ERNEST-EMILE CHAPLET – PITCHER (ATELIER D’AUTEUIL, PERIOD 1882-1886)
PITCHER (ATELIER D’AUTEUIL, PERIOD 1882-1886)
Enamelled grès
Signed
Height: 33 cm.
Bibliography
The Paris Salons, p. 82
Showing 73–96 of 242 results
FRANCOIS-RUPERT CARABIN – “AUBERGINE” COVERED BOX, 1896
“AUBERGINE” COVERED BOX, 1896
Red burgundy enamelled grès shaped like an eggplant. The mount in wrought iron
Signed with the monogram of the artist
28 cm. long
Exhibition
Salon de la Société Nationale des Beaux-Arts, Paris, 1897
Cocarde, 22 October 1897
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 186, ill. p. 227
SOLD
ALBERT DAMMOUSE – PIERRE ROCHE – PLATE, CIRCA 1900
PLATE, CIRCA 1900
Stoneware
Stamped A DAMMOUSE, with the letter S (for Sèvres)
23 cm. diameter
Bibliography
Paul Arthur French, Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 327
No other similar piece executed by Dammouse is known to exist. Nevetheless we know Alexandre Bigot executed similar works designed by the sculptor Pierre Roche, who collaborated with Dammouse. This piece is probably a result of their collaboration
HENRI SIMMEN – VASE, CIRCA 1910-1912
VASE, CIRCA 1910-1912
Grès with a symmetrical design. Dark brown, light brown and black enameled glaze
Signed
Height: 28.5 cm.
Diameter: 13 cm.
HENRI SIMMEN – EXCEPTIONAL VASE, CIRCA 1910
EXCEPTIONAL VASE, CIRCA 1910
Grès, with brown-black painted decoration of three stylised women in the manner of the work of Mackintosh at the Glascow school and the drawings by Hoffman of the Vienna Secession
Application of gold pastilles in relief
Signed H Simmen
Height: 35.5 cm.
Provenance
Collection Marcel Tessier (1934-2024), s.c.p. Antoine Glück et Etienne Mercier, Drouot, Rive-gauche, 16 June 1978, lot n. 160, ill. p. 43 in the exhibition catalogue
CHARLOTTE BESNARD – ALBERT DAMMOUSE – “LA SALAMANDRE”, CIRCA 1903
“LA SALAMANDRE”, CIRCA 1903
Stoneware overlaid with sang-de-boeuf and beige glaze
Monogrammed AD and S (for Sèvres) and signed in full
20 x 21 x 15 cm.
Identical example inventoried in the collections of the Petit Palais, musée des Beaux-Arts
de la ville de Paris
A similar example was part of the Marcel Tessier collection, Les Arts du Feu, Drouot, Mes Glück et Mercier, 16 June 1978, lot 77
Exhibition
Société Nationale des Beaux-Arts, 1903
Albert Besnard, Modernités Belle Epoque, Evian, Paris, 2016
Musée Galliera, Exposition de la Porcelaine, son décor, sa monture, 1907, described as “Statuette, Mme Besnard”
Bibliography
L’Art Décoratif aux Expositions des Beaux-Arts, Armand Guérinet Editeur, Paris, 1903, ill. pl.1.
Art et Décoration, June 1903, p. 200
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill. p. 57
BING & GRONDAHL – VASE, CIRCA 1900
VASE, CIRCA 1900
Porcelain, with a polychrome country design
Bearing the manufacturer’s stamp, numbered 6760/95 and bearing the decorator’s mark
Height: 27 cm
BING & GRONDAHL – KAI NIELSEN – SET OF FIVE FIGURES, CIRCA 1900-1910
SET OF FIVE FIGURES, CIRCA 1900-1910
Grès, featuring fauns and women in harvest scenes
Signed, bearing the manufacturer stamp
Height: 9.5 to 23 cm.
Bibliography
Skonvirke, vol. 1, 1914-15, p. 40
HENRI SIMMEN – IMPORTANT VASE, 1911
IMPORTANT VASE, 1911
Large grès baluster footed vase decorated with brown and black enamel dotted spiral patterns
Signed. With original handwritten label H° 1 250
Height: 34 cm.
Exhibition
Salon d’Automne, Paris, 1911
ALEXANDRE BIGOT – ALFRED JEAN HALOU – “SERPENT ENSERRANT UN CRAPAUD”, MODEL OF 1898
“SERPENT ENSERRANT UN CRAPAUD”, MODEL OF 1898
Very rare plate in grès
Signed and dated 1900
Tiny old restoration
Diameter : 27 cm
Exhibition
At the Exposition Universelle of 1900, Bigot had his own pavilion entirely made in grès.
He also exhibited afresco of three squares depicting a circle of toads after Halou.
