ETIENNE MOREAU-NELATON – SMALL POT, 1905
SMALL POT, 1905
Beige-brown enameled grés decorated with a frieze of clovers in blue pastel
Signed and dated 1905
9 cm. high
Showing 25–48 of 222 results
ALEXANDRE BIGOT – HENRI NOCQ – INKWELL, CIRCA 1900
INKWELL, CIRCA 1900
Stoneware featuring a small crab forming lid laying on algae
Signed by both artists
38 cm. long
Bibliography
Hélène Bédague, Alexandre Bigot, Chimiste et Céramiste, éditions Louvre Victoire, Paris, 2016,
ill. p. 185
GUSTAVE KELLER – ATELIER DE GLATIGNY – SMALL VASE, CIRCA 1900
SMALL VASE, CIRCA 1900
Green stoneware with orange-brown nuances and crystallizations on one side. The mount by Gustave Keller in silver with a decor in spiral of flowering branches embellished with small coral beads. Signed with the circular stamp, silver hallmark (twice) on the mount, with silversmith mark and G. KELLER in full letter
Height: 14.5 cm.
EMILE GRITTEL – VASE, CIRCA 1900
VASE, CIRCA 1900
Stoneware, with two handles and gold drippings
Signed
Width: 20 cm
Height: 11.5 cm.
ALBERT DAMMOUSE – A PAIR OF CHARMING PLATES, CIRCA 1900
A PAIR OF CHARMING PLATES, CIRCA 1900
One decorated with flowers and leaves in polychrome enamel, signed at the back AD / S and
numbered 9, the other with a crab amidst seaweeds in polychrome enamel, signed at the back AD / S.
Diameter: 13 cm.
MANUFACTURE NATIONALE DE SEVRES – AGATHON LEONARD – “DANSEUSE TAMBOURIN A DROITE, N. 4, 1ERE GRANDEUR”
“DANSEUSE TAMBOURIN A DROITE, N. 4, 1ERE GRANDEUR”
Biscuit
Signed and bearing the manufacturer's stamps
Height: 49 cm.
Identical model in the following public collections:
Frankfort, Museum für Kunsthandwerk
Hambourg, Museum für Kunst und Gewerbe
Copenhagen, Kunst-Industri-Museet
London, Victoria & Albert Museum
Saint-Petersbourg, Ermitage
Sèvres, musée national de Céramique
Bibliography
Agathon Léonard , Le geste Art nouveau, Somogy éditions d'art, 2003, ill. p. 51 n. 12 in the exhibition catalogue at the museums of Roubaix and Beauvais
JULES HABERT DYS – HAVILAND & Cie – IMPRESSIVE TERRACOTTA VASE, 1876-1881
IMPRESSIVE TERRACOTTA VASE, 1876-1881
Terracotta vase featuring blooming roses on a dark green background
Bearing the artist’s monogram within the decor and impressed with the manufacturer’s stamp: Haviland & Cie/Limoges/75/2
Height: 31 cm.
Diameter: 32 cm.
Bibliography
Emaux atmosphériques : la céramique impressionniste, 26 Avril-4 November 2001, Musée Fournaise and Laurent d’Albis, Chatou, n. 32, Rouen 2010, p.112-113
MANUFACTURE NATIONALE DE SEVRES – CHARLES PIHAN – FLATTENED GOURD, CIRCA 1900
FLATTENED GOURD, CIRCA 1900
Grès with a decor of monnaie du pape
Height: 28.5 cm.
PIERRE-ADRIEN DALPAYRAT – CROW, CIRCA 1900
CROW, CIRCA 1900
Rare sculpture in enamelled porcelain rouge-sang-de-boeuf with blue and grey shades
Incised signature
Height: 12 cm.
