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Art Objects

Showing 25–48 of 92 results

LUCIEN BONVALLET – ANTOINE-ERNEST CARDEILHAC – “CHARDONS” TEA, COFFEE AND CHOCOLATE SERVICE, CIRCA 1895

“CHARDONS” TEA, COFFEE AND CHOCOLATE SERVICE, CIRCA 1895
Comprising coffee pot, teapot, cream jug, chocolate whisk, sugar bowl and cover, and sugar tongs
in silver ; samovar, burner, and tray in silver-plated metal ; the handles in stained ivory
Each marked CARDEILHAC PARIS, with Minerva and silversmith marks
The samovar: 38 cm. high
The tray: 67.3 cm. wide

Bibliography
Dedo Von Kerssenbrock-Krosigt, Modern Art of Metalwork – Bröhan Museum,
Berlin, 2001, p. 385 (chocolate pot with mistletoe design illustrated)

Between 1894 and 1899, Lucien Bonvallet designed several silverware pieces intended
for the Exposition Universelle of 1900, all decorated with a vegetal pattern such as thistles,
columbines, mistletoe, clovers, etc.
These models were exhibited on the occasion of a retrospective dedicated to Lucien Bonvallet
in January and February 1913, at the Pavillon de Marsan, Musée des Arts Décoratifs, Paris

LUCIEN BONVALLET – ANTOINE-ERNEST CARDEILHAC – “CHARDONS” TEA, COFFEE AND CHOCOLATE SERVICE, CIRCA 1895

“CHARDONS” TEA, COFFEE AND CHOCOLATE SERVICE, CIRCA 1895
Comprising coffee pot, teapot, cream jug, chocolate whisk, sugar bowl and cover, and sugar tongs
in silver ; samovar, burner, and tray in silver-plated metal ; the handles in stained ivory
Each marked CARDEILHAC PARIS, with Minerva and silversmith marks
The samovar: 38 cm. high
The tray: 67.3 cm. wide

Bibliography
Dedo Von Kerssenbrock-Krosigt, Modern Art of Metalwork – Bröhan Museum,
Berlin, 2001, p. 385 (chocolate pot with mistletoe design illustrated)

Between 1894 and 1899, Lucien Bonvallet designed several silverware pieces intended
for the Exposition Universelle of 1900, all decorated with a vegetal pattern such as thistles,
columbines, mistletoe, clovers, etc.
These models were exhibited on the occasion of a retrospective dedicated to Lucien Bonvallet
in January and February 1913, at the Pavillon de Marsan, Musée des Arts Décoratifs, Paris

HENRI HUSSON – PENCIL BOX, CIRCA 1905

PENCIL BOX, CIRCA 1905
Hammered, wrought and engraved copper, gold and silver inlays; decorated in relief with an applied insect on an engraved background of leaves
Signed h husson
21.5 x 4.5 x 3.5 cm.

HENRI HUSSON – PENCIL BOX, CIRCA 1905

PENCIL BOX, CIRCA 1905
Hammered, wrought and engraved copper, gold and silver inlays; decorated in relief with an applied insect on an engraved background of leaves
Signed h husson
21.5 x 4.5 x 3.5 cm.

RENE LALIQUE – “SERPENT” DESK MAGNIFYING GLASS, CIRCA 1900

“SERPENT” DESK MAGNIFYING GLASS, CIRCA 1900
Brown patinated bronze, designed as two coiling snakes holding a citrine cabochon in their fangs
Signed
Possibly unique
No other example known to exist
27 cm. long

JULES DESBOIS – MIRROR, CIRCA 1900

MIRROR, CIRCA 1900
In sculpted and patinated wood; with its box in sculpted and patinated wood
The mirror and the box signed
Mirror: 39 x 14,6 cm.
Box: 43 x 18 cm.

LUCIEN BONVALLET – ANTOINE-ERNEST CARDEILHAC – TREFLES” COFFEE POT, 1900

“TREFLES” COFFEE POT, 1900
Silver, the handles in grooved rosewood
Signed Cardeilhac, with silversmith’s marks
25 cm. high

This model was exhibited at the Exposition universelle of 1900

Bibliography
Art et Décoration, December 1900, p. 163 (Identical model, different decor)

CHARLES-EUGENE THIENOT – SMALL VASE WITH INSECTS, CIRCA 1900

SMALL VASE WITH INSECTS, CIRCA 1900
Patinated bronze
Signed Ch. Thiénot
13.2 cm. high

