Art Nouveau & Art Déco - Gallery in Monaco
Showing 25–48 of 178 results
TOP-SHAPED BOUQUET HOLDER
Enameled porcelain with spinning polychrome orchids decor, the neck ornamented with three small handles
The cover of the suspension ring in bronze and ropes
Signed with the manufacturer’s stamp in green, numbered 62 in blue for the artist and 5/5 in green
21 cm. in diameter ; 17.5 cm. high
“PHALENES” VASE
Openwork vase in enameled white and blue porcelain decorated with pepper moths and foliage
Signed with the circular stamp under its base and numbered 1295/777 and 58
Painted by Fr A Richter
14 cm. high
“ROSE” VASE
Porcelain
Signed with the manufacturer’s stamp and numbered 815/294 in green and 98 in blue
19 cm. high
BONBONNIERE, 1927
UNIKAT bonbonnière with shells design
Bearing the manufacturer's seal, the monogram of the artist and numbered 1960 and 27
11 cm. high
VASE
Small baluster vase in enameled porcelain heightened in gold
Signed
14 cm. high
“MAPLE LEAVES” VIDE-POCHE
Vide-poche decorated with maple fruit and leaves
Signed B&G and SD 1113
18 cm. long; 16.3 cm. wide; 3.5 cm. high
VASE, 1902-1904
Molded porcelain vase with square shoulders and small neck, decorated with delicate enamel flowers in blue, green and beige heightened in gold
Signed with the monogram
17.5 cm. high
Bibliography
Alastair Duncan, The Paris Salons volume IV : ceramics and glass, Antique Collectors' Club, Woodbridge, 1998, modèle similaire reproduit p. 285
PLATE “POISSON”, 1899
Enameled grès
Signed Fix Masseau, numbered D86. Stamped GRES de BIGOT
35.5 cm. diameter
Exhibition
Société Nationale des Beaux-Arts, Paris, 1899, n. 236
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 163
Hélène Bédague, Alexandre Bigot, Chimiste et Céramiste, éditions Louvre Victoire, Paris, 2016, ill. p. 122
COFFEE SERVICE “FENOUIL”, 1898
White porcelain (PN) glazed white with green highlights comprising coffee pot, milk pot, sugar bowl, two cups and saucers and matching tray
Bearing the manufacturer’s oval stamp for 1898 under each piece
Exhibition
Sèvres 1900, Musée des Beaux-Arts de Nancy, cup and saucer ill. p. 33 in the exhibition catalogue
1900, Galeries nationales du Grand Palais, Paris, 14 March-26 June 2000, ill. p. 282, no. 301 in the exhibition catalogue
Bibliography
La Décoration Moderne, XIIIème année, 1905-1906, pl. 7
“DANSEUSE AUX FLAMBEAUX A DROITE”, N. 15, 2eme GRANDEUR, CIRCA 1900
Biscuit, the carved bases with a relief decoration of leaves and cabochons highlighted with gold
Height of the sculpture: 38 cm.
Height of the base: 11.2 cm.
The model exists in two different heights: 57 and 38 cm. Between 1901 and 1923, 59 examples of each version
were executed. The bases were bought directly from the Sèvres Factory.
This series is part of a set composed of fifteen different models that were presented at the Paris Exposition Universelle
of 1900. A complete set was given as a diplomatic gift to the Csar and Empress of Russia in October 1901.
