ALFRED FINOT – JOSEPH ET PIERRE MOUGIN – MILK JUG, CIRCA 1900
MILK JUG, CIRCA 1900
Grès
Signed Mougin Frs, bearing the monogram AF and numbered
12 cm. high
Bibliography
Francine Bertrand, Joseph et Pierre Mougin poètes du feu, 2000, ill. p. 13
Showing 769–788 of 788 results
EDOUARD LOUIS HENRY-BAUDOT – NAIADE
NAIADE
Gouache
Signed
88 x 98 cm.
Provenance
The artist’s estate
MAURICE DUFRENE – LA MAISON MODERNE – TABLE LAMP, CIRCA 1900
TABLE LAMP, CIRCA 1900
Silvered patinated bronze
62 cm. high
32 cm. diameter
EMILE DECOEUR – VASE, CIRCA 1903-1905
VASE, CIRCA 1903-1905
Shape as an eggplant, rouge-sang-de-boeuf
Bearing the artist monogram, with trefoil, and numbered 03.12
23 cm. high
Bibliography
Le Style Moderne. L’ART APPLIQUÉ Revue Internationale, 1904-1905, H. Laurens Editeur, Paris. ill. pl. 35
HENRI SIMMEN – VASE, CIRCA 1910-1912
VASE, CIRCA 1910-1912
Stoneware
Signed and numbered N62
37 cm. high
CARLO BUGATTI – ADRIEN-AURELIEN HEBRARD – SET OF SIX SPOONS, 1907
SET OF SIX SPOONS, 1907
Silver
In its original box
With French Minerva mark and silversmith’s mark
15 cm. long
Exhibition
Galerie A.-A. Hébrard, 8, rue Royale, Paris, 2 December-25 December 1907
ReConnaître Carlo Bugatti, Musée d’Orsay, Paris, 10 April-15 July 2001, n. 78 in the exhibition catalogue
Uzès Exposition, ancien Évêché, Monticelli, précurseur de l’impressionnisme & Bugatti, une dynastie de créateurs, 22 June – 13 October, 2024
LUCIEN BONVALLET – ANTOINE-ERNEST CARDEILHAC – VASE, CIRCA 1900
VASE, CIRCA 1900
Silver
Marked CARDEILHAC PARIS with the letter A, with silversmith’s mark and french Minerva mark
18.5 cm. high
Between 1894 and 1899, Lucien Bonvallet designed several silverware pieces intended
for the Exposition Universelle of 1900, all decorated with a vegetal pattern such as thistles,
columbines, mistletoe, clovers, etc.
These models were exhibited on the occasion of a retrospective dedicated to Lucien Bonvallet
in january and february 1913, at the Pavillon de Marsan, Musée des Arts Décoratifs, Paris
MANUFACTURE NATIONALE DE SEVRES – D’ALENCON VASE, 1926-1936
VASE, 1926-1936
Model: D’ALENCON
Shape designed by: Alexandre Sandier, 1906
Decorated by: Adrien-Auguste Leduc, decorator at Sèvres from 1923 until 1948
After a design by François Quelvée
Glazed ceramic, with a stylized decor of woman in an exotic landscape
Bearing the manufacturing marks Made in France and S 1926 DN (for pâte dure nouvelle)
and decorating marks Manufacture Nationale RF Décoré à Sèvres 1936
Signed in the decor A. Leduc d’ap. F. Quelvée
90 cm. high
37 cm. diameter
We are not aware of the existence of another similar vase. Vessels of that size were extremely difficult to manufacture
Exhibition
Sèvres – Elégance du 20ème siècle. L’Exposition des porcelaines de style Art Déco,
Tokyo Metropolitan Teien Art Museum, 2 October-19 December 1993, n. 21 in the exhibition catalogue
ANDRE-FERNAND THESMAR – CAMILLE NAUDOT – CUP AND SAUCER, 1895-1896
CUP AND SAUCER, 1895-1896
Enameled porcelain
In its box set
Bearing the monogram of the artist; the cup dated 1895 and the saucer 1896. Marked C N
The cup: 6 cm. high; 7.3 cm. diameter
The saucer: 13 cm. diameter
SOLD
ANDRE-FERNAND THESMAR – ALBERT DAMMOUSE – CUP, CIRCA 1897
CUP, CIRCA 1897
Gilt-cloisonné enamelled stoneware, decorated with flowers and insects
Signed and dedicated to Jeanne Dammouse
Height: 9.5 cm.
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill. p. 354
At the 1900 Exposition Universelle, Thesmar presents his works in gilt-cloisonné enamelled stoneware
for the first time. We have no evidence that Thesmar designed ceramics. We know that he decorated
Sèvres porcelain with enamels ; the ceramics were provided by the Manafacture Nationale.
Because this piece is dedicated to Jeanne Dammouse, we assume it was provided
by the ceramist Albert Dammouse
According to our records, no other example is known to exist
JULES DESBOIS – “BAIGNEUSE” BOTTLE AND “LES TROIS AGES DE LA VIE” STOPPER, CIRCA 1900
“BAIGNEUSE” BOTTLE AND “LES TROIS AGES DE LA VIE” STOPPER, CIRCA 1900
Patinated bronze
Signed J. Desbois and numbered 804 B
22 cm. high
Bibliography
Catalogue de la maison Siot-Decauville, ill. p.104
Philippe Dahhan, Etains 1900, Les éditions de l’amateur, Paris, 2000, ill p. 116, n. 293-295 (Model in pewter)
ANTOINE FERDINAND FAIVRE – “CHLOE ENDORMIE”, CIRCA 1900
“CHLOE ENDORMIE”, CIRCA 1900
Marble sculpture
Signed
45 x 18 x 27.5 cm.