PRINCE BOJIDAR KARAGEORGEVITCH – A RARE SET OF 12 COFFEE SPOONS, CIRCA 1900

A RARE SET OF 12 COFFEE SPOONS, CIRCA 1900
Silver gilt; each one with a different stylized floral decor
Bearing the monogram B

Six of the same spoons are part of the collections of The Victoria & Albert Museum, London, ref. 142-9-1964
They were displayed in the exhibition Art Nouveau – 1890-1914, 6 April – 30 July 2000, Victoria & Albert Museum

Exhibition
Exposition Universelle de 1900, Paris

Bibliography
Roger Marx, La Décoration et les Industries d’Art à l’Exposition Universelle de 1900, Delagrave éditeur, Paris 1901, p. 71
L’Art Décoratif, February 1902, p. 204
Greenhalgh, Paul Ed., Art Nouveau 1890-1914, V&A Publications, London, 2000, ill. p. 235
Prince Bojidar Karageorgevitch as a silversmith, London, The Magazine of Art, January 1901, p. 185

PRINCE BOJIDAR KARAGEORGEVITCH – A RARE SET OF 12 COFFEE SPOONS, CIRCA 1900

A RARE SET OF 12 COFFEE SPOONS, CIRCA 1900
Silver gilt; each one with a different stylized floral decor
Bearing the monogram B

Six of the same spoons are part of the collections of The Victoria & Albert Museum, London, ref. 142-9-1964
They were displayed in the exhibition Art Nouveau – 1890-1914, 6 April – 30 July 2000, Victoria & Albert Museum

Exhibition
Exposition Universelle de 1900, Paris

Bibliography
Roger Marx, La Décoration et les Industries d’Art à l’Exposition Universelle de 1900, Delagrave éditeur, Paris 1901, p. 71
L’Art Décoratif, February 1902, p. 204
Greenhalgh, Paul Ed., Art Nouveau 1890-1914, V&A Publications, London, 2000, ill. p. 235
Prince Bojidar Karageorgevitch as a silversmith, London, The Magazine of Art, January 1901, p. 185

HENRI HUSSON – FOOTED BOWL, CIRCA 1900

FOOTED BOWL, CIRCA 1900
Silver, the foot with a chased motif of ivy branches and leaves and with an insect
Signed
14 cm. high

LUCIEN BONVALLET- ANTOINE-ERNEST CARDEILHAC – WULLSCHLAGER – A VASE, CIRCA 1900

A VASE, CIRCA 1900
Silver with engraved and gilt decoration of flowers
Signed Cardeilhac, Orf. Paris / Bonvallet, dess. / Wullschlager, grav., marked CARDEILHAC PARIS
and with French Minerva and silversmith marks
21 cm. high

Bibliography
Revue des Arts Décoratifs, 1896

Hebrard Henri Husson-plate-2870 — HENRI HUSSON – ADRIEN-AURELIEN HEBRARD – PLATE IN THE FORM OF A RAY, CIRCA 1907-1908

PLATE IN THE FORM OF A RAY, CIRCA 1907-1908
Patinated bronze, hammered and patinated copper with gold inlay
Signed h husson and stamped with foundry mark A.Hebrard/Paris
38.1 x 28.6 cm.

Exhibition
1900, Galeries nationales du Grand Palais, Paris, 14 March-26 June 2000, p. 286, n. 312 in the exhibition catalogue

COMTE ENGUERRAND DU SUAU DE LA CROIX – GABRIELLE DEBILLEMONT-CHARDON – MEDALLION, UNIQUE PIECE, CIRCA 1900

MEDALLION, UNIQUE PIECE, CIRCA 1900
Medallion with the portrait of a woman (by G. Debillemont-Chardon) encircled in a silver mount decorated with plique-à-jour enamels and opal cabochons; the chain in gold
The medallion signed lower right and the mount signed Cte DU SUAU / DE LA CROIX
10.5 cm. diameter

Exhibition
Société Nationale des Beaux-Arts, 1903
Exposition de la Parure précieuse de la Femme, Musée Galliéra, 1908

Bibliography
L’Art Décoratif aux Expositions des Beaux-Arts, 1ère exposition, 1903, pl. 253
Exposition de la Parure précieuse de la Femme, Musée Galliéra, Librairie d’Art décoratif, 1908, Armand Guérinet éditeur, pl. 65

Provenance
Marquise de Polignac

HENRI HUSSON – SPOON, CIRCA 1900

SPOON, CIRCA 1900
Ribbed silver, the handle decorated with leaves and beetles in relief
With silversmith and French Minerva marks
25 cm. long

