JEAN BAFFIER – “MARIETTE”, CIRCA 1900
“MARIETTE”, CIRCA 1900
Carrara marble sculpture representing the bust of a farmer
Signed and titled
Height: 65 cm.
Other examples in marble are to be found at the musée de Bourges, inv. 1981.4.1
Showing 769–792 of 833 results
GEORGES ROCHEGROSSE – “DREAMS”, BEFORE 1910
“DREAMS”, BEFORE 1910
Watercolour and indian ink on paper
Signed
34.5 x 23.5 cm.
This is the watercolour that was used to illustrate Charles Baudelaire’s famous book Les Fleurs du Mal by Rochegrosse
It represents the poet Baudelaire and his inspiration
JULES DESBOIS – ADRIEN-AURELIEN HEBRARD – PLATE “SIRENE”, CIRCA 1900
PLATE “SIRENE”, CIRCA 1900
Bronze with a brown patina; details highlighted with gold and silver
Signed
40 cm. diameter
Exhibition
Société Nationale des Beaux-Arts, 1903
Bibliography
L’Art Décoratif aux Expositions des Beaux-Arts, 2nd volume, 1903, Armand Guérinet (editor)
ill. pl. 152, 153
KELLER & GUERIN – PLATE, CIRCA 1900
PLATE, CIRCA 1900
Grès; decorated with a sunset scene and snails
Signed KG Lunéville and E. M.
45 cm. diameter
GEORGES FOUQUET – CHARLES DESROSIERS – PURSE MOUNT, CIRCA 1902
PURSE MOUNT, CIRCA 1902
Silver, decorated with two fantastic animals, their heads facing each other
and holding a ball in their open mouth
Signed G. FOUQUET PARIS
10.5 cm. high
15.2 cm. long
Bibliography
Les Fouquets, Musée des Arts Décoratifs, 1983, p. 100
L’Art décoratif, September 1902, ill. p. 254
MAURICE DUFRENE – SAINT-YVES EMILE – LA MAISON MODERNE – CHATELAINE, CIRCA 1900
CHATELAINE, CIRCA 1900
Silver
Comprising: A pills box, a flask salt, a mirror,
a bodkin, a tortoiseshell comb in a silver case
Signed M. Dufrene. With silversmith’s mark
Bibliography
The Paris Salons, 1895-1914, Jewelry, vol. I
MANUFACTURE NATIONALE DE SEVRES – “VASE D’IGNY B”, 1921
“VASE D’IGNY B”, 1921
“Femme aux fleurs”
Shape designed by Alexandre Sandier, 1897
Decor by Robert Bonfils
Decorator: Marcel-Jean Piquet, 1921
Bearing the monogram MP (Marcel-Jean Piquet)
23.5 cm. high
Bibliography:
Lechevallier-Chevignard, Georges La Décoration Moderne à la Manufacture de Sèvres, Ch. Massin & Cie Editeurs, Paris, s.d. pl. 4
Les Oeuvres de la Manufacture Nationale de Sèvres, Vol. III, Les Vases et pièces décorées, ill., référence 2050 & 2051
VICTOR BARRUCAND – LEHAYE – LEON CARRE – “LE CHARIOT DE TERRE CUITE”
“LE CHARIOT DE TERRE CUITE”
Paris, Piazza, 1921. In-4° (300 x 230 mm), reliure de maroquin aubergine, le premier plat orné sur fond or d’un éléphant mosaïqué en maroquin blanc, ivoire, rose, mauve, violet et bleu. Le dos à quatre nerfs est frappé du titre de l’ouvrage et du nom de l’auteur. Cadres intérieurs de même maroquin, coins décorés, filets dorés. Doublures et gardes de moire violette. Tranches dorées. Couverture et dos conservés. Etui. (LEHAYE rel).
Illustré de nombreuses compositions miniatures en couleurs et or de Léon Carré, coloriées au pochoir.
Tirage limité à 910 exemplaires, celui-ci le n°159 des 135 sur Japon impérial contient un état en noir des illustrations sur vélin mince. Ex-Libris R. Nossam.
THEODORE DECK- ERNEST CARRIERE – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Celadon green pitcher with a design in light relief of a frog and water lilies
Enamel interior “Blue Deck”
Signed ERNEST CARRIÈRE and TH DECK
Seal: Two points in a circle separated by a vertical line
Height: 30 cm.
Exhibition:
Société Nationale des Beaux-Arts, 1897, n. 197 (model in plaster)
Société Nationale des Beaux-Arts, 1902
Exposition de la porcelaine, son décor, sa monture, musée Galliera, Paris 1907
Bibliography:
L’Illustration, n. 3088, 3 May 1902, special number of the 1902 Salon, ill. p. 316
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, Norma éditions, 2015, ill. p. 91
FRANCOIS-RUPERT CARABIN – “LOIE FULLER” SCULPTURE, CIRCA 1900
“LOIE FULLER” SCULPTURE, CIRCA 1900
Light brown patinated bronze heightened in red
Signed and numbered E12
23 cm. high
Exhibition
Société Nationale des Beaux-Arts, Paris, 1897, 1899
Salon de la Libre Esthétique, Bruxelles, 1897, cat. n.75 to 80
Austellung der Vereinigung Bildender KÜnstler Österreichs, Vienne, 1898
Exposition Universelle, Paris, 1900, n.90 (cat.)
