HENRI HUSSON – FOOTED BOWL, CIRCA 1900
FOOTED BOWL, CIRCA 1900
Silver, the foot with a chased motif of ivy branches and leaves and with an insect
Signed
14 cm. high
Showing 25–48 of 72 results
HENRI HUSSON – ADRIEN-AURELIEN HEBRARD – PLATE IN THE FORM OF A RAY, CIRCA 1907-1908
PLATE IN THE FORM OF A RAY, CIRCA 1907-1908
Patinated bronze, hammered and patinated copper with gold inlay
Signed h husson and stamped with foundry mark A.Hebrard/Paris
38.1 x 28.6 cm.
Exhibition
1900, Galeries nationales du Grand Palais, Paris, 14 March-26 June 2000, p. 286, n. 312 in the exhibition catalogue
COMTE ENGUERRAND DU SUAU DE LA CROIX – GABRIELLE DEBILLEMONT-CHARDON – MEDALLION, UNIQUE PIECE, CIRCA 1900
MEDALLION, UNIQUE PIECE, CIRCA 1900
Medallion with the portrait of a woman (by G. Debillemont-Chardon) encircled in a silver mount decorated
with plique-à-jour enamels and opal cabochons; the chain in gold
The medallion signed lower right and the mount signed Cte DU SUAU / DE LA CROIX
10.5 cm. diameter
Exhibition
Société Nationale des Beaux-Arts, 1903
Exposition de la Parure précieuse de la Femme, Musée Galliéra, 1908
Bibliography
L’Art Décoratif aux Expositions des Beaux-Arts, 1ère exposition, 1903, pl. 253
Exposition de la Parure précieuse de la Femme, Musée Galliéra, Librairie d’Art décoratif, 1908, Armand Guérinet éditeur, pl. 65
Provenance
Marquise de Polignac
HECTOR GUIMARD – PAUL PHILIPPON – VASE, CIRCA 1900
VASE, CIRCA 1900
Gilt bronze with a relief decoration of swirls
26.7 cm. high
Exhibition
Hector Guimard, March 1970-April 1971: The Museum of Modern Art, New York
California Palace of the Legion of Honor, San Francisco
Art Gallery of Ontario, Toronto Musée des Arts Décoratifs, Paris
Bibliography
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis Publisher, London, 2002, ill. p. 34-35
Exposition Guimard, Musée d’Orsay, Paris 1992, p. 258, ill. 1, n. 65 in the album dedicated to the Castel Béranger; for the design in stoneware, n. 4
New Architecture, Number 6, October 2000, Andreas Papadakis publisher, in collaboration with the Victoria and Albert Museum, ill. p. 8
Hector Guimard, March 1970-April 1971, Musée des Arts Décoratifs, Paris, ill. p. 33, n. 82 in the exhibition catalogue
EUGENIE O’KIN – UMBRELLA HANDLE, CIRCA 1910
UMBRELLA HANDLE, CIRCA 1910
Carved and patinated ivory shaped as a corncob, each grain inlaid with a gold nail in its center
Signed
16.3 cm. high
EXCEPTIONAL AND RARE RELIGIOUS ALTARPIECE, CIRCA 1902-1910
EXCEPTIONAL AND RARE RELIGIOUS ALTARPIECE, CIRCA 1902-1910
Koloman Moser (attributed to).
Featuring a temple with the Christ on the cross and two angels in marquetry of macassar ebony,
incrustation of mother-of-pearl, copper and ivory
The lower part is represented by a pattern design of cubes in marquetry
Inscribed IHS (iota-eta-sigma) or (Iesus Hominum Salvator)
55 cm. high
36 cm. wide
25.5 cm. deep
Probably executed by Koloman Moser for one of the many churches designed and built by himself
between 1902 and 1910. We can unmistakably combine the design and technique of marquetry
which combines the inlaying of ivory, copper, mother-of-pearl and exotic wood with the secretary
made in 1902 by Koloman Moser at Charlottenlund Castle near Stockholm
The stylization of the letters IHS corresponds to the work and research on the lettering and
words that occupied Koloman Moser throughout his career
LOUIS HESTAUX – CARVED WOODEN TRAY, CIRCA 1900
CARVED WOODEN TRAY, CIRCA 1900
Representing a lyre player and a singer or a
poetess on a crescent moon and an undergrowth background
The back is carved with a decor of bird and branches
Bears an old label and numbered 18, signed lower left L. Hestaux
33 x 16.5 x 2 cm.
