EMILE GRITTEL – VASE, CIRCA 1900
VASE, CIRCA 1900
Stoneware, with two handles and gold drippings
Signed
Width: 20 cm
Height: 11.5 cm.
Showing 97–120 of 751 results
VASE, CIRCA 1900
Stoneware, with two handles and gold drippings
Signed
Width: 20 cm
Height: 11.5 cm.
24 TEASPOONS, CIRCA 1900
Vermeil. Stamped 800, crescent moon and swan in a circle (for 800 thousandths)
In its original fitted box
“LA DANSE DU VENTRE, SCENE DE HAREM”, 1892
Fire engraved wood panel with gold and silver highlights
Signed lower left and dated 1892
160.5 x 58.5 cm.
With the frame: 170 x 69 cm.
In 1892, Victor Prouvé executed his first two major panels using the pyrography technique which he exhibited at René Wiener’s shop. Both were inspired by oriental dancers. One depicted Javanese dancers (location unknown) and the other is our present example
Exhibition
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin..., Nancy, musée des Beaux-Arts,
musée de l’Ecole de Nancy, 6 May-28 August 2006, ill. p. 191, n. 110 in the exhibition catalogue
Victor Prouvé 1858-1945, Musée des Beaux-Arts, Nancy, 17 May-21 September 2008, ill. p. 147, n. 30 in the exhibition catalogue
Bibliography
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis publisher, 2002, ill. p. 169
Provenance
Collection of Mr Solvay, acquired directly from Victor Prouvé for 450 francs
A PAIR OF CHARMING PLATES, CIRCA 1900
One decorated with flowers and leaves in polychrome enamel, signed at the back AD / S and
numbered 9, the other with a crab amidst seaweeds in polychrome enamel, signed at the back AD / S.
Diameter: 13 cm.
“LA COMEDIE”, CIRCA 1905
Bronze with a brown patina. Lost wax cast by Hébrard
Signed, with foundry mark
Exhibition
Musée Galliéra. Exposition du Fer Forgé, du Cuivre et de l’Etain, 1905
According to Raymond Huard and Pierre Maillot, authors of Jules Desbois sculpteur, le cherche midi éditeur, January 2000, a bronze example, cast by Hébrard, would have been exhibited in 1905 in Venice and Berlin
A statuette, in plaster, is part of the collections of the musée du Petit Palais in Paris. 0,320 x 0,180 x 0,168 cm.
Bibliography
1905, Musée Galliéra. Exposition du Fer Forgé, du Cuivre et de l’Etain. A jug in pewter was executed in the workshops of SIOT-DECAUVILLE. The showcase 7 executed in copper by Henri Husson and contains: a coupe Champignon, a vase Les Nymphes , four statuettes Feuilles d’Automne, Comédie, Musique and La Fleur; Les Remous (?), a vase Satyres, deux plates Tête de femme and Nénuphars, a bowl Libellule and a small bowl with handles Libellule, a pitcher Le Houblon in pewter and copper. All these objects are edited by A.-A. HEBRARD. Showcase 9: Tobacco pot in pewter (SIOT-DECAUVILLE), a decorative plate in pewter belonging to the museum
The small bowl Libellule is illustrated in the Rapport Général de l’Exposition by Pierre ROCHE, p. 11
Raymond Huard , Pierre Maillot, Jules Desbois sculpteur, le cherche midi éditeur, the model in plaster is illustrated p. 105, under the number 16
“LES AMOUREUX SUR UN BANC”, 1906
Bronze. Lost wax cast by Hébrard
Signed. Bearing the foundry mark
10 x 12 cm.
BOWL, CIRCA 1900
Hammered copper with oxidized patina and silver inlay with a decor of thistle
Signed and numbered 24 and bearing the mark HH
6 x 24.5 cm.
VASE CIRCA 1900
Model number 3227
Mottled ground overlaid in blue, acid etched, and wheel carved; decorated with blue berries
The original foot was broken and replaced with a wooden one at the factory
Provenance
Acquired directly at the crystal Daum factory in 1994
“ALGUES MARINES” OR “LEZARD ET CORAIL”
Gypsography in two colors
From an edition of 100, from “L’Estampe Originale” published by André Marty and Roger Marx
Numbered 62, signed in pencil. The double sheet on the back that contains the dry seal is missing
Similar model (n. 49) at the Fine Arts Institute of San Francisco, Achenbach Foundation for Graphic Arts, 1963.30.1523. Another one at the Minneapolis Institute of Art. Another one (n. 86) at the National Gallery of Art, Washington
Exhibition
Sea Algae (Algues marines), 1893, another example in the collections of the Metropolitan Museum of Art, New York, Accession number 22.82.1-35
Bibliography
Stein and Karshan 70
BUST OF A YOUNG WOMAN
Model of the sculptor CISEAU
Patinated terracotta
Signed. Bearing the editor’s mark and numbered 2789
Height: 60 cm.