Other complete sets are in the French Embassy in Prague, at the Victoria and Albert Museum in London
and at the Musée national de Céramique at Sèvres
Exhibition
Société Nationale des Beaux-Arts, 1897, section sculpture. A. Léonard exhibits 10 models representing le jeu des écharpes
Exposition Universelle, Paris, 1900
Bibliography
Émile Bourgeois & Georges Lechevallier-Chevignard, Le Biscuit de Sèvres, tome II, Pierre Lafitte & Cie, Paris, 1909, ill. pl. 17, no. 1119
Agathon Léonard Le geste Art nouveau, Musée d’Art et d’Industrie, Roubaix and Musée département
de l’Oise à Beauvais, 2003, ill. p. 48, no. 23
“VASE DE CLERMONT” C PN, 1903
White porcelain glazed yellow and green on a pink and green background; carved and patinated bronze mount with a pinecone motif
Bearing the manufacturer’s stamp for 1908
64 cm. high
44 cm. diameter
Bibliography
Alexandre Sandier & Georges Lechevallier-Chevignard, Formes et décors modernes de la Manufacture Nationale de Sèvres, 1913, pl. 16, for two similar vases decorated by Genevieve Rault with bronze bases
“SILHOUETTE LA BERTHON CHINEHOLD”, CIRCA 1900
Glazed grès
Bearing a label Silhouette La Berthon Chinehold Grès Dalpayrat
17.5 cm. high
“LE COUP DE VENT”, CIRCA 1900
Glazed grès
Bearing a label Silhouette La Berthon Chinehold. Grès Dalpayrat; bearing the manufacturer’s stamp
15 cm. high
VIDE-POCHE, CIRCA 1900
Red, blue, green enameled grès
Signed VD
Bibliography
“Je dois mentionner aussi, dans le domaine du grès, les pièces flambées du malheureux Voisin-Delacroix, mort depuis peu, en collaboration avec M. Adrien Dalpayrat. On ne peut reprocher à cette production que certaines bizarreries de modelage, des amalgames de formes animales ou de formes humaines, et de masses plus ou moins confuses pétries au hasard. On ne me fera point admirer tels petits vases embasés en ergots de coq, ou tels objets indéterminés tenus par une main de femme. Ne m’objectez pas que l’étude de la matière prime ici le sujet plastique. La recherche du potier en face de son four ne s’accomode d’aucun manque de goût. Je formule, d’ailleurs, cette réserve d’autant plus nettement que plusieurs morceaux de Voisin-Delacroix et de M. Dalpayrat sont d’une grande valeur”. L. de Fourcaud, Les Arts Décoratifs aux Salons, Revue des Arts Décoratifs, 1893-1894, p. 7
Provenance
Private collection, Switzerland
“ANDROMEDE ENCHAINEE NUE SUR UN ROCHER”, CIRCA 1900
Green enameled grès. The base in red enameled grès
Signed
Provenance
Private collection, Switzerland
IMPORTANT PITCHER, CIRCA 1900
Glazed grès
Signed underneath
26 cm. high
Exhibition
Exposition Universelle, Paris, 1900
Adrien Dalpayrat (1844-1910) – Céramiste de l’Art Nouveau, 1998
Fondation Neumann, Gingins, Switzerland
Kreismuseum Zons, Germany
Musée de l’Ile de France, Sceaux, France
Museum voor Sierkunst & Vormgeving, Gent, Belgium
Bibliography
Der Modern Stil, Julius Hoffmann jr, A. Guérinet, Librairie d’Art Décoratif, Paris, vol. 3, 1901, pl. 25,
in the sideboard by Eugène Gaillard at the 1900 Exposition Universelle
Horst Makus & al., Adrien Dalpayrat – Céramiste de l’Art Nouveau, Arnoldsche, 1998, ill. p. 132, n. 67
Provenance
Private collection, Switzerland
“ELEGANTE AU MANCHON”, CIRCA 1900
Polychrome glazed grès
Signed
14 cm. high
CUP, CIRCA 1900
Iridescent grès featuring two snakes. Silver mount
Incised signature, numbered I R 602
Eagle’s head; with silversmith mark
9.5 cm. diameter
RARE VASE, CIRCA 1900