Provenance
Formerly in the collection of the late Nourhan Manoukian

HENRI HUSSON – SPOON, CIRCA 1900

SPOON, CIRCA 1900
Ribbed silver, the handle decorated with leaves and beetles in relief
With silversmith and French Minerva marks
25 cm. long

Provenance
Formerly in the collection of the late Nourhan Manoukian

HECTOR GUIMARD – PAUL PHILIPPON – VASE, CIRCA 1900

VASE, CIRCA 1900
Gilt bronze with a relief decoration of swirls
26.7 cm. high

Exhibition
Hector Guimard, March 1970-April 1971: The Museum of Modern Art, New York
California Palace of the Legion of Honor, San Francisco
Art Gallery of Ontario, Toronto Musée des Arts Décoratifs, Paris

Bibliography
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis Publisher, London, 2002, ill. p. 34-35
Exposition Guimard, Musée d’Orsay, Paris 1992, p. 258, ill. 1, n. 65 in the album dedicated to the Castel Béranger; for the design in stoneware, n. 4
New Architecture, Number 6, October 2000, Andreas Papadakis publisher, in collaboration with the Victoria and Albert Museum, ill. p. 8
Hector Guimard, March 1970-April 1971, Musée des Arts Décoratifs, Paris, ill. p. 33, n. 82 in the exhibition catalogue

EUGENIE O’KIN – UMBRELLA HANDLE, CIRCA 1910

UMBRELLA HANDLE, CIRCA 1910
Carved and patinated ivory shaped as a corncob, each grain inlaid with a gold nail in its center
Signed
16.3 cm. high

EUGENIE O’KIN – UMBRELLA HANDLE, CIRCA 1910

UMBRELLA HANDLE, CIRCA 1910
Carved and patinated ivory shaped as a corncob, each grain inlaid with a gold nail in its center
Signed
16.3 cm. high

ALPHONSE DEBAIN, SILVERSMITH – “PAPYRUS” PITCHER, CIRCA 1900

“PAPYRUS” PITCHER, CIRCA 1900
Hammered glass; silver mount
With silver mark and maker’s mark
24 cm. high

EXCEPTIONAL AND RARE RELIGIOUS ALTARPIECE, CIRCA 1902-1910

EXCEPTIONAL AND RARE RELIGIOUS ALTARPIECE, CIRCA 1902-1910
Koloman Moser (attributed to).

Featuring a temple with the Christ on the cross and two angels in marquetry of macassar ebony,
incrustation of mother-of-pearl, copper and ivory
The lower part is represented by a pattern design of cubes in marquetry
Inscribed IHS (iota-eta-sigma) or (Iesus Hominum Salvator)
55 cm. high
36 cm. wide
25.5 cm. deep

Probably executed by Koloman Moser for one of the many churches designed and built by himself
between 1902 and 1910. We can unmistakably combine the design and technique of marquetry
which combines the inlaying of ivory, copper, mother-of-pearl and exotic wood with the secretary
made in 1902 by Koloman Moser at Charlottenlund Castle near Stockholm
The stylization of the letters IHS corresponds to the work and research on the lettering and
words that occupied Koloman Moser throughout his career

LOUIS HESTAUX – CARVED WOODEN TRAY, CIRCA 1900

CARVED WOODEN TRAY, CIRCA 1900
Representing a lyre player and a singer or a
poetess on a crescent moon and an undergrowth background
The back is carved with a decor of bird and branches
Bears an old label and numbered 18, signed lower left L. Hestaux
33 x 16.5 x 2 cm.

Acquired directly from the family in May 2008

LOUIS HESTAUX – CARVED WOODEN TRAY, CIRCA 1900

CARVED WOODEN TRAY, CIRCA 1900
Representing a lyre player and a singer or a
poetess on a crescent moon and an undergrowth background
The back is carved with a decor of bird and branches
Bears an old label and numbered 18, signed lower left L. Hestaux
33 x 16.5 x 2 cm.

