Showing 169–185 of 185 results

PIERRE-ADRIEN DALPAYRAT – MONK MASK, CIRCA 1900

MONK MASK, CIRCA 1900
Grès with green and ochre glazes
Signed
Bearing a label Grès flammé de Dalpayrat – Exposition galerie Georges Petit Décembre 1892
23 cm x 23.5 cm.

Exhibition
Galerie Georges Petit, Paris, December 1892, January 1893

PIERRE-ADRIEN DALPAYRAT – “LEDA AND THE SWAN”, CIRCA 1900

“LEDA AND THE SWAN”, CIRCA 1900
Polychrome enameled stoneware
Signed
23 cm. high
26 cm. long

Exhibition
Sammlung Maria und Hans-Jörgen Heuser, Hamburg
Kunstgewerbemuseums, Köln, 10/4 – 28/7 1974
Kestner-Museum, Hannover, 22/8 – 3/11 1974
Hessischen Landesmuseum, Darmstadt,12/12/74 –
2/2/75 n. 100

Bibliography
Prestel-Verlag München, 1974 Französische Keramik zwischen 1850 und 1910, ill. p. 161, n. 100
The Paris Salons, p. 101

GEORGES DE FEURE – VASE, CIRCA 1900

VASE, CIRCA 1900
White and pink porcelain with stylized vegetal decoration
Marked with the artist’s monogram
29 cm. high

Identical model in the GDA collection in Limoges

Bibliography
Edith Mannoni, Porcelaines de Limoges, Massin éditeur, ill. p. 93

Exhibition
Georges de Feure – Du symbolisme à l’art nouveau, Musée départemental Maurice Denis, Le Prieuré
11 March-5 June 1995
Fondation Neumann, Gingins, Suisse, 15 June-3 September 1995, n. 122

GEORGES DE FEURE – GDA LIMOGES – VASE, CIRCA 1900

VASE, CIRCA 1900
White porcelain, decorated with two white and grey flying swans on a
blue and grey background
32 cm. high

A similar example of this design is part of the collections of the Metropolitan Museum of Art,
New York, inv. n. 26.228.9

ALFRED FINOT – JOSEPH ET PIERRE MOUGIN – “LA SOIF”, CIRCA 1900

“LA SOIF”, CIRCA 1900
An earthenware coloquinte
Signed A. Finot sc / J.P. Mougin ceram. and numbered 2499
19 cm. high

An identical model is part of the collection of the Musée de l’Ecole de Nancy

Bibliography
La Lorraine Artiste, december 1900, ill. p. 156
Art Nouveau Belgium/France, Institute for the Arts, Rice University, 1976, p. 275, n°438
Jacques G. Peiffer, Nancy 1900, Gérard Klopp s.a. éditor, 1989, ill. p. 211
Jean-Paul Midant, L’Art Nouveau en France, L’Aventurine, Paris, 1999, ill p. 68
Renate Ulmer, Art Nouveau Symbolismus und Jugendstil in Frankreich, Arnoldsche, 1999, ill. p. 281, n. 277
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill p. 155

EMILE DECOEUR – VASE, CIRCA 1903-1905

VASE, CIRCA 1903-1905
Shape as an eggplant, rouge-sang-de-boeuf
Bearing the artist monogram, with trefoil, and numbered 03.12
23 cm. high

Bibliography
Le Style Moderne. L’ART APPLIQUÉ Revue Internationale, 1904-1905, H. Laurens Editeur, Paris. ill. pl. 35

CAMILLE NAUDOT – SIEFFERT, HARANT & GUIGNARD – VASE, 1897

VASE, 1897
Superb polychrome enameled porcelain vase decorated with flowers, foliage, a butterfly
and an insect highlighted in gold
Signed underneath with the initials SHG, dated 1897 et bearing the letters CN (for Camille Naudot)
incised in the paste
17.5 cm. high

Sieffert, Harant and Guignard (originally Harant et Guignard) were mainly Parisian retailers
of crystal and glass, they did however sell some ceramics, and commissioned pieces. Indeed, they acquired the firm of Charles Lerosey (Le Rosey),
who decorated soft-paste porcelain vases by Naudot, often with Japoniste floral designs and
sometimes with émail cloissoné, following the technique introduced by Thesmar to Sèvres.
Some pieces were decorated by Louis Eugéne Sieffert, others by Adolphe Faugeron.
Their works were exhibited at the 1900 Exposition Universelle.
Their work seems to be quite rare. (Information graciously provided by Professor Paul Arthur).