Art Nouveau & Art Déco - Gallery in Monaco
Showing 1–24 of 272 results
VASE, CIRCA 1900
Tear shaped grès vase enameled in tones of mottled green, the base with a circular mount featuring three turtles.
Impressed mark MB and numbered 2
Edited by the firm of Molines.
Height : 21 cm.
Bibliography
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, ill. p. 63
JAPANESE BOTTLE, CIRCA 1900
Small Japanese stoneware bottle featuring a brown glaze with foamy drips in cloudy pink and blue cascading down from the neck
Signed and numbered 3, incised on the underside of the base
Height: 10.7 cm.
JAPANESE BOTTLE, CIRCA 1900
Small Japanese bottle in brown stoneware, with a pink drip at the neck
Signed and numbered 3
11 x 10 cm.
JAPANESE BOTTLE, CIRCA 1900
Small Japanese stoneware bottle decorated with incised grooves and covered in a grey-green
celadon glaze, with pink glaze drips running down from the neck. Incised signature beneath the base
A 3.5 cm hairline crack on the body, caused by a firing defect
Height: 11 cm.
BOTTLE, CIRCA 1900
Ovoid stoneware bottle with a small rim, decorated with flowing polychrome glazes in shades of brown, havana brown, and bluish grey
Signed and number 14
Height: 14 cm.
PART OF THE “HERBIER” TABLE SERVICE, CIRCA 1868
Earthenware, painted in monochrome blue in the “grand feu” technique over a white tin-glaze, with shaped rims, comprising:
19 dinner plates
10 dessert plates
10 soup plates
2 sauce dishes
1 soup tureen
2 oval serving dishes
2 serving dishes
Signed with the Lorraine Cross monogram and/or signed Émile Gallé Fecit.
Exhibition
Gallé, exhibition catalogue, Musée du Luxembourg, for two cups with the same border, p. 104
Bibliography
Marc Bascou – Marie-Madeleine Massé – Philippe Thiébaut, Musée d’Orsay. Catalogue sommaire illustré des arts décoratifs, Paris, 1988, ill. of a plate held by the Musée d’Orsay
Le Tacon & Valk, Émile Gallé, L’amour de la fleur, Nancy, 2008, p. 318
Philippe Thiebaut, entry in Nouvelles acquisitions du musée d’Orsay, 1980–1983, Paris, 1983, plates and fish serving dish, n. 414–417, pp. 98–99
Françoise Charpentier, Philippe Husson, Bernard Ponton, Musée de l’École de Nancy. La céramique de Gallé, Nancy, 1984, cups listed under n. 4, p. 83
[Collective – Exhibition catalogue, curated by Philippe Thiébaut and Monique Nonne], Gallé, Musée du Luxembourg, Paris, 1985–1986, RMN, pp. 92–93 and 104
VASE, CIRCA 1900
Large stoneware vase decorated with stylized foliage and flowers, heightened with gilt
From the Rue Blomet period, after 1882
Signed with the incised H&C rosary mark, numbered 5, marked R,B,3,1
Height: 41 cm.
Bibliography
An identical vase decorated with swallows and honeysuckle is illustrated in Marc Ducret, Ernest Chaplet, la révolution du Rouge de Cuivre, Éditions Louvre Victoire, 2021, p. 81.
VASE, CIRCA 1900
Large ovoid stoneware vase, decorated with an incised frieze of polychrome flowers on a green-glazed ground, with gilt highlights, against a reddish-brown ground.
Signed with the incised H&C rosary mark, numbered 25, marked R,B,3,1
Height: 38 cm.
CYLINDRICAL VASE, CIRCA 1900
Cylindrical vase decorated with gilded enamel foliage and stylized flowers with white-enamelled petals
The neck is highlighted in fine gold
Incised signature: A D Sèvres
Height: 12 cm.
VASE, CIRCA 1900
Baluster vase, decorated with a latticework pattern and stylized flowers
Incised signature: A D Sèvres
Height: 22 cm.
COLOCYNTH, CIRCA 1900
Porcelain with a caviar-grey glaze, decorated with seaweed motifs running from the base to the neck
With silversmith’s mark, boar’s head mark, and Gaillard stamp
Louise Baboint monogram under the base, marked Drôme
Height: 10.5 cm.
PERSEE ET ANDROMEDE
Glazed stoneware vase with a high-relief decoration depicting Perseus and Andromeda
Signed on the reverse and bearing the Manufacture’s circular stamp
Height: 39 cm.
PLANTER, CIRCA 1910-1920
Stoneware, incised and painted with floral decoration
Monogrammed, marked 96 and bearing the Bing & Grøndahl mark beneath.
Height: 18 cm.
