SEVRES (MANUFACTURE NATIONALE DE)

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MANUFACTURE NATIONALE DE SEVRES – LÉON KANN – “POMMES DE PIN” COFFEE SERVICE, 1902

“POMMES DE PIN” COFFEE SERVICE, 1902
Comprising four cups and saucers and one sugar bowl porcelain with a relief decoration of pinecone scales
Bearing the manufacturer’s marks S/1905, pâte nouvelle
Sugar bowl: 14.2 cm. high
Each cup: 6.8 cm. high
Each saucer: 13 cm. diameter

Another example of the sugar bowl is part of the collections of the Château-Musée de Boulogne-sur-Mer (INV. 480L)

Exhibition
1904, St. Louis: Exposition internationale

SOLD

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ANDRE-FERNAND THESMAR – MANUFACTURE NATIONALE DE SEVRES, COVERED BOX, CIRCA 1895

COVERED BOX, CIRCA 1895
Cloisonné enamel and gold on a soft paste porcelain
Signed in enamel with the artist’s monogram
9 cm. diameter

Exhibition
Sèvres – Élégance du 20ème siècle, Tokyo Metropolitan Tein Art Museum, 2 October-19 December 1993, p. 67, n. 5 in the exhibition catalogue

Bibliography
Revue des Arts décoratifs, 1886, p. 377 and p. 381, Les artistes décorateurs – Fernand Thesmar by Victor Champier, illustration of two other enamelled covered boxes

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MANUFACTURE NATIONALE DE SEVRES – LEON KANN – “VASE GOURDE DE BRUYERES”

“VASE GOURDE DE BRUYERES”
Pâte Nouvelle (PN) of 1900
Designed by L. Kann, 1899
21 cm. high

Bibliography
Antoinette Faÿ-Hallé, Barbara Mundt, La porcelaine européenne au XIXe siècle, Office du Livre, Fribourg, Suisse, 1983, ill. p. 252, board 413
Jean Paul Midant, SEVRES La Manufacture au XXème siècle, Paris, Michel Aveline Editeur, 1992, p. 38

Provenance
An identical piece in a paler and monochromic shade can be found in the collections of the Musée National de Céramique in Sèvres, inventory n. MNC 25 522
Another item is part of Mobilier National’s collection
A third piece is in the collection of the Musée National Adrien-Dubouché in Limoges, inventory n. 7704

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MANUFACTURE NATIONALE DE SEVRES – ALPHONSE SANDOZ – VASE DE CHAMPROSAY, 1ERE GRANDEUR, 1900

VASE DE CHAMPROSAY, 1ERE GRANDEUR, 1900
Gourd-shaped, covered in blue and green overlaid
Designed by Alphonse Sandoz in 1898
Signed with the triangular mark dated 1900
14,5 cm. high

Exhibition
“Sèvres 1900”, Musée des Beaux-Arts de Nancy, identical model in dark colored overlaid, ill. p. 30 of the exhibition catalogue, collection of the Musée National de Sèvres, inventory n° 924 1 6.

Bibliography
Jean Paul Midant “Sèvres – La Manufacture au XXème siècle”, Michel Aveline éditeur, 1992, p. 27 : Illustration du même vase en 2ème grandeur et à couverte à cristallisations, collection Mobilier National, Paris.

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MANUFACTURE NATIONALE DE SEVRES – ALPHONSE SANDOZ – VASE D’APREMONT, 1902

VASE D’APREMONT, 1902
Colocynth vase in hard-pasted new porcelain with faceted body with decor in relief and application of leaves and vine branches wrapped around the vessel, forming two handles
Enamels in lovat green, ochre and brown on yellow background
Designed by Alphonse Sandoz
Bearing the manufacturer’s stamp for 1902
35,4 cm. high
An identical vase is in the collection of the Musée National de la Céramique, Sèvres, inventory n°15 913

Exhibition
1900, Galeries nationales du Grand Palais, Paris, 14 March-26 June 2000, ill. p. 282, n°300 in the exhibition catalogue

Bibliography
E. Molinier “Les plus récents Travaux de la Manufacture de Porcelaine de Sèvres”, Art et Décoration, November 1903, ill. p. 364, “Signalons encore une autre innovation : les vases à décor en relief exécuté par le moulage. On trouvera ici quelques échantillons de ces nouvelles pièces, notamment une bouteille de M. Sandoz qui est d’une belle venue. En ce genre et dans cette nouvelle voie on peut produire beaucoup de choses intéressantes”.
Antoinette Faÿ-Hallé, Barbara Mundt : “La porcelaine européenne au XIXème siècle”, Office du Livre S.A., Fribourg, Switzerland, 1983. ill. p. 232, pl. 415.

