Art Nouveau & Art Déco - Gallery in Monaco
Showing all 23 results
GROUP OF VASES AND A BOWL, CIRCA 1900
Blue glass, deeply acid etched with geometric patterns. 8.7 cm. high
Blue glass, acid etched with stylised flowers
Amber glass, deeply acid etched with geometric patterns on a frosted background
“VIGNE VIERGE” BALUSTER VASE, CIRCA 1910
Brown and green shaded pink marmoreal glass
Titled Pleurent les pampres morts et les roses fanées
Signed
34.5 cm. high
Diameter: 21.5 cm.
“VIGNE” VASE, 1895
Moulded, blown, internally decorated glass, overlaid in black, deeply acid-etched
and wheel-carved, applied decoration
Gilt intaglio signature Daum Nancy with the cross of Lorraine, inscribed Mo and Fecit, dated 1895,
signed Gruber Del and J. Marchand
46 cm. high
Jacques Gruber was the most prominent designer working at Daum between 1893 and 1897.
From 1893, he designed vessels intended for national and international exhibitions,
most of which were unique pieces. He is most probably the author of the shape that appeared
in 1894 and of which very few examples are known, more or less all equal in height and with
various designs of poppies, thistles, sweet peas, and peacock feathers.
Most of them are presently in museums. We were unable to locate a similar example in that particular height.
Jules Marchand was the principal engraver at the Daum workshop. Working with an oil lamp, he ended his life blind
PAIR OF VASES, CIRCA 1900
Acid-etched, wheel-carved and hammered glass
Engraved signature highlighted with gold
12.5 cm. high
“FRUCTIDOR” VASE, 1896
After a drawing by Jacques Gruber
Acid-etched glass, finely wheel carved
Signed, titled, dated and with the Cross of Lorraine
27 cm. high
The title is taken from the name of the last month of the French Republican calendar, which represented
the “fruits that the sun gilds and ripens from August to September”.
The carved decoration of our vase shows multiple inspirations: Greek and Roman, Japanese art,
and German Expressionism. It can be compared with two other vases: “L’heure calme”.
“L’incantation crépusculaire”, 1895, in the Musées royaux d’Art et d’Histoire, Brussels,
and “Tristan et Yseult”, circa 1897, in the Musée des Beaux-Arts, Nancy.
Bibliography
Antonin Daum, A french Glass Worker of the 19th Century, The Artist, 1898, ill. p. 212
Janine Bloch-Dermant, L’Art du verre en France 1860-1904, éd. Denoël, 1974, ill. p. 140
Daum, cent ans de verre et de cristal, exhibition catalogue, musée des Beaux-Arts de Nancy,
1977, n. 40
Noël Daum, Daum Maîtres Verriers, éd. Edita, Lausanne, 1985, ill. p. 58
Félix Marcilhac, Connoisseur’s Choice, The Staste, n. 1, September-October 1990, ill. p. 75
Provenance
Formerly in the collection of Daum, Nancy
“NENUPHARS” JARDINIERE, CIRCA 1909
Pâte de verre, eight panels with a decor of water lilies; the mount in gilt bronze
15.5 cm. high; 50 cm. long; 29 cm. wide
Exhibition
L’Ecole de Nancy, 1889-1909, Art nouveau et industries d’art, Nancy,
Galeries Poirel, 24 April-2 July 1999, ill. p. 246, n. 64 in the exhibition catalogue
Exhibition
Noël Daum, La pâte de verre, Editions Denoël, 1984, ill. p. 152
Provenance
Purchased directly from Daum in 1994
“ROUGIE DU SOIR” PANEL, CIRCA 1905
Pâte-de-verre glass
The wooden frame most probably by Louis Majorelle
37 x 44 cm.
Exhibition
L’Ecole de Nancy, 1889-1909, Art nouveau et industries d’art, Nancy, Galeries Poirel,
24 April-26 July 1999, ill. p. 294, n. 60 in the exhibition catalogue
Bibliography
Noël Daum, La pâte de verre, Editions Denoël, 1984, ill. p. 151
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis Publisher, London, 2002,
ill. p. 512
Provenance
Purchased directly from the Daum factory in 1994
VASE, CIRCA 1925
Clear glass internally decorated with orange stripes and air bubbles
Wheel-cut signature Daum Nancy France
23 cm. high
An identical model was exhibited at the 1925 Exposition and acquired by the State for the Musée des Arts Décoratifs in Paris
Exhibition
Exposition Internationale des Arts Decoratifs, Paris 1925
Bruxelles, Société Générale de Banque, “Art Déco 1925”
Bibliography
Duret-Robert François, Daum, Connaissance des Arts, November 1972, n. 249
Brunhammer, Yvonne, 1925, les presses de la connaissance, Paris 1976, full color ill. p. 79
Bacri Clothilde, Daum, Michel Aveline, éditeur, 1991, full page ill. p. 190
Provenance
Collection Daum, acquired in 1987
VASE, CIRCA 1900
Multilayered glass with an applied and carved design of Japanese columbines; hammered background.
