Art Nouveau & Art Déco - Gallery in Monaco
Showing 49–72 of 92 results
VASE “CYCLAMENS”, 1898-1900
Flattened glass with intercalary inclusions, decor in marquetry finely wheel carved
Signed
22 cm. high
Bibliography
Richard Dennis, The Glass of Emile Gallé, Antiques International, London 1967, p. 189, pl. 17
COLOQUINTE VASE, CIRCA 1900
Multilayered glass with inclusions, decoration of waterlilies in marquetry and chased
Signed
25 cm. high
“ANEMONES” VASE, CIRCA 1880-1884
Multilayered glass, internally decorated, acid-etched and finely wheel-carved
20.5 cm. high
Another example is in the collection of the Kitazawa Museum in Suwa, Japan
Exhibition
Emile Gallé – Nature and Symbol / Le Langage des Fleurs et des Choses Muettes, 16 January-10 April 2016, Tokyo Metropolitan Teien Art Museum; 24 April-5 June 2016, Utsunomiya Museum of Art, ill. p. 44, n. 027
Bibliography
L’Estampille, December 1978, ill. p. 16
Provenance
Jean-Claude Brugnot, Paris, 1974-1975
Private Collection, Italy
Acquired from the above
“LES CISELEURS DE LA MER”, 1900
Pitcher of flattened form with wheel-carved aquatic decoration
Engraved signature
25.5 cm. high; 10.5 cm. wide; 3 cm. thick
One of four known to exist
Exhibition
Exposition Universelle, Paris, 1900
Exposition de l’Ecole de Nancy, Paris, Pavillon de Marsan, 1903
Salon de la Nationale des Beaux-Arts, Paris, 1904
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin…, musée des Beaux-Arts, musée de l’Ecole de Nancy, Nancy, 6th May – 28th August 2006, n. 162 in the exhibition the catalogue, ill. p. 220
Victor Prouvé, le Maître de l’art Nouveau à Issy, Musée Français de la carte à jouer, Issy-les-Moulineaux, 11 May-14 August 2022
Bibliography
A. Duncan & G. de Bartha, Glass by Gallé, 1984, Thames & Hudson Limited, London, ill. page 58
Wood One Museum of Art, 2005, catalogue n. 63, ill. p. 64 (neck cut down)
The Paris Salons, vol. IV, ill. page 224
Provenance
Identical pitcher at the Musée de l’Ecole de Nancy and at the Danish Museum of Art & Design in Copenhagen
Similar model at the Roger Marx Sales, Paris, 13th may 1914, Galerie Manzi-Joyant, “Les Algues” n. 97 in the catalogue, ill. p. 17
The drawing of this piece with annotations by hand by Gallé is illustrated page 187 of the catalogue of the “Emile Gallé” exhibition presented in six Japanese museums in 2000-2001
IMPORTANT BOWL, CIRCA 1900
Pâte d’émail with a design of roses and foliage
13.5 cm. high
12 cm. diameter
Exhibition
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis Publisher, London, 2002, ill. p. 513
“PAVOT” VASE, CIRCA 1900
Flattened baluster vase, milky white glass overlaid in purple, decorated with poppies acid-etched and fire-polished
Signed
20 cm. high; 13.5 cm in diameter
“POURPRE D’AUTOMNE” PERFUME BOTTLE, CIRCA 1900
Decorated with leaves and fruits from red chestnut trees
Enameled stopper
Titled on each side
Comes with its splendid marbled box, with a round label showing the same pattern as on the bottle, garnished with satin (slightly stained)
Executed for Volnay (Veolay), “Veolay” being the phonetic transcription of “Volnay” found on the bottles intended for the American market.
11,6 cm. high (very rare in this size)
Bibliography
Christie Mayer Lefkowith, L’Art du Parfum, éditions Celiv, 1994, ill. p. 137
“PERVERS DE CLAMY” PERFUME BOTTLE, 1913
Moulded glass, pyramidal shape, the stopper decorated with a snake
Titled Pervers and Clamy
5.5 cm. high
PITCHER, CIRCA 1900
Multilayered pitcher, overlaid, acid etched and wheel carved, enameled design in the “fluogravure” technique, applied handle, gold highlights
Signed
20 cm. high
Exhibition
Sunderland Museum & Art Gallery, The Art of Glass – Art Nouveau to Art Deco, 17 July – 27 October 1996
Verrerie Art Nouveau, l'Exemple des Frères Muller, Musée de l'Ecole de Nancy, 6 October 2007 – 7 January 2008, ill. p. 85, n. 16 in the exhibition catalogue
Bibliography
Victor Arwas, The Art of Glass, Andreas Papadakis publisher, 1996, p. 32, n. 42.
