Art Nouveau & Art Déco - Gallery in Monaco
Showing 745–768 of 937 results
A VASE, CIRCA 1900
Silver with engraved and gilt decoration of flowers
Signed Cardeilhac, Orf. Paris / Bonvallet, dess. / Wullschlager, grav., marked CARDEILHAC PARIS
and with French Minerva and silversmith marks
21 cm. high
Bibliography
Revue des Arts Décoratifs, 1896
A MUSTARD POT WITH COVER AND SPOON, CIRCA 1900
Sang-de-boeuf glazed ceramic and chased silver mount decorated with mustard leaves and seeds
Signed A D and S, stamped Cardeilhac, with French Minerva and silversmith marks under the base
9 cm. high
Provenance
Baron Rodolphe Planta de Wildenberg, Parisud Enchères, Versailles, estate sale, 24 October 1999
“FEMME AUX IRIS”, A PAIR OF WALL SCONCES DESIGNED FOR THE RESTAURANT LUCAS CARTON, CIRCA 1902
Gilt and chased bronze, the petals of the iris in hammered copper
96.5 cm. high
39.5 cm. wide
Lucas Carton is one of the first gourmet restaurants in Paris. Located on the prestigious Place de la Madeleine,
it is famous for its exceptional Art Nouveau interior designed by Louis Majorelle at the turn of the 20th century
The pair of appliques we are offering was acquired from the Benedict Silverman Collection, New York
Bibliography
Fin de siècle masterpieces from the Silverman collection, New York, 1989, one wall-light illustrated p. 180, n. 90
PLATE IN THE FORM OF A RAY, CIRCA 1907-1908
Patinated bronze, hammered and patinated copper with gold inlay
Signed h husson and stamped with foundry mark A.Hebrard/Paris
38.1 x 28.6 cm.
Exhibition
1900, Galeries nationales du Grand Palais, Paris, 14 March-26 June 2000, p. 286, n. 312 in the exhibition catalogue
The drawing is not for sale
MEDALLION, UNIQUE PIECE, CIRCA 1900
Medallion with the portrait of a woman (by G. Debillemont-Chardon) encircled in a silver mount decorated with plique-à-jour enamels and opal cabochons; the chain in gold
The medallion signed lower right and the mount signed Cte DU SUAU / DE LA CROIX
10.5 cm. diameter
Exhibition
Société Nationale des Beaux-Arts, 1903
Exposition de la Parure précieuse de la Femme, Musée Galliéra, 1908
Bibliography
L’Art Décoratif aux Expositions des Beaux-Arts, 1ère exposition, 1903, pl. 253
Exposition de la Parure précieuse de la Femme, Musée Galliéra, Librairie d’Art décoratif, 1908, Armand Guérinet éditeur, pl. 65
Provenance
Marquise de Polignac
COMB, CIRCA 1900
Horn, with a gilt metal mount decorated with four storks,
three turquoise glass cabochons, and two more cabochons shaped like scarabs
10.7 cm. long
17.2 cm. wide
SPOON, CIRCA 1900
Ribbed silver, the handle decorated with leaves and beetles in relief
With silversmith and French Minerva marks
25 cm. long
Provenance
Formerly in the collection of the late Nourhan Manoukian
The drawing is not for sale
VASE, CIRCA 1900
Gilt bronze with a relief decoration of swirls
26.7 cm. high
Exhibition
Hector Guimard, March 1970-April 1971: The Museum of Modern Art, New York
California Palace of the Legion of Honor, San Francisco
Art Gallery of Ontario, Toronto Musée des Arts Décoratifs, Paris
Bibliography
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis Publisher, London, 2002, ill. p. 34-35
Exposition Guimard, Musée d’Orsay, Paris 1992, p. 258, ill. 1, n. 65 in the album dedicated to the Castel Béranger; for the design in stoneware, n. 4
New Architecture, Number 6, October 2000, Andreas Papadakis publisher, in collaboration with the Victoria and Albert Museum, ill. p. 8
Hector Guimard, March 1970-April 1971, Musée des Arts Décoratifs, Paris, ill. p. 33, n. 82 in the exhibition catalogue
PITCHER, CIRCA 1900
Sang-de-boeuf glaze, decorated with a relief decoration of grape
Monogrammed, marked with an impressed trefoil, and numbered 3-12
36.8 cm. high
Exhibition
Kunstgewerbemuseums der Stadt Köln, 10 April-28 July 1974 for another example of this design
