MANUFACTURE NATIONALE DE SEVRES – LEON KANN – A GOURD-SHAPED EWER, DESIGNED 1889
A GOURD-SHAPED EWER, DESIGNED 1889
Glazed Sèvres porcelain
Marked with Sèvres Manufacturer’s triangular stamp and dated 1904
15 cm. high
Showing 145–167 of 167 results
GEORGES DE FEURE – GDA LIMOGES – “ELEGANT SCULPTURE”, CIRCA 1900
“ELEGANT SCULPTURE”, CIRCA 1900
Enamelled porcelain
With maker’s marks
27 cm. high
FELIX MASSOUL – VASE, CIRCA 1905
VASE, CIRCA 1905
Grès
Signed
20 cm. high
ALEXANDRE BIGOT – ALOIS REINITZER – VASE “ LA DANSEUSE LOIE FULLER”, 1900
VASE “LA DANSEUSE LOIE FULLER”, 1900
Grès with a polychrome glaze
Signed by both artists
25 cm. high
This vase was most probably displayed at the Exposition Universelle and the Société des Artistes Français in 1900
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill p. 319
EDWARD COLONNA – GDA LIMOGES – CHRYSANTHEMUMS VASE, CIRCA 1900
CHRYSANTHEMUMS VASE, CIRCA 1900
White porcelain
30 cm. high
Exhibition
Art Nouveau Belgium, France, Institute for the
Arts, Rice University and the Art Institute of Chicago, 1976, p. 176 n. 242 in the exhibition catalogue
Bibliography
Edith Mannoni, Porcelaines de Limoges, Massin éditeur, n.d., ill. p. 92
MANUFACTURE NATIONALE DE SEVRES – VASE “D’ IGNY A”, 1907
Vase: “D’Igny A”
Form designed by Georges Vogt in 1897
Bronze mount by Joseph Joindy
Impressed with the 1907 Sèvres seal
16 cm. high
Bibliography
E. Baumgart, La Manufacture nationale de Sèvres à l’Exposition de 1900, Paris, Librairie des Beaux-Arts, ill. n. 34 (With a different shape)
E. Baumgart Sèvres 1900, Musée des Beaux-Arts de Nancy, 1996. Illustration of the two vases of Igny with variant of crystallization and mount
KELLER & GUERIN – PLATE, CIRCA 1900
PLATE, CIRCA 1900
Grès; decorated with a sunset scene and snails
Signed KG Lunéville and E. M.
45 cm. diameter
THEODORE DECK- ERNEST CARRIERE – PITCHER, CIRCA 1900
Celadon green and decorated with a frog and a water lily
“Blue Deck”
Signed ERNEST CARRIÈRE and TH DECK
Seal: Two points in a circle separated by a vertical line
Exhibition:
Société Nationale des Beaux-Arts, 1902
Exposition de la porcelaine, son décor, sa monture, musée Galliera, Paris 1907
Bibliography:
L’Illustration, n°3088, 3 may 1902, special number of the exhibition, ill. p. 316
FRANCOIS-RUPERT CARABIN – “FEMME PIEUVRE” INKWELL, CIRCA 1900
“FEMME PIEUVRE” INKWELL, CIRCA 1900
Enameled stoneware
Bearing the monogram of the artist, numbered 42
16 cm. high
Exhibition
Salon de la libre esthétique, Bruxelles, 1897 (galerie Laffite)
Société Nationale des Beaux-Arts, 1897
Galerie Laffite, 1894-1895
Les Industries d’Art au Salon de la libre Esthétique, Bruxelles, 1897
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
PIERRE-ADRIEN DALPAYRAT – VASE, CIRCA 1900
VASE, CIRCA 1900
Grès with a sang-de-bœuf, green, anthracite and
beige glazes
12.5 cm. high
14.5 cm. diameter
PIERRE-ADRIEN DALPAYRAT – LUCIEN COUDRAY – “VASE AU LIERRE” CIRCA 1904 -1906
“VASE AU LIERRE” CIRCA 1904-1906
Grès overlaid with sang-de-boeuf,
green and blue glaze, decorated with ivy leaves
Stamped Les Grands Feux / Paul Dalpayrat /
L. Coudray
22 cm. high
17.5 cm. diameter
Bibliography
Horst Makus & al., Adrien Dalpayart – Céramique française de l’Art Nouveau, Arnoldsche, 1998,
p. 127, n. 56
PIERRE-ADRIEN DALPAYRAT – ALPHONSE VOISIN-DELACROIX – COLOCYNTH, CIRCA 1900
COLOCYNTH, CIRCA 1900
Grès with yellow glaze, with blue and brown dripping
Impressed with the Voisin-Delacroix seal
11.5 cm. high
Bibliography
Arielle Guillaume Voisin-Delacroix – ou quand un sculpteur rencontre un céramiste, 1993,
similar model ill. p. 69, n. 43
Horst Makus Adrien Dalpayrat – Céramiste de l’Art Nouveau, Arnoldsche, 1998,
similar model ill. p. 114, n. 31
PIERRE-ADRIEN DALPAYRAT – “LEDA AND THE SWAN”, CIRCA 1900
“LEDA AND THE SWAN”, CIRCA 1900
Polychrome enameled stoneware
