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Sculpture

Showing 25–48 of 48 results

LOUIS-ERNEST BARRIAS – SUSSE FRERES – “LA NATURE SE DÉVOILANT DEVANT LA SCIENCE”, CIRCA 1900

“LA NATURE SE DÉVOILANT DEVANT LA SCIENCE”, CIRCA 1900
Gilt bronze and marble sculpture with
polychrome highlights; the scarab in sodalite; the base in green marble
Signed E. Barrias, and with foundry mark Susse Frères éditeurs, Paris
58 cm. high

Exhibition
Exposition Universelle of 1900, an example with two patinas illustrated in the exhibition catalogue,
Liège, 1903

Bibliography
Illustrated in the Susse Frères catalogues,
1905 and 1910
Les bronzes du XIXème, P. Kjellberg, Éd. de l'amateur 2005, p.50
Bronzes Sculptors & founders 1800-1950, H. Berman, Abage publishers, 1977 tome 3 n. 1387 p. 375

JULES DESBOIS – ADRIEN-AURELIEN HEBRARD – “DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906

“DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906
Bronze sculpture; lost wax cast by Hébrard
Signed
34.3 cm. high

A similar example in terracotta at the musée d’Orsay, inv. n. RF3199
Model in plaster and tissue, Zimmerli Art Museum, New Jersey, USA

Exhibition
1914, Musée Galliéra, Exposition de la statuette et du meuble qui l’accompagne

Bibliography
Musée d’Orsay. Catalogue sommaire illustré des sculptures, similar example in terracotta illustrated p. 142, n. RF3199
Breaking the Mold-Sculpture in Paris from Daumier to Rodin, Edited by Phillip Dennis Cate,
published by the Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, ill. p. 67, n°140,
October 23, 2005-March 12, 2006

JULES DESBOIS – ADRIEN-AURELIEN HEBRARD – “DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906

“DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906
Bronze sculpture; lost wax cast by Hébrard
Signed
34.3 cm. high

A similar example in terracotta at the musée d’Orsay, inv. n. RF3199
Model in plaster and tissue, Zimmerli Art Museum, New Jersey, USA

Exhibition
1914, Musée Galliéra, Exposition de la statuette et du meuble qui l’accompagne

Bibliography
Musée d’Orsay. Catalogue sommaire illustré des sculptures, similar example in terracotta illustrated p. 142, n. RF3199
Breaking the Mold-Sculpture in Paris from Daumier to Rodin, Edited by Phillip Dennis Cate,
published by the Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, ill. p. 67, n°140,
October 23, 2005-March 12, 2006

CARL MILLES – COLIN & CIE – “SALOMÉ”, CIRCA 1901

“SALOMÉ”, CIRCA 1901
Gilt bronze; the base in green marble
Signed and bearing the foundry mark
31 cm. high

Bibliography
Albert Thomas, Petits bronzes d’art, L’Art décoratif, February 1901, ill. p. 187

PAUL-FRANCOIS BERTHOUD – I.H.F PARIS, FOUNDRY – “FEMME SOURIANTE” PLANTER, 1902

“FEMME SOURIANTE” PLANTER, 1902
Bronze with a brown patina heightened in green
Signed, dated Salon 1902 and titled Femme souriante
44.5 x 51 x 14 cm

Exhibition
Société des Artistes Français, Paris, 1902

PIERRE-FELIX FIX-MASSEAU – “FEMME AUX RUBANS”, CIRCA 1900

Gilt bronze sculpture on a carved stone
Signed
43 cm. high
With the base: 53 cm.

Exhibition
Société nationale des Beaux-Arts, Paris, 1901
Salon d’Automne, 1905

Bibliography
L’Art Décoratif, March 1900, ill. p. 232, 233 (patinated plaster)
Art et Décoration, July 1901, ill. p. 12

AUGUSTE SEYSSES – “PHRYNE”, CIRCA 1900

“PHRYNE”, CIRCA 1900
Bronze with a black patina
Signed, bearing foundry mark and numbered 57159 7
58 cm. high

Exhibition
Société des Artistes Français, 1899, n. 3927

Bibliography
Art et Décoration, September 1899, ill. p. 82

JULES DESBOIS – ADRIEN-AURELIEN HEBRARD – “LA VIGNE”, CIRCA 1900

“LA VIGNE”, CIRCA 1900
Bronze with brown patina; the base in marble
Signed, with foundry mark and numbered 13
18 cm. high
With the base: 20.5 cm. high
The base: 8 x 8 x 2.4 cm.

