DAUM NANCY – VASE, CIRCA 1925
VASE, CIRCA 1925
Clear glass, internally decorated and acid-etched
Signed Daum Nancy France
15 cm. high
Showing 601–624 of 758 results
MAURICE MARINOT – VASE, 1922
VASE, 1922
Clear glass with an engraved decoration of tulips
Signed; with a certificate and a label marked n. 402 by Mrs Florence Marinot
17 cm. high
Exhibition
Infinite Obsessions, Barry Friedman Gallery, New York, 1999-2000
Bibliography
René Chavance, Maurice Marinot, peintre et verrier, L’Art et les Artistes, January 1923, p. 156
Yves Delaborde, Le Verre, art & design, XIX-XXIème siècles, ACR édition, 2011, p. 203
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 319
MANUFACTURE NATIONALE DE SEVRES – HENRI RAPIN – VASE, 1934
VASE, 1934
Porcelain with an incised geometric decor
With the Sèvres Manufacture seal and incised J (for 1934)
37 cm. high
EUGENIE O’KIN – UMBRELLA HANDLE, CIRCA 1910
UMBRELLA HANDLE, CIRCA 1910
Carved and patinated ivory shaped as a corncob, each grain inlaid with a gold nail in its center
Signed
16.3 cm. high
HENRI SIMMEN – VASE, CIRCA 1910
VASE, CIRCA 1910
Black earthenware with an incised geometric design heightened in gold
Signed
20.5 cm. high
MANUFACTURE NATIONALE DE SEVRES – ANDRE-FERNAND THESMAR – POWDER COMPACT, 1895
POWDER COMPACT, 1895
Polychrome enamel; gold mounted on a Sèvres porcelain. Inside the cotton is decorated with an enamelled ladybug on a gold bud
Signed with the monogram and bearing the inscription: Faite pour Antonia Howard Trip 1895.
Three initials are entangled in the design
6.7 cm. diameter
The same decor is found on a small box exhibited at the Exposition Universelle of 1900
RENE LEVERD – “HERETIQUE SUR LE BUCHER”, CIRCA 1900
“HERETIQUE SUR LE BUCHER”, CIRCA 1900
Watercolor
Signed lower left
48 x 32 cm.
JEAN SERRIÈRE – ADRIEN-AURELIEN HEBRARD – A DINANDERIE VASE, CIRCA 1931
A DINANDERIE VASE, CIRCA 1931
Hammered copper; decorated with three faces of women framed with curls, eyebrows,
eyes and mouth with silver inlays
Signed JS under the piece; with Hebrard foundry mark and Paris
23 cm. high
25 cm. diameter
Probably executed for the Exposition Coloniale of 1931
CAMILLE NAUDOT – CUP, CIRCA 1900
CUP, CIRCA 1900
Openwork white porcelain; polychrome enamelled
The rim, base and the decor are highlighted with gold
Signed with the monogram of the artist
8.5 cm. high
Exhibition
Jugendstil aus Münchener Privatbesitz, Museum Villa Stuck, Münich 1972, n. 47
Provenance
Private collection Prof. Kurt Liebermeister, Munich
LUCIEN GAILLARD – VEVER – UMBRELLA HANDLE, CIRCA 1900
UMBRELLA HANDLE, CIRCA 1900
Orange lacquered wood and mottled black; chased silver rings decorated with thistles
Each ring bears the signature of Vever, with silversmith’s marks
30.8 cm. high
Exhibition
Maison Vever, 9 rue de la Paix, Paris, Dans l’intimité de Vever, bijoux et objets d’art depuis 1821,
June 1st – August 11th, 2023
ALBERT DAMMOUSE – A SET OF FOUR PLATES, CIRCA 1900
A SET OF FOUR PLATES, CIRCA 1900
Enamelled earthenware; butterflies and floral decoration in shades of green,
blue and pink on a pale blue background
Bearing the monogram AD S at the back (Albert Dammouse Sèvres)
24 cm. diameter
EDGAR WILLIAM BRANDT – DAUM NANCY – A GINKO BILOBA CEILING LIGHT, CIRCA 1910
A GINKO BILOBA CEILING LIGHT, CIRCA 1910
Bronze, wrought iron, the shade in glass by Daum Nancy
Signed
51 cm. high; 36 cm. diameter
ANTOINE-ERNEST CARDEILHAC – TEA SET, CIRCA 1900
TEA SET, CIRCA 1900
Silver and vermeil with a decor of flowers and fruits in the manner of Japanese Art
Comprising: a teapot, a sugar bowl, milk jug, a spoon. The cup and the saucer in polychome porcelain decorated with flowers
In its original box
With French Minerva mark and silversmith’s mark
Teapot: 12.5 cm. high
Sugar bowl: 8 cm. high
Milk jug: 4.2 cm. high
Cup: 4.7 cm. high
MANUFACTURE NATIONALE DE SEVRES – VASE, 1938
VASE, 1938
Model: PROU N.1
Author of the shape: René Prou
Decorated by Susanne Kaehrling in 1938
Decorated with reeds highlighted with gold, a bather, fishing boats and houses
Signed, rose seal, letter K and numbered 5935
45 cm. high
AUGUSTE DELAHERCHE – PLATE, CIRCA 1900
PLATE, CIRCA 1900
Grés, decorated with honesty leaves
Numbered 4234, stamped signature
18.6 cm. diameter
LOUIS HESTAUX – CARVED WOODEN TRAY, CIRCA 1900
CARVED WOODEN TRAY, CIRCA 1900
Representing a lyre player and a singer or a
poetess on a crescent moon and an undergrowth background
The back is carved with a decor of bird and branches
Bears an old label and numbered 18, signed lower left L. Hestaux
33 x 16.5 x 2 cm.
