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Ceramics

Showing 25–48 of 115 results

EMILE DECOEUR – PITCHER, CIRCA 1900

PITCHER, CIRCA 1900
Sang-de-boeuf glaze, decorated with a relief decoration of grape
Monogrammed, marked with an impressed trefoil, and numbered 3-12
36.8 cm. high

Exhibition
Kunstgewerbemuseums der Stadt Köln, 10 April-28 July 1974 for another example of this design
Kestner-Museum Hannover, 22 August-3 November 1974 for another example of this design
Hessischen Landesmuseum Darmstadt, 12 December-2 February 1975 for another example of this design

Bibliography
Sammlung Maria und Hans-Jörgen Heuser, Französische Keramik zwischen 1850 und 1910, Hamburg, Prestel-Verlag München,
1974, plate n. 21 and p. 218, n. 167 in the exhibition catalogue

EMILE DECOEUR – VASE, CIRCA 1903-1905

VASE, CIRCA 1903-1905
Shape as an eggplant, rouge-sang-de-boeuf
Bearing the artist monogram, with trefoil, and numbered 03.12
23 cm. high

Bibliography
Le Style Moderne. L’ART APPLIQUÉ Revue Internationale, 1904-1905, H. Laurens Editeur, Paris. ill. pl. 35

EMILE DIFFLOTH – VASE, CIRCA 1900

Stoneware vase with a metallic iridescent glaze highlighted with gold
Stamped and numbered 13 F

EMILE JACOB & CIE – A SYMBOLIST VASE, CIRCA 1900

Glazed stoneware, vegetal shape, depicting a weeping woman leaning against a trunk
Monogram painted in green enamel under the base and numbered 817,
EJ engraved under the base

Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015,
ill. p. 213

ERNEST BUSSIERE – “PERIANTHE” VASE, CIRCA 1900

Earthenware vase decorated with low-fired glazes
Signed underneath KG / Lunéville / Bussière and numbered 3 B

Exhibition
Exhibition at the Ecole de Nancy, Paris, 1903
Atlanta Nancy, Céramique Lorraine : chefs d’oeuvre des XVIIIe et XIXe siècles, Atlanta High Museum of Art, 1990-1991;
Nancy, Musée Historique Lorrain, 1991, cat. n. 216
L’Ecole de Nancy, 1889-1909 : Art Nouveau et industries d’Art, Nancy, Galerie Poirel, 1999, cat. n. 21
Metz Nancy, Nancy Metz : une histoire de frontière 1861-1909, Metz, musée de la Cour d’Or, 1999-2000, cat. n°231 and 232
Musée de l’Ecole de Nancy, Céramiques végétales / Ernest Bussière et l’art nouveau, 21 June-2 September 2000, cat. n° 64, 65 and 66,
illustrated on the cover

Bibliography
La Lorraine Artiste, L’Ecole de Nancy à Paris, Emile Gallé, 15 March 1903, ill. p. 86
Annabelle Hery, La faïencerie de Lunéville 1786-1923 : les Keller et Guérin, Vesoul, 1999, p. 103
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 84

ERNEST BUSSIERE – KELLER & GUERIN – “BRACTEE D’OMBELLE”, CIRCA 1900

Earthenware vase decorated with low-fired metallic iridescent glaze,
decorated with leaves and openwork stems
Signed underneath K.G. Lunéville BUSSIERE

Exhibition
Exposition de l'Alliance Provinciale des Industries d'Art, Union Centrale des Arts Décoratifs, Paris, march 1903
Nancy 1900 Jugendstil in Lothringen, Münchner Stadtmuseum, 1980, n° 409, p. 365
Christian Debize, L'Ecole de Nancy, Presses Universitaires de Nancy, 1993, ill. p. 89
Céramiques végétales – Ernest Bussière et l'Art Nouveau – Musée de l'Ecole de Nancy, 21 june-25 september 2000, ill. p. 44

ERNEST BUSSIERE – KELLER & GUERIN – “ORCHIDEES”, VERS 1900

Earthenware vase decorated with low-fired iridescent glaze
Signed underneath KG/Lunéville/Bussière