CAMILLE COLOT – HAND MIRROR, CIRCA 1900
HAND MIRROR, CIRCA 1900
Hammered and patinated copper
Signed
40.5 cm. long
GEORGES TONNELIER – “NESSUS ENLEVANT DEJANINE”, CIRCA 1900
“NESSUS ENLEVANT DEJANINE”, CIRCA 1900
Silver; the base in sculpted onyx
Signed Tonnelier HC
16 cm. high
EUGENE FEUILLATRE – “FEMME PAPILLON” NECKLACE, CIRCA 1900
“FEMME PAPILLON” NECKLACE, CIRCA 1900
Gold, translucent enamel, moonstone and pearl
With its chain
With gold mark and maker’s mark
7 x 6.8 cm.
Exhibition
Les sources du XXème siècle – Les Arts en Europe de 1884 à 1914, Musée national d’Art moderne, Paris 1960-1961, n. 901
Jugendstil, Sammlung K.A. Citroen, Amsterdam, Hessisches Landesmuseum, Darmstadt, 1962. A variant of this model is illustrated p. 23, n. 51
1900, Galeries nationales du Grand Palais, Paris, 14 March-26 June 2000, ill. p. 258, n. 263
Bibliography
L’Art Décoratif aux expositions des Beaux-Arts, Armand Guérinet éditeur, 1ère série, 1902, variant of this model is illustrated pl. 215
Revue de la Bijouterie, Joaillerie et Orfèvrerie, July 1902, ill. p. 84
Art et Décoration, 1902, volum I, variant of this model is illustrated p. 93
Dekorative Kunst, München, 1903, variant of this model is illustrated p. 182
L’Art Décoratif, July 1904, p. 23
K.A.Citroen: Renaissance in edel metaal, in : Forum, Amsterdam, 1958-59, n° 11, p. 339, ill. 1.
Pariser schmuck von zweiten kaiserreich zur belle époque, Bayerischen Nationalmuseum, 1989, variant is illustrated p. 259 n. 184
Ulrike von Hase-Schmundt, Jugendstil schmuck – Die europäischen Zentren – Von 1895 bis 1915, Wilhem Heyne Verlag, München, 1998, model of the Museum of Darmstadt ill. p. 63
PRINCE BOJIDAR KARAGEORGEVITCH – TWO SPOONS, CIRCA 1900
TWO SPOONS, CIRCA 1900
Silver gilt
Each one with a different stylized floral decor
Bearing the monogram of the artist
11 cm. long
11.4 cm. long
MANUFACTURE NATIONALE DE SEVRES – HENRI RAPIN – JEAn-BAPTISTE GAUVENET – NIGHT LIGHT, 1922
NIGHT LIGHT, 1922
Translucent porcelain with an enameled design of flowers
Marked with the manufacturer’s stamp S.1922 DN
Shape by Henri Rapin
Decored by Henri Rapin and Jean-Baptiste Gauvenet
Executed by Jean-Baptiste Gauvenet
23 cm. high
Bibliography
Les Œuvres de la Manufacture Nationale de Sèvres, tome V, Le Luminaire ill. pl. 3 under the ref. 3511
RAYMOND-LOUIS-MARIE SUDRE – SIOT-DECAUVILLE – “LE BAISER ZELANDAIS”, CIRCA 1920
“LE BAISER ZELANDAIS”, CIRCA 1920
Patinated bronze
Signed, bearing the rectangular seal Cire Perdue SIOT and numbered 1
34 cm. high
Exhibition
Exposition de la Statuette et du Meuble, Musée Galliéra, 1914 (terracotta)
PETRUS RUBAN – ALCIDE THEOPHILE ROBAUDI – HESEGIPPE MOREAU – “LE MYOSOTIS. PETITS CONTES ET PETITS VERS”
“LE MYOSOTIS. PETITS CONTES ET PETITS VERS”
P., Conquet, 1893; in-4° reliure maroquin havane, dos et plats décorés de motifs floraux dorés et mosaïqués, tranches dorées, large dent. int., couv. et dos cons., étui (RUBAN relieur, 1894)
Un des 150 exemplaires numérotés sur grand papier de Chine, celui-ci n°113, illustrés de 134 compositions de ROBAUDI gravés sur bois par C. Bellenger. (Piqûres). Prospectus relié à la fin du volume
Très jolie reliure
MARCEL GOUPY – VASES, CIRCA 1920
VASES, CIRCA 1920
Gourd shaped vase in mottled yellow glass decorated with three medallions of riverscapes in polychrome enamel
Signed underneath
24 cm. high
Baluster footed vase, clear glass with polychrome enamel trees
Signed
18 cm. high
Footed cylindrical vase with flaring neck, decorated with houses and trees against a blue sky in polychrome enamel
Signed underneath
22.5 cm. high