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Sculpture

Showing 25–48 of 50 results

JULES DESBOIS – ADRIEN-AURELIEN HEBRARD – “DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906

“DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906
Bronze sculpture; lost wax cast by Hébrard
Signed
34.3 cm. high

A similar example in terracotta at the musée d’Orsay, inv. n. RF3199
Model in plaster and tissue, Zimmerli Art Museum, New Jersey, USA

Exhibition
1914, Musée Galliéra, Exposition de la statuette et du meuble qui l’accompagne

Bibliography
Musée d’Orsay. Catalogue sommaire illustré des sculptures, similar example in terracotta illustrated p. 142, n. RF3199
Breaking the Mold-Sculpture in Paris from Daumier to Rodin, Edited by Phillip Dennis Cate,
published by the Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, ill. p. 67, n°140,
October 23, 2005-March 12, 2006

JULES DESBOIS – ADRIEN-AURELIEN HEBRARD – “DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906

“DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906
Bronze sculpture; lost wax cast by Hébrard
Signed
34.3 cm. high

A similar example in terracotta at the musée d’Orsay, inv. n. RF3199
Model in plaster and tissue, Zimmerli Art Museum, New Jersey, USA

Exhibition
1914, Musée Galliéra, Exposition de la statuette et du meuble qui l’accompagne

Bibliography
Musée d’Orsay. Catalogue sommaire illustré des sculptures, similar example in terracotta illustrated p. 142, n. RF3199
Breaking the Mold-Sculpture in Paris from Daumier to Rodin, Edited by Phillip Dennis Cate,
published by the Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, ill. p. 67, n°140,
October 23, 2005-March 12, 2006

JULES DESBOIS – ADRIEN-AURELIEN HEBRARD – “LA VIGNE”, CIRCA 1900

Bronze with brown patina
Signed, with foundry mark and numbered 13

Bibliography:

Raymond Huard, Jules Desbois, ill. p. 65

LEON NOEL DELAGRANGE – A SYMBOLIST SCULPTURE, CIRCA 1900

Bronze with a black patina on its original base in carved wood
Signed

LOUIS CHALON – MAISON PAUL LOUCHET – PAIR OF CANDLESTICKS “LE SOMMEIL ET L’EVEIL”, CIRCA 1900

PAIR OF CANDLESTICKS “LE SOMMEIL ET L’EVEIL”, CIRCA 1900
Bronze with two patinas
Signed and marked Louchet
11.5 cm. high
9.5 cm. high

LOUIS DEJEAN – “LA FIANCEE”, 1901

“LA FIANCEE”, 1901
White marble
Signed on the base
35 x 20 x 22 cm.

LOUIS DEJEAN – ADRIEN-AURELIEN HEBRARD – “LA DAME AU GRAND MANTEAU”

“LA DAME AU GRAND MANTEAU”
Bronze with a dark brown patina, cast after 1905
Signed, marked (M), and with foundry mark;
bearing an exhibition label at the Musée des
Arts Décoratifs, Paris,
marked 1933 and M. Hébrard; an inventory label marked 2487; and another label marked Douane Centrale / Paris
37.5 cm. high

Another example commissioned by the French State in 1904 for the Musée du Luxembourg belongs to the Musée d’Orsay, Paris, inv. LUX 214

Exhibition
Salon National des Beaux-Arts, Paris, 1904, 1899 for an example in terracotta
Exposition de la statuette, Musée Galliéra, Paris, 1914, n. 152 of the exhibition catalogue
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin…, Nancy, Musée des Beaux-Arts
Musée de l’Ecole de Nancy, 6 May – 28 August 2006, ill. p. 237, n. 176 in the exhibition catalogue

Bibliography
L’Art Décoratif, June 1904, an example in plaster ill. p. 230

LOUIS-AUGUSTE THEODORE-RIVIERE – “ADAM ET EVE”, OR “L’ETREINTE”, OR “PARADIS PERDU”, CIRCA 1900

“ADAM ET EVE”, OR “L’ETREINTE”, OR “PARADIS PERDU”, CIRCA 1900
Bronze with a green patina representing a naked couple, embracing; lost wax cast
Signed
33 cm. high

Another example in bronze: Gift of Mrs Alma de Bretteville Spreckels to the Museum of the Legion of Honor,
San Francisco, inv.: 1937-8-6, 1948, now at the Maryhill Museum, Washington, USA, inv.: 14-19
Another example in ivory: acquisition of the city of Paris for the Musée Galliéra collection, 1906, now at the Petit Palais,
Paris, inv. : O.GAL.129

