PURSE, CIRCA 1907
Buckskin; the mount and clasp in repoussé silver decorated with flowers
The mount signed BAINE and with silversmith mark ES
17 cm. long
Exhibition
Salon d’Automne, 1907
Bibliography
Art et Décoration, November 1907, ill. p. 151
PAIR OF VASES DE SCEAUX, THE SHAPE DESIGNED IN 1896
Form designed by: Marie Louise Poitevin
Decorated by: Alexandre Blanchard (attributed)
Pair of porcelain vases decorated with Japanese camellia in shades of grey and blue, the flowers executed in pâte-sur-pâte
Oval mark S97 and PN (pâte nouvelle) under the glaze.
Height: 35 and 36 cm.
MILK JUG, CIRCA 1900
White porcelain, with an embossed leaf pattern in blue and pink around the neck. Silver lid featuring the same design
Signed on the base
Porcelain made by Louis Lourioux, Foëcy
With silvesmith mark and E. Lefebvre on the lid
Exhibition
Salon des Artistes Français, 1902
Art Nouveau Belgium/France
Rice Museum, Houston – March 26, 1976 to June 27, 1976
The Art Institute of Chicago – August 28, 1976 to October 31, 1976.
Catalogue n°300, illustrated page 203.
Bibliography
Art et Décoration, July 1902, page 24 L’Art décoratif aux expositions des Beaux-Arts, Armand Guérinet éditeur,
1ère série, 1902, pl. 72 and 73 Orfèvrerie Bijouterie Or et Argent, Catalogue de la maison Lelebvre, ill. 270 : Broc à lait n. 2415
Horst Makus, Keramik aus Historismus und Jugendstil, Kassel 1981, n. 67
Renate Ulmer, Art Nouveau, 1999, Arnoldsche, p. 166, n. 156
PRECIOUS BOX, CIRCA 1900
Chased silver with a design in light relief of foliage and fruits
With french Minerva mark and manufacturer’s mark
In is fitted box of the retailer Alfred Hamel
4.5 cm. high
8 cm. diameter
CUP, CIRCA 1904
Translucent polychrome enamel on soft white porcelain highlighted with gold.
Signed and dated C. Naudot 1904 and C.N. in gold
Height: 8 cm.
Bibliography
The porcelains by Naudot are illustrated in:
– Art et Décoration, 1901, volum II, page 52
– Der Moderne Stil, Julius Hoffmann jr., A. Guérinet, Paris, Librairie d’Art Décoratif, n.d.,
volum 4, pl. 44
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, Norma éditions, 2015, ill. p. 289
FOOTED CUP, 1897-1910
Translucent polychrome enamel on soft white porcelain highlighted with gold
Signed C. Naudot and C.N. in gold.
Height: 4.5 cm.
Bibliography
“M. Naudot est le seul fabricant de porcelaine de pâte tendre, dite porcelaine française.
Il expose nombre de pièces remarquables par la qualité de la matière et l’éclat des émaux
qui les recouvrent. De plus, il a découpé dans la pâte crue des fleurs d’une finesse extrême,
qui, remplies ensuite d’émail, forment sur la pièce comme une fine dentelle lumineuse”.
Alexandre Sandier, La Céramique à l’Exposition Universelle de 1900, Art et Décoration, December 1900, p. 194
Camille Naudot is credited with having mastered the technique of filling the blanks
of his openwork soft paste porcelain with colored translucent enamels without having
to trap them with metal or gold thin wire
BOTTLE AND STOPPER
Bottle and stopper, of flattened shape, in thick frosted glass with powder and gold foil inclusions,
overlaid and entirely chased with a bat on each side on a background featuring a moon crescent and waves.
Original stopper with hammered top and foil inclusions.
Incised signature on the side.
10.5 x 11 x 4.5 cm.
Bibliography Le Modern Style, page 129
Provenance
Formerly in the collection of Maria de Beyrie, Paris
Private collection, Paris
Acquired from the above
SIX SALT CELLARS, CIRCA 1900
Silver, each with a different design of leaves, including mistletoe, clover, columbine and holly
Signed
Modern fitted box
With silversmith marks
Height: 2.1 cm.
Width: 6.8 cm.
EXCEPTIONAL VASE, CIRCA 1900
Multilayered glass with with gold leaf inclusions and blue and brown powder streaks, overlaid in black,
hammered and carved with a decor of a woman and reeds.
The mount in silver with a design of leaves on an openwork background.
Silver marks.
15.4 cm. high
BALUSTER VASE, CIRCA 1900
Baluster vase with small upright neck.
Clear glass overlaid in oxblood acid etched and entirely wheel carved featuring a large and
two small bats on a frosted background.
Wheel cut signature heightened in gold with the Cross of Lorraine on a hammered background.
Height: 15 cm.
“TROIS TETES” CANDY JAR, MODEL 17F, CIRCA 1900
Stoneware in polychrome enamel depicting three naiades in the waves
Signed A. FINOT and marqued Grès MOUGIN Nancy 17.F
11 x 20 cm.
“DRAGONFLIES” VASE, CIRCA 1895
Cylindrical vase in clear double layered glass, decorated with acid-etched radiant suns and
inclusions of metal oxides; embellished with two polychromatic enamelled dragonflies
Signed underneath by hand with a diamond point
CYLINDRICAL VASE, BEFORE 1908
Hand-painted decoration of a Symbolist winter landscape
Signed with the green three-tower mark; B&G; no. 228 and the monogram of the decorative artist (unidentified)
Height: 24.5 cm.
Diameter : 11 cm.
FOOTED BOWL IN THE FORM OF A GOTHIC CIBORIUM, 1906
Silver and gilt silver.
The upper section is decorated with an applied Gothic inscription: Cinquantenaire d’Alfred WERLE 1906, featuring interlacing motifs, vine leaves, and grape clusters on an amethyst-colored background.
The foot is applied with three medallions representing La Veuve Clicquot Ponsardin and Edouard Werlé (former director of Veuve Clicquot champagne).
Bearing the silversmith mark. Stamp of Alfred Werlé, with the inscription Tout vient du ciel
Applied medallion by Paul Palin
13 x 13 cm
Weight: 450 gr.
SOLD
“SORTIE DE BAIN”
Pastel on laid paper
Signed lower right
24 x 31 cm.
There exists a version of this work in color etching and aquatint, held at the Municipal Library, Le Puy-en-Velay. See: Charles Maurin, un symboliste du réel, Fage editions, for the Musée Crozatier, Le Puy-en-Velay, published on the occasion of the exhibition Charles Maurin (1856–1914), Symbolist Painter presented at the Musée Crozatier, Le Puy-en-Velay, from June 16 to September 30, 2006.
CIGARETTE CASE
Molded porcelain cigarette holder with light relief, decorated with celadon green enamel and
shades of pink
Signed with the ANB mark
Height: 12 cm.
Diameter: 9.5 cm.
Bibliography
Edith Mannoni “Porcelaine de Limoges“, Massin éditeur, ill. p. 94
INKWELL, CIRCA 1900
Gilt bronze, with a design of a stylised vine. With its glass bucket
Signed
Height: 9.5
Width: 30 cm.
Depth: 17 cm
Bibliography
Documents sur l’Art Industriel au XXe Siècle, Edition de La Maison Moderne, Paris, 1901, Les objets en métal, ill. p. 2 under the number 719-1
OINTMENT JAR, CIRCA 1900
Gilt patina, decorated with stylized flowers and stems in light relief
Signed G. KELLER / PARIS and numbered 1, it bears the square hallmark for G K metal as well as the winged Mercury mark
Height: 9.5 cm
Base diameter: 7 cm.