ERNEST-EMILE CHAPLET – CYLINDRICAL WASTED VASE, CIRCA 1900
CYLINDRICAL WASTED VASE, CIRCA 1900
Grès with a red glaze
8.2 cm. high
10.5 cm. diameter
Showing 193–216 of 262 results
SERAPHIN SOUDBININE – PAUL JEANNENEY – “LA DOULEUR”, 1907
“LA DOULEUR”, 1907
Grès overlaid with green glaze
Signed and dated
35 cm. high
32 cm. wide
19 cm. deep
Bibliography
Marc Ducret and Patricia Montjaret, L’école de Carriès, art céramique à Saint-Amand-en-Puisaye
1888-1940, Paris, éditions de l’Amateur, 1997, similar example ill. p. 125
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, Norma éditions, 2015, similar example ill. p. 349
ERNEST BUSSIERE – KELLER & GUERIN – “CHARDON” VASE, CIRCA 1900
“CHARDON” VASE, CIRCA 1900
Glazed stoneware
28.5 cm. high
Similar example at the musée de l’Ecole de Nancy
Exhibition
Exposition de la Céramique, Esplanade des Invalides, Paris 1900
Pavillon de Marsan, Paris, 1903
Nancy 1900 – Jugendstil in Lothringen, Münchner Stadtmuseum, 28 August 1980-6 January 1981,
n. 410, n. 67
Céramiques végétales – Ernest Bussière et l’Art Nouveau, musée de l’Ecole de Nancy,
21 June-25 September 2000, ill. p. 46, n. 48
Bibliography
La Lorraine, July 1900, ill. p. 27
Der Moderne Stil, volume 4, Julius Hoffmann junior, ill. pl. 50
Klopp, Gérard, Nancy 1900 – Rayonnement de l’Art Nouveau, 1991, n. 217
Jean-Paul Midant, L’Art Nouveau en France, L’Aventurine, Paris, 1999, ill. p. 35
BING & GRONDAHL – JENS DAHL-JENSEN – LA MAISON MODERNE – VIDE-POCHE, 1898
VIDE-POCHE, 1898
Bluish white poreclain
Signed and dated 98. Bearing the manufacturer's stamp
This model is illustrated in the Maison Moderne catalogue under the number 1349-11
20 cm. high
ERNEST BUSSIERE – KELLER & GUERIN – “BRACTEE D’OMBELLE”, CIRCA 1900
“BRACTEE D’OMBELLE”, CIRCA 1900
Earthenware vase decorated with low-fired metallic iridescent glaze, decorated with leaves and openwork stems
Signed underneath K.G. Lunéville BUSSIERE
28 cm. high
Exhibition
Exposition de l’Alliance Provinciale des Industries d’Art, Union Centrale des Arts Décoratifs, Paris, March 1903
Nancy 1900 Jugendstil in Lothringen, Münchner Stadtmuseum, 1980, n. 409, p. 365
Christian Debize, L’Ecole de Nancy, Presses Universitaires de Nancy, 1993, ill. p. 89
Céramiques végétales – Ernest Bussière et l’Art Nouveau – Musée de l’Ecole de Nancy, 21 June-25 September 2000, ill. p. 44
MANUFACTURE NATIONALE DE SEVRES – INKWELL, 1900
INKWELL, 1900
Decorated by Henri-Joseph Lasserre
Model by Denis Ligue
Porcelain; the lid in the shape of a snail. With a design of clover leaves and flowers
With manufacturer mark dated 1900
8 x 13.5 cm.