Exhibition
Musée Galliéra, 1903, Art de l’Ivoire
Salon de la Société des Artistes français, 1905, section des Arts Décoratifs, n° 5017
Palais Galliéra, 1914 Exposition de la statuette et du meuble qui l’accompagne, n. 379
Inaugural Exposition of French Art in the California Palace of the Legion of Honor, Lincoln Park,
San Francisco, California, 1924-1925, example in bronze, n. 197

Bibliography
Maurice Rheims, The flowering of Art Nouveau“, Harry N. Abrams Inc., New York, n.d., example in ivory ill. p. 203, n° 250
L’Estampille, mars 1983, n° 155c, p. 63. “Adam et Eve enlacés, le visage de l’homme enfoui dans le creux de l’épaule de sa
compagne qui, angoissée, regarde le ciel…”

LOUIS-AUGUSTE THEODORE-RIVIERE – “ADAM ET EVE”, OR “L’ETREINTE”, OR “PARADIS PERDU”, CIRCA 1900

“ADAM ET EVE”, OR “L’ETREINTE”, OR “PARADIS PERDU”, CIRCA 1900
Bronze with a green patina representing a naked couple, embracing; lost wax cast
Signed
33 cm. high

Another example in bronze: Gift of Mrs Alma de Bretteville Spreckels to the Museum of the Legion of Honor,
San Francisco, inv.: 1937-8-6, 1948, now at the Maryhill Museum, Washington, USA, inv.: 14-19
Another example in ivory: acquisition of the city of Paris for the Musée Galliéra collection, 1906, now at the Petit Palais,
Paris, inv. : O.GAL.129

Exhibition
Musée Galliéra, 1903, Art de l’Ivoire
Salon de la Société des Artistes français, 1905, section des Arts Décoratifs, n° 5017
Palais Galliéra, 1914 Exposition de la statuette et du meuble qui l’accompagne, n. 379
Inaugural Exposition of French Art in the California Palace of the Legion of Honor, Lincoln Park,
San Francisco, California, 1924-1925, example in bronze, n. 197

Bibliography
Maurice Rheims, The flowering of Art Nouveau“, Harry N. Abrams Inc., New York, n.d., example in ivory ill. p. 203, n° 250
L’Estampille, mars 1983, n° 155c, p. 63. “Adam et Eve enlacés, le visage de l’homme enfoui dans le creux de l’épaule de sa
compagne qui, angoissée, regarde le ciel…”

LOUIS-AUGUSTE THEODORE-RIVIERE – ALEXIS RUDIER – “SALAMMBÔ CHEZ MATHÔ, JE T’AIME! JE T’AIME!” OR “CARTHAGE”, 1895

“SALAMMBÔ CHEZ MATHÔ, JE T’AIME! JE T’AIME!” OR “CARTHAGE”, 1895
Bronze with a dark brown patina, featuring two intricately sculpted figures from
the story of Carthage
Signed, and with foundry mark
64 cm. high

Exhibition
Salon de la Société des Artistes Français, Paris, 1895, n. 3451 (2nd class medal) for
a cast in bronze, ivory gold and turquoise that is now at the Musée d’Orsay, Paris

LOUIS-ERNEST BARRIAS – SUSSE FRERES – “LA NATURE SE DEVOILANT DEVANT LA SCIENCE” OR “LA TERRE DEVOILANT SES TRESORS”, CIRCA 1890

“LA NATURE SE DEVOILANT DEVANT LA SCIENCE” OR “LA TERRE DEVOILANT SES TRESORS”, CIRCA 1890
Gilt bronze
Signed, and with foundry mark Susse Frères éditeurs, Paris
78 cm. high

Exhibition
Turin, 1911, Grand Prize

Bibliography
Pierre Cadet, Susse Frères, 1992, ill. p. 52, n. 87

LOUIS-ERNEST BARRIAS – SUSSE FRERES – “LA NATURE SE DÉVOILANT DEVANT LA SCIENCE”, CIRCA 1900

“LA NATURE SE DÉVOILANT DEVANT LA SCIENCE”, CIRCA 1900
Gilt bronze and marble sculpture with
polychrome highlights; the scarab in sodalite; the base in green marble
Signed E. Barrias, and with foundry mark Susse Frères éditeurs, Paris
58 cm. high