Bibliography
L’Estampille L’Objet d’Art, n. 349, Ernest Bussière, la redécouverte d’un céramiste Art nouveau, p. 26 to p. 29

Exhibition
Exposition de l’alliance provinciale des industries et d’art de l’école de Nancy, Pavillon de Marsan, Paris, 1903
Céramiques végétales – Ernest Bussière et l’art nouveau, musée de l’école de Nancy, 2000, ill. p. 49, n. 27
Die Jugend Der Moderne, Villa Stuck, Munich, 28 October 2010 – 23 January 2011, ill. p. 105, n. 88

ERNEST BUSSIERE – KELLER & GUERIN – GOURD, CIRCA 1900

Glazed stoneware depicting two lizards in high relief

Similar model at the Musée de l’Ecole de Nancy, Inv. Corbin 204,
donation of Jean Baptiste Eugène Corbin, 1935

Exhibition

Exposition de l’Alliance Provinciale des Industries d’Art, Pavillon de Marsan, Paris, 1903
Art Nouveau Symbolismus und Jugendstil in Frankreich, Darmstadt, 1999-2000, n°274
Céramiques végétales, Ernest Bussière et l’Art Nouveau, Musée de l’Ecole de Nancy, 2000, ill. p. 28, n. 2 in the catalogue

ERNEST BUSSIERE – KELLER & GUERIN – GOURD, CIRCA 1900

Glazed stoneware depicting two lizards in high relief

Similar model at the Musée de l’Ecole de Nancy, Inv. Corbin 204,
donation of Jean Baptiste Eugène Corbin, 1935

Exhibition

Exposition de l’Alliance Provinciale des Industries d’Art, Pavillon de Marsan, Paris, 1903
Art Nouveau Symbolismus und Jugendstil in Frankreich, Darmstadt, 1999-2000, n°274
Céramiques végétales, Ernest Bussière et l’Art Nouveau, Musée de l’Ecole de Nancy, 2000, ill. p. 28, n. 2 in the catalogue

ERNEST BUSSIERE – KELLER & GUERIN – TRAY, “CAPUCINES”, CIRCA 1900

Stoneware

Signed K G Luneville and Bussière

Bibliography:

Céramiques végétales – Ernest Bussière et l'Art Nouveau, musée de l'Ecole de Nancy,
21 june – 25 september 2000, ill. p. 33, n°15

ERNEST BUSSIERE – KELLER & GUERIN – VASE “CHARDON”, CIRCA 1900

Glazed stoneware
Similar example at the musée de l'Ecole de Nancy

Exhibition:

Exposition de la Céramique, Esplanade des Invalides, Paris 1900
Pavillon de Marsan, Paris, 1903
Nancy 1900 – Jugendstil in Lothringen
Münchner Stadtmuseum, 28 august 1980 – 6 january 1981,
n°410, n°67
Céramiques végétales – Ernest Bussière et l'Art Nouveau, musée de l'Ecole de Nancy,
21 june – 25 september 2000, ill. p. 46, n° 48

Bibliography:

La Lorraine, july 1900, ill. p. 27
Der Moderne Stil, volume 4, Julius Hoffmann junior, ill. pl. 50
Klopp, Gérard, Nancy 1900 – Rayonnement de l'Art Nouveau, 1991, n°217
Jean-Paul Midant, L'Art Nouveau en France, L'Aventurine, Paris, 1999, ill. p. 35

ERNEST CARRIERE – COVERED POT

Stoneware and decorated with mythological and erotic scenes

The lid is decorated with fishes and eels

Signed

ERNEST-EMILE CHAPLET – VASE, CIRCA 1895

Grès with a sang-de-boeuf and celadon glaze
Signed, bearing a label of la maison Rouard

ETIENNE MOREAU-NELATON – VASE, 1905

VASE, 1905
Trefoil neck; decorated with flowers and three flowers in high relief
Red glaze on mottled brown ground
Signed by hand with a diamond point and dated 1905
7 cm. high

