“FEMME PIEUVRE” INKWELL, CIRCA 1900
Enameled stoneware
Bearing the monogram of the artist, numbered 42
16 cm. high
Exhibition
Salon de la libre esthétique, Bruxelles, 1897 (galerie Laffite)
Société Nationale des Beaux-Arts, 1897
Galerie Laffite, 1894-1895 Les Industries d’Art au Salon de la libre Esthétique, Bruxelles, 1897 L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974
Bibliography Catalogue de la Société Nationale des Beaux-Arts, 1897
“VASE AU LIERRE” CIRCA 1904-1906
Grès overlaid with sang-de-boeuf,
green and blue glaze, decorated with ivy leaves
Stamped Les Grands Feux / Paul Dalpayrat /
L. Coudray
22 cm. high
17.5 cm. diameter
Bibliography
Horst Makus & al., Adrien Dalpayart – Céramique française de l’Art Nouveau, Arnoldsche, 1998,
p. 127, n. 56
COLOCYNTH, CIRCA 1900
Grès with yellow glaze, with blue and brown dripping
Impressed with the Voisin-Delacroix seal
11.5 cm. high
Bibliography
Arielle Guillaume Voisin-Delacroix – ou quand un sculpteur rencontre un céramiste, 1993,
similar model ill. p. 69, n. 43
Horst Makus Adrien Dalpayrat – Céramiste de l’Art Nouveau, Arnoldsche, 1998,
similar model ill. p. 114, n. 31
VASE “LES BLÉS D’OR”, 1936
Shape: Rapin, model n. 27 (circa 1922)
Decor: Anne-Marie Fontaine, 1936
Porcelain; pink, green, blue, gray polychrome enamels
Bearing the foundry mark: S – Sèvres – Manufacture Nationale – France
49 cm. high
29 cm. diameter
CEILING LIGHT, CIRCA 1900
Wrought iron and glass white shades with strips in relief, the mount by Louis Majorelle
Acquired directly at the crystal Daum factory around 1992
Signed
20.5 cm. high
14.3 cm. diameter
VASE, CIRCA 1900
White and pink porcelain with stylized vegetal decoration
Marked with the artist’s monogram
29 cm. high
Identical model in the GDA collection in Limoges
Bibliography Edith Mannoni, Porcelaines de Limoges, Massin éditeur, ill. p. 93
Exhibition Georges de Feure – Du symbolisme à l’art nouveau, Musée départemental Maurice Denis, Le Prieuré
11 March-5 June 1995
Fondation Neumann, Gingins, Suisse, 15 June-3 September 1995, n. 122
UMBRELLA STAND “AUX GRENOUILLES”, CIRCA 1900
Carved wood and exotic wood marquetry, decorated with flowers and mushrooms
With its inner case
Signed
70.5 x 46 x 24 cm.
Bibliography Art Nouveau Belgium-France, Institute for the Arts, Rice University, 1976,
p. 224, n. 341
VITRINE, CIRCA 1900
Decorated with marquetry panels and sculptures
of snails, bats, peacock moth and acanthus leaves,
the base entirely sculpted with bats
Signed
191 x 93 x 50 cm.
Another example
The Yamazaki Mazak Museum of Art, Japon, inv. n° ANF-360901
Bibliography
The Yamazaki Mazak Museum of Art, Glass, Ceramic and Furniture, Japon, 2010, ill. p. 114 & 115
Georges de Bartha & al, Gallé furniture, Antique collectors club, 2012, ill. p. 299
”DANTE ET VIRGILE”, 1903
Biscuit
Signed, marked with the manufacturer’s stamp,
stamped A.C (Alphonse Cieutat) and numbered 03.04 (April 1903)
36 cm. high
Bibliography
Colette Dumas, Théodore Rivière, sa vie, son œuvre, n. 78
IMPORTANT CARTEL CLOCK, CIRCA 1900
Gilt and chased bronze; the medallions bearing the names of the four seasons
Signed E. Becker, F. Barbedienne, marked FUGIT IRREPARABILE TEMPUS
90 cm. high
Exhibition
Exposition Universelle, 1900
Bibliography Les Industries d’Art à l’Exposition Universelle de 1900, from Victor Champier, published by la Revue des Arts Décoratifs, Paris 1902
SARAH BERNHARDT IN “GISMONDA”, CIRCA 1900
Carved gilt bronze medallion, light relief
Bearing the monogram of the artist
Based on the etching of Théobald CHARTRAN, engraved by Adolphe LAMOTTE
21.3 x 15.3 cm.
This model was also made as a gilt bronze medal (3.5 x 2.2 cm.) with the following inscription
on the back: Becker according Chartran and FIX. Fix was the name used by the jeweler Savard
“DANCER WITH SNAKES”, 1905-1906
Patinated bronze
Signed, dédicated St Edmond / Le Personnel de la Maison / Laussedat / à leur patron and dated 1906
23.3 cm. high
Another example is part of the collection of the Musée de l’Ancienne Douane, Strasbourg and another
one is part of the Silverman Collection, New York
Exhibition Société Nationale des Beaux-Arts, Paris, 1906
Musée Galliera, Exposition Carabin, 1934-1935
Bibliography Catalogue de la Société Nationale des Beaux-Arts, 1906
La Revue Théâtrale, April 1906, ill. p. 1452
Catalogue de l’exposition Carabin, Galliera Museum 1934-1935 L’œuvre de Rupert Carabin, Galerie du Luxembourg, 1974, ill. p. 192, n.104
BAMBOO VASE, CIRCA 1895
Molded and crackled glass internally decorated with gold flecks;
an applied decoration of tears and an inclusion of gold foil at the base
19.5 cm.
VASE, 1921
White clear glass decorated with an enamelled medallion
Signed Marinot
With a certificate and a label marked n. 249 by Mrs. Florence Marinot
19.5 cm. high
Exhibition
Salon des artistes décorateurs, 1921
Strasbourg, 1921
Wiesbaden, 1921
Bibliography La Renaissance de l’art français et des industries de luxe, May 1921, ill. p. 280
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 87, p. 298