Glazed grès, with a relief decoration of a lezard
Signed underneath
17.5 cm. high
Exhibition
Fondation Neumann, Gingins, Switzerland
Kreismuseum Zons, Germany
Musée de l’Ile de France, Sceaux, France
Museum voor Sierkunst & Vormgeving, Gent, Belgium
Bibliography
Horst Makus & al., Adrien Dalpayrat – Céramique française de l’Art Nouveau, Arnoldsche, 1998, ill. p. 138 n. 76
Provenance
Private collection, Switzerland
RARE INKWELL, CIRCA 1900
Glazed grès, with a relief decoration of a frog
Signed underneath
7.3 cm. high; 12 cm. diameter
Exhibition
Adrien Dalpayrat (1844-1910) – Céramiste de l’Art Nouveau, 1998
Fondation Neumann, Gingins, Switzerland
Kreismuseum Zons, Germany
Musée de l’Ile de France, Sceaux, France
Museum voor Sierkunst & Vormgeving, Gent, Belgium
Bibliography
Two similar inkwells are kept in the collections of the Musée des Beaux-Arts in Besançon, illustrated in the exhibition catalogue Alphonse Voisin-Delacroix ou quand un sculpteur rencontre un céramiste, 24 April-5 July 1993, p. 74-75, n. 51 and 52
Horst Makus & al., Adrien Dalpayrat – Céramique française de l’Art Nouveau, Arnoldsche, 1998, n. 77, p. 139
Provenance
Private collection, Switzerland
VASE, CIRCA 1900
Green and red flambé glazed porcelain; the mount by Louchet with a design of flowering flowers. The heart is decorated with mother-of-pearl and glass cabochon
Signed on the base LOUCHET C(ISEL)EUR
Bearing an hologram incised in the paste the initials AL and a kanji symbol
18 cm. high
Exhibition
1903 SAF
“Je remarque les émaux cloisonnés de M. Paul Louchet, ainsi que le cadre contenant des dessins d’Albert Louchet, son frère. Je n’insiste pas, ce n’est pas tout à fait de ma compétence ; on me dit d’ailleurs que ces jolis cloisonnés ont été exécutés au Japon même ; leur perfection s’explique alors plus facilement et aussi leur aspect un peu “porcelaine”, ce qui est une des caractéristiques des artistes modernes du Nippon.” Revue de la Bijouterie, Joaillerie et Orfèvrerie, n. 40, August 1903, page 96
VASE, PROBABLY UNIQUE, 1901
Grès, cristallized overlay, molded in shallow relief with leaves enamelled petrol blue
Incised signature FD underneath
19 cm. high
Exhibition
Société des Artistes Français, Paris, 1901
Bibliography
L’Art décoratif, July 1901, ill. p. 154
Der Moderne Stil IV, zusammen gestellt und Herausgegeben, Verlag von Jilius Hoffmann, Stuttgart
Véronique Ayrolles, François Décorchemont, Norma éditions, p. 219
UNIKAT VASE, CIRCA 1900
White porcelain decorated with ginkgo leaves
Attributed to Christian Thomsen
Author of the shape: Arnold Krog, 1895
With manufacturer's stamp, numbered 203/135
16 cm high
Another example of this vase was acquired in 1897 by the Berlin Museum of Decorative Arts
Bibliography
Dekorative Kunst, vol. 16, 1907, ill. p. 114
Berlin, Kunstgewerbe Museum, Werke um 1900, cat. n. 79
BOWL, CIRCA 1900
White porcelain decorated on the base with snails in shade of white, brown and blue. Below a frieze of white shells in light blue
Signed with the manufacturer’s stamp, numbered 1146, B&G and bearing the monogram of the artist
9.4 cm. high
17.5 cm. diameter
VASE, CIRCA 1900
Grès with two handles; gilt bronze mount
Signed BLACHE
24 cm. high
Bibliography
For vases with different shape, mounted with the same design, see Le Style Moderne – L’Art Appliqué, 1ère partie, H. Laurens, Editeur, pl. 34
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, Norma éditions, 2015, ill. p. 62
