Art Nouveau & Art Déco - Gallery in Monaco
Showing 1–24 of 47 results
IMPORTANT BOWL, CIRCA 1900
Pâte d’émail with a design of roses and foliage
13.5 cm. high
12 cm. diameter
Exhibition
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis Publisher, London, 2002, ill. p. 513
VASE, CIRCA 1900
Yellow and orange multilayered glass with metal inclusions
Bearing the monogram JHD
41.5 cm. high
VASE, CIRCA 1900
Multilayered glass with powder inclusions imitating hard stones
Signed, bearing the monogram of Yvonne Serruys and numbered 606
33 cm. high
Bibliography
“Le maître verrier Despret a eu l’heureuse idée de demander à un sculpteur de talent, Mlle Serruys, les belles formes robustes de ses coupes ; pour leur robe, d’une sourde splendeur, il semble avoir eu la collaboration de la terre et des siècles.” L’Art Décoratif, 1906, p. 182
VASE “VIGNE ET ESCARGOTS”, MODEL N. 2434, 1904
Conical shape with circular foot, clear glass with colored powders inclusions, overlaid and cut with foliage and vines, two applied snails
Signed
32.5 cm. high
Bibliography
The Daum firm has the original drawing for this and other vessels with the same decoration.
VASE, CIRCA 1875-1878
Smoky transparent glass tinted light blue in the upper part, with applied irregular tears in blue with an enamelled and wheel carved decor of an insect and a blooming shrub
Signed underneath E. Rousseau Paris
22.5 cm. high
Bibliography
Jules Henrivaux, La verrerie à l’Exposition universelle de 1889, Revue des Arts Décoratifs, 10th year, 1889-1890, p. 172:
“Dès 1867, M. Rousseau a commencé à faire fabriquer d’après ses dessins, ses modèles, d’après ses indications, des verres de couleur et des pièces de fantaisie en deux tons non superposés, mais soudés l’un à l’autre, avec lesquels il obtenait des effets absolument nouveaux, “neutres”, des pièces de verre dont la partie supérieure était en verre de couleur tombant en goutte sur le neutre”
“THE THREE GRACES”, CIRCA 1925
Monumental pâte de verre pedestal dish after a model by Yvonne Serruys representing the Three Graces holdind up a sea shell with green and orange highlights imitating mother-of-pearl, with the
base showing children blowing conch shells
Signed and numbered 940
40 cm. high
The shell: 31 cm. long
Exhibition
Sunderland Museum & Art Gallery, The Art of Glass: Art Nouveau to Art Deco, 17 July-27 October 1996
Bibliography
Gustave Kahn, Le goût moderne, November 1926, pp. 8-11: “Ainsi Mme Yvonne Serruys a donné le modèle d’une coupe haute, à large vasque étendue, exécutée dans les tons blancs du marbre ou la nacrure du coquillage, soutenue par les épaules
de porteurs nus, dont les pieds s’agrippent à un rocher mouvementé, et le verrier a obtenu des épreuves de colorations diverses, distinctes et toutes bien venues”
Victor Arwas, The Art of Glass, Andreas Papadakis, publisher, 1996, full page ill. p. 56
TABLE LAMP, UNIQUE, 1910
The base in copper; the shade in pâte d’émail with a decoration of leaves and butterflies in flight
27 cm. high
11 cm. diameter
At the Société Nationale des Beaux-Arts of 1910, Gilbert Pejac exhibited two table lamps in patinated copper with shades by Dammouse
The other was offered at Christie’s Geneva in 1993
Exhibition
Musée du verre de Conches, Conches en Ouche, Animal – Bestiaire de verre de la fin du XIX siècle à nos jours, 9 March-22 September 2019, ill. pp. 32, 33
Bibliography
Karin Blanc, Ferronnerie en Europe au XXème siècle, éditions Monelle Hayot, 2015, ill. p. 195
Provenance
Acquired from Dammouse nephews
“CHAUVE-SOURIS ET PAVOTS” BOTTLE, CIRCA 1890-1892
After a design by Louis Hestaux
Multilayered and parly hammered glass, acid-etched and wheel-carved decor of a bat and poppies
Signed underneath: Emile Gallé fecit.
24.5 cm. high
Exhibition
Exposition Emile Gallé et Toulouse-Lautrec / Lumières et couleurs de la Belle Epoque, 1995, Suntory Museum of Art, Tokyo, p. 30 et 31 in the exhibition catalogue, n. 16
Exhibition on Emile Gallé in five museums in Japan between April 2000 and March 2001, ill. p. 57, 58 and 59, n. 19 in the catalogue.
