CAMILLE NAUDOT – BOWL, CIRCA 1900
BOWL, CIRCA 1900
Soft-paste porcelain, with a vine motif heightened by enamel,
the rim, the foot and the decor with gold highlights
Gilt monogram under the base
8.5 cm. diameter
Showing 625–648 of 733 results
BOWL, CIRCA 1900
Soft-paste porcelain, with a vine motif heightened by enamel,
the rim, the foot and the decor with gold highlights
Gilt monogram under the base
8.5 cm. diameter
PICTURE FRAME, CIRCA 1900
Polychrome translucent enamels, “plique-à-jour”, silver mount
Modern frame
21.5 x 17 cm.
GOURD SHAPED VASE, CIRCA 1900
Stoneware, decorated with a silver floral mount
Stamped LG, with silversmith’s mark, silver mark
and numbered 8038
12 cm. high
Exhibition
A variant of this model was exhibited at the Exposition universelle, 1900
Gilt bronze sculpture on a carved stone
Signed
43 cm. high
With the base: 53 cm.
Exhibition
Société nationale des Beaux-Arts, Paris, 1901
Salon d’Automne, 1905
Bibliography
L’Art Décoratif, March 1900, ill. p. 232, 233 (patinated plaster)
Art et Décoration, July 1901, ill. p. 12
JUG, 1889
Grès with grey-green drippings on a beige background
Signed underneath Jean Carriès statuaire aout 89 Montriveau
21 cm. high
Bibliography
Marc Ducret, Patricia Monjaret, L’Ecole de Carriès, les éditions de l’amateur,
Paris, 1997, similar model ill. p. 86
“LA PARISIENNE”, CIRCA 1900
Grès
Signed Les Grands Feux de Dalpayrat and BETLEN
22.5 cm. high
“LEDA”, CIRCA 1900
Enamel on copper representing Leda and the Swan, probably after the model by Leonardo da Vinci
Original black wooden frame highlighted with gold
Signed lower right and left and bearing a label Email de A. Garnier – Léda at the back
32 x 26 cm.
VASE “POISSONS”, CIRCA 1900
Celadon earthenware
Signed by both artists
29.5 cm.
Exhibition
Musée Galliéra – Exposition des Grès, Faïences, Terres Cuites et leurs Applications, 1911
Vase Poissons, composition de Carrière (Exhibited by la maison TOY, 10, rue de la Paix, Paris)
GRANDFATHER CLOCK, CIRCA 1910
Carved wood with bronze handles
Bearing the artist’s monogram on the upper door and signed in full on the side
222 cm. high
53 cm. wide
32 cm. deep
VITRINE, CIRCA 1900
Mahogany with a marquetry decoration of apple blossoms
150 x 40 x 30 cm.
“MUGUET, SERPENT ET GRENOUILLES” TABLE LAMP, CIRCA 1900
Gilt and silvered bronze
45 cm. high
A “SAFRAN” VASE, CIRCA 1900
Silver gilt and blue enamel
With silversmith marks
21 cm. high
Exhibition
Société des Artistes Français, 1899
Exposition Universelle, 1900
Bibliography
Paul Vitry, L’Orfèvrerie à l’Exposition, Art et Décoration, December 1900, ill. p. 174
L’Orfèvrerie aux Salons de 1901, Revue de la Bijouterie, de la Joaillerie et de l’Orfèvrerie, August 1901, ill. p. 130
VASE, CIRCA 1905
Repoussé copper with brown patina
Signed underneath and bearing the inscription Edité par l’auteur à dix exemplaires numérotés. N°1
12 cm. high
16.4 cm. diameter
Exhibition
Société Nationale des Beaux-Arts, 1905
Bibliography
Art et Décoration, August 1905, ill. p. 47
La Décoration Moderne, XIIIème année, ill. pl. 102
“PHRYNE”, CIRCA 1900
Bronze with a black patina
Signed, bearing foundry mark and numbered 57159 7
58 cm. high
Exhibition
Société des Artistes Français, 1899, n. 3927
Bibliography
Art et Décoration, September 1899, ill. p. 82
Bronze medallion
Signed with the initials of the artist, titled, and with foundry mark C. LEYRER MUNCHEN
TABLE LAMP, CIRCA 1904
Patinated bronze base, the shade in openwork metal
Signed on the base
Bibliography
Le Style Moderne – L’Art Appliqué, 1ére année, 1903-1904, H. Laurens, éditeur, ill. pl. 5, fig. 4
PLATE, CIRCA 1900
Hammered copper with silver inlays decoration, a cicada in relief
Signed underneath H. Husson, stamped with the artist’s monogram
25.2 x 4.2 cm.
TABLE BELL, CIRCA 1900
Gilt bronze
Signed
14.2 cm. high
Bibliography
Albert Thomas, Petits bronzes d’Art, L’ Art Décoratif, February 1901, p. 183 to 189
VASE, CIRCA 1895
Grès with a sang-de-boeuf and celadon glaze
Signed, bearing a label of la maison Rouard
6 cm. high
10 cm. wide
RING HOLDER, CIRCA 1900
Silver, decorated with sunflowers highlighted with gold
Signed
10 cm. high
“KNEELING KING OFFERING HIS CROWN TO A YOUNG WOMAN”, CIRCA 1900
Polychrome enamel on copper
Signed lower right Grandhomme Garnier
15 x 12 cm.
“WOMAN IN LANDSCAPE AT SUNSET”, CIRCA 1889
Enamel on copper, after a design by Gustave Moreau
Signed lower left Garnier Grandhomme inv.
and marked on the reverse Grandhomme Garnier / Emailleurs / 1889 / Paris
8 x 12.5 cm.
Bibliography
Taxile Doat, Causerie d'un émailleur, Revue des Arts Décoratifs, 1891, ill. p. 78
DESK, CIRCA 1900
Sculpted pear wood and gilt bronze
131 x 161 x 88 cm.
Exhibition
Société Nationale des Beaux-Arts, 1897 for a variation of this design
Bibliography
Art et Décoration, April1897, the model without the side elements ill. p. 107
Der Modern Stil, Julius Hoffmann éditeur, 1899,
vol. I, ill. pl. 64, for the one exhibited at the Société Nationale des Beaux-Arts
Der Moderne Stil, 1903, ill. pl. 82
“ORCHIDEES”, CIRCA 1900
Earthenware vase decorated with low-fired iridescent glaze
Signed underneath KG/Lunéville/Bussière
Bibliography
L’Estampille L’Objet d’Art, n. 349, Ernest Bussière, la redécouverte d’un céramiste Art nouveau, p. 26 to p. 29
Exhibition
Exposition de l’alliance provinciale des industries et d’art de l’école de Nancy, Pavillon de Marsan, Paris, 1903
Céramiques végétales – Ernest Bussière et l’art nouveau, musée de l’école de Nancy, 2000, ill. p. 49, n. 27
Die Jugend Der Moderne, Villa Stuck, Munich, 28 October 2010 – 23 January 2011, ill. p. 105, n. 88