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Ceramics

Showing 25–48 of 144 results

ERNEST BUSSIERE – KELLER & GUERIN – “BRACTEE D’OMBELLE”, CIRCA 1900

“BRACTEE D’OMBELLE”, CIRCA 1900
Earthenware vase decorated with low-fired metallic iridescent glaze, decorated with leaves and openwork stems
Signed underneath K.G. Lunéville BUSSIERE
28 cm. high

Exhibition
Exposition de l’Alliance Provinciale des Industries d’Art, Union Centrale des Arts Décoratifs, Paris, March 1903
Nancy 1900 Jugendstil in Lothringen, Münchner Stadtmuseum, 1980, n. 409, p. 365
Christian Debize, L’Ecole de Nancy, Presses Universitaires de Nancy, 1993, ill. p. 89
Céramiques végétales – Ernest Bussière et l’Art Nouveau – Musée de l’Ecole de Nancy, 21 June-25 September 2000, ill. p. 44

ALBERT DAMMOUSE – A RARE COVERED PITCHER, CIRCA 1890

A RARE COVERED PITCHER, CIRCA 1890
Glazed stoneware, thickly overlaid with sang-de-boeuf glaze, the lid in vermeil stylized as a flower
Impressed circular signature A DAMMOUSE S (for Sèvres)
with silversmith and French Minerva marks
18.5 cm. high

PIERRE-ADRIEN DALPAYRAT – ALPHONSE VOISIN-DELACROIX – VASE IN A SHAPE OF A FRUIT, ALSO KNOWN AS “COEUR DEVORE PAR UN ANIMAL”, 1892-1893

VASE IN A SHAPE OF A FRUIT, ALSO KNOWN AS “COEUR DEVORE PAR UN ANIMAL”, 1892-1893
Grès with a sang-de-boeuf and green glaze
Signed
23 cm. high

Exhibition
Adrien Dalpayrat / Céramique française de l’Art Nouveau, Arnoldsche Art Publishers, 1998,
similar model ill. p. 139 n. 79

Bibliography
Henri-Pierre Fourest & al., L’art de la Poterie en France de Rodin à Dufy, Sèvres, Musée national
de la céramique, 1971, ill. n. 83
Hakenjos, Berndt & Ekkart Klinge, Europäische des Jugendstils, Düsseldorf, Hetjens museum,
1974, p. 29, n. 29
Lynne Thornton & Antoine Alain Glück, L’Art en marge des Grands Mouvements, Salons et Visionnaires de 1880 à 1930,
Paris, Etude Pillias, 1974, p. 66, n. 116
Arielle Guillaume & al., Alphonse Voisin-Delacroix, Besançon, Musée des Beaux-Arts et d’
Archéologie de Besançon, 1993, p. 801, n. 58

JEAN CARRIES – JAPANESE BOTTLE, CIRCA 1900

JAPANESE BOTTLE, CIRCA 1900
Glazed stoneware, multilayered in brown, blue and pink dripping
Signed and numbered 30 underneath

Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015,
ill. p. 93

Provenance
Formerly in the collection of Maître Francis Lombrail, Paris

BING & GRONDAHL – JENS DAHL-JENSEN – VASE, 1899-1902

VASE, 1899-1902
Porcelain; bronze mount attributed to Manuel Orazi
Probably executed for the Maison Moderne
Signed with the monogram of the artist, numbered 1811/74B, bearing the manufacturer’s stamp
Bearing the Minerva mark and BG

ROYAL COPENHAGEN – ARNOLD KROG – VASE, CIRCA 1900-1901

VASE, 1900-1901
Model of 1898-1899, executed in 1900-1901
Openwork porcelain with a design of white poppies
Signed
13.7 cm. high

ROYAL COPENHAGEN – CHRISTIAN THOMSEN – “SNAKES” VASE, CIRCA 1900

“SNAKES” VASE, CIRCA 1900
Openwork enamelled porcelain; three snakes forming the handles
Signed, numbered 298/176 and 60
14.5 cm. high

RUBEN RISING – RORSTRAND PORSLINFABRIKER AB – “MEDUSES” VASE, CIRCA 1899-1900

“MEDUSES” VASE, CIRCA 1899-1900
Porcelain
Bearing the manufacturer’s stamp, incised R.R. and numbered 2284
22 cm. high

RUBEN RISING – RORSTRAND PORSLINFABRIKER AB – “MEDUSES” VASE, CIRCA 1899-1900

“MEDUSES” VASE, CIRCA 1899-1900
Porcelain
Bearing the manufacturer’s stamp, incised R.R. and numbered 2284
22 cm. high

RORSTRAND PORSLINFABRIKER AB – WALDEMAR LINDSTRÖM – “RAIES” VASE, 1901-1902

“RAIES” VASE, 1901-1902
Porcelain
Bearing the manufacturer’s stamp, bearing the monogram of the artist, numbered 12806
22.5 cm. high

ALEXANDRE BIGOT – ALOIS REINITZER – “LA DANSEUSE LOIE FULLER” VASE, 1900

“LA DANSEUSE LOIE FULLER” VASE, 1900
Grès
Signed by both artists
25 cm. high

This vase was probably exhibited at the Exposition Universelle and a la Société des Artistes Français, 1900

Biliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 319

EDGAR WILLIAM BRANDT – ATELIER DE GLATIGNY – VASE, CIRCA 1910

VASE, CIRCA 1910
Grès. Grey green dripping on a beige background. The red copper mount is hammered and hand tooled
Impressed signature and bearing the Brandt seal
32 cm. high