Acquired directly from the family in May 2008
JULES PAUL BRATEAU – PEWTER BEAKERS AND PLATES, CIRCA 1900
PEWTER BEAKERS AND PLATES, CIRCA 1900
Beaker in chased pewter, decorated with ivy branches
Signed; inscribed: Lo puede lo que quiere (We can what we want). Model of 1887
11 cm. high
Bibliography
Similar example is part of the collections of the Musée d’Orsay, inv. N. DO 1986-79; illustrated in the catalogue
des Arts décoratifs, Musée d'Orsay, p. 43
Beaker in chased pewter, decorated with clovers
Signed; inscibed: numero Deus impare gaudet (God likes the odd number)
17 cm. high
Bibliography
Art et décoration, 1897, vol. II, p. 103
Roger Marx, La Décoration et les Industries d'Art à l'Exposition Universelle de 1900, Paris, Ch. Delagrave, 1901, ill. p. VII
Plate in pewter, decor of leaves and nuts
21 cm. diameter
Exhibition
Exposition Universelle, Paris, 1900
Société nationale des Beaux-Arts, 1901
Bibliography
Paul Vitry, L'Orfèvrerie à l'Exposition, Art et Décoration, December 1900, p. 171 : “Contentons-nous de signaler ses plats
exposés pour la première fois cette année: celui aux chrysanthèmes et celui aux noisettes, ainsi qu'une petite pendule
et un service à bière…”
La Revue de la bijouterie, joaillerie, orfèvrerie, November 1901, ill. p. 245
L'Art décoratif aux Salons de 1901, librairie d'Art décoratif, Armand Guérinet éditeur, pl. 87
Vever Henri, La bijouterie française au XIXème siècle, Vol. 3, p. 468
Plate in pewter; decorated with chrysanthemums
30 cm. diameter
Exhibition
Exposition Universelle, Paris, 1900
Société nationale des Beaux-Arts, 1901
Bibliography
Paul Vitry, L'Orfèvrerie à l'Exposition, Art et Décoration, December 1900, p. 171 : “Contentons-nous de signaler ses plats
exposés pour la première fois cette année : celui aux chrysanthèmes et celui aux noisettes, ainsi qu'une petite pendule
et un service à bière…”
La revue des arts décoratifs, 1901, p. 281
Revue de la bijouterie, joiaillerie, orfèvrerie, November 1901, ill. p. 245
HECTOR GUIMARD – A DOUBLE PICTURE FRAME, CIRCA 1909
A DOUBLE PICTURE FRAME, CIRCA 1909
Chased and gilt bronze
24 x 37 cm.
A similar model in the Museum of Modern Art, New York, gift of Adeline Oppenheim-Guimard, 1949, inv. 315.49
Exhibition
Guimard, Paris, Musée d’Orsay, 13 April-26 July 1992, ill. p. 372, n. 14
JEAN COULON – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Bronze
Signed Coulon
31.5 cm. high
This is a well known model also made in grès by Pierre-Adrien Dalpayrat
HENRI JACOBS – BALUSTER VASE, CIRCA 1900
BALUSTER VASE, CIRCA 1900
Bronze with a black patina and decorated with a woman’s mask on one side and a mask of a
bearded man on the other side
Signed, with foundry mark H. LUPPENS & Cie / Bronzes d’Art / BRUXELLES
48 cm. high
CHARLES VITAL-CORNU – SUSSE FRERES – “LE SOMMEIL”, CIRCA 1900
“LE SOMMEIL”, CIRCA 1900
Bronze with a brown patina
Signed, with foundry mark, stamped N; the base is stamped SOMMEIL
30 cm. high
Exhibition
Société des Artistes Français, Paris, 1901
Bibliography
La Revue des Arts Décoratifs, 1901, ill. p. 260
MAURICE CHARPENTIER-MIO – A BRONZE BAS-RELIEF, 1919
A BRONZE BAS-RELIEF, 1919
Featuring five poses of the dancer Anna Pavlova in Rondino
Bearing the monogram of the artist, dated 1919 and numbered 1
Bearing an old label at the back: Croquis de gestes dancés / Anna Pavlova dans Rondino / de Beethoven-Kzcissler
11 x 29 cm.
