PIERRE-ADRIEN DALPAYRAT – MAURICE BIAIS – LA MAISON MODERNE – “ELEGANTE AU MANCHON”, CIRCA 1900
“ELEGANTE AU MANCHON”, CIRCA 1900
Polychrome glazed grès
Signed
14 cm. high
Showing 265–288 of 657 results
PIERRE-ADRIEN DALPAYRAT – RARE VASE, CIRCA 1900
RARE VASE, CIRCA 1900
Glazed grès, with a relief decoration of a lezard
Signed underneath
17.5 cm. high
Exhibition
Fondation Neumann, Gingins, Switzerland
Kreismuseum Zons, Germany
Musée de l’Ile de France, Sceaux, France
Museum voor Sierkunst & Vormgeving, Gent, Belgium
Bibliography
Horst Makus & al., Adrien Dalpayrat – Céramique française de l’Art Nouveau, Arnoldsche, 1998, ill. p. 138 n. 76
Provenance
Private collection, Switzerland
PIERRE-ADRIEN DALPAYRAT – ALPHONSE VOISIN-DELACROIX – RARE INKWELL, CIRCA 1900
RARE INKWELL, CIRCA 1900
Glazed grès, with a relief decoration of a frog
Signed underneath
7.3 cm. high; 12 cm. diameter
Exhibition
Adrien Dalpayrat (1844-1910) – Céramiste de l’Art Nouveau, 1998
Fondation Neumann, Gingins, Switzerland
Kreismuseum Zons, Germany
Musée de l’Ile de France, Sceaux, France
Museum voor Sierkunst & Vormgeving, Gent, Belgium
Bibliography
Two similar inkwells are kept in the collections of the Musée des Beaux-Arts in Besançon, illustrated in the exhibition catalogue Alphonse Voisin-Delacroix ou quand un sculpteur rencontre un céramiste, 24 April-5 July 1993, p. 74-75, n. 51 and 52
Horst Makus & al., Adrien Dalpayrat – Céramique française de l’Art Nouveau, Arnoldsche, 1998, n. 77, p. 139
Provenance
Private collection, Switzerland
ANATOLE FRANCE – GEORGES ROCHEGROSSE – G. G. LEVITSKY, Bookbinder – “THAIS”
“THAIS”
Fifteen illustrations, the frontispice in colour by Georges Rochegrosse, etched by E. Decisy
(P. Ferroud, 1909, in.8). Red moroccan leather binding, end papers illustrated with two watercolours by Georges
Rochegrosse, an inner mount of mosaic lotus and papyrus design and a outer mount of lotus and paphnutius design. Inner
binding by Levistsky. This example is on Japon paper with two etchings before the letters with remarques
ALBERT BARTHOLOME – SIOT-DECAUVILLE – HAND MIRROR, CIRCA 1900
HAND MIRROR, CIRCA 1900
Gilt bronze
Signed and numbered K 592
37 x 14 cm.
Exhibition
Catalogue de la maison Siot-Decauville, ill. p.107
CHARLES MAURIN – “FEMME A L’ENFANT AU MIROIR”
“FEMME A L’ENFANT AU MIROIR”
Charcoal and pastel on paper
Signed lower right
62 x 48 cm.
MAURICE BOUVAL – “OPHELIE”, CIRCA 1900
“OPHELIE”, CIRCA 1900
Gilt bronze. The base in marble
Signed and with foundry mark E. COLIN PARIS
Ophélie: 44 x 29 x 19 cm.
Bibliography
Macklowe Gallery, Dynamic Beauty, 2011, ill. p. 70
VICTOR MOULINET – “L’ETOILE DES INCONNUS”, CIRCA 1900
“L’ETOILE DES INCONNUS”, CIRCA 1900
Indian ink and color. Signed lower left and marked:
X, Etoile des inconnus ! jambes et bras ouverts, tout nus. Croix charnelle ou l’homme s’immole
26.5 x 19.3 cm.
LUCIEN BONVALLET – ANTOINE-ERNEST CARDEILHAC – TWO HANDLED FOOTED VASE, 1897
TWO HANDLED FOOTED VASE, 1897
Engraved, repoussé and applied silver
Signed CARDEILHAC and bearing Minerva and makers marks
30.5 cm. high
Exhibition
Salon de la Libre Esthétique, 1897
Bibliography
Victor Champier, L’Exposition Universelle de Bruxelles (2ème article) – L’Art et l’Industrie en Belgique – l’Exposition Française,
Revue des Arts Décoratifs, 1897, ill. p. 389: “M. Cardeilhac se distinguait par des vases exécutés au repoussé, d’une composition particulièrement élégante”.
FRANCOIS-EUGENE ROUSSEAU – VASE, CIRCA 1900
VASE, CIRCA 1900
Thick tubular freely blown and shaped glass vase with side protrusions. Multilayered, opalescent glass overlaid in brick red and caramel, intaglio and wheel cut with a design of flowers and stylized foliage and a butterfly in flight
Unsigned. Numbered 532
16.5 cm. high
FRENCH – TRAY, CIRCA 1900
TRAY, CIRCA 1900
Design in repoussé leather of a woman’s head, arums and water lilies heightened with beige
Bearing the monogram BC
24 x 35 cm.
LOUIS HESTAUX – CARVED WOODEN TRAY, CIRCA 1900
CARVED WOODEN TRAY, CIRCA 1900
Mother-of-pearl inlay decorated with five bathers
22.5 x 54.5 cm.