Le décor de la vie sous la IIIème République, Pavillon de Marsan, 1933, n.847 (cat.)
Musée Galliéra, Rupert Carabin, 1934-1935, n. 49 (cat.)
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 75 & 76 (cat.)
Loïe Fuller : Magicien of light, Virginia Museum, Richmond, 1979, cat. n.11-16, ill. p. 46-47
François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, ill. p. 72 & 73 (cat.), n.30 and 34
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
La Gazette des Beaux-Arts, 1897, p. 247
G. Geffroy, la Vie Artistique 1897, p. 378
Ver Sacrum, n. 56, May-June 1898 and n.9, September 1898
C. Saunier Rupert Carabin, La Revue d’Art, n.11, January 1900, p. 161 to 168
G. Coquiot Biographies Alsaciennes X, François Rupert Carabin, Revue Alsacienne Illustrée, 1901, p. 146
Catalogue de vente Collection A. Alexandre, 1903, n.150 to 156 (Danseuse Serpentine)
G. Coquiot Les figurines de Carabin, l’Art Décoratif, January 1907, p. 25 à 30
Catalogue of the exhibition Le décor de la vie sous la IIIème République de 1870 à 1900, Pavillon de Marsan 1933
Catalogue of the exhibition Carabin au musée Galliéra 1934-1935
Catalogue of the exhibition L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, p. 171 & 172
FRANCOIS-RUPERT CARABIN – “LOIE FULLER” SCULPTURE, CIRCA 1900
“LOIE FULLER” SCULPTURE, CIRCA 1900
Light brown patinated bronze heightened in red
Signed, numbered F8 and bearing the foundry mark FJ
18.5 cm. high
Exhibition
Société Nationale des Beaux-Arts, Paris, 1897 & 1899
Salon de la Libre Esthétique, Bruxelles, 1897, cat. n.75 – 80
Austellung der Vereinigung Bildender KÜnstler Österreichs, Vienne, 1898
Exposition Universelle, Paris, 1900, n. 90 (cat.)
Le décor de la vie sous la IIIème République, Pavillon de Marsan, 1933, n. 847 (cat.)
Musée Galliéra Rupert Carabin, 1934-1935, n. 49 (cat.)
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 79 (cat.)
Loïe Fuller: Magicien of light, Virginia Museum, Richmond, 1979, cat. n.11-16, ill. p. 46-47
François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, repr. p. 72, 73 (cat.) n. 30, 34
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
La Gazette des Beaux-Arts, 1897, p. 247
G. Geffroy, la Vie Artistique 1897, p. 378
Ver Sacrum, n°56, may-june 1898 et n. 9, september 1898
C. Saunier Rupert Carabin, La Revue d’Art, n°11, january 1900, p. 161 to p. 168
G. Coquiot Biographies Alsaciennes X, François Rupert Carabin, Revue Alsacienne Illustrée, 1901, p. 146
Catalogue de vente Collection A. Alexandre, 1903, n. 150 – 156 (Danseuse Serpentine)
G. Coquiot Les figurines de Carabin, l’Art Décoratif, janvier 1907, p. 25 à 30
Catalog of the exhibition Le décor de la vie sous la IIIème République de 1870 à 1900, Pavillon de Marsan, 1933
Catalog of the exhibition Carabin au musée Galliéra, 1934-1935
Catalog of the exhibition L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, p. 175
FRANCOIS-RUPERT CARABIN – “FEMME PIEUVRE” INKWELL, CIRCA 1900
“FEMME PIEUVRE” INKWELL, CIRCA 1900
Enameled stoneware
Bearing the monogram of the artist, numbered 42
16 cm. high
Exhibition
Salon de la libre esthétique, Bruxelles, 1897 (galerie Laffite)
Société Nationale des Beaux-Arts, 1897
Galerie Laffite, 1894-1895
Les Industries d’Art au Salon de la libre Esthétique, Bruxelles, 1897
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
PIERRE-ADRIEN DALPAYRAT – LUCIEN COUDRAY – “VASE AU LIERRE” CIRCA 1904 -1906
“VASE AU LIERRE” CIRCA 1904-1906
Grès overlaid with sang-de-boeuf,
green and blue glaze, decorated with ivy leaves
Stamped Les Grands Feux / Paul Dalpayrat /
L. Coudray
22 cm. high
17.5 cm. diameter
Bibliography
Horst Makus & al., Adrien Dalpayart – Céramique française de l’Art Nouveau, Arnoldsche, 1998,
p. 127, n. 56
PIERRE-ADRIEN DALPAYRAT – ALPHONSE VOISIN-DELACROIX – COLOCYNTH, CIRCA 1900