Acquired directly from the family in May 2008

LOUIS MATHEY – PURSE CLASP AND CHAIN, 1913

PURSE CLASP AND CHAIN, 1913
Chased silver; patinated and applied with a decor of leaves
Signed Louis Mathey, with silversmith mark LM (cat)

Exhibition
Salon de la Société des artistes français, Paris 1913

Bibliography
The Paris Salons, 1895-1914, Jewelry, vol. II, p. 107

JANVIER QUERCIA – J. PINTO – UMBRELLA HANDLE, CIRCA 1900

UMBRELLA HANDLE, CIRCA 1900
Silver gilt representing the dancer Loie Fuller
With silversmith and French Minerva marks
13 cm. long

Bibliography
A similar object, with 8 pegs and its original box of Bel Frères in Marseille, attributed to
“J. Pinto, France” was sold on April 24, 1971 to Parke-Bernet Galleries New York
Important Art New Jewelry & Objects of Virtue, Lot N.14

JULES PAUL BRATEAU – PEWTER BEAKERS AND PLATES, CIRCA 1900

PEWTER BEAKERS AND PLATES, CIRCA 1900
Beaker in chased pewter, decorated with ivy branches
Signed; inscribed: Lo puede lo que quiere (We can what we want). Model of 1887
11 cm. high

Bibliography
Similar example is part of the collections of the Musée d’Orsay, inv. N. DO 1986-79; illustrated in the catalogue
des Arts décoratifs, Musée d’Orsay, p. 43

Beaker in chased pewter, decorated with clovers
Signed; inscibed: numero Deus impare gaudet (God likes the odd number)
17 cm. high

Bibliography
Art et décoration, 1897, vol. II, p. 103
Roger Marx, La Décoration et les Industries d’Art à l’Exposition Universelle de 1900, Paris, Ch. Delagrave, 1901, ill. p. VII

Plate in pewter, decor of leaves and nuts
21 cm. diameter

Exhibition
Exposition Universelle, Paris, 1900
Société nationale des Beaux-Arts, 1901

Bibliography
Paul Vitry, L’Orfèvrerie à l’Exposition, Art et Décoration, December 1900, p. 171 : “Contentons-nous de signaler ses plats
exposés pour la première fois cette année: celui aux chrysanthèmes et celui aux noisettes, ainsi qu’une petite pendule
et un service à bière…”
La Revue de la bijouterie, joaillerie, orfèvrerie, November 1901, ill. p. 245
L’Art décoratif aux Salons de 1901, librairie d’Art décoratif, Armand Guérinet éditeur, pl. 87
Vever Henri, La bijouterie française au XIXème siècle, Vol. 3, p. 468

Plate in pewter; decorated with chrysanthemums
30 cm. diameter

Exhibition
Exposition Universelle, Paris, 1900
Société nationale des Beaux-Arts, 1901

Bibliography
Paul Vitry, L’Orfèvrerie à l’Exposition, Art et Décoration, December 1900, p. 171 : “Contentons-nous de signaler ses plats
exposés pour la première fois cette année : celui aux chrysanthèmes et celui aux noisettes, ainsi qu’une petite pendule
et un service à bière…”
La revue des arts décoratifs, 1901, p. 281
Revue de la bijouterie, joiaillerie, orfèvrerie, November 1901, ill. p. 245

HECTOR GUIMARD – A DOUBLE PICTURE FRAME, CIRCA 1909

A DOUBLE PICTURE FRAME, CIRCA 1909
Chased and gilt bronze
24 x 37 cm.

A similar model in the Museum of Modern Art, New York, gift of Adeline Oppenheim-Guimard, 1949, inv. 315.49

Exhibition
Guimard, Paris, Musée d’Orsay, 13 April-26 July 1992, ill. p. 372, n. 14

JEAN COULON – PITCHER, CIRCA 1900

PITCHER, CIRCA 1900
Bronze
Signed Coulon
31.5 cm. high

This is a well known model also made in grès by Pierre-Adrien Dalpayrat

HENRI JACOBS – BALUSTER VASE, CIRCA 1900

BALUSTER VASE, CIRCA 1900
Bronze with a black patina and decorated with a woman’s mask on one side and a mask of a
bearded man on the other side
Signed, with foundry mark H. LUPPENS & Cie / Bronzes d’Art / BRUXELLES
48 cm. high

CHARLES VITAL-CORNU – SUSSE FRERES – “LE SOMMEIL”, CIRCA 1900

“LE SOMMEIL”, CIRCA 1900
Bronze with a brown patina
Signed, with foundry mark, stamped N; the base is stamped SOMMEIL
30 cm. high

Exhibition
Société des Artistes Français, Paris, 1901

Bibliography
La Revue des Arts Décoratifs, 1901, ill. p. 260

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AUGUSTE DELAHERCHE – LUCIEN BONVALLET – ANTOINE-ERNEST CARDEILHAC - VASE, CIRCA 1900-1904

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