AGATHON LEONARD – SUSSE FRERES – “DANSEUSE AU COTHURNE”, CIRCA 1900
“DANSEUSE AU COTHURNE”, CIRCA 1900
Bronze
Signed and titled COTHURNE and numbered 2
With foundry mark
27.5 cm. high
Showing 1–24 of 49 results
ALBERT BARTHOLOME – “LA PLEUREUSE”, CIRCA 1900
“LA PLEUREUSE”, CIRCA 1900
Bronze with a gilt patina representing
a woman covering her face
Signed
25 cm. high
ALBERT BARTHOLOME – ADRIEN-AURELIEN HEBRARD – “JEUNE FILLE SORTANT DU BAIN”, CIRCA 1905
“JEUNE FILLE SORTANT DU BAIN”, CIRCA 1905
Bronze with a black patina
Signed, with foundry mark
47 x 57 cm.
AUGUSTE LEDRU – THIEBAUT FRERES – JUG, CIRCA 1900
Bronze with two patinas: dark and light brown
Signed, with maker’s mark
AUGUSTE SEYSSES – “PHRYNE”, CIRCA 1900
Bronze with black patina
Signed, bearing foundry mark and numbered 57159 7
Exhibition:
Société des Artistes Français, 1899, n°3927
Bibliography:
Art et Décoration, septembre 1899, ill. p. 82
BORIS LOVET-LORSKI – “DANCE”
Marble sculpture
Signed BORIS LOVET-LORSKI
Sold with the book TRIBUTE TO WOMAN, published in 1965, numbered 26/100
from a limited edition of 100
Marked to Chris and Ossian / with love / Boris, and signed by the artist
CARL MILLES – COLIN & CIE – “SALOMÉ”, CIRCA 1901
“SALOMÉ”, CIRCA 1901
Gilt bronze; the base in green marble
Signed and bearing the foundry mark
31 cm. high
Bibliography
Albert Thomas, Petits bronzes d’art, L’Art décoratif, February 1901, ill. p. 187
DENYS PUECH – “LA SEINE”, 1902
“LA SEINE”, 1902
White marble
Signed and dated 1902
20 x 52 cm.
A bas relief in bronze was exhibited at the Exposition Universelle of 1900 and is illustrated in the exhibition catalog
Bibliography
Denys Puech, 1854-1942, Musée des Beaux-Arts Denys Puech, Rodez, 1993, p. 90, p. 91
E. TELL – GOLDSCHEIDER – “JUDITH”, CIRCA 1900
A carved ivory, pâte-de-verre and enamelled gilt-metal sculpture
The facetted base in marble
Signed E. TELL and numbered 172
Other examples of this model were executed in bronze, bronze and ivory
and terracotta by Goldscheider
The example we are offering, made of precious material, was most probably intended
for art exhibitions; the sculpted ivory part of this piece was most probably executed
by the sculptor himself
EDGAR BRANDT – IMPORTANT VASE, CIRCA 1910
IMPORTANT VASE, CIRCA 1910
Patinated bronze with seaweed motif
50 cm. high; 25 cm. wide
Exhibition
Salon des Artistes Français, Paris, 1 May – 30 June 1910
Bibliography
Joan Kahr, Edgar Brandt, Master of Art Déco Ironwork, Harry N. Abrams Inc. Publishers, New York, 1999, p. 37
L’Art Décoratif aux Expositions des Beaux-Arts, Librairie d’Art Décoratif, Armand Guérinet, editor, pl. 56
EUGENIE O’KIN – UMBRELLA HANDLE, CIRCA 1910
UMBRELLA HANDLE, CIRCA 1910
Carved and patinated ivory shaped as a corncob, each grain inlaid with a gold nail in its center
Signed
16.3 cm. high
FRANCOIS-RUPERT CARABIN – “DANCER WITH SNAKES”, 1905-1906
“DANCER WITH SNAKES”, 1905-1906
Patinated bronze
Signed, dédicated St Edmond / Le Personnel de la Maison / Laussedat / à leur patron and dated 1906
23.3 cm. high
Another example is part of the collection of the Musée de l’Ancienne Douane, Strasbourg and another
one is part of the Silverman Collection, New York
Exhibition
Société Nationale des Beaux-Arts, Paris, 1906
Musée Galliera, Exposition Carabin, 1934-1935
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1906
La Revue Théâtrale, April 1906, ill. p. 1452
Catalogue de l’exposition Carabin, Galliera Museum 1934-1935
L’œuvre de Rupert Carabin, Galerie du Luxembourg, 1974, ill. p. 192, n.104
FRANCOIS-RUPERT CARABIN – “DANSE BRETONNE”, 1901-1902
Bronze with a dark brown patina
Wooden base
Signed R. Carabin
19 x 32 cm.
