Art Nouveau & Art Déco - Gallery in Monaco
Showing 25–45 of 45 results
Gilt bronze sculpture on a carved stone
Signed
43 cm. high
With the base: 53 cm.
Exhibition
Société nationale des Beaux-Arts, Paris, 1901
Salon d’Automne, 1905
Bibliography
L’Art Décoratif, March 1900, ill. p. 232, 233 (patinated plaster)
Art et Décoration, July 1901, ill. p. 12
“PHRYNE”, CIRCA 1900
Bronze with black patina
Signed, bearing foundry mark and numbered 57159 7
Exhibition
Société des Artistes Français, 1899, n. 3927
Bibliography
Art et Décoration, September 1899, ill. p. 82
“LA VIGNE”, CIRCA 1900
Bronze with brown patina; the base in marble
Signed, with foundry mark and numbered 13
18 cm. high
With the base: 20.5 cm. high
The base: 8 x 8 x 2.4 cm.
Bibliography
Raymond Huard, Jules Desbois, ill. p. 65
“DANSEUSE AUX FLAMBEAUX N°1”, “DANSEUSE AUX FLAMBEAUX N°15”
“Danseuse aux flambeaux n°1”
Bisque ceramic sculpture
Oval base, leaves and cabochons in relief highlighted with gold
Inscribed: 4 avril 1905 donné à Mgr le duc d’Orléans; bearing the rectangular SEVRES seal
38 cm. high
“Danseuse aux flambeaux n°15”
Bisque ceramic sculpture
Oval base, leaves and cabochons in relief highlighted with gold
Bearing the rectangular SEVRES seal and triangular one (S and dated 1915)
38 cm. high
Exhibition
Société Nationale des Beaux-Arts, 1897
Exposition Universelle, Paris, 1900
Agathon Léonard Le geste Art nouveau, musée d’Art et d’Industrie, Roubaix and musée département de l’Oise at Beauvais, 2003, ill. p. 48, n. 23
Bibliography
Le biscuit de Sèvres, published by par Emile Bourgeois and Geo. Lechevallier-Chevignard, tom II, ill pl. 17, n. 1119
“Danseuses au cothurne N°5”
Bisque ceramic sculpture
Numbered 5; bearing the rectangular seal.; incised: V – 1900 – 9
“Danseuses chantant N°2”: Sold
Bearing the rectangular SEVRES seal, letter T (initials of the worker finisher) and the date 1901 incised next to the seal
Carrara marble sculpture representing the bust of a farmer
Signed and titled
Other examples in marble are to be found at the musée de Bourges
“LOIE FULLER” SCULPTURE, CIRCA 1900
Light brown patinated bronze heightened in red
Signed and numbered E12
23 cm. high
Exhibition
Société Nationale des Beaux-Arts, Paris, 1897, 1899
Salon de la Libre Esthétique, Bruxelles, 1897, cat. n.75 to 80
Austellung der Vereinigung Bildender KÜnstler Österreichs, Vienne, 1898
Exposition Universelle, Paris, 1900, n.90 (cat.)
Le décor de la vie sous la IIIème République, Pavillon de Marsan, 1933, n.847 (cat.)
Musée Galliéra, Rupert Carabin, 1934-1935, n. 49 (cat.)
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 75 & 76 (cat.)
Loïe Fuller : Magicien of light, Virginia Museum, Richmond, 1979, cat. n.11-16, ill. p. 46-47
François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, ill. p. 72 & 73 (cat.), n.30 and 34
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
La Gazette des Beaux-Arts, 1897, p. 247
G. Geffroy, la Vie Artistique 1897, p. 378
Ver Sacrum, n. 56, May-June 1898 and n.9, September 1898
C. Saunier Rupert Carabin, La Revue d’Art, n.11, January 1900, p. 161 to 168
G. Coquiot Biographies Alsaciennes X, François Rupert Carabin, Revue Alsacienne Illustrée, 1901, p. 146
Catalogue de vente Collection A. Alexandre, 1903, n.150 to 156 (Danseuse Serpentine)
G. Coquiot Les figurines de Carabin, l’Art Décoratif, January 1907, p. 25 à 30
Catalogue of the exhibition Le décor de la vie sous la IIIème République de 1870 à 1900, Pavillon de Marsan 1933
Catalogue of the exhibition Carabin au musée Galliéra 1934-1935
Catalogue of the exhibition L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, p. 171 & 172
“LOIE FULLER” SCULPTURE, CIRCA 1900
Light brown patinated bronze heightened in red
Signed, numbered F8 and bearing the foundry mark FJ
18.5 cm. high
Exhibition
Société Nationale des Beaux-Arts, Paris, 1897 & 1899
Salon de la Libre Esthétique, Bruxelles, 1897, cat. n.75 – 80
Austellung der Vereinigung Bildender KÜnstler Österreichs, Vienne, 1898
Exposition Universelle, Paris, 1900, n. 90 (cat.)
Le décor de la vie sous la IIIème République, Pavillon de Marsan, 1933, n. 847 (cat.)
Musée Galliéra Rupert Carabin, 1934-1935, n. 49 (cat.)
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 79 (cat.)