Bibliography
Horst Makus & al., Adrien Dalpayrat – Céramiste de l'Art Nouveau, Arnoldsche, 1998, ill. n. 117, p. 159
PIERRE-ADRIEN DALPAYRAT – COVERED POT, CIRCA 1890-1895
COVERED POT, CIRCA 1890-1895
Grès covered pot, the base and cover in gilt bronze
Impressed signature “à la grenade éclatée”
Bears a label of L’Escalier de Cristal
Height: 25 cm
MANUFACTURE NATIONALE DE SEVRES – ALEXANDRE SANDIER – VASE DE CHEVILLY, 1913
VASE DE CHEVILLY, 1913
Porcelain with a sang de boeuf glaze. The mount in gilt bronze
Bearing the manufacturer’s stamp and dated 1913
Height: 24 cm
THEO PERROT – “AUTOMNE” RARE VASE, CIRCA 1906
“AUTOMNE” RARE VASE, CIRCA 1906
Grès. Baluster shaped with an elongated neck, decorated with a leafy branch in high relief. The glaze, in
the usual manner of the school of Carriès, is applied as a”guilloché” surface in a rotating movement
Handwritten signature under the vase, 623 L and 68467/EB in ink
Height: 45 cm.
MANUFACTURE NATIONALE DE SEVRES – GROUP OF VASES
GROUP OF VASES
ALEXANDRE SANDIER (1843-1916), form designer
HENRI-LOUIS-LAURENT ULRICH, decorator
LÉONARD GEBLEUX (1861-1930), decor designer
“Vase de Montchanin”, 1896
White porcelain glazed blue with a stylized floral pattern
Bearing the manufacturer’s oval stamp for 1899
23 cm. high
Exhibition
Exposition Universelle, 1900
ALEXANDRE SANDIER (1843-1916), form designer
DENIS LIGUÉ (active at Sèvres between 1881 and 1911), decorator
“Vase de Monchanin”, 1896
White porcelain glazed polychrome with a floral pattern
Bearing the triangular manufacturer’s stamp for 1900 and decoration mark for 1904
23 cm. high
ALEXANDRE SANDIER (1843-1916), form designer
“Vase de Montchanin”, 1896
White porcelain glazed pink, red and gold with a decor of waterlilies
Bearing the triangular manufacturer’s stamp
23 cm. high
MANUFACTURE NATIONALE DE SEVRES – “ALENCON” PAIR OF VASES, 1902
“ALENCON” PAIR OF VASES, 1902
Flamed porcelain, on a dark purple background enhanced with color with green crystallization in the manner of Chinese effect.
Marked PN (for pâte nouvelle) and bearing the manufacturer’s stamp for 1902
Height: 43 cm.
Diameter: 18 cm.
PIERRE-ADRIEN DALPAYRAT – VASE, CIRCA 1900
VASE, CIRCA 1900
Grès with a sang-de-boeuf glaze and shades of green
Signed with the artist’s seal and numbered 2048
Height: 21.8 cm.
Diameter: 21 cm.
EMILE GALLE – LOUIS HESTAUX – VASE, 1889-1900
VASE, 1889-1900
Faience
After a design by Louis Hestaux
Signed in the mould
Height: 14.3 cm.
THEO PERROT – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Red-brown enamelled grès with ocher streaks. The handle featuring a flower stem
Signed Théo PERROT, and numbered 87 incised under the base
Height: 15.5 cm.
ALBERT DAMMOUSE – ERNEST-EMILE CHAPLET – ROLL-SHAPED VASE, CIRCA 1900
ROLL-SHAPED VASE, CIRCA 1900
Terracotta decorated with barbotine
Floral design of Japanese composition executed by Albert-Louis Dammouse; impressionist technique by Ernest Chaplet excecuted in the Haviland workshop, Auteuil
Bearing the artist’s seal, label from the Roger Marx’s collection and an other old label A la paix …avenue de l’opéra on the reverse
Height: 33.5 cm.