Exhibition
Paris Salons, p. 434
ALBERT DAMMOUSE – A RARE COVERED PITCHER, CIRCA 1890
A RARE COVERED PITCHER, CIRCA 1890
Glazed stoneware, thickly overlaid with sang-de-boeuf glaze, the lid in vermeil stylized as a flower
Impressed circular signature A DAMMOUSE S (for Sèvres)
with silversmith and French Minerva marks
18.5 cm. high
JEAN CARRIES – JAPANESE BOTTLE, CIRCA 1900
JAPANESE BOTTLE, CIRCA 1900
Glazed stoneware, multilayered in brown, blue and pink dripping
Signed and numbered 30 underneath
15.5 cm. high
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015,
ill. p. 93
Frédéric Descouturelle, Olivier Pons, La céramique et la lave émaillée d’Hector Guimard, Edition du Cercle Guimard, p. 15
Provenance
Formerly in the collection of Maître Francis Lombrail, Paris
SOLD
ROYAL COPENHAGEN – ARNOLD KROG – VASE, CIRCA 1900-1901
VASE, 1900-1901
Model of 1898-1899, executed in 1900-1901
Openwork porcelain with a design of white poppies
Signed
13.7 cm. high
ROYAL COPENHAGEN – CHRISTIAN THOMSEN – “SNAKES” VASE, CIRCA 1900
“SNAKES” VASE, CIRCA 1900
Openwork enamelled porcelain; three snakes forming the handles
Signed, numbered 298/176 and 60
14.5 cm. high
ALEXANDRE BIGOT – ALOIS REINITZER – “LA DANSEUSE LOIE FULLER” VASE, 1900
“LA DANSEUSE LOIE FULLER” VASE, 1900
Grès
Signed by both artists
25 cm. high
This vase was probably exhibited at the Exposition Universelle and a la Société des Artistes Français, 1900
Biliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 319
EDGAR WILLIAM BRANDT – ATELIER DE GLATIGNY – VASE, CIRCA 1910
VASE, CIRCA 1910
Grès. Grey green dripping on a beige background. The red copper mount is hammered and hand tooled
Impressed signature and bearing the Brandt seal
32 cm. high
MANUFACTURE NATIONALE DE SEVRES – ALEXANDRE CLERGET – “APRES LE BAL”, 1906
“APRES LE BAL”, 1906
Biscuit
Signed at the base; bearing the Sèvres triangular seal dated 1906
25.5 cm. high
Exhibition
Salon des Artistes Français 1906 (for the model in stone)
ROYAL COPENHAGEN – PLANTER, 1896
PLANTER, 1896
Signed
26.7 cm. high
26 cm. diameter
ANDRE METTHEY – VASE, CIRCA 1900
VASE, CIRCA 1900
Grès with grey and blue glaze with a design of a woman
Signed
22 cm. high
AGATHON LEONARD – “LE SOMMEIL DE LA VIERGE”, 1901
“LE SOMMEIL DE LA VIERGE”, 1901
Patinated terracotta
Titled on the base and signed
Exhibition
Société Nationale des Beaux-Arts, 1901 (for the model in marble)
KELLER & GUERIN – WALL PLATE, CIRCA 1900
WALL PLATE, CIRCA 1900
Aquatic design with a decor of algae and crab. In the center, a woman’s head wearing a helmet in the shape of a shell
The glaze is slightly glossed in purple and green and partially gilded
Signed KG
37 cm. diameter
ALEXIS BOISSONNET – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Grès
Signed
22.5 cm. high
ERNEST BUSSIERE – KELLER & GUERIN – “MARRON” JUG, 1903
“MARRON” JUG, 1903
Earthenware decorated with low-fired iridescent glaze heightened in gold
Signed KG / Lunéville / Bussière
14 cm. high
A similar example is to be found at the Musée de l’Ecole de Nancy, inv. Corbin
Exhibition
Exposition de l’Ecole de Nancy, Musée des Arts Décoratifs, Paris, 1903
Bibliography
Céramiques végétales / Ernest Bussière et l’art nouveau, Musée de l’Ecole de Nancy, 21 June-25 September 2000, n. 35 ill p. 41
BING & GRONDAHL – CATHINCA OLSEN – F. AUGUSTE HALLIN – PAIR OF VASES, 1892-1902
PAIR OF VASES, 1892-1902
Porcelain with a polychrome design
Shape of F. August Hallin
Both bear the three tower mark
The first numbered 848/58; bears the artist’s initials KK
22 cm. high
The second numbered 1524/58; bears the monogram of Cathinca Olsen
21 cm. high
NILS LUNDSTRÖM – RORSTRAND PORSLINFABRIKER AB – OPENWORK VASE, CIRCA 1900
OPENWORK VASE, CIRCA 1900
Porcelain
Bearing the monogram of the artist, incised 80031 EG
15.3 cm. high
BING & GRONDAHL – VASE, CIRCA 1900
VASE, CIRCA 1900
Porcelain
Bearing the manufacturer’s stamp, signed AM
24.5 cm. high
JOSEPH ET PIERRE MOUGIN – “QUI S’Y FROTTE, S’Y PIQUE” PLANTER, 1909
“QUI S’Y FROTTE, S’Y PIQUE” PLANTER, 1909
Grès with green, yellow, pink, purple and beige glazes
Signed J. Mougin and J. P. Mougin céramistes underneath
Numbered 3144 and Esquisse de J. Mougin
34 cm. high
39 cm. diameter
Exhibition
Exposition Internationale de l’Est de la France, Nancy, 1909
Bibliography
Art et Industrie, January 1912
Catalogue de la maison Mougin, 1914, ill. pl. 1, n. 2
ANDRE METTHEY – VASE, 1913
VASE, 1913
Enamelled floral decor with applied openwork design
Signed with the monogram of the artist; marked Methey 1913
32 cm. high
Exhibition
Exposition Universelle, Gand, 1913