PIERRE-ADRIEN DALPAYRAT – VASE, CIRCA 1900
VASE, CIRCA 1900
Grès with a sang-de-bœuf, green, anthracite and
beige glazes
12.5 cm. high
14.5 cm. diameter
Showing 121–143 of 143 results
PIERRE-ADRIEN DALPAYRAT – LUCIEN COUDRAY – “VASE AU LIERRE” CIRCA 1904 -1906
“VASE AU LIERRE” CIRCA 1904-1906
Grès overlaid with sang-de-boeuf,
green and blue glaze, decorated with ivy leaves
Stamped Les Grands Feux / Paul Dalpayrat /
L. Coudray
22 cm. high
17.5 cm. diameter
Bibliography
Horst Makus & al., Adrien Dalpayart – Céramique française de l’Art Nouveau, Arnoldsche, 1998,
p. 127, n. 56
PIERRE-ADRIEN DALPAYRAT – ALPHONSE VOISIN-DELACROIX – COLOCYNTH, CIRCA 1900
COLOCYNTH, CIRCA 1900
Grès with yellow, blue, brown glazes
Signed VD
11.5 cm.
Bibliography
Arielle Guillaume Voisin-Delacroix – ou quand un sculpteur rencontre un céramiste, 1993,
similar model ill. p. 69, n. 43
Horst Makus Adrien Dalpayrat – Céramiste de l’Art Nouveau, Arnoldsche, 1998,
similar model ill. p. 114, n°31
PIERRE-ADRIEN DALPAYRAT – MONK MASK, CIRCA 1900
MONK MASK, CIRCA 1900
Grès with green and ochre glazes
Signed
Bearing a label Grès flammé de Dalpayrat – Exposition galerie Georges Petit Décembre 1892
23 cm x 23.5 cm.
Exhibition
Galerie Georges Petit, Paris, December 1892, January 1893
PIERRE-ADRIEN DALPAYRAT – “ATHLETE”, CIRCA 1900
“ATHLETE”, CIRCA 1900
Grès with green and brown glaze
18.5 cm. high
PIERRE-ADRIEN DALPAYRAT – “LEDA AND THE SWAN”, CIRCA 1900
“LEDA AND THE SWAN”, CIRCA 1900
Polychrome enameled stoneware
Signed
23 cm. high
26 cm. long
Exhibition
Sammlung Maria und Hans-Jörgen Heuser, Hamburg
Kunstgewerbemuseums, Köln, 10/4 – 28/7 1974
Kestner-Museum, Hannover, 22/8 – 3/11 1974
Hessischen Landesmuseum, Darmstadt,12/12/74 –
2/2/75 n. 100
Bibliography
Prestel-Verlag München, 1974 Französische Keramik zwischen 1850 und 1910, ill. p. 161, n. 100
The Paris Salons, p. 101
PIERRE-ADRIEN DALPAYRAT – INKWELL “OWL”, CIRCA 1904-1906
INKWELL “OWL”, CIRCA 1904-1906
Grès
Signed Les Grands Feux de Dalpayrat
18 x 15 cm.
Bibiography
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, Norma Editions, 2015, ill. p. 120
PIERRE-ADRIEN DALPAYRAT – JUG, CIRCA 1900
JUG, CIRCA 1900
Grès with a sang-de-boeuf, brown and purple glazes
Signed
14 cm. high
31.5 cm. diameter
GEORGES DE FEURE – VASE, CIRCA 1900
VASE, CIRCA 1900
White and pink porcelain with stylized vegetal decoration
Marked with the artist’s monogram
29 cm. high
Identical model in the GDA collection in Limoges
Bibliography
Edith Mannoni, Porcelaines de Limoges, Massin éditeur, ill. p. 93
Exhibition
Georges de Feure – Du symbolisme à l’art nouveau, Musée départemental Maurice Denis, Le Prieuré
11 March-5 June 1995
Fondation Neumann, Gingins, Suisse, 15 June-3 September 1995, n. 122
MAX BLONDAT – COLOCYNTH VASE, CIRCA 1900
COLOCYNTH VASE, CIRCA 1900
Grès
Signed and numbered A12
33 cm. high
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill. p. 64
MANUFACTURE NATIONALE DE SEVRES – LOUIS-AUGUSTE THEODORE-RIVIERE – ”DANTE ET VIRGILE”, 1903
”DANTE ET VIRGILE”, 1903
Biscuit
Signed, marked with the manufacturer’s stamp,
stamped A.C (Alphonse Cieutat) and numbered 03.04 (April 1903)
36 cm. high
Bibliography
Colette Dumas, Théodore Rivière, sa vie, son œuvre, n. 78
EDWARD COLONNA – GDA LIMOGES – BALUSTER VASE, CIRCA 1900
BALUSTER VASE, CIRCA 1900
White porcelain decorated with blue flowers et white flowers highlighted with gold
Stamped with the artist’s and Art Nouveau Bing’s marks
15.5 cm. high
GEORGES DE FEURE – GDA LIMOGES – VASE, CIRCA 1900
VASE, CIRCA 1900
White porcelain, decorated with two white and grey flying swans on a
blue and grey background
32 cm. high
A similar example of this design is part of the collections of the Metropolitan Museum of Art,
New York, inv. n. 26.228.9
MANUFACTURE NATIONALE DE SEVRES – A PAIR OF VASES, CIRCA 1900
A PAIR OF VASES, CIRCA 1900
