BONBONNIERE, 1922
Polychrome and gilded porcelain, decorated with stylized branches and flowers
Designed by Dunaime
Decorated by Miss Anne-Marie Fontaine
Bearing manufacture and decoration stamps of 1922
Signed under its base A M Fontaine and the letter J
6 cm. high; 11 cm in diameter
Bibliography
Lechevallier-Chevignard, Georges “La Décoration Moderne à la Manufacture de Sèvres“, Ch. Massin & Cie Editeurs, Paris, s.d. pl.5
BONBONNIERE, 1938
Large bonbonnière in enameled green celadon porcelain, decorated with two curled-up snakes
Signed and marked “J” for 1938
17 cm. high; 21 cm in diameter
“FLEURETTES” BOTTLE N°41, 1912
Footed baluster bottle and its stopper, enameled blue, white and red flowers (roses and tulips) in glass, concentric lines on the stopper, neck, body and foot
Signed M.M. in enamel
17 cm. high
VASES, CIRCA 1920
Round vase on circular foot and small flaring neck, mottled light blue glass decorated with eight tears
in green enamel, the foot and neck outlined in green enamel
Signed underneath in enamel
14 cm.
Flattened footed vase in clear glass, polychrome decoration of a pair of birds framed by flowers and leaves
Signed underneath in enamel Sold
Tapered cylindrical vase in mottled yellow glass decorated in polychrome enamel with three identical pairs
of parakeets and insects in flight
Signed in enamel underneath
Footed cylindrical vase with flaring neck, mottled yellow glass decorated with three medallions of stylized motifs
in black enamel, the rim and foot outlined in black enamel
Signed underneath in enamel
“THE THREE GRACES”, CIRCA 1906
Monumental pâte de verre pedestal dish after a model by Yvonne Serruys representing the Three Graces holdind up a sea shell with green and orange highlights imitating mother-of-pearl, with the
base showing children blowing conch shells
Signed and numbered 940
40 cm. high
The shell: 31 cm. long
Exhibition
Sunderland Museum & Art Gallery, The Art of Glass: Art Nouveau to Art Deco, 17 July-27 October 1996
Bibliography
Gustave Kahn, Le goût moderne, November 1926, pp. 8-11: “Ainsi Mme Yvonne Serruys a donné le modèle d’une coupe haute, à large vasque étendue, exécutée dans les tons blancs du marbre ou la nacrure du coquillage, soutenue par les épaules
de porteurs nus, dont les pieds s’agrippent à un rocher mouvementé, et le verrier a obtenu des épreuves de colorations diverses, distinctes et toutes bien venues”
Victor Arwas, The Art of Glass, Andreas Papadakis, publisher, 1996, full page ill. p. 56
AN IMPORTANT BOTTLE, 1923
Clear and acid-etched carved glass
Signed
With a certificate and a label marked n. 696 by Mrs Florence Marinot
18 cm. high
Exhibition Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-24 November 2019, ill. pp. 36 & 37
Bibliography
Compare with a similar vase at the Kunstmuseum, Dusseldorf, ill. p. 308, n. 363 in European Art Glass par Ray & Lee Grover, published by Charles E. Tuttle Co. Rutland, Vermont, USA Art Deco, Citadelles & Mazenod, 2009, p. 89
Yves Delaborde, Le Verre, art & design-XIXe-XXIe siècles, ACR édition, 2011, p. 89
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’œuvre de verre, les éditions de l’amateur, 2013, ill. p. 260
VASES, CIRCA 1920
Baluster vase with small flaring neck, mottled blue glass decorated with three pairs of magpies on branches and several dragonflies in polychrome enamel
Signed underneath
27 cm. high
Large baluster vase in clear glass decorated with four birds and stylized flowerheads in polychrome enamel outlined in black
Signed in enamel
22.5 cm. high
Baluster vase in clear glass decorated with three pairs of parakeets against a stylized pattern of berries branches in polychrome enamel
Signed
21.5 cm.
VASE, 1922
Clear glass with an engraved decoration of tulips
Signed; with a certificate and a label marked n. 402 by Mrs Florence Marinot
17 cm. high
Exhibition Infinite Obsessions, Barry Friedman Gallery, New York, 1999-2000
Bibliography
René Chavance, Maurice Marinot, peintre et verrier, L’Art et les Artistes, January 1923, p. 156
Yves Delaborde, Le Verre, art & design, XIX-XXIème siècles, ACR édition, 2011, p. 203
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 319
A DINANDERIE VASE, CIRCA 1931
Hammered copper; decorated with three faces of women framed with curls, eyebrows,
eyes and mouth with silver inlays
Signed JS under the piece; with Hebrard foundry mark and Paris
23 cm. high
25 cm. diameter
Probably executed for the Exposition Coloniale of 1931
VASE, 1938
Model: PROU N.1
Author of the shape: René Prou
Decorated by Susanne Kaehrling in 1938
Decorated with reeds highlighted with gold, a bather, fishing boats and houses
Signed, rose seal, letter K and numbered 5935
45 cm. high
BEAKER, MM 1912, N. 11, 1911
Clear glass with an enamelled polychrome design of fruits
This piece was exhibited in a vitrine at Hebrard’s shop in Paris
12 cm. high
Exhibition Salon d’automne, 1913
Bibliography
Félix Marcilhac, Maurice Marinot, Catalogue raisonné de l’oeuvre de verre, les éditions de l’amateur, 2013, ill. p. 242
Baluster vase with small flaring lip, clear glass decorated with three nude hunters chasing tigers
Black and orange enamel heightened with gold enamel
Signed underneath
15.5 cm.
Large flaring bowl, clear glass, rim decorated with a frieze of stylized leaves and fruits in polychrome
enamel highlighted in gold
Signed underneath Sold