COLOCYNTH, CIRCA 1900
Grès with yellow glaze, with blue and brown dripping
Impressed with the Voisin-Delacroix seal
11.5 cm. high
Bibliography
Arielle Guillaume Voisin-Delacroix – ou quand un sculpteur rencontre un céramiste, 1993,
similar model ill. p. 69, n. 43
Horst Makus Adrien Dalpayrat – Céramiste de l’Art Nouveau, Arnoldsche, 1998,
similar model ill. p. 114, n. 31
PIERRE-ADRIEN DALPAYRAT – “LEDA AND THE SWAN”, CIRCA 1900
“LEDA AND THE SWAN”, CIRCA 1900
Polychrome enameled stoneware
Signed
23 cm. high
26 cm. long
Exhibition
Sammlung Maria und Hans-Jörgen Heuser, Hamburg
Kunstgewerbemuseums, Köln, 10/4 – 28/7 1974
Kestner-Museum, Hannover, 22/8 – 3/11 1974
Hessischen Landesmuseum, Darmstadt,12/12/74 –
2/2/75 n. 100
Bibliography
Prestel-Verlag München, 1974 Französische Keramik zwischen 1850 und 1910, ill. p. 161, n. 100
The Paris Salons, p. 101
MANUFACTURE NATIONALE DE SEVRES – HENRI RAPIN – ANNE-MARIE FONTAINE – VASE, “LES BLÉS D’OR”, 1936
VASE “LES BLÉS D’OR”, 1936
Shape: Rapin, model n. 27 (circa 1922)
Decor: Anne-Marie Fontaine, 1936
Porcelain; pink, green, blue, gray polychrome enamels
Bearing the foundry mark: S – Sèvres – Manufacture Nationale – France
49 cm. high
29 cm. diameter
MULLER FRERES – CHAPELLE – TABLE LAMP, CIRCA 1925
TABLE LAMP, CIRCA 1925
Wrought iron and molded blown glass on original marble base
Signed Chapelle Nancy
51.5 cm. high
40 cm. deep
Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March- 24 November 2019, pp. 40 & 41
LOUIS MAJORELLE – DAUM NANCY – CEILING LIGHT, CIRCA 1900
CEILING LIGHT, CIRCA 1900
Wrought iron and glass white shades with strips in relief, the mount by Louis Majorelle
Acquired directly at the crystal Daum factory around 1992
Signed
20.5 cm. high
14.3 cm. diameter
GEORGES DE FEURE – VASE, CIRCA 1900
VASE, CIRCA 1900
White and pink porcelain with stylized vegetal decoration
Marked with the artist’s monogram
29 cm. high
Identical model in the GDA collection in Limoges
Bibliography
Edith Mannoni, Porcelaines de Limoges, Massin éditeur, ill. p. 93
Exhibition
Georges de Feure – Du symbolisme à l’art nouveau, Musée départemental Maurice Denis, Le Prieuré
11 March-5 June 1995
Fondation Neumann, Gingins, Suisse, 15 June-3 September 1995, n. 122
EMILE GALLE – UMBRELLA STAND “AUX GRENOUILLES”, CIRCA 1900
UMBRELLA STAND “AUX GRENOUILLES”, CIRCA 1900
Carved wood and exotic wood marquetry, decorated with flowers and mushrooms
With its inner case
Signed
70.5 x 46 x 24 cm.
Bibliography
Art Nouveau Belgium-France, Institute for the Arts, Rice University, 1976,
p. 224, n. 341
EMILE GALLE – GUERIDON “AUX OMBELLES”, CIRCA 1900
GUERIDON “AUX OMBELLES”, CIRCA 1900
Sculpted, walnut and exotic wood marquetry.
Signed.
76 cm. high
The top shelf: 47 x 81 cm.
Guéridon “aux ombelles”
En noyer, mouluré et sculpté, plateau de forme mouvementé à fond de marqueterie d’ombelles, piétement latéral ajouré.
Signé.
Hauteur : 76 cm
Largeur : 81 cm
Plateau : 47 x 81 cm
EMILE GALLE – VITRINE, CIRCA 1900
VITRINE, CIRCA 1900
Decorated with marquetry panels and sculptures
of snails, bats, peacock moth and acanthus leaves,
the base entirely sculpted with bats
Signed
191 x 93 x 50 cm.
Another example
The Yamazaki Mazak Museum of Art, Japon, inv. n° ANF-360901
Bibliography
The Yamazaki Mazak Museum of Art, Glass, Ceramic and Furniture, Japon, 2010, ill. p. 114 & 115
Georges de Bartha & al, Gallé furniture, Antique collectors club, 2012, ill. p. 299
EDMOND HENRI BECKER – SNAKE AND APPLE INKWELL, CIRCA 1900
SNAKE AND APPLE INKWELL, CIRCA 1900
Gilt bronze
Signed BECKER
9 cm. high
LOUIS MAJORELLE – DAUM NANCY – TABLE LAMP, CIRCA 1910
TABLE LAMP, CIRCA 1910
Wrought iron base and mottled glass shade
the inner part acid etched with a fern motif
70 cm. high