At the end of the exhibition, the entire pavilion
was acquired by the Museum of Applied Arts in Budapest
MANUFACTURE NATIONALE DE SEVRES – LOUIS-MAURICE BOCQUET – GENEVIEVE RAULT – VASES D’ANGERS, 1902
VASES D'ANGERS, 1902
Hard-paste porcelain. Polychrome design of fuschias
Author of the decor: Geneviève RAULT
Decorated by: Louis-Marie BOCQUET
Height: 60 cm
Bibliography
L'Art Décoratif, June 1902, ill. p. 126
NILS DE BARCK – IMPORTANT VASE, 1900
IMPORTANT VASE, 1900
Grès with a design of nudes in high relief
Signed, located St. Amand and dated 1900
Height: 43.5 cm.
ERNEST-EMILE CHAPLET – VASE, CIRCA 1900
VASE, CIRCA 1900
Ceramic with a green and blue glaze on a rouge sang-de-boeuf background
Signed with the rosary mark
12.5 cm. high
ALBERT DAMMOUSE – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Grès with a floral design on a turquoise background with sang-de-boeuf glaze
Signed underneath with the initials and S (For Sèvres)
Height: 11 cm.
ALBERT DAMMOUSE – BALUSTER VASE, CIRCA 1900
BALUSTER VASE, CIRCA 1900
Enameled Grès with sang-de-boeuf glaze
Bearing the monogram of the artist and located at Sèvres
Height: 16.5 cm.
ALBERT DAMMOUSE – BALUSTER VASE, CIRCA 1900
BALUSTER VASE, CIRCA 1900
Enameled grès with a decor of a blackbird and flowers
Signed with the circular stamp. Some firing losses at the base
Height: 27 cm.
ANDRE METTHEY – FOUR FROGS GOURD – CIRCA 1900
FOUR FROGS GOURD – CIRCA 1900
Rare grès (neck reduced)
Engraved signature, numbered 27/1 and AC
Height: 23 cm.
Exhibition
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 274
ALBERT DAMMOUSE – SHOULDERED BALUSTER VASE, CIRCA 1900
SHOULDERED BALUSTER VASE, CIRCA 1900
Grès with a design in pâte d’émail of anemones and white rowan, yellow-green and brown on a red ocher background
Signature with stamp
Height: 40 cm.
MAURICE DUFRENE – ATELIER DE GLATIGNY – IMPORTANT VASE, CIRCA 1900
IMPORTANT VASE, CIRCA 1900
Shouldered baluster vase in grès with green and burgundy drippings at the neck on a white
background, the design attributed to Maurice Dufrêne
Interior with sang-de-boeuf drippings
Signed Glatigny and numbered 277
Height: 40 cm.
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 188
AUGUSTE DELAHERCHE – COVERED POT, CIRCA 1900
COVERED POT, CIRCA 1900
Grès in slate color with brown and green glaze. The lid is openwork and decorated with fruits and stems
Bearing the monogram of the artist on both parts
Diameter of the base (incl. the handles): 39 cm.
Diameter of the lid (incl. the handles): 36 cm.
Height: 22 cm.
EMILE DECOEUR – BOTTLE, 1904
BOTTLE, 1904
Grès in a vegetal shape and a small handle at the neck
Polychrome enamel in shades of green, brown, blue and sang-de-boeuf
Signed in full and impressed with a trefoil mark
The underside with a label : Collection / Gaston Derys / 10 rue Poussin / Paris
Height: 32 cm.
Exhibition
Art Nouveau Belgium / France, Houston & Chicago, 1976, similar model ill. n°266, page 187
MICHEL CAZIN – VASE, CIRCA 1900
VASE, CIRCA 1900
Vase in the shape of a bottle in light beige grès, with a design of a wreath of flowers and leaves
Signed with the monogram of the artist
The base in gilt bronze, with a design of flowers, signed with the initials of the artist
Height: 33 cm
Bibliography
L. de Fourcaud, Les Arts décoratifs au Salon de 1899 / Les objets d’art (II)
La Société Nationale Revue des Arts décoratifs, 1899, page 330 :
Michel Cazin offers us a beautiful suite of whitish, reddish and dark vases, decorated with a relief of mistletoe, oak, foliage and woven cords
Paul Arthur, French Art Nouveau Ceramics : An Illustrated Dictionary, Norma éditions, 2015, ill. p. 99
WILLIAM LEE – SAKE BOTTLE, CIRCA 1900
SAKE BOTTLE, CIRCA 1900
Grès overlaid with kaki green glaze, mottled yellow ocher and brown drippings
Signed with the monogram of the artist
Height: 16.5 cm.
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 238
EMILE DECOEUR – BALUSTER VASE, CIRCA 1905
BALUSTER VASE, CIRCA 1905
Gray-beige enamel on a blue background. Openwork design with stylized flowers
Signed E Decœur, engraved trefoil mark under the piece
Height: 22 cm.
Width: 16 cm.