Signed
23 cm. high
26 cm. long
Exhibition
Sammlung Maria und Hans-Jörgen Heuser, Hamburg
Kunstgewerbemuseums, Köln, 10/4 – 28/7 1974
Kestner-Museum, Hannover, 22/8 – 3/11 1974
Hessischen Landesmuseum, Darmstadt,12/12/74 –
2/2/75 n. 100
Bibliography
Prestel-Verlag München, 1974 Französische Keramik zwischen 1850 und 1910, ill. p. 161, n. 100
The Paris Salons, p. 101
GEORGES DE FEURE – VASE, CIRCA 1900
VASE, CIRCA 1900
White and pink porcelain with stylized vegetal decoration
Marked with the artist’s monogram
29 cm. high
Identical model in the GDA collection in Limoges
Bibliography
Edith Mannoni, Porcelaines de Limoges, Massin éditeur, ill. p. 93
Exhibition
Georges de Feure – Du symbolisme à l’art nouveau, Musée départemental Maurice Denis, Le Prieuré
11 March-5 June 1995
Fondation Neumann, Gingins, Suisse, 15 June-3 September 1995, n. 122
MANUFACTURE NATIONALE DE SEVRES – LOUIS-AUGUSTE THEODORE-RIVIERE – ”DANTE ET VIRGILE”, 1903
”DANTE ET VIRGILE”, 1903
Biscuit
Signed, marked with the manufacturer’s stamp,
stamped A.C (Alphonse Cieutat) and numbered 03.04 (April 1903)
36 cm. high
Bibliography
Colette Dumas, Théodore Rivière, sa vie, son œuvre, n. 78
GEORGES DE FEURE – GDA LIMOGES – VASE, CIRCA 1900
VASE, CIRCA 1900
White porcelain, decorated with two white and grey flying swans on a
blue and grey background
32 cm. high
A similar example of this design is part of the collections of the Metropolitan Museum of Art,
New York, inv. n. 26.228.9
MANUFACTURE NATIONALE DE SEVRES – A PAIR OF VASES, CIRCA 1900
A PAIR OF VASES, CIRCA 1900
Porcelain decorated with flowers and leaves; the chased mount in patinated wrought-iron
Marked with the manufacturer’s stamp and respectively numbered S97 and S98
24 cm. high
ROYAL COPENHAGEN – ANDREA PETERSEN – “LEZARD” VIDE-POCHE, CIRCA 1900
“LEZARD” VIDE-POCHE, CIRCA 1900
Porcelain
Bearing the manufacturer’s seal and numbered 1100 and 158
20 cm. diameter
ALFRED FINOT – JOSEPH ET PIERRE MOUGIN – “LA VAGUE” JARDINIERE, CIRCA 1900
“LA VAGUE” JARDINIERE, CIRCA 1900
Glazed stoneware
Signed by both artists
17 x 28 cm. high
Bibliography
Jacques G. Peiffer, Les Frères Mougin, Sorciers du grand feu, Grès et porcelaine 1898-1950, éditions Fatton, 2001, ill. p. 152
ALFRED FINOT – JOSEPH ET PIERRE MOUGIN – MILK JUG, CIRCA 1900
MILK JUG, CIRCA 1900
Grès
Signed Mougin Frs, bearing the monogram AF and numbered
12 cm. high
Bibliography
Francine Bertrand, Joseph et Pierre Mougin poètes du feu, 2000, ill. p. 13
EMILE DECOEUR – VASE, CIRCA 1903-1905
VASE, CIRCA 1903-1905
Shape as an eggplant, rouge-sang-de-boeuf
Bearing the artist monogram, with trefoil, and numbered 03.12
23 cm. high
Bibliography
Le Style Moderne. L’ART APPLIQUÉ Revue Internationale, 1904-1905, H. Laurens Editeur, Paris. ill. pl. 35
CAMILLE NAUDOT – SIEFFERT, HARANT & GUIGNARD – VASE, 1897
VASE, 1897
Superb polychrome enameled porcelain vase decorated with flowers, foliage, a butterfly
and an insect highlighted in gold
Signed underneath with the initials SHG, dated 1897 et bearing the letters CN (for Camille Naudot)
incised in the paste
17.5 cm. high
Sieffert, Harant and Guignard (originally Harant et Guignard) were mainly Parisian retailers
of crystal and glass, they did however sell some ceramics, and commissioned pieces. Indeed, they acquired the firm of Charles Lerosey (Le Rosey),
who decorated soft-paste porcelain vases by Naudot, often with Japoniste floral designs and
sometimes with émail cloissoné, following the technique introduced by Thesmar to Sèvres.
Some pieces were decorated by Louis Eugéne Sieffert, others by Adolphe Faugeron.
Their works were exhibited at the 1900 Exposition Universelle.
Their work seems to be quite rare. (Information graciously provided by Professor Paul Arthur).
HENRI SIMMEN – VASE, CIRCA 1900
VASE, CIRCA 1900
Stoneware
Signed and numbered N62
37 cm. high