RENE LALIQUE – “COLLIER, TETE DE FEMME ET CYGNES”
“NECKLACE WITH PENDANT”, CIRCA 1900
Chinese ink, gouache and watercolor
28 x 22 cm.
Showing 49–72 of 837 results
PAUL-FRANCOIS BERTHOUD – “PORTRAIT OF AN ARTIST” OR “LA COMMEDIENNE”, 1902
“PORTRAIT OF AN ARTIST” OR “LA COMEDIENNE” (Sarah Bernhardt), 1902
Carrara marble and patinated bronze
Height: 35 cm.
Length: 50 cm.
Width: 17 cm.
Exhibition
Salon des Artistes français, 1902, n. 2251
Bibliography
Le Modern Style, Baschet et Cie, éditeurs, ill. p. 35
RENE LALIQUE – “COLLIER, DEUX PAPILLONS S’AFFRONTANT”
“COLLIER, DEUX PAPILLONS S’AFFRONTANT”
Chinese ink, gouache and watercolor
28 x 22 cm.
RENE LALIQUE – “COLLIER, QUATRE LIBELLULES”
“COLLIER, QUATRE LIBELLULES”
Chinese ink, gouache and watercolor
28 x 22 cm.
RENE LALIQUE – “COLLIER, VOL DE LIBELLULES”
“COLLIER, VOL DE LIBELLULES”
Chinese ink, gouache and watercolor
28 x 22 cm
RENE LALIQUE – “COLLIER, FIGURINES EN MEDAILLONS”
“COLLIER, FIGURINES EN MEDAILLONS”
Chinese ink, gouache and watercolor
28 x 22 cm.
RENE LALIQUE – “COLLIER, FEUILLES ET PAMPILLES”
“COLLIER, FEUILLES ET PAMPILLES”
Chinese ink, gouache and watercolor
28 x 22 cm.
CAMILLE NAUDOT – CUP, CIRCA 1904
CUP, CIRCA 1904
Translucent polychrome enamel on soft white porcelain highlighted with gold.
Signed and dated C. Naudot 1904 and C.N. in gold
Height: 8 cm.
Bibliography
The porcelains by Naudot are illustrated in:
– Art et Décoration, 1901, volum II, page 52
– Der Moderne Stil, Julius Hoffmann jr., A. Guérinet, Paris, Librairie d’Art Décoratif, n.d.,
volum 4, pl. 44
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, Norma éditions, 2015, ill. p. 289
CAMILLE NAUDOT – FOOTED CUP, 1897-1910
FOOTED CUP, 1897-1910
Translucent polychrome enamel on soft white porcelain highlighted with gold
Signed C. Naudot and C.N. in gold.
Height: 4.5 cm.
Bibliography
“M. Naudot est le seul fabricant de porcelaine de pâte tendre, dite porcelaine française.
Il expose nombre de pièces remarquables par la qualité de la matière et l’éclat des émaux
qui les recouvrent. De plus, il a découpé dans la pâte crue des fleurs d’une finesse extrême,
qui, remplies ensuite d’émail, forment sur la pièce comme une fine dentelle lumineuse”.
Alexandre Sandier, La Céramique à l’Exposition Universelle de 1900, Art et Décoration, December 1900, p. 194
Camille Naudot is credited with having mastered the technique of filling the blanks
of his openwork soft paste porcelain with colored translucent enamels without having
to trap them with metal or gold thin wire
EMILE GALLE – BOTTLE AND STOPPER
BOTTLE AND STOPPER
Bottle and stopper, of flattened shape, in thick frosted glass with powder and gold foil inclusions,
overlaid and entirely chased with a bat on each side on a background featuring a moon crescent and waves.
Original stopper with hammered top and foil inclusions.
Incised signature on the side.
10.5 x 11 x 4.5 cm.
Bibliography
Le Modern Style, page 129
Provenance
Formerly in the collection of Maria de Beyrie, Paris
Private collection, Paris
Acquired from the above
LUCIEN BONVALLET – ANTOINE-ERNEST CARDEILHAC – SIX SALT CELLARS, CIRCA 1900
SIX SALT CELLARS, CIRCA 1900
Silver, each with a different design of leaves, including mistletoe, clover, columbine and holly
Signed
Modern fitted box
With silversmith marks
Height: 2.1 cm.
Width: 6.8 cm.
EUGENE MICHEL – EXCEPTIONAL VASE, CIRCA 1900
EXCEPTIONAL VASE, CIRCA 1900
Multilayered glass with with gold leaf inclusions and blue and brown powder streaks, overlaid in black,
hammered and carved with a decor of a woman and reeds.
The mount in silver with a design of leaves on an openwork background.
Silver marks.
15.4 cm. high
DAUM FRERES – BALUSTER VASE, CIRCA 1900
BALUSTER VASE, CIRCA 1900
Baluster vase with small upright neck.