Bibliography
Raymond Huard, Jules Desbois, ill. p. 65

MANUFACTURE NATIONALE DE SEVRES – AGATHON LEONARD – “DANSEUSE CHANTANT N° 2” “DANSEUSE AU COTHURNE N° 5”, CIRCA 1900

“Danseuses au cothurne N°5”
Bisque ceramic sculpture
Numbered 5; bearing the rectangular seal.; incised: V – 1900 – 9

“Danseuses chantant N°2”: Sold
Bearing the rectangular SEVRES seal, letter T (initials of the worker finisher) and the date 1901 incised next to the seal

JEAN BAFFIER – “MARIETTE”, CIRCA 1900

Carrara marble sculpture representing the bust of a farmer
Signed and titled

Other examples in marble are to be found at the musée de Bourges

FRANCOIS-RUPERT CARABIN – “LOIE FULLER” SCULPTURE, CIRCA 1900

“LOIE FULLER” SCULPTURE, CIRCA 1900
Light brown patinated bronze heightened in red
Signed and numbered E12
23 cm. high

Exhibition
Société Nationale des Beaux-Arts, Paris, 1897, 1899
Salon de la Libre Esthétique, Bruxelles, 1897, cat. n.75 to 80
Austellung der Vereinigung Bildender KÜnstler Österreichs, Vienne, 1898
Exposition Universelle, Paris, 1900, n.90 (cat.)
Le décor de la vie sous la IIIème République, Pavillon de Marsan, 1933, n.847 (cat.)
Musée Galliéra, Rupert Carabin, 1934-1935, n. 49 (cat.)
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 75 & 76 (cat.)
Loïe Fuller : Magicien of light, Virginia Museum, Richmond, 1979, cat. n.11-16, ill. p. 46-47
François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, ill. p. 72 & 73 (cat.), n.30 and 34

Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
La Gazette des Beaux-Arts, 1897, p. 247
G. Geffroy, la Vie Artistique 1897, p. 378
Ver Sacrum, n. 56, May-June 1898 and n.9, September 1898
C. Saunier Rupert Carabin, La Revue d’Art, n.11, January 1900, p. 161 to 168
G. Coquiot Biographies Alsaciennes X, François Rupert Carabin, Revue Alsacienne Illustrée, 1901, p. 146
Catalogue de vente Collection A. Alexandre, 1903, n.150 to 156 (Danseuse Serpentine)
G. Coquiot Les figurines de Carabin, l’Art Décoratif, January 1907, p. 25 à 30
Catalogue of the exhibition Le décor de la vie sous la IIIème République de 1870 à 1900, Pavillon de Marsan 1933
Catalogue of the exhibition Carabin au musée Galliéra 1934-1935
Catalogue of the exhibition L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, p. 171 & 172

FRANCOIS-RUPERT CARABIN – “LOIE FULLER” SCULPTURE, CIRCA 1900

“LOIE FULLER” SCULPTURE, CIRCA 1900
Light brown patinated bronze heightened in red
Signed and numbered E12
23 cm. high

Exhibition
Société Nationale des Beaux-Arts, Paris, 1897, 1899
Salon de la Libre Esthétique, Bruxelles, 1897, cat. n.75 to 80
Austellung der Vereinigung Bildender KÜnstler Österreichs, Vienne, 1898
Exposition Universelle, Paris, 1900, n.90 (cat.)
Le décor de la vie sous la IIIème République, Pavillon de Marsan, 1933, n.847 (cat.)
Musée Galliéra, Rupert Carabin, 1934-1935, n. 49 (cat.)
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 75 & 76 (cat.)
Loïe Fuller : Magicien of light, Virginia Museum, Richmond, 1979, cat. n.11-16, ill. p. 46-47
François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, ill. p. 72 & 73 (cat.), n.30 and 34

Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
La Gazette des Beaux-Arts, 1897, p. 247
G. Geffroy, la Vie Artistique 1897, p. 378
Ver Sacrum, n. 56, May-June 1898 and n.9, September 1898
C. Saunier Rupert Carabin, La Revue d’Art, n.11, January 1900, p. 161 to 168
G. Coquiot Biographies Alsaciennes X, François Rupert Carabin, Revue Alsacienne Illustrée, 1901, p. 146
Catalogue de vente Collection A. Alexandre, 1903, n.150 to 156 (Danseuse Serpentine)
G. Coquiot Les figurines de Carabin, l’Art Décoratif, January 1907, p. 25 à 30
Catalogue of the exhibition Le décor de la vie sous la IIIème République de 1870 à 1900, Pavillon de Marsan 1933
Catalogue of the exhibition Carabin au musée Galliéra 1934-1935
Catalogue of the exhibition L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, p. 171 & 172

FRANCOIS-RUPERT CARABIN – “LOIE FULLER” SCULPTURE, CIRCA 1900

“LOIE FULLER” SCULPTURE, CIRCA 1900
Light brown patinated bronze heightened in red
Signed, numbered F8 and bearing the foundry mark FJ
18.5 cm. high

Exhibition
Société Nationale des Beaux-Arts, Paris, 1897 & 1899
Salon de la Libre Esthétique, Bruxelles, 1897, cat. n.75 – 80
Austellung der Vereinigung Bildender KÜnstler Österreichs, Vienne, 1898
Exposition Universelle, Paris, 1900, n. 90 (cat.)
Le décor de la vie sous la IIIème République, Pavillon de Marsan, 1933, n. 847 (cat.)
Musée Galliéra Rupert Carabin, 1934-1935, n. 49 (cat.)
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 79 (cat.)
Loïe Fuller: Magicien of light, Virginia Museum, Richmond, 1979, cat. n.11-16, ill. p. 46-47
François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, repr. p. 72, 73 (cat.) n. 30, 34

Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
La Gazette des Beaux-Arts, 1897, p. 247
G. Geffroy, la Vie Artistique 1897, p. 378
Ver Sacrum, n°56, may-june 1898 et n. 9, september 1898
C. Saunier Rupert Carabin, La Revue d’Art, n°11, january 1900, p. 161 to p. 168
G. Coquiot Biographies Alsaciennes X, François Rupert Carabin, Revue Alsacienne Illustrée, 1901, p. 146
Catalogue de vente Collection A. Alexandre, 1903, n. 150 – 156 (Danseuse Serpentine)
G. Coquiot Les figurines de Carabin, l’Art Décoratif, janvier 1907, p. 25 à 30
Catalog of the exhibition Le décor de la vie sous la IIIème République de 1870 à 1900, Pavillon de Marsan, 1933
Catalog of the exhibition Carabin au musée Galliéra, 1934-1935
Catalog of the exhibition L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, p. 175

GEORGES FLAMAND – “WOMAN AND PEACOCK” FOOTED VASE, CIRCA 1900

“WOMAN AND PEACOCK” FOOTED VASE, CIRCA 1900
Gilt bronze; the central motif decorated with a red cabochon,
and each of the four feet decorated with a green cabochon
Signed Flamand
29 cm.

COLIN & CIE – LOUIS CHALON – “WOMAN WITH A TORCH” TABLE LAMP, CIRCA 1900

“WOMAN WITH A TORCH” TABLE LAMP, CIRCA 1900
Gilt bronze, original frosted glass shade
The base in marble
Signed and with foundry mark
56 cm. high

LOUIS DEJEAN – “LA FIANCEE”, 1901

“LA FIANCEE”, 1901
White marble
Signed on the base
35 x 20 x 22 cm.