Acquired directly from the family in May 2008
HENRI DE VALLOMBREUSE – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Grès with a light blue overlay and streaks
The handle in serpentine shape; the mount in pewter decorated with an enamel turquoise pattern
Signed
23 cm. high
Bibliogaphy
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015,
ill. p. 358
LOUIS MATHEY – PURSE CLASP AND CHAIN, 1913
PURSE CLASP AND CHAIN, 1913
Chased silver; patinated and applied with a decor of leaves
Signed Louis Mathey, with silversmith mark LM (cat)
Exhibition
Salon de la Société des artistes français, Paris 1913
Bibliography
The Paris Salons, 1895-1914, Jewelry, vol. II, p. 107
CHARLES VITAL-CORNU – SUSSE FRERES – A COLOCYNTH VASE, CIRCA 1900
A COLOCYNTH VASE, CIRCA 1900
Porcelain, beige, brown and blue, featuring a woman holding the neck of a coloquinte
Signed Vital Cornu and Susse Fres Ed.
12.5 cm. high
Bibliography
Pierre Cadet, Susse Frères, 150 years of sculpture, p. 205, for the model in bronze, n. 427
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015,, ill p. 365
CHARLES VITAL-CORNU – SUSSE FRERES – BEAKER, “LA VIGNE”, CIRCA 1900
BEAKER, “LA VIGNE”, CIRCA 1900
Beige ceramic with brown and orange streaks, decorated with a bacchus head and a nude
bacchanale holding vine branches with blue leaves and grapes
Bearing the monogram VC, signed Susse Frs Ed.
12.3 cm. high
Bibliography
Pierre Cadet, Susse Frères, 150 years of sculpture, p. 205, n. 428, for the model in bronze
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill. p. 365
JANVIER QUERCIA – J. PINTO – UMBRELLA HANDLE, CIRCA 1900
UMBRELLA HANDLE, CIRCA 1900
Silver gilt representing the dancer Loie Fuller
With silversmith and French Minerva marks
13 cm. long
Bibliography
A similar object, with 8 pegs and its original box of Bel Frères in Marseille, attributed to
“J. Pinto, France” was sold on April 24, 1971 to Parke-Bernet Galleries New York
Important Art New Jewelry & Objects of Virtue, Lot n.14
JULES PAUL BRATEAU – PEWTER BEAKERS AND PLATES, CIRCA 1900
PEWTER BEAKERS AND PLATES, CIRCA 1900
Beaker in chased pewter, decorated with ivy branches
Signed; inscribed: Lo puede lo que quiere (We can what we want). Model of 1887
11 cm. high
Bibliography
Similar example is part of the collections of the Musée d’Orsay, inv. N. DO 1986-79; illustrated in the catalogue
des Arts décoratifs, Musée d’Orsay, p. 43
Beaker in chased pewter, decorated with clovers
Signed; inscibed: numero Deus impare gaudet (God likes the odd number)
17 cm. high
Bibliography
Art et décoration, 1897, vol. II, p. 103
Roger Marx, La Décoration et les Industries d’Art à l’Exposition Universelle de 1900, Paris, Ch. Delagrave, 1901, ill. p. VII
Plate in pewter, decor of leaves and nuts
21 cm. diameter
Exhibition
Exposition Universelle, Paris, 1900
Société nationale des Beaux-Arts, 1901
Bibliography
Paul Vitry, L’Orfèvrerie à l’Exposition, Art et Décoration, December 1900, p. 171 : “Contentons-nous de signaler ses plats
exposés pour la première fois cette année: celui aux chrysanthèmes et celui aux noisettes, ainsi qu’une petite pendule
et un service à bière…”
La Revue de la bijouterie, joaillerie, orfèvrerie, November 1901, ill. p. 245
L’Art décoratif aux Salons de 1901, librairie d’Art décoratif, Armand Guérinet éditeur, pl. 87
Vever Henri, La bijouterie française au XIXème siècle, Vol. 3, p. 468
Plate in pewter; decorated with chrysanthemums
30 cm. diameter
Exhibition
Exposition Universelle, Paris, 1900
Société nationale des Beaux-Arts, 1901
Bibliography
Paul Vitry, L’Orfèvrerie à l’Exposition, Art et Décoration, December 1900, p. 171 : “Contentons-nous de signaler ses plats
exposés pour la première fois cette année : celui aux chrysanthèmes et celui aux noisettes, ainsi qu’une petite pendule
et un service à bière…”
La revue des arts décoratifs, 1901, p. 281
Revue de la bijouterie, joiaillerie, orfèvrerie, November 1901, ill. p. 245
EMILE GALLE – A PAIR OF ENAMELLED CREAM JARS, CIRCA 1900
A PAIR OF ENAMELLED CREAM JARS, CIRCA 1900
Acid-etched and enamelled glass with foil inclusions; original stoppers
Wheel engraved signature
8.5 cm. high
MAURICE MARINOT – BEAKER, MM 1912, N. 11, 1911
BEAKER, MM 1912, N. 11, 1911
Clear glass with an enamelled polychrome design of fruits
This piece was exhibited in a vitrine at Hebrard’s shop in Paris
12 cm. high
Exhibition
Salon d’automne, 1913
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 242