“DANCER WITH SNAKES”, 1905-1906
Patinated bronze
Signed, dédicated St Edmond / Le Personnel de la Maison / Laussedat / à leur patron and dated 1906
23.3 cm. high
Another example is part of the collection of the Musée de l’Ancienne Douane, Strasbourg and another
one is part of the Silverman Collection, New York
Exhibition Société Nationale des Beaux-Arts, Paris, 1906
Musée Galliera, Exposition Carabin, 1934-1935
Bibliography Catalogue de la Société Nationale des Beaux-Arts, 1906
La Revue Théâtrale, April 1906, ill. p. 1452
Catalogue de l’exposition Carabin, Galliera Museum 1934-1935 L’œuvre de Rupert Carabin, Galerie du Luxembourg, 1974, ill. p. 192, n.104
BAMBOO VASE, CIRCA 1895
Molded and crackled glass internally decorated with gold flecks;
an applied decoration of tears and an inclusion of gold foil at the base
19.5 cm.
VASE, 1921
White clear glass decorated with an enamelled medallion
Signed Marinot
With a certificate and a label marked n. 249 by Mrs. Florence Marinot
19.5 cm. high
Exhibition
Salon des artistes décorateurs, 1921
Strasbourg, 1921
Wiesbaden, 1921
Bibliography La Renaissance de l’art français et des industries de luxe, May 1921, ill. p. 280
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 87, p. 298
“SUZANNE ET LES VIEILLARDS” TRIPTYCH, 1906
Watercolor, ink, gouache and pencil on paper
Signed, inscribed and dated lower center: GUSTAV ADOLF MOSSA NICIENSIS PINXIT MCMVI and titled below the central panel SUZANNE ET LES VIEILLARDS
36.7 x 56 cm.
Exhibition Exposition d’œuvres d’Alexis et de Gustav Adolf Mossa, L’Artistique, Nice, 1909, n. 92 Exposition d’œuvres de G.A. Mossa, Galerie George Petit, Paris, 1911, n. 21 Gustave-Adolphe Mossa. Niciensis Pinxit, Musée des Beaux-Arts Jules Chéret, France, 29 January – 15 May 2022
Bibliography Un Domino, Le Gaulois, Echos de partout, 5 April 1911
Léon Riotor, Le Radical, Echos, 11 April 1911
Gustav Adolf Mossa, catalogue raisonné des œuvres “symbolistes”, Somogy éditions d’art, 2010, n. A154, ill. p. 221
A PAIR OF VASES, CIRCA 1900
Porcelain decorated with flowers and leaves; the chased mount in patinated wrought-iron
Marked with the manufacturer’s stamp and respectively numbered S97 and S98
24 cm. high
“LE PRINTEMPS DES COEURS”
Paris, Piazza, 1902. 1 volume in 8°
60 compositions en couleurs et or d'Etienne Dinet, dont six hors texte. Légendes sahariennes recueillies par Sliman Ben Ibrahim BAAMER, traduites et illustrées par Etienne Dinet, exemplaire n° 287/300 sur papier vélin à la cuve des manufactures Blanchet et Kléber. Couverture et dos conservés. Reliure de René Kieffer. Maroquin havane, plats ornés, femme saharienne et palmiers sur le premier plat, porte et feuillages sur le 2ème plat. Décor mos. ovales sur les contre-plats sertis à froid, encadrements de filets d'or, gardes de soie, décor floral, tête dorée, étui à bandes de maroquin havane.
Catherine Lacaille, lyonnaise, a beaucoup travaillé sur des cuirs et sur des cuivres. Ele produit en outre des émaux de qualité dont un des plus beaux est : “M. Rollet dans sa bibliothèque”.
Exhibition Autour de Lévy-Dhurmer/ Visionnaires et Intimistes en 1900, Grand Palais, Paris,
3 March – 30 April 1973, similar work, n. 89 in the exhibition catalogue
SET OF SIX SPOONS, 1907
Silver
In its original box
With French Minerva mark and silversmith’s mark
15 cm. long
Exhibition
Galerie A.-A. Hébrard, 8, rue Royale, Paris, 2 December-25 December 1907 ReConnaître Carlo Bugatti, Musée d’Orsay, Paris, 10 April-15 July 2001, n. 78 in the exhibition catalogue
Uzès Exposition, ancien Évêché, Monticelli, précurseur de l’impressionnisme & Bugatti, une dynastie de créateurs, 22 June – 13 October, 2024
VASE, CIRCA 1900
Silver
Marked CARDEILHAC PARIS with the letter A, with silversmith’s mark and french Minerva mark
18.5 cm. high
Between 1894 and 1899, Lucien Bonvallet designed several silverware pieces intended
for the Exposition Universelle of 1900, all decorated with a vegetal pattern such as thistles,
columbines, mistletoe, clovers, etc.
These models were exhibited on the occasion of a retrospective dedicated to Lucien Bonvallet
in january and february 1913, at the Pavillon de Marsan, Musée des Arts Décoratifs, Paris
VASE, 1926-1936
Model: D’ALENCON
Shape designed by: Alexandre Sandier, 1906
Decorated by: Adrien-Auguste Leduc, decorator at Sèvres from 1923 until 1948
After a design by François Quelvée
Glazed ceramic, with a stylized decor of woman in an exotic landscape
Bearing the manufacturing marks Made in France and S 1926 DN (for pâte dure nouvelle)
and decorating marks Manufacture Nationale RF Décoré à Sèvres 1936
Signed in the decor A. Leduc d’ap. F. Quelvée
90 cm. high
37 cm. diameter
We are not aware of the existence of another similar vase. Vessels of that size were extremely difficult to manufacture
Exhibition Sèvres – Elégance du 20ème siècle. L’Exposition des porcelaines de style Art Déco,
Tokyo Metropolitan Teien Art Museum, 2 October-19 December 1993, n. 21 in the exhibition catalogue
CUP AND SAUCER, 1895-1896
Enameled porcelain
In its box set
Bearing the monogram of the artist; the cup dated 1895 and the saucer 1896. Marked C N
The cup: 6 cm. high; 7.3 cm. diameter
The saucer: 13 cm. diameter