EUGENE BAUDIN – ALPHONSE DEBAIN, SILVERSMITH – ESCALIER DE CRISTAL- VASE, CIRCA 1900

VASE, CIRCA 1900
Grès, silver mount
Signed, the mount is signed Escalier de cristal,
with maker and French Minerva marks
14 cm. high

EUGENE BAUDIN – ALPHONSE DEBAIN, SILVERSMITH – VASE, CIRCA 1900

VASE, CIRCA 1900
Stoneware
Silver mount with silversmith and French Minerva marks
24 cm. high

EUGENE BAUDIN – LUCIEN GAILLARD – GOURD SHAPED VASE, CIRCA 1900

GOURD SHAPED VASE, CIRCA 1900
Stoneware, decorated with a silver floral mount
Stamped LG, with silversmith’s mark, silver mark
and numbered 8038
12 cm. high

Exhibition
A variant of this model was exhibited at the Exposition universelle, 1900

FACHSCHULE TEPLITZ – VASE, CIRCA 1900

Polychrome porcelain with four openwork handles
Marked Porcelaine Nlle and numbred 7031

FELIX BRACQUEMOND – HAVILAND & Cie – ROUND PLATE LANDSCAPE, CIRCA 1874-1876

ROUND PLATE LANDSCAPE, CIRCA 1874-1876
Hard-paste porcelain, manufactured at Charles Haviland & Co, in the Auteuil workshop
after a design by Félix Bracquemond
Signed with the B monogram
50 cm. diameter

Bibliography
La céramique “impréssionniste” / Emaux atmosphériques, Musées de la Ville de Rouen,
Musée de la Céramique, 2010, a similar example is illustrated p. 40, 41 and p. 98 n. 16

One other example with a variation of colours is known to exist in a private collection

The painter and engraver Felix Bracquemond (1833-1914) is known to have been among the first artists
to discover Japanese art and incorporate it in his work.
Naturally attracted to ceramics and after having worked with Theodore Deck for a short while he designs for
the editor and retailer Eugene Rousseau the famous “Service Rousseau” which was displayed at the 1867 Exposition Universelle.
From 1872 until 1881 he becomes the artistic director of Charles Haviland’s Atelier d’Auteuil and continues to design porcelain
wares including the other famous “Service Parisien”. It is there that he develops the production of “Impressionist barbotines”.
A serie of imaginary landscapes is designed, of which our plate is an example, calling for the technical prowess of painters
rather than ceramists and using strong coloured enamels reminiscent of the work of Paul Gauguin.
It is believed by experts that they were never put into production and only a few examples and their drawings are known to
exist and are mainly in the hands of Haviland’s descendants.

FELIX MASSOUL – VASE

Stoneware

Signed

FELIX MASSOUL – VASE, CIRCA 1900

Stoneware

Signed

FELIX MASSOUL – VASE, CIRCA 1900

Stoneware

Signed

FERNAND RUMEBE – BOTTLE, CIRCA 1900

Stoneware, decorated with stylized flowers and leaves
Marked with the artist’s monogram

FRANCOIS-RUPERT CARABIN – “AUBERGINE” COVERED BOX, 1896

“AUBERGINE” COVERED BOX, 1896
Enamelled stoneware
Signed with the monogram of the artist
28 cm. long

Exhibition:
Salon de la Société Nationale des Beaux-Arts, Paris, 1897
Cocarde, 22 October 1897
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 186, ill. p. 227

FRANCOIS-RUPERT CARABIN – “AUBERGINE” COVERED BOX, 1896

“AUBERGINE” COVERED BOX, 1896
Enamelled stoneware
Signed with the monogram of the artist
28 cm. long

Exhibition:
Salon de la Société Nationale des Beaux-Arts, Paris, 1897
Cocarde, 22 October 1897
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 186, ill. p. 227

FRANCOIS-RUPERT CARABIN – “FEMME A LA COLOQUINTE” INKWELL, CIRCA 1900

Enameled green mottled red stoneware; original stopper in cast metal
Signed, numbered 58

1 2 3 4 5

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