Porcelain decorated with flowers and leaves; the chased mount in patinated wrought-iron
Marked with the manufacturer’s stamp and respectively numbered S97 and S98
24 cm. high
PAUL MILET – GUSTAVE KELLER – BALUSTER VASE, CIRCA 1900
BALUSTER VASE, CIRCA 1900
Gilt bronze
Bearing the monogram PMP and located Sèvres, the mount is signed G. Keller Paris
37.5 cm. high
Bibliography
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, Norma Editions, 2015, ill. p. 383
ROYAL COPENHAGEN – ANDREA PETERSEN – “LEZARD” VIDE-POCHE, CIRCA 1900
“LEZARD” VIDE-POCHE, CIRCA 1900
Porcelain
Bearing the manufacturer’s seal and numbered 1100 and 158
20 cm. diameter
ALFRED FINOT – JOSEPH ET PIERRE MOUGIN – “LA SOIF”, CIRCA 1900
“LA SOIF”, CIRCA 1900
An earthenware coloquinte
Signed A. Finot sc / J.P. Mougin ceram. and numbered 2499
19 cm. high
An identical model is part of the collection of the Musée de l’Ecole de Nancy
Bibliography
La Lorraine Artiste, december 1900, ill. p. 156
Art Nouveau Belgium/France, Institute for the Arts, Rice University, 1976, p. 275, n°438
Jacques G. Peiffer, Nancy 1900, Gérard Klopp s.a. éditor, 1989, ill. p. 211
Jean-Paul Midant, L’Art Nouveau en France, L’Aventurine, Paris, 1999, ill p. 68
Renate Ulmer, Art Nouveau Symbolismus und Jugendstil in Frankreich, Arnoldsche, 1999, ill. p. 281, n. 277
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill p. 155
ALFRED FINOT – JOSEPH ET PIERRE MOUGIN – “LA VAGUE” JARDINIERE, CIRCA 1900
“LA VAGUE” JARDINIERE, CIRCA 1900
Glazed stoneware
Signed by both artists
17 x 28 cm. high
Bibliography
Jacques G. Peiffer, Les Frères Mougin, Sorciers du grand feu, Grès et porcelaine 1898-1950, éditions Fatton, 2001, ill. p. 152
ALFRED FINOT – JOSEPH ET PIERRE MOUGIN – MILK JUG, CIRCA 1900
MILK JUG, CIRCA 1900
Grès
Signed Mougin Frs, bearing the monogram AF and numbered
12 cm. high
Bibliography
Francine Bertrand, Joseph et Pierre Mougin poètes du feu, 2000, ill. p. 13
EMILE DECOEUR – VASE, CIRCA 1903-1905
VASE, CIRCA 1903-1905
Shape as an eggplant, rouge-sang-de-boeuf
Bearing the artist monogram, with trefoil, and numbered 03.12
23 cm. high
Bibliography
Le Style Moderne. L’ART APPLIQUÉ Revue Internationale, 1904-1905, H. Laurens Editeur, Paris. ill. pl. 35
CAMILLE NAUDOT – SIEFFERT, HARANT & GUIGNARD – VASE, 1897
VASE, 1897
Superb polychrome enameled porcelain vase decorated with flowers, foliage, a butterfly
and an insect highlighted in gold
Signed underneath with the initials SHG, dated 1897 et bearing the letters CN (for Camille Naudot)
incised in the paste
17.5 cm. high
Sieffert, Harant and Guignard (originally Harant et Guignard) were mainly Parisian retailers
of crystal and glass, they did however sell some ceramics, and commissioned pieces. Indeed, they acquired the firm of Charles Lerosey (Le Rosey),
who decorated soft-paste porcelain vases by Naudot, often with Japoniste floral designs and
sometimes with émail cloissoné, following the technique introduced by Thesmar to Sèvres.
Some pieces were decorated by Louis Eugéne Sieffert, others by Adolphe Faugeron.
Their works were exhibited at the 1900 Exposition Universelle.
Their work seems to be quite rare. (Information graciously provided by Professor Paul Arthur).
HENRI SIMMEN – VASE, CIRCA 1900
VASE, CIRCA 1900
Stoneware
Signed and numbered N62
37 cm. high
MANUFACTURE NATIONALE DE SEVRES – LEO LAPORTE BLAIRSY – “LES RAMEAUX”, CIRCA 1900
“LES RAMEAUX”, CIRCA 1900
Biscuit
Signed, bearing the Sèvres seal and marked AD 03
43 cm. high
Bibliography
Art et Décoration, August 1902, p. 40 (bronze)
L’Art Décoratif aux Expositions des Beaux-Arts, 1904, pl. 166 (bronze with a gilt patina)
La Décoration Moderne, 13ème année, 1905-1906, pl. 54
Emile Bourgeois & Geo. Lechevallier-Chevignard, Le Biscuit de Sèvres, recueil des modèles modernes de la Manufacture de Sèvres, edited by Pierre Lafitte & Cie, tom II, ill. pl. 33, n. 1308