BOWL, 1900
Soft-paste porcelain, decorated with plique-à-jour mimosas heightened
with yellow and green enamels
Gilt monogram under the base and 1900 incised
12.5 cm. diameter
Exhibition
Exposition Universelle, Paris, 1900
Bibliography Werke um 1900, Kunstkewerbemuseum, Berlin, 1966, p. 55, n. 71
CUP, CIRCA 1900
Soft-paste porcelain, with a floral motif heightened
by red enamel and relief gold highlights
Gilt monogram under the base
6.7 cm. high
BOWL, CIRCA 1900
Soft-paste porcelain, with a vine motif heightened by enamel,
the rim, the foot and the decor with gold highlights
Gilt monogram under the base
8.5 cm. diameter
GOURD SHAPED VASE, CIRCA 1900
Stoneware, decorated with a silver floral mount
Stamped LG, with silversmith’s mark, silver mark
and numbered 8038
12 cm. high
Exhibition A variant of this model was exhibited at the Exposition universelle, 1900
“LEDA”, CIRCA 1900
Enamel on copper representing Leda and the Swan, probably after the model by Leonardo da Vinci
Original black wooden frame highlighted with gold
Signed lower right and left and bearing a label Email de A. Garnier – Léda at the back
32 x 26 cm.
VASE “POISSONS”, CIRCA 1900
Celadon earthenware
Signed by both artists
29.5 cm.
Exhibition Musée Galliéra – Exposition des Grès, Faïences, Terres Cuites et leurs Applications, 1911 Vase Poissons, composition de Carrière (Exhibited by la maison TOY, 10, rue de la Paix, Paris)
A “SAFRAN” VASE, CIRCA 1900
Silver gilt and blue enamel
With silversmith marks
21 cm. high
Exhibition Société des Artistes Français, 1899
Exposition Universelle, 1900
Bibliography Paul Vitry, L’Orfèvrerie à l’Exposition, Art et Décoration, December 1900, ill. p. 174 L’Orfèvrerie aux Salons de 1901, Revue de la Bijouterie, de la Joaillerie et de l’Orfèvrerie, August 1901, ill. p. 130
VASE, CIRCA 1905
Repoussé copper with brown patina
Signed underneath and bearing the inscription Edité par l’auteur à dix exemplaires numérotés. N°1
12 cm. high
16.4 cm. diameter
Exhibition Société Nationale des Beaux-Arts, 1905
Bibliography Art et Décoration, August 1905, ill. p. 47 La Décoration Moderne, XIIIème année, ill. pl. 102
PLATE, CIRCA 1900
Hammered copper with silver inlays decoration, a cicada in relief
Signed underneath H. Husson, stamped with the artist’s monogram
25.2 x 4.2 cm.
“WOMAN IN LANDSCAPE AT SUNSET”, CIRCA 1889
Enamel on copper, after a design by Gustave Moreau
Signed lower left Garnier Grandhomme inv.
and marked on the reverse Grandhomme Garnier / Emailleurs / 1889 / Paris
8 x 12.5 cm.
Bibliography
Taxile Doat, Causerie d'un émailleur, Revue des Arts Décoratifs, 1891, ill. p. 78
DESK, CIRCA 1900
Sculpted pear wood and gilt bronze
131 x 161 x 88 cm.
Exhibition
Société Nationale des Beaux-Arts, 1897 for a variation of this design
Bibliography
Art et Décoration, April1897, the model without the side elements ill. p. 107 Der Modern Stil, Julius Hoffmann éditeur, 1899,
vol. I, ill. pl. 64, for the one exhibited at the Société Nationale des Beaux-Arts Der Moderne Stil, 1903, ill. pl. 82