Art Nouveau & Art Déco - Gallery in Monaco
Showing 121–144 of 144 results
COLOCYNTH, CIRCA 1900
Grès with yellow, blue, brown glazes
Signed VD
11.5 cm.
Bibliography
Arielle Guillaume Voisin-Delacroix – ou quand un sculpteur rencontre un céramiste, 1993,
similar model ill. p. 69, n. 43
Horst Makus Adrien Dalpayrat – Céramiste de l’Art Nouveau, Arnoldsche, 1998,
similar model ill. p. 114, n°31
MONK MASK, CIRCA 1900
Grès with green and ochre glazes
Signed
Bearing a label Grès flammé de Dalpayrat – Exposition galerie Georges Petit Décembre 1892
23 cm x 23.5 cm.
Exhibition
Galerie Georges Petit, Paris, December 1892, January 1893
“ATHLETE”, CIRCA 1900
Grès with green and brown glaze
18.5 cm. high
“LEDA AND THE SWAN”, CIRCA 1900
Polychrome enameled stoneware
Signed
23 cm. high
26 cm. long
Exhibition
Sammlung Maria und Hans-Jörgen Heuser, Hamburg
Kunstgewerbemuseums, Köln, 10/4 – 28/7 1974
Kestner-Museum, Hannover, 22/8 – 3/11 1974
Hessischen Landesmuseum, Darmstadt,12/12/74 –
2/2/75 n. 100
Bibliography
Prestel-Verlag München, 1974 Französische Keramik zwischen 1850 und 1910, ill. p. 161, n. 100
The Paris Salons, p. 101
INKWELL “OWL”, CIRCA 1904-1906
Grès
Signed Les Grands Feux de Dalpayrat
18 x 15 cm.
Bibiography
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, Norma Editions, 2015, ill. p. 120
JUG, CIRCA 1900
Grès with a sang-de-boeuf, brown and purple glazes
Signed
14 cm. high
31.5 cm. diameter
VASE, CIRCA 1900
White and pink porcelain with stylized vegetal decoration
Marked with the artist’s monogram
29 cm. high
Identical model in the GDA collection in Limoges
Bibliography
Edith Mannoni, Porcelaines de Limoges, Massin éditeur, ill. p. 93
Exhibition
Georges de Feure – Du symbolisme à l’art nouveau, Musée départemental Maurice Denis, Le Prieuré
11 March-5 June 1995
Fondation Neumann, Gingins, Suisse, 15 June-3 September 1995, n. 122
COLOCYNTH VASE, CIRCA 1900
Grès
Signed and numbered A12
33 cm. high
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill. p. 64
”DANTE ET VIRGILE”, 1903
Biscuit
Signed, marked with the manufacturer’s stamp,
stamped A.C (Alphonse Cieutat) and numbered 03.04 (April 1903)
36 cm. high
Bibliography
Colette Dumas, Théodore Rivière, sa vie, son œuvre, n. 78
BALUSTER VASE, CIRCA 1900
White porcelain decorated with blue flowers et white flowers highlighted with gold
Stamped with the artist’s and Art Nouveau Bing’s marks
15.5 cm. high
VASE, CIRCA 1900
White porcelain, decorated with two white and grey flying swans on a
blue and grey background
32 cm. high
A similar example of this design is part of the collections of the Metropolitan Museum of Art,
New York, inv. n. 26.228.9
A PAIR OF VASES, CIRCA 1900
Porcelain decorated with flowers and leaves; the chased mount in patinated wrought-iron
Marked with the manufacturer’s stamp and respectively numbered S97 and S98
24 cm. high
BALUSTER VASE, CIRCA 1900
Gilt bronze
Bearing the monogram PMP and located Sèvres, the mount is signed G. Keller Paris
37.5 cm. high
Bibliography
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, Norma Editions, 2015, ill. p. 383
VIDE-POCHE “LEZARD”, CIRCA 1900
Porcelain
Bearing the manufacturer’s seal and numbered 1100 and 158
20 cm. diameter
“LA SOIF”, CIRCA 1900
An earthenware coloquinte
Signed A. Finot sc / J.P. Mougin ceram. and numbered 2499