FRANCOIS-RUPERT CARABIN – “DANCER WITH SNAKES”, 1905-1906

“DANCER WITH SNAKES”, 1905-1906
Patinated bronze
Signed, dédicated St Edmond / Le Personnel de la Maison / Laussedat / à leur patron and dated 1906
23.3 cm. high

Another example is part of the collection of the Musée de l’Ancienne Douane, Strasbourg and another
one is part of the Silverman Collection, New York

Exhibition
Société Nationale des Beaux-Arts, Paris, 1906
Musée Galliera, Exposition Carabin, 1934-1935

Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1906
La Revue Théâtrale, April 1906, ill. p. 1452
Catalogue de l’exposition Carabin, Galliera Museum 1934-1935
L’œuvre de Rupert Carabin, Galerie du Luxembourg, 1974, ill. p. 192, n.104

EDGAR WILLIAM BRANDT – IMPORTANT VASE, CIRCA 1910

IMPORTANT VASE, CIRCA 1910
Patinated bronze with seaweed motif
50 cm. high; 25 cm. wide

Exhibition
Salon des Artistes Français, Paris, 1 May – 30 June 1910

Bibliography

Joan Kahr, Edgar Brandt, Master of Art Déco Ironwork, Harry N. Abrams Inc. Publishers, New York, 1999, p. 37

L’Art Décoratif aux Expositions des Beaux-Arts, Librairie d’Art Décoratif, Armand Guérinet, editor, pl. 56

MAURICE BOUVAL – THIEBAUT FRERES, FUMIERE and GAVIGNOT – PAIR OF CANDELABRAS “IRIS” OR “REVE ET OBSESSION” CIRCA 1900

PAIR OF CANDELABRAS “IRIS” OR “REVE ET OBSESSION” CIRCA 1900
Figural gilt bronze; the base in green onyx
Signed, and stamped with foundry mark
54.6 cm. high

Exhibition
Salon des Artistes Français, 1898, for a variation of the design with two branches in silver, probably executed by Falize
Salon du Mobilier, Paris, 1905

Bibliography
Revue des arts décoratifs, 1898, inset plate p. 170, for a variation of the design with two branches
Les bronzes, l’orfèvrerie, la bijouterie au Salon du Mobilier de 1905, pl. 194: candélabre Iris
edited by Thiébaut, Fumière & Cie,
avenue de l’Opéra
A. Duncan, Art Nouveau & Art Deco Lighting, Simon & Schuster, New York, 1978, pl. XXIX
Macklowe Gallery, Dynamic Beauty, ill. p. 77

MAURICE BOUVAL – THIEBAUT FRERES, FUMIERE and GAVIGNOT – PAIR OF CANDELABRAS “IRIS” OR “REVE ET OBSESSION” CIRCA 1900

PAIR OF CANDELABRAS “IRIS” OR “REVE ET OBSESSION” CIRCA 1900
Figural gilt bronze; the base in green onyx
Signed, and stamped with foundry mark
54.6 cm. high

Exhibition
Salon des Artistes Français, 1898, for a variation of the design with two branches in silver, probably executed by Falize
Salon du Mobilier, Paris, 1905

Bibliography
Revue des arts décoratifs, 1898, inset plate p. 170, for a variation of the design with two branches
Les bronzes, l’orfèvrerie, la bijouterie au Salon du Mobilier de 1905, pl. 194: candélabre Iris
edited by Thiébaut, Fumière & Cie,
avenue de l’Opéra
A. Duncan, Art Nouveau & Art Deco Lighting, Simon & Schuster, New York, 1978, pl. XXIX
Macklowe Gallery, Dynamic Beauty, ill. p. 77

JULES DESBOIS – “BAIGNEUSE” BOTTLE AND “LES TROIS AGES DE LA VIE” STOPPER, CIRCA 1900

“BAIGNEUSE” BOTTLE AND “LES TROIS AGES DE LA VIE” STOPPER, CIRCA 1900
Patinated bronze
Signed J. Desbois and numbered 804 B
22 cm. high

Bibliography
Catalogue de la maison Siot-Decauville, ill. p.104
Philippe Dahhan, Etains 1900, Les éditions de l’amateur, Paris, 2000, ill p. 116, n. 293-295 (Model in pewter)

ANTOINE FERDINAND FAIVRE – “CHLOE ENDORMIE”, CIRCA 1900

“CHLOE ENDORMIE”, CIRCA 1900
Marble sculpture
Signed
45 x 18 x 27.5 cm.