Width : 44 cm.
Bibliography
Robert E. Dechant, Filipp Goldscheider, Goldscheider, History of the Company and Catalogue of Works, Arnoldsche, p. 366, n. 2789
“ELEGANTE AU CHALE” NIGHTLIGHT, CIRCA 1900
Bronze with a green and medal patina
Signed LEO LAPORTE-BLAIRSY and VB
Height: 25 cm.
“DANSEUSE TAMBOURIN A DROITE, N. 4, 1ERE GRANDEUR”
Biscuit
Signed and bearing the manufacturer's stamps
Height: 49 cm.
Identical model in the following public collections:
Frankfort, Museum für Kunsthandwerk
Hambourg, Museum für Kunst und Gewerbe
Copenhagen, Kunst-Industri-Museet
London, Victoria & Albert Museum
Saint-Petersbourg, Ermitage
Sèvres, musée national de Céramique
Bibliography
Agathon Léonard , Le geste Art nouveau, Somogy éditions d'art, 2003, ill. p. 51 n. 12 in the exhibition catalogue at the museums of Roubaix and Beauvais
“FLEUR DE POIS” CANDLESTICK, CIRCA 1900
Pewter
Signed
Bibliography
Maison Siot-Decauville catalogue, ill. pl. 87
“COQUILLE GALLIERA”, CIRCA 1900
Bronze
Signed and bearing the foundry mark
Height: 20 cm.
Exhibition
Société des Artistes Français, Paris, 1898
Bibliography
Revue des Arts décoratifs, 1898, pl. hors texte
DECORATIVE ELEMENT, CIRCA 1900
Chased and melted silver
Bearing the monogram of the artist and numbered 4
8 x 12.3 cm.
IMPRESSIVE TERRACOTTA VASE, 1876-1881
Terracotta vase featuring blooming roses on a dark green background
Bearing the artist’s monogram within the decor and impressed with the manufacturer’s stamp: Haviland & Cie/Limoges/75/2
Height: 31 cm.
Diameter: 32 cm.
Bibliography
Emaux atmosphériques : la céramique impressionniste, 26 Avril-4 November 2001, Musée Fournaise and Laurent d’Albis, Chatou, n. 32, Rouen 2010, p.112-113
IMPORTANT “PRIMEVERES” VASE, MODEL N. 4093, CIRCA 1910
Multilayered glass with orange and blue-purple powder inclusions, overlaid in green and etched with primroses and leaves
The flowers in white glass are applied and finely wheel carved
Wheel carved signature
Height: 47 cm
FLATTENED GOURD, CIRCA 1900
Grès with a decor of monnaie du pape
Height: 28.5 cm.
CAPE BUCKLE, CIRCA 1900
Chased silver with a design of a moro-sphinx, in a surround of vines
Signed
CROW, CIRCA 1900
Rare sculpture in enamelled porcelain rouge-sang-de-boeuf with blue and grey shades
Incised signature
Height: 12 cm.
Bibliography
Horst Makus & al., Adrien Dalpayrat – Céramiste de l'Art Nouveau, Arnoldsche, 1998, ill. n. 117, p. 159
“ARACHNE”, CIRCA 1900
Patinated bronze, titled, signed
Height: 28 cm.
Width: 14.5 cm.
Depth: 8.5 cm.
COVERED POT, CIRCA 1890-1895
Grès covered pot, the base and cover in gilt bronze
Impressed signature “à la grenade éclatée”
Bears a label of L’Escalier de Cristal
Height: 25 cm
VASE DE CHEVILLY, 1913
Porcelain with a sang de boeuf glaze. The mount in gilt bronze
Bearing the manufacturer’s stamp and dated 1913
Height: 24 cm
“AUTOMNE” RARE VASE, CIRCA 1906
Grès. Baluster shaped with an elongated neck, decorated with a leafy branch in high relief. The glaze, in
the usual manner of the school of Carriès, is applied as a”guilloché” surface in a rotating movement
Handwritten signature under the vase, 623 L and 68467/EB in ink
Height: 45 cm.