Loïe Fuller: Magicien of light, Virginia Museum, Richmond, 1979, cat. n.11-16, ill. p. 46-47
François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, repr. p. 72, 73 (cat.) n. 30, 34
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
La Gazette des Beaux-Arts, 1897, p. 247
G. Geffroy, la Vie Artistique 1897, p. 378
Ver Sacrum, n°56, may-june 1898 et n. 9, september 1898
C. Saunier Rupert Carabin, La Revue d’Art, n°11, january 1900, p. 161 to p. 168
G. Coquiot Biographies Alsaciennes X, François Rupert Carabin, Revue Alsacienne Illustrée, 1901, p. 146
Catalogue de vente Collection A. Alexandre, 1903, n. 150 – 156 (Danseuse Serpentine)
G. Coquiot Les figurines de Carabin, l’Art Décoratif, janvier 1907, p. 25 à 30
Catalog of the exhibition Le décor de la vie sous la IIIème République de 1870 à 1900, Pavillon de Marsan, 1933
Catalog of the exhibition Carabin au musée Galliéra, 1934-1935
Catalog of the exhibition L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, p. 175
“NU AU PAVOT”, CIRCA 1900
Bronze sculpture representing a naked woman kneeling on poppy leaves and holding
a poppy flower above her head
Marble base
Signed M Bouval and Thiébaut Frères / Fumière et Gavignot Frs / Paris
23.5 cm. high
“WOMAN AND PEACOCK” FOOTED VASE, CIRCA 1900
Gilt bronze; the central motif decorated with a red cabochon,
and each of the four feet decorated with a green cabochon
Signed Flamand
29 cm.
“WOMAN WITH A TORCH” TABLE LAMP, CIRCA 1900
Gilt bronze, original frosted glass shade
The base in marble
Signed and with foundry mark
56 cm. high
“LA FIANCEE”, 1901
White marble
Signed on the base
35 x 20 x 22 cm.
“DANCER WITH SNAKES”, 1905-1906
Patinated bronze
Signed, dédicated St Edmond / Le Personnel de la Maison / Laussedat / à leur patron and dated 1906
23.3 cm. high
Another example is part of the collection of the Musée de l’Ancienne Douane, Strasbourg and another
one is part of the Silverman Collection, New York
Exhibition
Société Nationale des Beaux-Arts, Paris, 1906
Musée Galliera, Exposition Carabin, 1934-1935
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1906
La Revue Théâtrale, April 1906, ill. p. 1452
Catalogue de l’exposition Carabin, Galliera Museum 1934-1935
L’œuvre de Rupert Carabin, Galerie du Luxembourg, 1974, ill. p. 192, n.104
IMPORTANT VASE, CIRCA 1910
Patinated bronze with seaweed motif
50 cm. high; 25 cm. wide
Exhibition
Salon des Artistes Français, Paris, 1 May – 30 June 1910
PAIR OF CANDELABRAS “IRIS” OR “REVE ET OBSESSION” CIRCA 1900
Figural gilt bronze; the base in green onyx
Signed, and stamped with foundry mark
54.6 cm. high
Exhibition
Salon des Artistes Français, 1898, for a variation of the design with two branches in silver, probably executed by Falize
Salon du Mobilier, Paris, 1905
Bibliography
Revue des arts décoratifs, 1898, inset plate p. 170, for a variation of the design with two branches
Les bronzes, l’orfèvrerie, la bijouterie au Salon du Mobilier de 1905, pl. 194: candélabre Iris
edited by Thiébaut, Fumière & Cie,
avenue de l’Opéra
A. Duncan, Art Nouveau & Art Deco Lighting, Simon & Schuster, New York, 1978, pl. XXIX
Macklowe Gallery, Dynamic Beauty, ill. p. 77
“BAIGNEUSE” BOTTLE AND “LES TROIS AGES DE LA VIE” STOPPER, CIRCA 1900
Patinated bronze
Signed J. Desbois. and numbered 804 B
22 cm. high
Bibliography
Catalogue de la maison Siot-Decauville, ill. p.104
Philippe Dahhan, Etains 1900, Les éditions de l’amateur, Paris, 2000, ill p. 116, n. 293-295 (Model in pewter)
“CHLOE ENDORMIE”, CIRCA 1900
Marble sculpture
Signed
45 x 18 x 27.5 cm.
“NESSUS ENLEVANT DEJANINE”, CIRCA 1900
Silver; the base in sculpted onyx
Signed Tonnelier HC
16 cm. high
“JUDITH”, CIRCA 1900
A carved ivory, pâte-de-verre and enamelled gilt-metal sculpture
The facetted base in marble
Signed E. TELL and numbered 172
With the base: 25 cm. high
Other examples of this model were executed in bronze, bronze and ivory
and terracotta by Goldscheider
The example we are offering, made of precious material, was most probably intended
for art exhibitions; the sculpted ivory part of this piece was most probably executed
by the sculptor himself
“CONSOLATION”, 1893
Plaster
Signed, titled, located Paris and dated 1893
Bibliography
L’Art Décoratif, November 1901, ill. p. 46
29 cm. high
“LE BAISER ZELANDAIS”, CIRCA 1920
Patinated bronze
Signed, bearing the rectangular seal Cire Perdue SIOT and numbered 1
34 cm. high
Exhibition
Exposition de la Statuette et du Meuble, Musée Galliéra, 1914 (terracotta)