Provenance
Dr Henry Blount, Chattanooga, Tennessee, USA
PLATE “THE NYMPH GALATEA”, CIRCA 1900
Exceptional medallion in pâte de verre figuring Galatea asleep being watched by a beast, in shades of pink, yellow brown and orange on a blue background
Signed
Diameter: 27 cm
A similar piece is in the collections of the Musée des Arts Décoratifs, Paris, inventory n° 19647, acquired at the sale of the Roger Marx collection in 1914
Exhibition
Chefs d'oeuvre de la verrerie et de la cristallerie française au Musée des Arts Décoratifs, 1800-1990, Suntory Museum of Art, Tokyo, Japan, 1991, p. 32, n. 25, in the exhibition catalogue
LIQUEUR SET, CIRCA 1900
Enameled smoked glass decorated with thistles and the Cross of Lorraine
Including two jugs and their stoppers, 12 small glasses and a tray
Signed
VASE, CIRCA 1900
Thick tubular freely blown and shaped glass vase with side protrusions. Multilayered, opalescent glass overlaid in brick red and caramel, intaglio and wheel cut with a design of flowers and stylized foliage and a butterfly in flight
Unsigned. Numbered 532
16.5 cm. high
LAMP BASE, CIRCA 1900
Thick glass lamp base with engraved decoration of eight butterflies on an interlayered background
Signed
Height: 29 cm.
VASE, CIRCA 1900
Acid-etched glass decorated with leaves and flowers and heightened with translucent enamels
Engraved signature
22.7 cm. high
VASE, BEFORE 1889
“Cristallerie” glass engraved in intaglio and enameled
Signed with a diamond point
Design attributed to Louis Hestaux
Height: 19.5 cm.
VASE, CIRCA 1905
Internally decorated, applied and wheel-carved. The neck is pulled, cut and finished by hand
Signed
33 cm. high
Exhibition
L’Art Nouveau la Révolution décorative, Pinacothèque de Paris, 18 April-8 September 2013, p. 82,
n. 43 in the exhibition catalogue
Bibliography
Clotilde Bacri, Daum, Milan, 1992, ill. p. 127
Provenance
Bought directly from the Daimaru Museum, Japan
VASE, CIRCA 1889
Polychrome “cristallerie” glass decorated with enamelled water lilies, aquatic flowers, stems,
and three dragonflies; original bronze base decorated with four snails
Enamelled signature in Japanese style
17 cm. high
VASE “VIGNE ET ESCARGOTS”, MODEL N. 2434, 1904
Conical shape with circular foot, clear glass with colored powders inclusions, overlaid and cut with foliage and vines, two applied snails
Signed
32.5 cm. high
Bibliography
The Daum firm has the original drawing for this and other vessels with the same decoration.
VASE, CIRCA 1900
Clear glass, etched to simulate the movement of the waves, partly frosted, overlaid with enamel
and wheel-carved with a decor of fishes and aquatic flora
17 cm. high
Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-24 November 2019, ill. pp. 20, 21
Provenance
Leo Kaplan, New York, acquired in 2000
BOWL “SIX OLIVES”, MODEL 77/79A, 1915
Pâte de verre multicolored
Impressed with the artist’s seal and numbered
6 x 12.5 cm.
Bibliography
Véronique Ayrolles, François Décorchemont Maître de la pâte de verre, Editions Norma, Paris, 2006, ill. p. 95, p. 242
SMALL POT, CIRCA 1900
Clear glass with inclusions; with two applied
handles, the decor in marquetry
and chased
Wheel-carved signature
9 cm. high
16 cm. long
BOWL, CIRCA 1900
Pâte d’émail
Impressed circular stamp
7 x 10 cm.
“CAVALIER PERSAN” BEAKER, DESIGNED CIRCA 1889
Glass, decorated with a Persian horse rider, in polychrome enamel on a background engraved with stylized and geometrical flowers and partly highlighted in gold, inclusion of shattered gold foils
Signed E. Gallé Nancy under its base
10 cm. high
Bibliography
Bernd Hakenjos, Emile Gallé, Keramik, Glas und Möbel des Art Nouveau, Hirmer, ill. p. 80
VASE, CIRCA 1900
Small pear-shaped vase, clear glass overlaid with black and with platinum foil, acid-etched and entirely wheel-carved, hammered body
Signed in wheel-carved cameo
8.5 cm. high
Provenance
Formerly in the collection of Henri Flammarion
