Showing 25–48 of 67 results

MARCEL GOUPY – VASES, CIRCA 1920

VASES, CIRCA 1920
Round vase on circular foot and small flaring neck, mottled light blue glass decorated with eight tears
in green enamel, the foot and neck outlined in green enamel
Signed underneath in enamel
14 cm.

Flattened footed vase in clear glass, polychrome decoration of a pair of birds framed by flowers and leaves
Signed underneath in enamel     Sold

Tapered cylindrical vase in mottled yellow glass decorated in polychrome enamel with three identical pairs
of parakeets and insects in flight
Signed in enamel underneath

Footed cylindrical vase with flaring neck, mottled yellow glass decorated with three medallions of stylized motifs
in black enamel, the rim and foot outlined in black enamel
Signed underneath in enamel

MAURICE MARINOT – VASE, MM N. 282, 1921

VASE, MM N. 282, 1921
Internally decorated footed thick glass vase
Signed
18 cm. high

Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier, Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 302

MAURICE MARINOT – FLATTENED BOTTLE, MM, N. 1015, 1925

FLATTENED BOTTLE, MM, N. 1015, 1925
Deeply etched flattened glass bottle
Signed
12.5 cm. high

Bibliography
Félix Marcilhac, Maurice Marinot Artisan Verrier. Catalogue raisonné de l’Oeuvre de verre, Les éditions de l’amateur, 2013, ill. p. 420

Exhibition
Jacques Seligman & C°, Twentieth Century Glass – American and European, New York, 1925, Metropolitan Museum of Art, New York, 1950

FRANCOIS-EMILE DECORCHEMONT – “SERPENTS” BOWL, 1925

“SERPENTS” BOWL, 1925
Model 260, A 108
Pâte de verre in mottled brown and amber
Impressed with the artist’s seal and numbered A108
12 x 30 cm.

Exhibition
Véronique Ayrolles, François Decorchemont, Maître de la pâte de verre, éditions Norma, 2006, other examples ill. pp. 6, 122, 123, 265

GEORGES DESPRET – YVONNE SERRUYS – “THE THREE GRACES”, CIRCA 1925

“THE THREE GRACES”,  CIRCA 1925
Monumental pâte de verre pedestal dish after a model by Yvonne Serruys representing the Three Graces holdind up a sea shell with green and orange highlights imitating mother-of-pearl, with the
base showing children blowing conch shells
Signed and numbered 940
40 cm. high
The shell: 31 cm. long

Exhibition
Sunderland Museum & Art Gallery, The Art of Glass: Art Nouveau to Art Deco, 17 July-27 October 1996

Bibliography
Gustave Kahn, Le goût moderne, November 1926, pp. 8-11: “Ainsi Mme Yvonne Serruys a donné le modèle d’une coupe haute, à large vasque étendue, exécutée dans les tons blancs du marbre ou la nacrure du coquillage, soutenue par les épaules
de porteurs nus, dont les pieds s’agrippent à un rocher mouvementé, et le verrier a obtenu des épreuves de colorations diverses, distinctes et toutes bien venues”
Victor Arwas, The Art of Glass, Andreas Papadakis, publisher, 1996, full page ill. p. 56

MAURICE MARINOT – AN IMPORTANT BOTTLE, 1923

AN IMPORTANT BOTTLE, 1923
Clear and acid-etched carved glass
Signed
With a certificate and a label marked n. 696 by Mrs Florence Marinot
18 cm. high

Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-24 November 2019, ill. pp. 36 & 37

Bibliography
Compare with a similar vase at the Kunstmuseum, Dusseldorf, ill. p. 308, n. 363 in European Art Glass par Ray & Lee Grover, published by Charles E. Tuttle Co. Rutland, Vermont, USA
Art Deco, Citadelles & Mazenod, 2009, p. 89
Yves Delaborde, Le Verre, art & design-XIXe-XXIe siècles, ACR édition, 2011, p. 89
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’œuvre de verre, les éditions de l’amateur, 2013, ill. p. 260

EDGAR WILLIAM BRANDT – AN “ANTIQUE” CONSOLE, CIRCA 1925

AN “ANTIQUE” CONSOLE, CIRCA 1925
Patinated wrought iron, steel and marble
92 cm. high
150 cm. wide
45 cm. deep

Exhibition
Tamara De Lempicka, Reina del Art Deco, Palacio de Gaviria, Madrid, 5 October 2018-24 February 2019

Bibliography
Edgar Brandt catalogue, circa 1926
Gioia Mori, Tamara De Lempicka, Reina del Art Deco, Palacio de Gaviria, Madrid, 5 October 2018-24 February 2019, Arthemisia Books, p. 83.

MARCEL GOUPY – VASES, CIRCA 1920

VASES, CIRCA 1920
Baluster vase with small flaring neck, mottled blue glass decorated with three pairs of magpies on branches and several dragonflies in polychrome enamel
Signed underneath
27 cm. high

Large baluster vase in clear glass decorated with four birds and stylized flowerheads in polychrome enamel outlined in black
Signed in enamel
22.5 cm. high

Baluster vase in clear glass decorated with three pairs of parakeets against a stylized pattern of berries branches in polychrome enamel
Signed
21.5 cm.

MAURICE MARINOT – BOTTLE, MM 1358, 1927

BOTTLE, MM 1358, 1927
Flattened bottle in clear glass with inclusions of bubbles and powdered glass
Original stopper
Signed
17.5 cm. high

Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 485

MAURICE MARINOT – VASE, 1922

VASE, 1922
Clear glass with an engraved decoration of tulips
Signed; with a certificate and a label marked n. 402 by Mrs Florence Marinot
17 cm. high

Exhibition
Infinite Obsessions, Barry Friedman Gallery, New York, 1999-2000

Bibliography
René Chavance, Maurice Marinot, peintre et verrier, L’Art et les Artistes, January 1923, p. 156
Yves Delaborde, Le Verre, art & design, XIX-XXIème siècles, ACR édition, 2011, p. 203
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 319

MANUFACTURE NATIONALE DE SEVRES – VASE, 1938

VASE, 1938
Model: PROU N.1
Author of the shape: René Prou
Decorated by Susanne Kaehrling in 1938
Decorated with reeds highlighted with gold, a bather, fishing boats and houses
Signed, rose seal, letter K and numbered 5935
45 cm. high

MAURICE MARINOT – BEAKER, MM 1912, N. 11, 1911

BEAKER, MM 1912, N. 11, 1911
Clear glass with an enamelled polychrome design of fruits
This piece was exhibited in a vitrine at Hebrard’s shop in Paris
12 cm. high

Exhibition
Salon d’automne, 1913

Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 242