CHRISTOFLE & CIE – MAISON BACCARAT – “SWANS” SALT AND PEPPER SHAKERS, AFTER 1901
“SWANS” SALT AND PEPPER SHAKERS, AFTER 1901
Gilt metal and Baccarat crystal
Each stamped CHRISTOFLE, one numbered 1964008 and the other 2012839
11 x 13.5 cm.
EMILE ROBERT – PLANT STAND, CIRCA 1900
PLANT STAND, CIRCA 1900
Wrought iron
69 cm. high
92 cm. wide
The vase is sold separately
Bibliography
Karin Blanc, Ferronnerie en Europe au XXème siècle, éditions Monelle Hayot, 2015, ill. p. 195
LUCIEN GAILLARD – CIGARETTE CASE, CIRCA 1900
CIGARETTE CASE, CIRCA 1900
Silver and gold
Interior in wood with a removable partition
With maker’s mark, eagle’s head, marked Vever and numbered 114
13 x 9 x 4.6 cm.
HENRI HAMM – BOX, CIRCA 1906-1908
BOX, CIRCA 1906-1908
Carved ebony; the lid in carved horn with a stylized decor of a flower
10.5 cm. high
HUGO ELMQVIST – E. WAHLSTROM – “FUSCHIAS” VASE, CIRCA 1902
“CATKINS” VASE, CIRCA 1902
Bronze
Signed E. Wahlström DEC, R XI, marked HUGO ELMQVIST and with foundry mark HE
33.8 cm. high
HUGO ELMQVIST – GERDA BACKLUND – “CATKINS” VASE, CIRCA 1902
“CATKINS” VASE, CIRCA 1902
Bronze with a brown patina
Marked HE-T AB E, Gj-metod, Stockholm, DEC. G. Backlund
Bearing the foundry mark HE
11.5 cm. high
HUGO ELMQVIST – “POPPIES AND BUTTERFLIES” VASE, 1902
“POPPIES AND BUTTERFLIES” VASE, 1902
Bronze with a brown patina, decor in relief
Marked HE-T
39.3 cm. high
JOSEPH MARIA AUCHENTALLER – CIGARETTE CASE, CIRCA 1900
CIGARETTE CASE, CIRCA 1900
Enamel and silver
Stamped G.A.S.
PAUL FREY – MATCH BOX HOLDER, CIRCA 1900
MATCH BOX HOLDER, CIRCA 1900
Gold, decorated with clovers
With maker’s mark, eagle’s head (2) and marked DEPOSE
4.5 x 3 cm.
Bibliography
Henri Vever, La Bijouterie française au XIXème siècle, vol. III, p. 582, illustration of a match box holder with
an identical decor
COMTE ENGUERRAND DU SUAU DE LA CROIX – PICTURE FRAME, CIRCA 1900
PICTURE FRAME, CIRCA 1900
Polychrome translucent enamels, “plique-à-jour”, silver mount
Modern frame
21.5 x 17 cm.
ADOLPHE TRUFFIER – ALPHONSE DEBAIN SILVERSMITH – A “SAFRAN” VASE, CIRCA 1900
A “SAFRAN” VASE, CIRCA 1900
Silver gilt and blue enamel
With silversmith marks
21 cm. high
Exhibition
Société des Artistes Français, 1899
Exposition Universelle, 1900
Bibliography
Paul Vitry, L’Orfèvrerie à l’Exposition, Art et Décoration, December 1900, ill. p. 174
L’Orfèvrerie aux Salons de 1901, Revue de la Bijouterie, de la Joaillerie et de l’Orfèvrerie, August 1901, ill. p. 130