Exhibition
Exposition de l’Ecole de Nancy, Musée des Arts Décoratifs, Paris 1903
Provenance
Formerly in the Benedict Silverman collection, New York
EUGENE FEUILLATRE – VASE, CIRCA 1900
VASE, CIRCA 1900
Enameled polychrome with an incised design of buttercups and violets. The base in cloisonné green enamels
Signed
19 cm. high
ALPHONSE LAMARRE – LOUCHET PAUL, Maison – PILLIVUYT & CIE – VASE, CIRCA 1900
VASE, CIRCA 1900
Green and red flambé glazed porcelain; the mount by Louchet with a design of flowering flowers. The heart is decorated with mother-of-pearl and glass cabochon
Signed on the base LOUCHET C(ISEL)EUR
Bearing an hologram incised in the paste the initials AL and a kanji symbol
18 cm. high
Exhibition
1903 SAF
“Je remarque les émaux cloisonnés de M. Paul Louchet, ainsi que le cadre contenant des dessins d’Albert Louchet, son frère. Je n’insiste pas, ce n’est pas tout à fait de ma compétence ; on me dit d’ailleurs que ces jolis cloisonnés ont été exécutés au Japon même ; leur perfection s’explique alors plus facilement et aussi leur aspect un peu “porcelaine”, ce qui est une des caractéristiques des artistes modernes du Nippon.” Revue de la Bijouterie, Joaillerie et Orfèvrerie, n. 40, August 1903, page 96
DAUM NANCY – VASE, CIRCA 1900
VASE, CIRCA 1900
Multilayered glass with an applied and carved design of Japanese columbines; hammered background.
Signed Daum # Nancy
32 cm. high
“Rares sont donc les pièces qui offrent, comme c’est le cas du vase Ancolies, une adéquation aussi parfaite entre la forme de l’objet et son décor figuré. Ces pièces d’exception résultaient souvent de commandes particulières ou étaient réalisées en vue d’expositions démontrant le savoir-faire décoratif et technique de la cristallerie”. (Le Musée de l’Ecole de Nancy, Oeuvres choisies)
The columbine flower guided the decorator in the design of the vase
EMILE GALLE – VASE, CIRCA 1900
VASE, CIRCA 1900
Acid-etched glass decorated with leaves and flowers and heightened with translucent enamels
Engraved signature
22.7 cm. high
EMILE GALLE – “LA GIROFLEE DE MURAILLE”, CIRCA 1900
“LA GIROFLEE DE MURAILLE”, CIRCA 1900
Multilayered glass with four applied and wheel-carved flowers, gold leaf inclusions, partly hammered
Engraved signature
21 cm. high
Only one other example is known to exist
Provenance
According to previous owners, this vase was acquired at auction in Versailles around 1970 as therefore could be part of a group of vases sold by Emile Gallé’s descendants
ROYAL COPENHAGEN – UNIKAT VASE, CIRCA 1900
UNIKAT VASE, CIRCA 1900
White porcelain decorated with ginkgo leaves
Attributed to Christian Thomsen
Author of the shape: Arnold Krog, 1895
With manufacturer's stamp, numbered 203/135
16 cm high
Another example of this vase was acquired in 1897 by the Berlin Museum of Decorative Arts
Bibliography
Dekorative Kunst, vol. 16, 1907, ill. p. 114
Berlin, Kunstgewerbe Museum, Werke um 1900, cat. n. 79
LUCIENNE FUCHS – PANEL, CIRCA 1910
LUCIENNE FUCHS – PANEL, CIRCA 1910
Repoussé leather representing an undergrowth landscape in relief
Signed lower right
80 x 36 cm.
EDMOND HENRI BECKER – VASE, CIRCA 1900
HENRI EDMOND BECKER – VASE, CIRCA 1900
Patinated bronze with a design of stylized leaves
Signed
20 cm. high
BING & GRONDAHL – BOWL, CIRCA 1900
BOWL, CIRCA 1900
White porcelain decorated on the base with snails in shade of white, brown and blue. Below a frieze of white shells in light blue
Signed with the manufacturer’s stamp, numbered 1146, B&G and bearing the monogram of the artist
9.4 cm. high
17.5 cm. diameter
MARCEL BING – ART NOUVEAU BING – BLACHE, CERAMIST – VASE, CIRCA 1900
VASE, CIRCA 1900
Grès with two handles; gilt bronze mount
Signed BLACHE
24 cm. high
Bibliography
For vases with different shape, mounted with the same design, see Le Style Moderne – L’Art Appliqué, 1ère partie, H. Laurens, Editeur, pl. 34
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, Norma éditions, 2015, ill. p. 62
ERNEST-EMILE CHAPLET – EDOUARD DAMMOUSE – IMPORTANT VASE, CIRCA 1900
IMPORTANT VASE, CIRCA 1900
Earthenware decorated with stylized flowers heightened in gold
Stamped with the Chaplet seal and in the decor Ed DAMMOUSE
37 x 24 cm.
MANUFACTURE NATIONALE DE SEVRES – HENRI BRECY, form designer – PAIR OF BOTTLES “EPIS DE MAIS”, 1900
PAIR OF BOTTLES “EPIS DE MAIS”, 1900
Glazed porcelain; each with original stopper
Bearing the manufacturer’s stamp for 1901
16.5 cm. high
Exhibition
Exposition Universelle, Paris, 1900
An identical bottle without its stopper was acquired in 1905 by the French State for the Musée des Ursulines in Mâcon and another one complete for the Musée de Saint-Nazaire. Both are today in the collection of the Cité de la Céramique in Sèvres. Another, with stopper, is in the Holburne Museum, Bath (Handley-Read collection), and a further example, without its stopper, is in the Musée des Beaux Arts de Quimper
Bibliography
L’Art Décoratif, October 1900, La manufacture nationale de Sèvres à l’exposition universelle, similar example ill. p. 12