Exhibition
Exposition Universelle of 1900, an example with two patinas illustrated in the exhibition catalogue,
Liège, 1903

Bibliography
Illustrated in the Susse Frères catalogues,
1905 and 1910
Les bronzes du XIXème, P. Kjellberg, Éd. de l’amateur 2005, p.50
Bronzes Sculptors & founders 1800-1950, H. Berman, Abage publishers, 1977 tome 3 n. 1387 p. 375

MANUFACTURE NATIONALE DE SEVRES – AGATHON LEONARD – “DANSEUSE AUX FLAMBEAUX N°1”, “DANSEUSE AUX FLAMBEAUX N°15”

“DANSEUSE AUX FLAMBEAUX N°1”, “DANSEUSE AUX FLAMBEAUX N°15”
“Danseuse aux flambeaux n°1”
Bisque ceramic sculpture
Oval base, leaves and cabochons in relief highlighted with gold
Inscribed: 4 avril 1905 donné à Mgr le duc d’Orléans; bearing the rectangular SEVRES seal
38 cm. high

“Danseuse aux flambeaux n°15”
Bisque ceramic sculpture
Oval base, leaves and cabochons in relief highlighted with gold
Bearing the rectangular SEVRES seal and triangular one (S and dated 1915)
38 cm. high

Exhibition
Société Nationale des Beaux-Arts, 1897
Exposition Universelle, Paris, 1900
Agathon Léonard Le geste Art nouveau, musée d’Art et d’Industrie, Roubaix and musée département de l’Oise at Beauvais, 2003, ill. p. 48, n. 23

Bibliography
Le biscuit de Sèvres, published by par Emile Bourgeois and Geo. Lechevallier-Chevignard, tom II, ill pl. 17, n. 1119

MANUFACTURE NATIONALE DE SEVRES – AGATHON LEONARD – “DANSEUSE CHANTANT N° 2” “DANSEUSE AU COTHURNE N° 5”, CIRCA 1900

“Danseuses au cothurne N°5”
Bisque ceramic sculpture
Numbered 5; bearing the rectangular seal.; incised: V – 1900 – 9

“Danseuses chantant N°2”: Sold
Bearing the rectangular SEVRES seal, letter T (initials of the worker finisher) and the date 1901 incised next to the seal

MARIUS MARS-VALLET – SIOT-DECAUVILLE – “LA PRINCESSE LOINTAINE”, CIRCA 1900

“LA PRINCESSE LOINTAINE”, CIRCA 1900
Bronze sculpture with black, brown and gilt patinas
Signed, with foundry mark and numbered L857
54 cm. high

MARIUS MARS-VALLET – SIOT-DECAUVILLE – “LA PRINCESSE LOINTAINE”, CIRCA 1900

“LA PRINCESSE LOINTAINE”, CIRCA 1900
Bronze sculpture with black, brown and gilt patinas
Signed, with foundry mark and numbered L857
54 cm. high

MAURICE BOUVAL – “OPHELIE” TRAY, CIRCA 1900

“OPHELIE” TRAY, CIRCA 1900
Patinated gilt bronze
Signed
37 x 40 cm.

MAURICE BOUVAL – “THE SECRET”, CIRCA 1900

“THE SECRET”, CIRCA 1900
Patinated bronze sculpture with medal and brown patinas; the base in marble
Signed
69 cm. high
With the base: 74 cm. high

MAURICE BOUVAL – “THE SECRET”, CIRCA 1900

“THE SECRET”, CIRCA 1900
Patinated bronze sculpture with medal and brown patinas; the base in marble
Signed
69 cm. high
With the base: 74 cm. high

MAURICE BOUVAL – COLIN & CIE – PAIR OF CANDLESTICKS, CIRCA 1900

PAIR OF CANDLESTICKS, CIRCA 1900
Gilt bronze, the base in marble
Signed and with foundry mark E. COLIN & Cie / PARIS
33.4 cm. high

MAURICE BOUVAL – PAIR OF CANDELABRA “IRIS” OR “REVE ET OBSESSION” CIRCA 1900

Pair of candelabra “Iris” or “Rêve et Obsession”, circa 1900
Figural gilt bronze; the base in green onyx
Signed, and stamped with foundry mark
54.6 cm. high

Exhibition
Salon des Artistes Français, 1898, for a variation of the design with two branches in silver, probably executed by Falize
Salon du Mobilier, Paris, 1905