Bibliography
Europäiche Keramik der Jugendstilzeit, Art Nouveau Modern Style, exhibition catalogue,
Hetjens-Museum, Düsseldorf (Allemagne), 1974, p. 50, n. 40 for a similar vase
Félix Marcilhac, Art nouveau 1900, éd. Ouest-France, 1981, ill. p. 25
Anne Lajoix, La céramique en France 1925-1947, éd. Sous le Vent, Paris, 1983, ill. p. 11
Provenance
Collection Roger Marx, Paris
ALBERT DAMMOUSE – IMPORTANT PLATE, 1903
IMPORTANT PLATE, 1903
Enamelled design of three blooming red flowers on a green background highlighted with purple, red, green and brown foliage
Stamped A.Dammouse – S
Diameter: 42 cm.
PIERRE-ADRIEN DALPAYRAT – JEAN COULON – “ANDROMEDE” EXCEPTIONAL PITCHER, CIRCA 1893-1906
“ANDROMEDE” EXCEPTIONAL PITCHER, CIRCA 1893-1906
Grès, brown-green glaze with sang de boeuf dripping
Stamped twice
Height: 28.5 cm.
Exhibition
Adrien Dalpayrat (1844-1910) – Céramiste de l’Art Nouveau, 1998
Fondation Neumann, Gingins, Switzerland
Kreismuseum Zons, Germany
Musée de l’Ile de France, Sceaux, France
Museum voor Sierkunst & Vormgeving, Gent, Belgium
Bibliography
Horst Makus & al., Adrien Dalpayrat – Céramique française de l’Art Nouveau, Arnoldsche, 1998, n. 92, p. 147
Provenance
Collection of Jean-Pierre Hassler, Switzerland
ERNEST BUSSIERE – JOSEPH ET PIERRE MOUGIN – “PETALES” VASE, CIRCA 1900
“PETALES” VASE, CIRCA 1900
Grès
Height: 27 cm
Very rare model, especially since it is known as made by Keller & Guérin, an example of which is in the collections of the Ecole de Nancy museum (inv. AD 326)
Exhibition
Exposition de l'Ecole de Nancy, Paris, 1903 (Model realized by par Keller & Guérin)
Céramiques végétales / Ernest Bussière et l'art nouveau, musée de l'école de Nancy,
21 June – 25 September 2000, n. 60 ill. p. 51
HANS STOLTENBERG LERCHE – COUPE, CIRCA 1900
COUPE, CIRCA 1900
Enamelled grès with metallic reflections
Central design of a medallion with an ocher female profile
The side of the plate is decorated with blue, green and purple flowers
Signed with the seal and Saint-Lerche
Diameter: 20 cm.
Bibliography
“En Norvège, la note originale est donnée par M. Lerche, qui expose des plats, des vases, des coupes d’une facture très large et très osée, où le décor arrive même parfois à confusion. Mais l’artiste est un chercheur ; des sculptures très nerveusement modelées, des plateaux ou des corbeilles d’étain montrent son activité et son intelligence de l’ornement. Il a même inauguré quelques essais curieux de motifs de décoration céramique, où la fonte de métal s’unit aux incrustations d’émaux”, Alexandre Sandier La Céramique à l’Exposition (de 1900), Art et Décoration, vol. I, 1901, p.54 and p. 55
At the Société Nationale des Beaux-Arts of 1910, Hans Stoltenberg Lerche exhibits a plate in ceramic decorated with a head
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 350
ERNEST-EMILE CHAPLET – VASE
VASE
High-fired porcelain. Purple glaze
Signed with the monogram of the artist and X
Height: 21 cm.
ERNEST-EMILE CHAPLET – HAVILAND & CIE – DOUBLE SHOULDERED BOTTLE WITH THREE SMALL HANDLES, CIRCA 1885
DOUBLE SHOULDERED BOTTLE WITH THREE SMALL HANDLES, CIRCA 1885
Porcelain, with a brown-green glaze mottled with blue-purple and green-celadon
Signed with the rosary mark and bearing the monogram H & Cie
Height: 21 cm.
Provenance
Madame Lenoir, granddaughter of the painter Henri Lebasque who was maried to one of Ernest Chaplet’s daughters