SOLD

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MANUFACTURE NATIONALE DE SEVRES – LÉON KANN, form designer – COFFEE SERVICE “FENOUIL”, 1898

COFFEE SERVICE “FENOUIL”, 1898
White porcelain (PN) glazed white with green highlights comprising coffee pot, milk pot, sugar bowl, two cups and saucers and matching tray
Bearing the manufacturer’s oval stamp for 1898 under each piece

Exhibition
Sèvres 1900, Musée des Beaux-Arts de Nancy, cup and saucer ill. p. 33 in the exhibition catalogue
1900, Galeries nationales du Grand Palais, Paris, 14 March-26 June 2000, ill. p. 282, no. 301 in the exhibition catalogue

Bibliography
La Décoration Moderne, XIIIème année, 1905-1906, pl. 7
Frédéric Descouturelle, Olivier Pons, La céramique et la lave émaillée d’Hector Guimard, Edition du Cercle Guimard, p. 12

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MANUFACTURE NATIONALE DE SEVRES – AGATHON LEONARD – “DANSEUSE AUX FLAMBEAUX” on the right, N. 15, 2eme GRANDEUR, CIRCA 1900 – “DANSEUSE AUX FLAMBEAUX” on the left, N. 1, 2eme GRANDEUR, CIRCA 1900

“DANSEUSE AUX FLAMBEAUX” on the right, N. 15, 2eme GRANDEUR, CIRCA 1900 – “DANSEUSE AUX FLAMBEAUX” on the left, N. 1, 2eme GRANDEUR, CIRCA 1900
Original oval base decorated with foliage and cabochons in relief and heighlighted with gold
The figure n°1 is inscribed n°1 underneath. It bears the Sèvres triangular seal inscribed S 1911 as well as the Sèvres rectangular seal
The figure n°15 is also inscribed n°15 underneath and bears a Sèvres square seal marked S 1913 DN as well as the Sèvres rectangular seal and the initials GL

Height : 39 and 40 cm
Base : 11.2 cm.

Comes in two sizes of 57 & 38 cm. 59 examples of each were produced in both sizes between 1901 and 1923.
Originally exhibited as early as 1897, 15 different models were displayed on the Sevres booth at the 1900 Exposition Universelle. A complete set was offered to the tsar of Russia in 1901 and other complete sets are at the French embassy in Prague, the Victoria and Albert museum in London and the Musée de la céramique in Sèvres

Exhibition
Société Nationale des Beaux-Arts, 1897, section sculpture. A. Léonard exhibits ten maquettes figuring “le jeu des écharpes”
Exposition Universelle, Paris, 1900.

Bibliography
Émile Bourgeois & Georges Lechevallier-Chevignard, Le Biscuit de Sèvres, tome II, Pierre Lafitte & Cie, Paris, 1909, ill. pl. 17, no. 1119
Agathon Léonard Le geste Art nouveau, Musée d’Art et d’Industrie, Roubaix and Musée département
de l’Oise à Beauvais, 2003, ill. p. 48, n. 23

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MANUFACTURE NATIONALE DE SEVRES – “VASE DE CLERMONT” C PN, 1903

“VASE DE CLERMONT” C PN, 1903
White porcelain glazed yellow and green on a pink and green background; carved and patinated bronze mount with a pinecone motif
Bearing the manufacturer’s stamp for 1908
64 cm. high
44 cm. diameter

Bibliography
Alexandre Sandier & Georges Lechevallier-Chevignard, Formes et décors modernes de la Manufacture Nationale de Sèvres, 1913, pl. 16, for two similar vases decorated by Genevieve Rault with bronze bases

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MANUFACTURE NATIONALE DE SEVRES – HENRI BRECY, form designer – PAIR OF BOTTLES “EPIS DE MAIS”, 1900

PAIR OF BOTTLES “EPIS DE MAIS”, 1900
Glazed porcelain; each with original stopper
Bearing the manufacturer’s stamp for 1901
16.5 cm. high

