CAMILLE NAUDOT – BOWL, CIRCA 1900
BOWL, CIRCA 1900
Soft-paste porcelain, with a vine motif heightened by enamel,
the rim, the foot and the decor with gold highlights
Gilt monogram under the base
8.5 cm. diameter
Showing 25–33 of 33 results
ALFRED GARNIER – “LEDA”, CIRCA 1900
“LEDA”, CIRCA 1900
Enamel on copper representing Leda and the Swan, probably after the model by Leonardo da Vinci
Original black wooden frame highlighted with gold
Signed lower right and left and bearing a label Email de A. Garnier – Léda at the back
32 x 26 cm.
PAUL GRANDHOMME – ALFRED GARNIER – “KNEELING KING OFFERING HIS CROWN TO A YOUNG WOMAN”, CIRCA 1900
“KNEELING KING OFFERING HIS CROWN TO A YOUNG WOMAN”, CIRCA 1900
Polychrome enamel on copper
Signed lower right Grandhomme Garnier
15 x 12 cm.
PAUL GRANDHOMME – ALFRED GARNIER – GUSTAVE MOREAU – “WOMAN IN LANDSCAPE AT SUNSET”, CIRCA 1889
“WOMAN IN LANDSCAPE AT SUNSET”, CIRCA 1889
Enamel on copper, after a design by Gustave Moreau
Signed lower left Garnier Grandhomme inv.
and marked on the reverse Grandhomme Garnier / Emailleurs / 1889 / Paris
8 x 12.5 cm.
Bibliography
Taxile Doat, Causerie d'un émailleur, Revue des Arts Décoratifs, 1891, ill. p. 78
COUGNET AND PH. HIOLLE – VASE, CIRCA 1900
VASE, CIRCA 1900
Gold and cloisonné enamel decorated with leaves and fruits
7.8 cm. high
EUGENE FEUILLATRE – VASE, CIRCA 1900
VASE, CIRCA 1900
Enamelled copper with gold cloisonné decor
Signed
10 cm. high
Exhibition
Salon de la Société des Artistes Français, Paris, 1899
Bibliography
Gustave Soulier, Art et Décoration, 1899, vol. II, ill. p.74
Der Modern Stil, Julius Hoffman jr., A. Guérinet éditeur, Paris, librairie d’art décoratif, vol. 4, pl. 78
CAMILLE NAUDOT – SIEFFERT, HARANT & GUIGNARD – VASE, 1897
VASE, 1897
Superb polychrome enameled porcelain vase decorated with flowers, foliage, a butterfly
and an insect highlighted in gold
Signed underneath with the initials SHG, dated 1897 et bearing the letters CN (for Camille Naudot)
incised in the paste
17.5 cm. high
Sieffert, Harant and Guignard (originally Harant et Guignard) were mainly Parisian retailers
of crystal and glass, they did however sell some ceramics, and commissioned pieces. Indeed, they acquired the firm of Charles Lerosey (Le Rosey),
who decorated soft-paste porcelain vases by Naudot, often with Japoniste floral designs and
sometimes with émail cloissoné, following the technique introduced by Thesmar to Sèvres.
Some pieces were decorated by Louis Eugéne Sieffert, others by Adolphe Faugeron.
Their works were exhibited at the 1900 Exposition Universelle.
Their work seems to be quite rare. (Information graciously provided by Professor Paul Arthur).
ANDRE-FERNAND THESMAR – CAMILLE NAUDOT – CUP AND SAUCER, 1895-1896
CUP AND SAUCER, 1895-1896
Enameled porcelain
In its box set
Bearing the monogram of the artist; the cup dated 1895 and the saucer 1896. Marked C N
The cup: 6 cm. high; 7.3 cm. diameter
The saucer: 13 cm. diameter
ANDRE-FERNAND THESMAR – ALBERT DAMMOUSE – TUMBLER, CIRCA 1897
TUMBLER, CIRCA 1897
Gilt-cloisonné enamelled stoneware decorated with flowers and insects
Signed and dedicated to Jeanne Dammouse
9.5 cm. high
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill. p. 354