Bibliography
Revue des arts décoratifs, 1898, inset plate p. 170, for a variation of the design with two branches
Les bronzes, l’orfèvrerie, la bijouterie au Salon du Mobilier de 1905, pl. 194: “candélabre Iris”
edited by Thiébaut, Fumière & Cie,
avenue de l’Opéra
A. Duncan, Art Nouveau & Art Deco Lighting, Simon & Schuster, New York, 1978, pl. XXIX
Macklowe Gallery, Dynamic Beauty, ill. p. 77

MAURICE BOUVAL – PAIR OF CANDELABRA “IRIS” OR “REVE ET OBSESSION” CIRCA 1900

Pair of candelabra “Iris” or “Rêve et Obsession”, circa 1900
Figural gilt bronze; the base in green onyx
Signed, and stamped with foundry mark
54.6 cm. high

Exhibition
Salon des Artistes Français, 1898, for a variation of the design with two branches in silver, probably executed by Falize
Salon du Mobilier, Paris, 1905

Bibliography
Revue des arts décoratifs, 1898, inset plate p. 170, for a variation of the design with two branches
Les bronzes, l’orfèvrerie, la bijouterie au Salon du Mobilier de 1905, pl. 194: “candélabre Iris”
edited by Thiébaut, Fumière & Cie,
avenue de l’Opéra
A. Duncan, Art Nouveau & Art Deco Lighting, Simon & Schuster, New York, 1978, pl. XXIX
Macklowe Gallery, Dynamic Beauty, ill. p. 77

MAURICE BOUVAL – THIEBAUT FRERES – “NU AU PAVOT”, CIRCA 1900

Bronze and marble

Sculpture representing a naked woman kneeling on poppy leaves and holding
a poppy flower above her head
Marble base

Signed M Bouval and Thiébaut Frères / Fumière et Gavignot Frs / Paris

PAUL MOREAU-VAUTHIER – “L’ETREINTE”, 1904

Patinated bronze
The base in green striated marble
Signed

PAUL MOREAU-VAUTHIER – “L’ETREINTE”, 1904

Patinated bronze
The base in green striated marble
Signed

PAUL-FRANCOIS BERTHOUD – I.H.F PARIS – “FEMME SOURIANTE” PLANTER, 1902

Bronze with a brown patina heightened in green
Signed, dated Salon 1902 and titled Femme souriante

Exhibition
Société des Artistes Français, Paris, 1902

PIERRE ROCHE – “THE DEATH”

Bronze

Black patina

Pierre Roche is a great artist, unknown to the public

Bibiography:

L’Art Décoratif, april 1901, repr. p. 8

Art et Décoration, april 1904, repr. p. 121

Catalogue of Modern Art Objects, part of the Roger Marx collection p.23 N. 132 for a copy in glazed terracotta

PIERRE-FELIX FIX-MASSEAU – “FEMME AUX RUBANS”, CIRCA 1900

Gilt bronze sculpture on a carved stone
Signed

Exhibition

Société nationale des Beaux-Arts, Paris, 1901
Salon d’Automne, 1905

Bibliography

L’Art Décoratif, March 1900, ill. p. 232 & 233 (patinated plaster)
Art et Décoration, July 1901, ill. p. 12

PIERRE-FELIX FIX-MASSEAU – SIOT-DECAUVILLE – BUST OF A YOUNG WOMAN, 1895

Patinated bronze

Signed, dated 95 and with foundry mark

This design was also executed in stoneware by Alexandre Bigot

PIERRE-FELIX FIX-MASSEAU – SIOT-DECAUVILLE – BUST OF A YOUNG WOMAN, 1895

Patinated bronze

Signed, dated 95 and with foundry mark

This design was also executed in stoneware by Alexandre Bigot

RAOUL LARCHE – SIOT-DECAUVILLE – LOIE FULLER FIGURAL TABLE LAMP, CIRCA 1900

LOIE FULLER FIGURAL TABLE LAMP, CIRCA 1900
Gilt bronze
Signed, numbered 1782 and with foundry seal
47.5 cm. high
23.5 cm. wide

RAOUL LARCHE – SIOT-DECAUVILLE – LOIE FULLER FIGURAL TABLE LAMP, CIRCA 1900

LOIE FULLER FIGURAL TABLE LAMP, CIRCA 1900
Gilt bronze
Signed, numbered 1782 and with foundry seal
47.5 cm. high
23.5 cm. wide

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