19 cm. high
An identical model is part of the collection of the Musée de l’Ecole de Nancy
Bibliography
La Lorraine Artiste, december 1900, ill. p. 156
Art Nouveau Belgium/France, Institute for the Arts, Rice University, 1976, p. 275, n°438
Jacques G. Peiffer, Nancy 1900, Gérard Klopp s.a. éditor, 1989, ill. p. 211
Jean-Paul Midant, L’Art Nouveau en France, L’Aventurine, Paris, 1999, ill p. 68
Renate Ulmer, Art Nouveau Symbolismus und Jugendstil in Frankreich, Arnoldsche, 1999, ill. p. 281, n. 277
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill p. 155
“LA VAGUE” JARDINIERE, CIRCA 1900
Glazed stoneware
Signed by both artists
17 x 28 cm. high
Bibliography
Jacques G. Peiffer, Les Frères Mougin, Sorciers du grand feu, Grès et porcelaine 1898-1950, éditions Fatton, 2001, ill. p. 152
MILK JUG, CIRCA 1900
Grès
Signed Mougin Frs, bearing the monogram AF and numbered
12 cm. high
Bibliography
Francine Bertrand, Joseph et Pierre Mougin poètes du feu, 2000, ill. p. 13
VASE, CIRCA 1909
Grès
Signed and marked esquisse, n. 2873
35 cm. high
Exhibition
Exposition Internationale de l’Est de la France, Nancy, 1909
VASE “SNAKES”, CIRCA 1900
Porcelain
Marked with the artist’s monogram, bearing the manufacturer’s stamp and numbered 633/326
14 cm. high
Bibliography
Bredo L. Grandjean, Kongelig dansk Porcelain 1884-1980, Gyldendal, ill. p. 41
VASE, CIRCA 1903-1905
Shape as an eggplant, rouge-sang-de-boeuf
Bearing the artist monogram, with trefoil, and numbered 03.12
23 cm. high
Bibliography
Le Style Moderne. L’ART APPLIQUÉ Revue Internationale, 1904-1905, H. Laurens Editeur, Paris. ill. pl. 35
VASE, 1897
Superb polychrome enameled porcelain vase decorated with flowers, foliage, a butterfly
and an insect highlighted in gold
Signed underneath with the initials SHG, dated 1897 et bearing the letters CN (for Camille Naudot)
incised in the paste
17.5 cm. high
Sieffert, Harant and Guignard (originally Harant et Guignard) were mainly Parisian retailers
of crystal and glass, they did however sell some ceramics, and commissioned pieces. Indeed, they acquired the firm of Charles Lerosey (Le Rosey),
who decorated soft-paste porcelain vases by Naudot, often with Japoniste floral designs and
sometimes with émail cloissoné, following the technique introduced by Thesmar to Sèvres.
Some pieces were decorated by Louis Eugéne Sieffert, others by Adolphe Faugeron.
Their works were exhibited at the 1900 Exposition Universelle.
Their work seems to be quite rare. (Information graciously provided by Professor Paul Arthur).
VASE, CIRCA 1900
Stoneware
Signed and numbered N62
37 cm. high
PLATE, CIRCA 1900
Stoneware
Stamped A DAMMOUSE, with the letter S (for Sèvres)
23 cm. diameter
Bibliography
Paul Arthur French, Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 327
No other similar piece executed by Dammouse is known to exist. Nevetheless we know Alexandre Bigot executed similar works designed by the sculptor Pierre Roche, who collaborated with Dammouse. This piece is probably a result of their collaboration
“AUBERGINE” COVERED BOX, 1896
Enamelled stoneware
Signed with the monogram of the artist
28 cm. long
Exhibition:
Salon de la Société Nationale des Beaux-Arts, Paris, 1897
Cocarde, 22 October 1897
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 186, ill. p. 227