NILS LUNDSTRÖM – RORSTRAND PORSLINFABRIKER AB – VASE, CIRCA 1900
VASE, CIRCA 1900
Symbolist design of landscape and mushrooms
Bears makers and artist marks
30.5 cm. high
Showing 25–48 of 150 results
ROYAL COPENHAGEN – ARNOLD KROG – “DEUX CHOUETTES”, 1901
“DEUX CHOUETTES”, 1901
Enamelled porcelain
Stamped Royal Copenhagen Denmark; bearing three waves and numbered 283
33 cm. high
Bibliography
Art et Décoration, March 1907, vol. I
Sammlung Bröhan, Kunsthandwerk II, 1977, ill. p. 259, n. 370
RORSTRAND PORSLINFABRIKER AB – PAIR OF VASES, CIRCA 1900
PAIR OF VASES, CIRCA 1900
Porcelain with a design of pansy. Openwork neck
One is signed and numbered 2069
The other is signed and bears the initials RR
21.5 cm. high
ROYAL COPENHAGEN – CHRISTIAN THOMSEN “CRABES ET ALGUES” VASE, 1901
“CRABES ET ALGUES” VASE, 1901
Shape designed by Christian Thomsen
Decorated by Léon Boll
Marked with the artist’s monogram, bearing the manufacturer's seal and numbered 445/241 and 50
20.3 cm. high
LOUIS MAJORELLE – ERNEST BUSSIERE – KELLER & GUERIN – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Glazed stoneware, stylized vegetal decoration in relief
Signed K.G. Lunéville Bussière
28.5 cm. high
Another example of this model is part of the Collections of the museum of Lunéville, inv. n. C337
Exhibition
Céramiques végétales – Ernest Bussière et l’Art Nouveau, musée de l’Ecole de Nancy,
21 June-25 September 2000, ill. p. 43, n. 40 in the catalogue
Bibliography
Buffet-Challié, Laurence, Le Modern Style, Baschet et Cie Editeurs, ill. p. 112, n. 1
Roselyne Bouvier, Majorelle, Editions Serpenoise, La Bibliothèque des Arts, 2009, ill. p. 32
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, éditions Norma, 2015, ill. p. 83
ALBERT DAMMOUSE – PIERRE ROCHE – PLATE, CIRCA 1900
PLATE, CIRCA 1900
Stoneware
Stamped A DAMMOUSE, with the letter S (for Sèvres)
23 cm. diameter
Bibliography
Paul Arthur French, Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 327
No other similar piece executed by Dammouse is known to exist. Nevetheless we know Alexandre Bigot executed similar works designed by the sculptor Pierre Roche, who collaborated with Dammouse. This piece is probably a result of their collaboration
ERNEST-EMILE CHAPLET – CYLINDRICAL WASTED VASE, CIRCA 1900
CYLINDRICAL WASTED VASE, CIRCA 1900
Grès with a red glaze
8.2 cm. high
10.5 cm. diameter
SERAPHIN SOUDBININE – PAUL JEANNENEY – “LA DOULEUR”, 1907
“LA DOULEUR”, 1907
Grès overlaid with green glaze
Signed and dated
35 cm. high
32 cm. wide
19 cm. deep
Bibliography
Marc Ducret and Patricia Montjaret, L’école de Carriès, art céramique à Saint-Amand-en-Puisaye
1888-1940, Paris, éditions de l’Amateur, 1997, similar example ill. p. 125
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, Norma éditions, 2015, similar example ill. p. 349
ERNEST-EMILE CHAPLET – VASE, CIRCA 1900
VASE, CIRCA 1900
Grès with a blue glaze
9 cm. high
11.5 cm. diameter
ALPHONSE LAMARRE – MAISON PAUL LOUCHET – MAISON PILLIVUYT – VASE, CIRCA 1901
VASE, CIRCA 1901
Porcelain decorated with peacock feathers,
the mount in vermeil with the same decor
The mount signed LOUCHET
11.2 cm. high
Exhibition
A variation of this design was displayed in 1901
In 1907 Pillivuyt & Cie. displayed about fifty pieces at l’Exposition de la porcelaine, son décor, sa monture
that was held at Musée Galliéra. The exhibition catalog mentions a silver mounted vase
with the same decor designed by Lamarre and mounted by Louchet (see exhibition catalogue, p. 5).
This is the vase that had already been displayed in 1901 (See The Paris Salons, vol. V, p. 391).