Clear glass overlaid in oxblood acid etched and entirely wheel carved featuring a large and
two small bats on a frosted background.
Wheel cut signature heightened in gold with the Cross of Lorraine on a hammered background.
Height: 15 cm.
JOSEPH ET PIERRE MOUGIN – ALFRED FINOT – “TROIS TETES” CANDY JAR, MODEL 17F, CIRCA 1900
“TROIS TETES” CANDY JAR, MODEL 17F, CIRCA 1900
Stoneware in polychrome enamel depicting three naiades in the waves
Signed A. FINOT and marqued Grès MOUGIN Nancy 17.F
11 x 20 cm.
EMILE GALLE – “DRAGONFLIES” VASE, CIRCA 1895
“DRAGONFLIES” VASE, CIRCA 1895
Cylindrical vase in clear double layered glass, decorated with acid-etched radiant suns and
inclusions of metal oxides; embellished with two polychromatic enamelled dragonflies
Signed underneath by hand with a diamond point
21.5 cm. high; 11 cm. diameter
PIERRE-ADRIEN DALPAYRAT – “GUENON”, CIRCA 1900
“GUENON”, CIRCA 1900
Grès with a green and white glaze
17.5 cm. high
18.5 cm wide
CHARLES PLUMET – SELLETTE, CIRCA 1900
SELLETTE, CIRCA 1900
Walnut
Height: 116 cm
Length: 30 cm
Depth: 30 cm
LOUIS HESTAUX – TRIANGULAR DECORATIVE ELEMENT, CIRCA 1900
TRIANGULAR DECORATIVE ELEMENT, CIRCA 1900
Carved and engraved wood, depicting a bather emerging from the water
Length: 21 cm.
BING & GRONDAHL – AUGUSTE F. HALLIN – CYLINDRICAL VASE, BEFORE 1908
CYLINDRICAL VASE, BEFORE 1908
Hand-painted decoration of a Symbolist winter landscape
Signed with the green three-tower mark; B&G; no. 228 and the monogram of the decorative artist (unidentified)
Height: 24.5 cm.
Diameter : 11 cm.
MAURICE DUFRENE – LOUIS LOURIOUX – LA MAISON MODERNE – TEA SET, CIRCA 1900
TEA SET, CIRCA 1900
Green and yellow porcelain, comprising: teapot, sugar bowl, milk jug, two cups and saucers.
Model edited by La Maison Moderne
HENRI HUSSON – ADRIEN-AURELIEN HEBRARD – FOOTED BOWL IN THE FORM OF A GOTHIC CIBORIUM, 1906
FOOTED BOWL IN THE FORM OF A GOTHIC CIBORIUM, 1906
Silver and gilt silver.
The upper section is decorated with an applied Gothic inscription: Cinquantenaire d’Alfred WERLE 1906, featuring interlacing motifs, vine leaves, and grape clusters on an amethyst-colored background.
The foot is applied with three medallions representing La Veuve Clicquot Ponsardin and Edouard Werlé (former director of Veuve Clicquot champagne).
Bearing the silversmith mark. Stamp of Alfred Werlé, with the inscription Tout vient du ciel
Applied medallion by Paul Palin
13 x 13 cm
Weight: 450 gr.
SOLD
CHARLES MAURIN – “SORTIE DE BAIN”
“SORTIE DE BAIN”
Pastel on laid paper
Signed lower right
24 x 31 cm.
There exists a version of this work in color etching and aquatint, held at the Municipal Library, Le Puy-en-Velay. See: Charles Maurin, un symboliste du réel, Fage editions, for the Musée Crozatier, Le Puy-en-Velay, published on the occasion of the exhibition Charles Maurin (1856–1914), Symbolist Painter presented at the Musée Crozatier, Le Puy-en-Velay, from June 16 to September 30, 2006.
EDWARD COLONNA – ART NOUVEAU BING – GDA LIMOGES – CIGARETTE CASE
CIGARETTE CASE
Molded porcelain cigarette holder with light relief, decorated with celadon green enamel and
shades of pink
Signed with the ANB mark
Height: 12 cm.
Diameter: 9.5 cm.
Bibliography
Edith Mannoni “Porcelaine de Limoges“, Massin éditeur, ill. p. 94
SOLD
GUSTAVE GURSCHNER – LA MAISON MODERNE – INKWELL, CIRCA 1900
INKWELL, CIRCA 1900
Gilt bronze, with a design of a stylised vine. With its glass bucket
Signed
Height: 9.5
Width: 30 cm.
Depth: 17 cm
Bibliography
Documents sur l’Art Industriel au XXe Siècle, Edition de La Maison Moderne, Paris, 1901, Les objets en métal, ill. p. 2 under the number 719-1