Gallé et le Japonisme, 2008, Tokyo-Osaka, n. 62 in the exibition catalogue
Emile Gallé / Nature & Symbolisme / Influences du Japon, Musée Départemental
Georges de la Tour, Vic-sur-Seille, 5 May-30 August 2009, ill. p. 135, n.114
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Muséée du verre, Conches en Ouche, 9 March – 22 September 2019, ill. pp. 16, 17
Bibliography
Janine Bloch-Dermant, L’Art du verre en France 1860-1914, Edita Denoël, 1974, ill. p. 63
VASE, CIRCA 1910
Blue glass with metal inclusions
Incised signature JHD
26 cm. high
TWO VASES, CIRCA 1910
Multilayered glass with powder and silver inclusions
Each signed underneath
21.5 cm. high
16.5 cm. high
VASE, CIRCA 1900
Clear glass, etched to simulate the movement of the waves, partly frosted, overlaid with enamel
and wheel-carved with a decor of fishes and aquatic flora
17 cm. high
Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Muséée du verre, Conches en Ouche, 9 March – 22 September 2019, ill. pp. 20, 21
Provenance
Leo Kaplan, New York, acquired in 2000
VASE, CIRCA 1899
Iridescent glass with a floral design attributed to Loetz. The mount and the base in silver attributed to Debain.
With French Minerva mark; silversmith mark; Russian import mark 84
These pieces were sold at the Maison Moderne
The mount with two handles can be attributed to Henry Van de Velde
11.3 cm. high
“HELIOTROPE” PERFUME BOTTLE, CIRCA 1900
Molded glass
Original stopper and label
11 cm. high
“LA NIGELLE DES PRES”, AN IMPORTANT FOOTED VASE, CIRCA 1900
Marquetry and finely wheel-carved glass, the pink surface overlaid with white
and blue flowers and an applied motif of brown branches
Engraved Gallé
20.5 cm. high
No other example of this design is known to exist
Exhibition
Exposition Universelle, 1900, Paris
Bibliography
Gallé, exhibition catalogue, musée du Luxembourg, 29 November-2 February 1986,
éditions de la Réunion des Musées Nationaux, ill. p. 54 in the “Les granges” vitrine
VASE “LOTUS”, CIRCA 1900
Fine wheel-cut and fire-polished cameo glass
Signed in cameo, the underside marked Gesch & depose
35 cm. high
VASE “CYCLAMENS”, 1898-1900
Flattened glass with intercalary inclusions, decor in marquetry finely wheel carved
Signed
22 cm. high
Bibliography
Richard Dennis, The Glass of Emile Gallé, Antiques International, London 1967, p. 189, pl. 17
COLOQUINTE VASE, CIRCA 1900
Multilayered glass with inclusions, decoration of waterlilies in marquetry and chased
Signed
25 cm. high
VASE “CINERAIRES”, CIRCA 1910
Clear glass with white, yellow and blue inclusions
The flowers and leaves are acid-etched and wheel carved
Signed
40.5 cm. high
Bibliography
Clotilde Bacri, Daum, Michel Aveline éditeur, 1992, ill. p. 68
BOWL, CIRCA 1900
Pâte d’émail
Impressed circular stamp
7 x 10 cm.
BOWL, CIRCA 1910, UNIQUE PIECE
Clear glass, with an enamelled decor
highlighted with gold and the outer surface applied with oxides and large gold foils
Signed Manzana le miroir and numbered 8 on the Inside
6 cm. high
13.5 cm. diameter
VASE, CIRCA 1905
Internally decorated, applied and wheel-carved. The neck is pulled, cut and finished by hand
Signed
33 cm. high
Exhibition
L’Art Nouveau la Révolution décorative, Pinacothèque de Paris, 18 April-8 September 2013, p. 82,
n. 43 in the exhibition catalogue
Bibliography
Clotilde Bacri, Daum, Milan, 1992, ill. p. 127
Provenance
Bought directly from the Daimaru Museum, Japan
VASE, CIRCA 1895
Internally decorated blown glass acid-etched,
wheel-carved and hammered, with applied rhododendrons highlighted with gold
Signature in gilded enamel underneath
24 cm. high
Bibliography
Jules Traub, The glass of Désiré Christian ghost for Gallé, 1978, p. 101, pl. 52
VASE, CIRCA 1897
Internally decorated glass, acid-etched and carved
in a floral pattern, with applied water lily and flowers in silver; around the neck, the mount in silver featuring frost
The mount signed M Guerchet
24.5 cm. high
Exhibition
Salon des Artistes Français, Paris, 1897
Bibliography
Art et Décoration, June 1897, p. 171
SQUARE VASE, CIRCA 1900
Glass with a green and a gray-green metallic iridescent glazes
decorated with irises
Signed
29 cm. high