ERNEST BUSSIERE – KELLER & GUERIN – “CHARDON” VASE, CIRCA 1900
“CHARDON” VASE, CIRCA 1900
Glazed stoneware
28.5 cm. high
Similar example at the musée de l’Ecole de Nancy
Exhibition
Exposition de la Céramique, Esplanade des Invalides, Paris 1900
Pavillon de Marsan, Paris, 1903
Nancy 1900 – Jugendstil in Lothringen, Münchner Stadtmuseum, 28 August 1980-6 January 1981,
n. 410, n. 67
Céramiques végétales – Ernest Bussière et l’Art Nouveau, musée de l’Ecole de Nancy,
21 June-25 September 2000, ill. p. 46, n. 48
Bibliography
La Lorraine, July 1900, ill. p. 27
Der Moderne Stil, volume 4, Julius Hoffmann junior, ill. pl. 50
Klopp, Gérard, Nancy 1900 – Rayonnement de l’Art Nouveau, 1991, n. 217
Jean-Paul Midant, L’Art Nouveau en France, L’Aventurine, Paris, 1999, ill. p. 35
LOUIS MAJORELLE – WALL PLANTER, CIRCA 1878
WALL PLANTER, CIRCA 1878
Earthenware, japanese decor in semi-relief of a bird fisching a carp
Made in the Toul workshop
Signed
34 cm. diameter
BING & GRONDAHL – LA MAISON MODERNE – VIDE-POCHE, 1898
VIDE-POCHE, 1898
Bluish white poreclain
Signed and dated 98. Bearing the manufacturer’s stamp
This model is illustrated in the Maison Moderne catalogue under the number 1349-11
FACHSCHULE TEPLITZ – VASE, CIRCA 1900
VASE, CIRCA 1900
Polychrome porcelain with four openwork handles
Marked Porcelaine Nlle and numbred 7031
25 cm. high
ERNEST BUSSIERE – KELLER & GUERIN – “BRACTEE D’OMBELLE”, CIRCA 1900
“BRACTEE D’OMBELLE”, CIRCA 1900
Earthenware vase decorated with low-fired metallic iridescent glaze, decorated with leaves and openwork stems
Signed underneath K.G. Lunéville BUSSIERE
28 cm. high
Exhibition
Exposition de l’Alliance Provinciale des Industries d’Art, Union Centrale des Arts Décoratifs, Paris, March 1903
Nancy 1900 Jugendstil in Lothringen, Münchner Stadtmuseum, 1980, n. 409, p. 365
Christian Debize, L’Ecole de Nancy, Presses Universitaires de Nancy, 1993, ill. p. 89
Céramiques végétales – Ernest Bussière et l’Art Nouveau – Musée de l’Ecole de Nancy, 21 June-25 September 2000, ill. p. 44
ALBERT DAMMOUSE – A RARE COVERED PITCHER, CIRCA 1890
A RARE COVERED PITCHER, CIRCA 1890
Glazed stoneware, thickly overlaid with sang-de-boeuf glaze, the lid in vermeil stylized as a flower
Impressed circular signature A DAMMOUSE S (for Sèvres)
with silversmith and French Minerva marks
18.5 cm. high
PIERRE-ADRIEN DALPAYRAT – ALPHONSE VOISIN-DELACROIX – VASE IN A SHAPE OF A FRUIT, ALSO KNOWN AS “COEUR DEVORE PAR UN ANIMAL”, 1892-1893
VASE IN A SHAPE OF A FRUIT, ALSO KNOWN AS “COEUR DEVORE PAR UN ANIMAL”, 1892-1893
Grès with a sang-de-boeuf and green glaze
Signed
23 cm. high
Exhibition
Adrien Dalpayrat / Céramique française de l’Art Nouveau, Arnoldsche Art Publishers, 1998,
similar model ill. p. 139 n. 79
Bibliography
Henri-Pierre Fourest & al., L’art de la Poterie en France de Rodin à Dufy, Sèvres, Musée national
de la céramique, 1971, ill. n. 83
Hakenjos, Berndt & Ekkart Klinge, Europäische des Jugendstils, Düsseldorf, Hetjens museum,
1974, p. 29, n. 29
Lynne Thornton & Antoine Alain Glück, L’Art en marge des Grands Mouvements, Salons et Visionnaires de 1880 à 1930,
Paris, Etude Pillias, 1974, p. 66, n. 116
Arielle Guillaume & al., Alphonse Voisin-Delacroix, Besançon, Musée des Beaux-Arts et d’
Archéologie de Besançon, 1993, p. 801, n. 58
JEAN CARRIES – JAPANESE BOTTLE, CIRCA 1900
JAPANESE BOTTLE, CIRCA 1900
Glazed stoneware, multilayered in brown, blue and pink dripping
Signed and numbered 30 underneath
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015,
ill. p. 93
Provenance
Formerly in the collection of Maître Francis Lombrail, Paris
BING & GRONDAHL – JENS DAHL-JENSEN – VASE, 1899-1902
VASE, 1899-1902
Porcelain; bronze mount attributed to Manuel Orazi
Probably executed for the Maison Moderne
Signed with the monogram of the artist, numbered 1811/74B, bearing the manufacturer’s stamp
Bearing the Minerva mark and BG
ROYAL COPENHAGEN – ARNOLD KROG – VASE, CIRCA 1900-1901
VASE, 1900-1901
Model of 1898-1899, executed in 1900-1901
Openwork porcelain with a design of white poppies
Signed
13.7 cm. high
ROYAL COPENHAGEN – CHRISTIAN THOMSEN – “SNAKES” VASE, CIRCA 1900
“SNAKES” VASE, CIRCA 1900
Openwork enamelled porcelain; three snakes forming the handles
Signed, numbered 298/176 and 60
14.5 cm. high
RUBEN RISING – RORSTRAND PORSLINFABRIKER AB – “MEDUSES” VASE, CIRCA 1899-1900
“MEDUSES” VASE, CIRCA 1899-1900
Porcelain
Bearing the manufacturer’s stamp, incised R.R. and numbered 2284
22 cm. high
RORSTRAND PORSLINFABRIKER AB – WALDEMAR LINDSTRÖM – “RAIES” VASE, 1901-1902
“RAIES” VASE, 1901-1902
Porcelain
Bearing the manufacturer’s stamp, bearing the monogram of the artist, numbered 12806
22.5 cm. high
ALEXANDRE BIGOT – ALOIS REINITZER – “LA DANSEUSE LOIE FULLER” VASE, 1900
“LA DANSEUSE LOIE FULLER” VASE, 1900
Grès
Signed by both artists
25 cm. high
This vase was probably exhibited at the Exposition Universelle and a la Société des Artistes Français, 1900
Biliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 319