Kestner-Museum Hannover, 22 August-3 November 1974 for another example of this design
Hessischen Landesmuseum Darmstadt, 12 December-2 February 1975 for another example of this design
Bibliography
Sammlung Maria und Hans-Jörgen Heuser, Französische Keramik zwischen 1850 und 1910, Hamburg, Prestel-Verlag München,
1974, plate n. 21 and p. 218, n. 167 in the exhibition catalogue
VASE, CIRCA 1925
Clear glass, internally decorated and acid-etched
Signed Daum Nancy France
15 cm. high
VASE, 1922
Clear glass with an engraved decoration of tulips
Signed; with a certificate and a label marked n. 402 by Mrs Florence Marinot
17 cm. high
Exhibition
Infinite Obsessions, Barry Friedman Gallery, New York, 1999-2000
Bibliography
René Chavance, Maurice Marinot, peintre et verrier, L’Art et les Artistes, January 1923, p. 156
Yves Delaborde, Le Verre, art & design, XIX-XXIème siècles, ACR édition, 2011, p. 203
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 319
VASE, 1934
Porcelain with an incised geometric decor
With the Sèvres Manufacture seal and incised J (for 1934)
37 cm. high
UMBRELLA HANDLE, CIRCA 1910
Carved and patinated ivory shaped as a corncob, each grain inlaid with a gold nail in its center
Signed
16.3 cm. high
VASE, CIRCA 1910-1912
Black earthenware with an incised geometric design heightened in gold
Signed
20.5 cm. high
POWDER COMPACT, 1895
Polychrome enamel; gold mounted on a Sèvres porcelain. Inside the cotton is decorated with an enamelled ladybug on a gold bud
Signed with the monogram and bearing the inscription: Faite pour Antonia Howard Trip 1895.
Three initials are entangled in the design
6.7 cm. diameter
The same decor is found on a small box exhibited at the Exposition Universelle of 1900
“HERETIQUE SUR LE BUCHER”, CIRCA 1900
Watercolor
Signed lower left
48 x 32 cm.
A DINANDERIE VASE, CIRCA 1931
Hammered copper; decorated with three faces of women framed with curls, eyebrows,
eyes and mouth with silver inlays
Signed JS under the piece; with Hebrard foundry mark and Paris
23 cm. high
25 cm. diameter
Probably executed for the Exposition Coloniale of 1931
CUP, CIRCA 1900
Openwork white porcelain; polychrome enamelled
The rim, base and the decor are highlighted with gold
Signed with the monogram of the artist
8.5 cm. high
Exhibition
Jugendstil aus Münchener Privatbesitz, Museum Villa Stuck, Münich 1972, n. 47
Provenance
Private collection Prof. Kurt Liebermeister, Munich
UMBRELLA HANDLE, CIRCA 1900
Orange lacquered wood and mottled black; chased silver rings decorated with thistles
Each ring bears the signature of Vever, with silversmith’s marks
30.8 cm. high
Exhibition
Maison Vever, 9 rue de la Paix, Paris, Dans l’intimité de Vever, bijoux et objets d’art depuis 1821,
June 1st – August 11th, 2023
A SET OF FOUR PLATES, CIRCA 1900
Enamelled earthenware; butterflies and floral decoration in shades of green,
blue and pink on a pale blue background
Bearing the monogram AD S at the back (Albert Dammouse Sèvres)
24 cm. diameter
A GINKO BILOBA CEILING LIGHT, CIRCA 1910
Bronze, wrought iron, the shade in glass by Daum Nancy
Signed
51 cm. high; 36 cm. diameter
TEA SET, CIRCA 1900
Silver and vermeil with a decor of flowers and fruits in the manner of Japanese Art
Comprising: a teapot, a sugar bowl, milk jug, a spoon. The cup and the saucer in polychome porcelain decorated with flowers
In its original box
With French Minerva mark and silversmith’s mark on every piece
Teapot: 12.5 cm. high
Sugar bowl: 8 cm. high
Milk jug: 4.2 cm. high
Cup: 4.7 cm. high
VASE, 1938
Model: PROU N.1
Author of the shape: René Prou
Decorated by Susanne Kaehrling in 1938
Decorated with reeds highlighted with gold, a bather, fishing boats and houses
Signed, rose seal, letter K and numbered 5935
45 cm. high
PLATE, CIRCA 1900
Grés, decorated with honesty leaves
Numbered 4234, stamped signature
18.6 cm. diameter
