ALBERT DAMMOUSE – BOWL, CIRCA 1900
BOWL, CIRCA 1900
Pâte d’émail
Impressed circular stamp
7 x 10 cm.
Showing 673–696 of 896 results
ANDRE-FERNAND THESMAR – “FEMME ASSISE”, CIRCA 1900
“FEMME ASSISE”, CIRCA 1900
Plaque in translucent enamels on a gold leaf background
11 x 7 cm.
THEOPHILE ALEXANDRE STEINLEN – “LES TROIS CHATS”, 1915
“LES TROIS CHATS”, 1915
Charcoal, black pencil, watercolor
ALEXANDRE CHARPENTIER – GERARD ROGER SANDOZ – PITCHER, CIRCA 1892
PITCHER, CIRCA 1892
Bronze with a brown patina
Signed and marked “G. Roger Sandoz éditeur”
22.5 cm. high
ALEXANDRE BIGOT – ALOIS REINITZER – “LA DANSEUSE LOIE FULLER” VASE, 1900
“LA DANSEUSE LOIE FULLER” VASE, 1900
Grès
Signed by both artists
25 cm. high
This vase was probably exhibited at the Exposition Universelle and a la Société des Artistes Français, 1900
Biliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 319
EDGAR WILLIAM BRANDT – ATELIER DE GLATIGNY – VASE, CIRCA 1910
VASE, CIRCA 1910
Grès. Grey green dripping on a beige background. The red copper mount is hammered and hand tooled
Impressed signature and bearing the Brandt seal
32 cm. high
MANUFACTURE NATIONALE DE SEVRES – ALEXANDRE CLERGET – “APRES LE BAL”, 1906
“APRES LE BAL”, 1906
Biscuit
Signed at the base; bearing the Sèvres triangular seal dated 1906
25.5 cm. high
Exhibition
Salon des Artistes Français 1906 (for the model in stone)
EMILE GALLE – “CAVALIER PERSAN” BEAKER, DESIGNED CIRCA 1889
“CAVALIER PERSAN” BEAKER, DESIGNED CIRCA 1889
Glass, decorated with a Persian horse rider, in polychrome enamel on a background engraved with stylized and geometrical flowers and partly highlighted in gold, inclusion of shattered gold foils
Signed E. Gallé Nancy under its base
10 cm. high
Bibliography
Bernd Hakenjos, Emile Gallé, Keramik, Glas und Möbel des Art Nouveau, Hirmer, ill. p. 80
EMILE GALLE – VASE, CIRCA 1900
VASE, CIRCA 1900
Small pear-shaped vase, clear glass overlaid with black and with platinum foil, acid-etched and entirely wheel-carved, hammered body
Signed in wheel-carved cameo
8.5 cm. high
Provenance
Formerly in the collection of Henri Flammarion
FALIZE FRERES – SET OF 6 SPOONS, CIRCA 1900
SET OF 6 SPOONS, CIRCA 1900
Vermeil with a floral design
In its fitted box
13.5 cm. long
J. TOSTRUP (Attributed to), SET OF 6 SPOONS, CIRCA 1890
SET OF 6 SPOONS, CIRCA 1890
Vermeil with plique-à-jour enamels. Blue enamelled spiral
Two spoons bearing a mark with three crowns
With silver mark
Weight: 104 g.
In its fitted case of the jeweller P. A. LIE, Christiania
Christiania became Oslo in 1906
SOLD
ROYAL COPENHAGEN – PLANTER, 1896
PLANTER, 1896
Signed
26.7 cm. high
26 cm. diameter
ANDRE METTHEY – VASE, CIRCA 1900
VASE, CIRCA 1900
Grès with grey and blue glaze with a design of a woman
Signed
22 cm. high
AGATHON LEONARD – “LE SOMMEIL DE LA VIERGE”, 1901
“LE SOMMEIL DE LA VIERGE”, 1901
Patinated terracotta
Titled on the base and signed
Exhibition
Société Nationale des Beaux-Arts, 1901 (for the model in marble)
KELLER & GUERIN – WALL PLATE, CIRCA 1900
WALL PLATE, CIRCA 1900
Aquatic design with a decor of algae and crab. In the center, a woman’s head wearing a helmet in the shape of a shell
The glaze is slightly glossed in purple and green and partially gilded
Signed KG
37 cm. diameter
ALEXIS BOISSONNET – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Grès
Signed
22.5 cm. high
GEORGES ROCHEGROSSE – “LA MORT”, BEFORE 1910
“LA MORT”, BEFORE 1910
Watercolour
This is the watercolour that was used to illustrate Charles Baudelaire’s famous book Les Fleurs du Mal, engraved by Eugène Decisy and titled La Mort
ERNEST BUSSIERE – KELLER & GUERIN – “MARRON” JUG, 1903
“MARRON” JUG, 1903
Earthenware decorated with low-fired iridescent glaze heightened in gold
Signed KG / Lunéville / Bussière
14 cm. high
A similar example is to be found at the Musée de l’Ecole de Nancy, inv. Corbin
Exhibition
Exposition de l’Ecole de Nancy, Musée des Arts Décoratifs, Paris, 1903
Bibliography
Céramiques végétales / Ernest Bussière et l’art nouveau, Musée de l’Ecole de Nancy, 21 June-25 September 2000, n. 35 ill p. 41
FRANCISCO JAVIER GOSE – “LA CONVOITISE”, CIRCA 1900
“LA CONVOITISE”, CIRCA 1900
Gouache and coloured crayons
Signed and titled
32 x 24 cm.
BING & GRONDAHL – CATHINCA OLSEN – F. AUGUSTE HALLIN – PAIR OF VASES, 1892-1902
PAIR OF VASES, 1892-1902
Porcelain with a polychrome design
Shape of F. August Hallin
Both bear the three tower mark
The first numbered 848/58; bears the artist’s initials KK
22 cm. high
The second numbered 1524/58; bears the monogram of Cathinca Olsen
21 cm. high
NILS LUNDSTRÖM – RORSTRAND PORSLINFABRIKER AB – OPENWORK VASE, CIRCA 1900
OPENWORK VASE, CIRCA 1900
Porcelain
Bearing the monogram of the artist, incised 80031 EG
15.3 cm. high
BING & GRONDAHL – VASE, CIRCA 1900
VASE, CIRCA 1900
Porcelain
Bearing the manufacturer’s stamp, signed AM
24.5 cm. high
PINKNEY MARCIUS-SIMONS – “LE GRAAL”, CIRCA 1900
“LE GRAAL”, CIRCA 1900
Oil on panel
Signed lower left
115 x 144 cm.
HENRI HUSSON – “SENECON” VASE, 1905
“SENECON” VASE, 1905
Repoussé red copper with silver inlays decoration; applied with a branch and foliage in chased silver
Engraved signature under the base and bearing the monogram of the artist
16 cm. high
Exhibition
Société Nationale des Beaux-Arts, 1905, ill. p. 61, n. 2337 in the exhibition catalogue
Hessisches Landesmuseum Darmstadt, 22 October 1976-30 January 1977, Ein Dokument deutscher Kunst – Darstadt 1901-1976, n. 250
The drawing is not for sale