A copy of the 1901-1902 model, dated 1910, can be found in the Musée d’Art Moderne in Strasbourg (Inv. 55.974.0.1001),
bequeathed by Auguste Dutreux, 1955
The original model of this group, in red wax, is in the Museum of Modern Art of Strasbourg
(1933, gift of Mrs. C. Merklen-Carabin)
First of the series of six works on the theme of Brittany, executed between 1901 and 1904
Exhibition
Société Nationale des Beaux-Arts, Paris 1902
Société des Amis des Arts de Nantes, cat. n. 539, Nantes, 1905
Rupert Carabin, Musée Galliera, Paris, Novembre 1934 – March 1935, cat. n. 54 or 59
L’Oeuvre de Rupert Carabin, 1863-1932, Galerie du Luxembourg, Paris, cat. n. 98
Bibliography
Paul Vitry, La petite sculpture aux Salons, Art et Décoration, 1902, T. XII, p. 46, ill. p. 40
K. E. Schmidt, François Rupert Carabin, Zeitschrift für bildende Kunst, T. XV, 1904, ill. p. 64
K. E. Schmidt, Französische Skulptur und Architektur des 19. Jahrhunderts, Leizig, 1904, p. 71, ill. p. 66
La Décoration Moderne, 13ème année, 1905-1906, ill. pl. 82
Gustave Coquiot, Les figurines de Carabin, L’Art Décoratif, T. XVII, January 1907, ill. p. 25
FRANCOIS-RUPERT CARABIN – SCULPTURE LOIE FULLER
Light brown patinated bronze heightened in red
Signed and numbered E12
Exhibition
Société Nationale des Beaux-Arts, Paris, 1897, 1899
Salon de la Libre Esthétique, Bruxelles, 1897, cat. n.75 to 80
Austellung der Vereinigung Bildender KÜnstler Österreichs, Vienne, 1898
Exposition Universelle, Paris, 1900, n.90 (cat.)
Le décor de la vie sous la IIIème République, Pavillon de Marsan, 1933, n.847 (cat.)
Musée Galliéra, Rupert Carabin, 1934-1935, n. 49 (cat.)
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 75 & 76 (cat.)
Loïe Fuller : Magicien of light, Virginia Museum, Richmond, 1979, cat. n.11-16, repr. p. 46-47
François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, ill. p. 72 & 73 (cat.), n.30 and 34
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
La Gazette des Beaux-Arts, 1897, p. 247
G. Geffroy, la Vie Artistique 1897, p. 378
Ver Sacrum, n. 56, May-June 1898 and n.9, September 1898
C. Saunier Rupert Carabin, La Revue d’Art, n.11, January 1900, p. 161 to 168
G. Coquiot Biographies Alsaciennes X, François Rupert Carabin, Revue Alsacienne Illustrée, 1901, p. 146
Catalogue de vente Collection A. Alexandre, 1903, n.150 to 156 (Danseuse Serpentine)
G. Coquiot Les figurines de Carabin, l’Art Décoratif, January 1907, p. 25 à 30
Catalogue of the exhibition Le décor de la vie sous la IIIème République de 1870 à 1900, Pavillon de Marsan 1933
Catalogue of the exhibition Carabin au musée Galliéra 1934-1935
Catalogue of the exhibition L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, p. 171 & 172
FRANCOIS-RUPERT CARABIN – SCULPTURE LOIE FULLER
Light brown patinated bronze heightened in red
Signed, numbered F8 and bearing the foundry mark FJ
Exhibition
Société Nationale des Beaux-Arts, Paris, 1897 & 1899
Salon de la Libre Esthétique, Bruxelles, 1897, cat. n°75 à 80
Austellung der Vereinigung Bildender KÜnstler Österreichs, Vienne, 1898
Exposition Universelle, Paris, 1900, n°90 (cat.)
Le décor de la vie sous la IIIème République, Pavillon de Marsan, 1933, n°847 (cat.)
Musée Galliéra Rupert Carabin, 1934-1935, n° 49 (cat.)
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n° 79 (cat.)