Signed Daum # Nancy
32 cm. high
“Rares sont donc les pièces qui offrent, comme c’est le cas du vase Ancolies, une adéquation aussi parfaite entre la forme de l’objet et son décor figuré. Ces pièces d’exception résultaient souvent de commandes particulières ou étaient réalisées en vue d’expositions démontrant le savoir-faire décoratif et technique de la cristallerie”. (Le Musée de l’Ecole de Nancy, Oeuvres choisies)
The columbine flower guided the decorator in the design of the vase
VASE “VIGNE ET ESCARGOTS”, MODEL N. 2434, 1904
Conical shape with circular foot, clear glass with colored powders inclusions, overlaid and cut with foliage and vines, two applied snails
Signed
32.5 cm. high
Bibliography
The Daum firm has the original drawing for this and other vessels with the same decoration.
VASE, CIRCA 1900
Acid-etched, wheel-carved and hammered glass, decorated with dahlias
Engraved signature
18 cm. high
TABLE LAMP, CIRCA 1900
Marmorean glass and wrought iron. The base in marble
Dimension of the shade: 30 x 14 cm.
63 cm. high (with the base)
This model is illustrated in the Maison Majorelle catalogue without the base
VASE “CINERAIRES”, CIRCA 1910
Clear glass with white, yellow and blue inclusions
The flowers and leaves are acid-etched and wheel carved
Signed
40.5 cm. high
Bibliography
Clotilde Bacri, Daum, Michel Aveline éditeur, 1992, ill. p. 68
VASE, CIRCA 1905
Internally decorated, applied and wheel-carved. The neck is pulled, cut and finished by hand
Signed
33 cm. high
Exhibition
L’Art Nouveau la Révolution décorative, Pinacothèque de Paris, 18 April-8 September 2013, p. 82,
n. 43 in the exhibition catalogue
Bibliography
Clotilde Bacri, Daum, Milan, 1992, ill. p. 127
Provenance
Bought directly from the Daimaru Museum, Japan
VASE, CIRCA 1925
Clear glass, internally decorated and acid-etched
Signed Daum Nancy France
15 cm. high
A GINKO BILOBA CEILING LIGHT, CIRCA 1910
Bronze, wrought iron, the shade in glass by Daum Nancy
Signed
51 cm. high; 36 cm. diameter
“CROCUS” VASE, CIRCA 1900
Mottled and hammered glass vase with purple inclusions
The flowers are padded and carved
Signed
30 cm. high
AN IMPORTANT VASE, CIRCA 1900
Blown glass vase decorated with mushrooms, oak leaves and pincones
Acid-etched, wheel-etched, carved
Engraved signature
51 cm. high
Exhibition
Takashimaya, exposition itinérante au Japon, 1986, n. 86, ill. p. 19
VASE “PRUNELIER DU JAPON”, CIRCA 1910
Multilayered glass, decorated with acid-etched and wheel-carved Japanese blackthorns
Wheel-carved signature
44.5 cm. high
BOTTLE AND STOPPER, CIRCA 1900
Opalescent amber glass bottle decorated with catkins
Deeply acid-etched and carved; three applications on platinum foil including one on
the stopper
Engraved signature
11.5 cm. high
CEILING LIGHT, CIRCA 1900
Wrought iron and glass white shades with strips in relief, the mount by Louis Majorelle
Acquired directly at the crystal Daum factory around 1992
Signed
20.5 cm. high
14.3 cm. diameter
TABLE LAMP, CIRCA 1910
Wrought iron base and mottled glass shade
the inner part acid etched with a fern motif
70 cm. high
IMPORTANT LAMP, CIRCA 1900
Marmorean glass, ironwork mounting with floral design
Signed Daum Nancy with the Cross of Lorraine
78 cm. high