MANUFACTURE NATIONALE DE SEVRES – ALEXANDRE CLERGET – “APRES LE BAL”, 1906

“APRES LE BAL”, 1906
Biscuit
Signed at the base; bearing the Sèvres triangular seal dated 1906
25.5 cm. high

Exhibition
Salon des Artistes Français 1906 (for the model in stone)

JOSEPH ET PIERRE MOUGIN – “ALGUES” PITCHER, CIRCA 1900

“ALGUES” PITCHER, CIRCA 1900
Patinated stoneware
Numbered J112
23 cm. high

Bibliography
Jacques Peiffer, Les frères Mougin, Sorciers du grand feu, éditions Faton, Paris 2001, ill. p. 47

JOSEPH ET PIERRE MOUGIN – “ALGUES” PITCHER, CIRCA 1900

“ALGUES” PITCHER, CIRCA 1900
Patinated stoneware
Numbered J112
23 cm. high

Bibliography
Jacques Peiffer, Les frères Mougin, Sorciers du grand feu, éditions Faton, Paris 2001, ill. p. 47

FRENCH – PLANTER, CIRCA 1900

PLANTER, CIRCA 1900
Enamelled grès with a design of figures devoured by fantastic animals
25 x 50 cm.

FRENCH – PLANTER, CIRCA 1900

PLANTER, CIRCA 1900
Enamelled grès with a design of figures devoured by fantastic animals
25 x 50 cm.

ROYAL COPENHAGEN – PLANTER, 1896

PLANTER, 1896
Signed
26.7 cm. high
26 cm. diameter

ANDRE METHEY – VASE, CIRCA 1900

VASE, CIRCA 1900
Grès with grey and blue glaze with a design of a woman
Signed
22 cm. high

ERNEST CARRIERE – VASE, CIRCA 1900

VASE, CIRCA 1900
Grès with green and blue glaze with a design of carps
Signed
23 cm. high
18 cm. diameter

ALEXANDRE BIGOT – ANDRE DE MANNEVILLE – “CHANTERELLE AU SERPENT” BOWL, CIRCA 1900

“CHANTERELLE AU SERPENT” BOWL, CIRCA 1900
Grès and silver
17 cm. high

Bibliography
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, Norma éditions, 2015, ill. p. 260
Hélène Bédague, Alexandre Bigot, Chimiste et Céramiste, éditions Louvre Victoire, Paris, 2016, ill. p. 128

ALEXANDRE BIGOT – ANDRE DE MANNEVILLE – “CHANTERELLE AU SERPENT” BOWL, CIRCA 1900

“CHANTERELLE AU SERPENT” BOWL, CIRCA 1900
Grès and silver
17 cm. high

Bibliography
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, Norma éditions, 2015, ill. p. 260
Hélène Bédague, Alexandre Bigot, Chimiste et Céramiste, éditions Louvre Victoire, Paris, 2016, ill. p. 128

FRENCH – PAIR OF BALUSTER VASES, CIRCA 1870

PAIR OF BALUSTER VASES, CIRCA 1870
Porcelain green celadon with crackled background. The neck is decorated with two little handles
The mount in gilt bronze with a design of garland wreath; bronze base
Bearing the original label: Maison Alph. GIROUX, F. DUVINAGE et A. HARINKOUK Fournisseur de LL MM l’Empereur et l’Impératrice…
70 cm. high
28 cm. wide
24 cm. deep

AGATHON LEONARD – “LE SOMMEIL DE LA VIERGE”, 1901

“LE SOMMEIL DE LA VIERGE”, 1901
Patinated terracotta
Titled on the base and signed

Exhibition
Société Nationale des Beaux-Arts, 1901 (for the model in marble)

AUGUSTE DELAHERCHE – LUCIEN BONVALLET – ANTOINE-ERNEST CARDEILHAC – VASE, CIRCA 1900-1904

VASE, CIRCA 1900-1904
Ceramic. The vase is enshrined in a chased silver mount decorated with four leaves. After a design by Lucien Bonvallet
Design of medallions and geometric friezes with red, green and white enamels
Impressed with the artist’s seal and numbered 7744. The mount is signed and bears the maker’s mark
14.5 cm. high

Bibliography
Anne Gros, Les montures Art nouveau de Cardeilhac autour de 1900, La Revue des Musées de France, n.3, 2018, p. 89-98

AUGUSTE DELAHERCHE – LUCIEN BONVALLET – ANTOINE-ERNEST CARDEILHAC – VASE, POSSIBLY UNIQUE, CIRCA 1897

Vase, possibly unique, 1897
Brown glossy and polished grès; silver mount by Cardeilhac after a design by Lucien Bonvallet
Impressed with the artist’s seal and numbered 1597, with silver and makers marks, signed CARDEILHAC / PARIS
19.2 cm. high

Possibly exhibited at the 1900 Exposition Universelle
According to Mrs Anne Gros, in charge of the Christofle museum and archives, this vase was acquired from Delaherche by Cardeilhac in December 1897.

Bibliography
Anne Gros, Les montures Art nouveau de Cardeilhac autour de 1900, in La Revue des Musées de France, n.3, 2018, p. 89-98

KELLER & GUERIN – WALL PLATE, CIRCA 1900

WALL PLATE, CIRCA 1900
Aquatic design with a decor of algae and crab. In the center, a woman’s head wearing a helmet in the shape of a shell
The glaze is slightly glossed in purple and green and partially gilded
Signed KG
37 cm. diameter

PIERRE-ADRIEN DALPAYRAT – “GUENON”, CIRCA 1900

“GUENON”, CIRCA 1900
Grès with a green and white glaze
17.5 cm. high
18.5 cm wide

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