERIDON, CIRCA 1900

GUERIDON, CIRCA 1900
Walnut, the top inlaid
Signed
Height: 73 cm.

Guéridon tripode en noyer, plateau en marqueterie, pieds fuselés
Signé
Hauteur : 73 cm
Diamètre : 53,5 cm

4 500 €

LOUIS MAJORELLE – PSYCHE, CIRCA 1900

PSYCHE, CIRCA 1900
Psyche composed of a triptych, flanked by two drawer cabinets.
Bronze handles with honeysuckle motifs
Height: 206 cm.
Width: 159 cm.

Psyché composée d’un triptyque flanqué de deux caissons à tiroirs
Poignées en bronze à motifs de chèvrefeuille
Hauteur: 206 cm
Largeur: 159 cm

2 500 €

EDWARD COLONNA – TWO CHAIRS, CIRCA 1900

TWO CHAIRS, CIRCA 1900
Sculpted wood
90.5 cm. high

Bibliography
Art et Décoration, 1900, vol. II, ill. p. 44
G. Weisberg, Art Nouveau Bing, ill. p. 181, fig. 177

Deux chaises en bois sculpté
Hauteur : 90,5 cm

Bibliographie
Art et Décoration, 1900, vol. II, repr. p. 44.
Album de référence de l’Art Nouveau, Bibliothèque du musée des Arts Décoratifs, Paris.
G. Weisberg, Art Nouveau Bing, rep. p. 181, fig. 177.

2 250 €

MAISON SOUBRIER – DRESSING TABLE, CIRCA 1900

DRESSING TABLE, CIRCA 1900
Carved wood with a vegetal decor
146 cm. high

Bibliography
Laurence Buffet-Challié Le Modern Style, Baschet & Cie, éditeurs, n.d., ill. p. 66, falsely attributed to Georges Hoentschel

Coiffeuse en noyer ciré teinté et érable blanc sculpté d’un décor végétal
Hauteur de la table : 75,5 cm
Hauteur totale : 146 cm
Largeur max. du plateau : 90 cm

Bibliographie
Laurence Buffet-Challié, Le Modern Style, Baschet & Cie, éditeurs, n.d., repr. p. 66, faussement attribué à Georges Hoentschel

5 000 €

VICTOR PROUVE – THREE-LEAF SCREEN, 1903

THREE-LEAF SCREEN, 1903
The panel in lacquered wood is engraved with trees and branches
Signed V. Prouvé and dated 1903
107 x 102 cm.

Paravent à trois feuilles en bois laqué, panneau gravé d’arbres et de branchages
Signé V. Prouvé et daté 1903
107 x 102 cm

2 250 €