ANTOINE FERDINAND FAIVRE – “CHLOE ENDORMIE”, CIRCA 1900

“CHLOE ENDORMIE”, CIRCA 1900
Marble sculpture
Signed
45 x 18 x 27.5 cm.

GOLDSCHEIDER – E. TELL – IMPORTANT SCULPTURE, CIRCA 1900

IMPORTANT SCULPTURE, CIRCA 1900
Patinated terracotta featuring a naked woman looking at herself in a pond
Signed, with editor’s mark

Bibliography
Goldscheider, Ora Pinhas, 2006, p.51, n. 0196 for a similar model

GEORGES TONNELIER – “NESSUS ENLEVANT DEJANINE”, CIRCA 1900

“NESSUS ENLEVANT DEJANINE”, CIRCA 1900
Silver; the base in sculpted onyx
Signed Tonnelier HC
16 cm. high

GEORGES TONNELIER – “NESSUS ENLEVANT DEJANINE”, CIRCA 1900

“NESSUS ENLEVANT DEJANINE”, CIRCA 1900
Silver; the base in sculpted onyx
Signed Tonnelier HC
16 cm. high

E. TELL – GOLDSCHEIDER – “JUDITH”, CIRCA 1900

“JUDITH”, CIRCA 1900
A carved ivory, pâte-de-verre and enamelled gilt-metal sculpture
The facetted base in marble
Signed E. TELL and numbered 172
With the base: 25 cm. high

Other examples of this model were executed in bronze, bronze and ivory
and terracotta by Goldscheider

The example we are offering, made of precious material, was most probably intended
for art exhibitions; the sculpted ivory part of this piece was most probably executed
by the sculptor himself

E. TELL – GOLDSCHEIDER – “JUDITH”, CIRCA 1900

“JUDITH”, CIRCA 1900
A carved ivory, pâte-de-verre and enamelled gilt-metal sculpture
The facetted base in marble
Signed E. TELL and numbered 172
With the base: 25 cm. high

Other examples of this model were executed in bronze, bronze and ivory
and terracotta by Goldscheider

The example we are offering, made of precious material, was most probably intended
for art exhibitions; the sculpted ivory part of this piece was most probably executed
by the sculptor himself

VILLE VALLGREN – “CONSOLATION”, 1893

“CONSOLATION”, 1893
Plaster
Signed, titled, located Paris and dated 1893

Bibliography
L’Art Décoratif, November 1901, ill. p. 46
29 cm. high

VILLE VALLGREN – “CONSOLATION”, 1893

“CONSOLATION”, 1893
Plaster
Signed, titled, located Paris and dated 1893

Bibliography
L’Art Décoratif, November 1901, ill. p. 46
29 cm. high

RAYMOND-LOUIS-MARIE SUDRE – SIOT-DECAUVILLE – “LE BAISER ZELANDAIS”, CIRCA 1920

“LE BAISER ZELANDAIS”, CIRCA 1920
Patinated bronze
Signed, bearing the rectangular seal Cire Perdue SIOT and numbered 1
34 cm. high

Exhibition
Exposition de la Statuette et du Meuble, Musée Galliéra, 1914 (terracotta)

RAYMOND-LOUIS-MARIE SUDRE – SIOT-DECAUVILLE – “LE BAISER ZELANDAIS”, CIRCA 1920

“LE BAISER ZELANDAIS”, CIRCA 1920
Patinated bronze
Signed, bearing the rectangular seal Cire Perdue SIOT and numbered 1
34 cm. high

Exhibition
Exposition de la Statuette et du Meuble, Musée Galliéra, 1914 (terracotta)

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