MUSTARD POT, CIRCA 1900
Enameled grès with enameled green drippings on a brown background, mounted in silver by Cardeilhac after a design by Lucien Bonvallet
Missing the original spoon replaced with an art nouveau spoon by Emile Puiforcat
Height: 8 cm.
Weight: 290 gr.
VASE, CIRCA 1900
Stoneware decorated with stylized flowers
Impressed H&C mark within the rosary seal, with the initials R B engraved and numbered 201 and 31
Height: 20 cm.
“LA SOIF”, MODEL 8.F, CIRCA 1900
Glazed stoneware coloquinte decorated with an incised semi-relief of a kneeling nude woman drinking from the spring. The reverse features the leafy stem of the coloquinte
Signed A. Finot and Mougin Nancy 7205
Height: 19 cm.
Bibliography
La Lorraine Artiste, December 1900, ill. p. 156
Art Nouveau Belgium/France, Institute for the Arts, Rice University, 1976, exhibition catalogue, p. 275, no. 438
Jacques G. Peiffer, Nancy 1900, Gérard Klopp s.a. éditeur, 1989, ill. p. 211
PITCHER, CIRCA 1900
Glazed stoneware, decorated with floral motifs highlighted with gold
Signed H&C within the impressed rosary mark
Height: 17.3 cm.
PITCHER, 1886-1887
Stoneware pitcher decorated with green foliage and red berries in polychrome glazed barbotine,
with gilt highlights
Impressed H&C mark within the rosary seal
Height: 17 cm.
PLATE, CIRCA 1900
Stoneware, with polychrome decoration depicting a bather and a fawn
Signed: LACHENAL / COCHET / UNIQUE PIECE
Diameter: 23 cm.
The artist is Gérard Cochet
“SERPENT ENSERRANT UN CRAPAUD”, MODEL OF 1898
Very rare plate in grès
Signed and dated 1900
Tiny old restoration
Diameter : 27 cm
Exhibition
At the Exposition Universelle of 1900, Bigot had his own pavilion entirely made in grès.
He also exhibited afresco of three squares depicting a circle of toads after Halou.
At the end of the exhibition, the entire pavilion
was acquired by the Museum of Applied Arts in Budapest
WINE JUG, CIRCA 1893
Enameled grès
Incised Bigot monogram under the base
Height: 25 cm.
Exhibition
SNBA 1893 (model in pewter)
Les Cinq, Paris 1896, n. 17
Alexandre Charpentier – Naturalisme et Art Nouveau, Paris, musée d’Orsay, 23 January- 13 April 2008 et Bruxelles, musée communal d’Ixelles, 29 May – 31 August 2008, n. 180 in the exhibition catalogue, ill. p. 175
Bibliography
J. Acheroni, Salon de 1893 – The Triumph of Pewter, Le Bambou, no. IV, illustrated periodical, pewter model illustrated p. 97
G. Mourey, The Decorative Art Movement in Paris, The Studio, March 1897, vol. X, n. 48, ill. p. 125
Madeleine Charpentier-Darcy, Introduction à l’art d’Alexandre Charpentier. Catalogue sommaire de l’oeuvre (sculpture – art décoratif), Bulletin de la Société de l’Histoire de l’art français, 1996, published 1997, ADc 45, p. 225 and manuscript
Hélène Bédague, Alexandre Bigot, Chimiste et Céramiste, éditions Louvre Victoire, Paris, 2016, ill. p.165
WINE JUG, 1897
Glazed porcelain
Signed and dated 1897. Numbered 2
Height: 25 cm
From a limited edition of 20 copies distributed by Marty, the printer of L’Estampe originale, each sold for 20 francs
Exhibition
SNBA 1893 (model in pewter)
Les Cinq, Paris 1896, n. 17
Alexandre Charpentier – Naturalisme et Art Nouveau, Paris, musée d’Orsay, 23 January- 13 April 2008 et Bruxelles, musée communal d’Ixelles, 29 May – 31 August 2008, n. 180 in the exhibition catalogue, ill. p. 175
Bibliography
J. Acheroni, Salon de 1893 – The Triumph of Pewter, Le Bambou, no. IV, illustrated periodical, pewter model illustrated p. 97
G. Mourey, The Decorative Art Movement in Paris, The Studio, March 1897, vol. X, n. 48, ill. p. 125
Madeleine Charpentier-Darcy, Introduction à l’art d’Alexandre Charpentier. Catalogue sommaire de l’oeuvre (sculpture – art décoratif), Bulletin de la Société de l’Histoire de l’art français, 1996, published 1997, ADc 45, p. 225 and manuscript
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, Norma éditions, 2015,
ill. p. 105
VASE, CIRCA 1900
High-fired porcelain
Signed with the monogram of the artist. Label bearing the number 92
Height: 17 cm.
THREE-HANDLED BOTTLE
Stoneware with sang-de-boeuf glaze
Height: 27 cm.