Loïe Fuller: Magicien of light, Virginia Museum, Richmond, 1979, cat. n°11-16, repr. p. 46-47
François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, repr. p. 72 & 73 (cat.) n° 30 et 34
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
La Gazette des Beaux-Arts, 1897, p. 247
G. Geffroy, la Vie Artistique 1897, p. 378
Ver Sacrum, n°56, may-june 1898 et n°9, september 1898
C. Saunier Rupert Carabin, La Revue d’Art, n°11, january 1900, p. 161 to p. 168
G. Coquiot Biographies Alsaciennes X, François Rupert Carabin, Revue Alsacienne Illustrée, 1901, p. 146
Catalogue de vente Collection A. Alexandre, 1903, n°150 à 156 (Danseuse Serpentine)
G. Coquiot Les figurines de Carabin, l’Art Décoratif, janvier 1907, p. 25 à 30
Catalog of the exhibition Le décor de la vie sous la IIIème République de 1870 à 1900, Pavillon de Marsan, 1933
Catalog of the exhibition Carabin au musée Galliéra, 1934-1935
Catalog of the exhibition L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, p. 175
FRANCOIS-RUPERT CARABIN – TWO FIGURAL SCULPTURES OF A BALLET DANCER, 1898-1899
TWO FIGURAL SCULPTURES OF A BALLET DANCER, 1898-1899
Patinated bronze
Signed and marked B under the base
Another cast of this sculpture is part of the collection of the Zimmerli Art Museum, New Jersey, USA
21 cm. high
Patinated bronze
Signed and marked E under the base
An example of this sculpture in red wax is part of the collection of the Musée des Beaux-Arts de Strasbourg (inv. 1347)
21 cm. high
Exhibition
La Société Nationale des Beaux-Arts, Paris, 1899
Musée Galliéra, Paris, 1934-1935
Bibliography
La Société Nationale des Beaux-Arts, exhibition catalogue, 1899
Musée Galliéra, exhibition catalogue, 1934-1935
Louis de Fourcaud, Les Arts Décoratifs aux Salons de 1899, Revue des Arts Décoratifs, 1899, ill. p. 255
G. Coquiot, Les figures de Carabin, L’Art Décoratif, 1907, ill. p. 29
Galerie du Luxembourg, L’Oeuvre de Rupert Carabin, exhibition catalogue, Paris, 1974, ill. p. 181, n. 89 and n. 90
Musée d’Art Moderne de Strasbourg, François-Rupert Carabin, exhibition catalogue, 1993, ill. p. 76, n.41 and n. 44
FREDERIC BOUCHERON – EMILE GUILLAUME – LUCIEN HIRTZ – A PAIR OF ‘’FLAMBEAUX’’ CANDLE STICKS, CIRCA 1900
A PAIR OF ‘’FLAMBEAUX’’ CANDLE STICKS, CIRCA 1900
Fine-cut gilt silver, carved ivory and translucent enamel
Signed F. Boucheron and Emile Guillaume, with silversmith and French Minerva marks
32.5 cm. high
Exhibition
Exposition Universelle, Paris, 1900
L’Exposition des ivoires, Palais Galliera, June 1903
Exposition de la Maison Boucheron, described as ”Flambeaux. Statuettes d’ivoire”, by Guillaume
Boucheron 130 années de création et d’émotion, Institut de France,
Musée Jacquemard – André, Paris,
16 September – 31 October 1988, n. 61 in the catalogue
GEORGES FLAMAND – “ALLEGORIE DE L’ETE” VASE, CIRCA 1900
“ALLEGORIE DE L’ETE” VASE, CIRCA 1900
Bronze with gold, medal and green patinas, featuring the ascent of a woman,
decorated with sun rays and sunflowers
32.5 cm. high
GEORGES FLAMAND – AN ART NOUVEAU WOMAN AND PEACOCK FOOTED VASE, CIRCA 1900
Gilt bronze with patina, the central motif decorated with a red cabochon,
and each of the four feet decorated with a green cabochon
Signed Flamand
GEORGES FLAMAND – CHARLES MURAT – “ESMERALDA”, CIRCA 1900
“ESMERALDA”, CIRCA 1900
Chased silver sculpture, the pensive goddess seated on the head of a mythological monster
Signed, with silversmith and French Minerva marks
18 cm. high
Bibliography
Harold Berman, Bronzes-Sculptors & Founders, 1800-1930, Abage publishers, vol. IV,
p. 1017, n. 3949, for the bronze cast titled Devil lady
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis Publisher, London, 2002, ill.
p. 392
This sculpture was also cast in bronze by Eugène Blot
HENRI EDOUARD VERNHES – NUDE WOMAN LYING, CIRCA 1900
Wax sculpture of a nude woman lying, face hidden ; green marble base
JEAN BAFFIER – “MARIETTE”, CIRCA 1900
Carrara marble sculpture representing the bust of a farmer
Signed and titled
Other examples in marble are to be found at the musée de Bourges
JEAN-LEON GEROME – “LA FEMME AU VOILE”, CIRCA 1900
“LA FEMME AU VOILE”, CIRCA 1900
Patinated bronze and ivory
Signed J.L. GEROME and SIOT.FONDEUR.PARIS
86 cm. high
According to our records, no other example of this model was ever offered for sale.
Nevertheless, three versions of respectively 86 cm., 66 cm. and 48.5 cm. are known to exist
JEANNE JOZON – MONUMENTAL VASE
The veiled woman in gilt bronze, the vase in greenish brown patina
Signed, numbered, with foundry mark L.V and marked DEPOSEE – BRONZE GARANTI AU TITRE