Exhibition
Exposition Universelle, Paris, 1900
An identical bottle without its stopper was acquired in 1905 by the French State for the Musée des Ursulines in Mâcon and another one complete for the Musée de Saint-Nazaire. Both are today in the collection of the Cité de la Céramique in Sèvres. Another, with stopper, is in the Holburne Museum, Bath (Handley-Read collection), and a further example, without its stopper, is in the Musée des Beaux Arts de Quimper

Bibliography
L’Art Décoratif, October 1900, La manufacture nationale de Sèvres à l’exposition universelle, similar example ill. p. 12

 

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MANUFACTURE NATIONALE DE SEVRES – INKWELL, 1900

INKWELL, 1900
Decorated by Henri-Joseph Lasserre
Model by Denis Ligue
Porcelain; the lid in the shape of a snail. With a design of clover leaves and flowers
With manufacturer mark dated 1900
8 x 13.5 cm.

Exhibition
Paris Salons, p. 434

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MANUFACTURE NATIONALE DE SEVRES – ANDRE-FERNAND THESMAR – POWDER COMPACT, 1895

POWDER COMPACT, 1895
Polychrome enamel; gold mounted on a Sèvres porcelain. Inside the cotton is decorated with an enamelled ladybug on a gold bud
Signed with the monogram and bearing the inscription: Faite pour Antonia Howard Trip 1895.
Three initials are entangled in the design

6.7 cm. diameter

The same decor is found on a small box exhibited at the Exposition Universelle of 1900

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MANUFACTURE NATIONALE DE SEVRES – “VASE D’IGNY B”, 1921

“VASE D’IGNY B”, 1921
“Femme aux fleurs”
Shape designed by Alexandre Sandier, 1897
Decor by Robert Bonfils
Decorator: Marcel-Jean Piquet, 1921
Bearing the monogram MP (Marcel-Jean Piquet)
23.5 cm. high

Bibliography:
Lechevallier-Chevignard, Georges La Décoration Moderne à la Manufacture de Sèvres, Ch. Massin & Cie Editeurs, Paris, s.d. pl. 4
Les Oeuvres de la Manufacture Nationale de Sèvres, Vol. III, Les Vases et pièces décorées, ill., référence 2050 & 2051

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MANUFACTURE NATIONALE DE SEVRES – HENRI RAPIN – “FONTAINE LUMINEUSE”, 1924-1927

FONTAINE LUMINEUSE, 1924-1927
The shape and decor designed by Henri Rapin, executed by J.-B. Gauvenet
Porcelain, the base in bronze
The top bearing the Sèvres Factory seal S 1924; at the base, a plaque is engraved
AGENCE GENERALE ELLIOTT FISHER A SON CHER VICE-PRESIDENT
F. LECHER SEVRES PARIS NOVEMBRE 1927

App. 134 cm. high without the base

Four fountains are registered in the archives at the Sèvres Factory:
One at the Mobilier National, incomplete (lower part missing)
One at the Sèvres Porcelain Factory, in excellent condition
One in an unknown location, severely damaged
Our example

Exhibition
Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris, 1925 (Pavillon de Sèvres)
L’Exposition des porcelaines de Sèvres de style Art Déco, Tokyo Metropolitan Teien Art Museum,
2 October-19 December 1993, ill. p. 37, n. 30 in the exhibition catalogue

Bibliography
Les œuvres de la Manufacture nationale de Sèvres, tome V: Le Luminaire, nd, ill. pl. 5, n. 3528
Jean Paul Midant, Sèvres – La Manufacture au XXème siècle, Michel Aveline editor, Paris, 1992,
ill. full page p. 76 (formerly in the Pavillon de Sèvres collection, London, the bronze base missing)

SOLD

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MANUFACTURE NATIONALE DE SEVRES – ANNE-MARIE FONTAINE – BONBONNIERE, 1922

BONBONNIERE, 1922
Polychrome and gilded porcelain, decorated with stylized branches and flowers
Designed by Dunaime
Decorated by Miss Anne-Marie Fontaine
Bearing manufacture and decoration stamps of 1922
Signed under its base A M Fontaine and the letter J
6 cm. high; 11 cm in diameter

Bibliography
Lechevallier-Chevignard, Georges “La Décoration Moderne à la Manufacture de Sèvres“, Ch. Massin & Cie Editeurs, Paris, s.d. pl.5

SOLD