Art Nouveau & Art Déco - Gallery in Monaco
Showing 577–600 of 896 results
VASE, CIRCA 1900
Thick tubular freely blown and shaped glass vase with side protrusions. Multilayered, opalescent glass overlaid in brick red and caramel, intaglio and wheel cut with a design of flowers and stylized foliage and a butterfly in flight
Unsigned. Numbered 532
16.5 cm. high
TRAY, CIRCA 1900
Design in repoussé leather of a woman’s head, arums and water lilies heightened with beige
Bearing the monogram BC
24 x 35 cm.
CARVED WOODEN TRAY, CIRCA 1900
Mother-of-pearl inlay decorated with five bathers
22.5 x 54.5 cm.
Exhibition
Exposition de l’Ecole de Nancy, Musée des Arts Décoratifs, Paris 1903
Provenance
Formerly in the Benedict Silverman collection, New York
VASE, CIRCA 1900
Green and red flambé glazed porcelain; the mount by Louchet with a design of flowering flowers. The heart is decorated with mother-of-pearl and glass cabochon
Signed on the base LOUCHET C(ISEL)EUR
Bearing an hologram incised in the paste the initials AL and a kanji symbol
18 cm. high
Exhibition
1903 SAF
“Je remarque les émaux cloisonnés de M. Paul Louchet, ainsi que le cadre contenant des dessins d’Albert Louchet, son frère. Je n’insiste pas, ce n’est pas tout à fait de ma compétence ; on me dit d’ailleurs que ces jolis cloisonnés ont été exécutés au Japon même ; leur perfection s’explique alors plus facilement et aussi leur aspect un peu “porcelaine”, ce qui est une des caractéristiques des artistes modernes du Nippon.” Revue de la Bijouterie, Joaillerie et Orfèvrerie, n. 40, August 1903, page 96
LAMP BASE, CIRCA 1900
Thick glass lamp base with engraved decoration of eight butterflies on an interlayered background
Signed
Height: 29 cm.
PAIR OF IRIDESCENT SHELLS, CIRCA 1898
Porcelain
Length: 9.5 cm.
Bibliography
Midant, Jean-Paul, Sèvres – La manufacture au XXème siècle, Michel Aveline publisher, 1992, three other examples ill. p. 25
UNIKAT VASE, CIRCA 1900
White porcelain decorated with ginkgo leaves
Attributed to Christian Thomsen
Author of the shape: Arnold Krog, 1895
With manufacturer's stamp, numbered 203/135
16 cm high
Another example of this vase was acquired in 1897 by the Berlin Museum of Decorative Arts
Bibliography
Dekorative Kunst, vol. 16, 1907, ill. p. 114
Berlin, Kunstgewerbe Museum, Werke um 1900, cat. n. 79
LUCIENNE FUCHS – PANEL, CIRCA 1910
Repoussé leather representing an undergrowth landscape in relief
Signed lower right
80 x 36 cm.
HENRI EDMOND BECKER – VASE, CIRCA 1900
Patinated bronze with a design of stylized leaves
Signed
20 cm. high
BOWL, CIRCA 1900
White porcelain decorated on the base with snails in shade of white, brown and blue. Below a frieze of white shells in light blue
Signed with the manufacturer’s stamp, numbered 1146, B&G and bearing the monogram of the artist
9.4 cm. high
17.5 cm. diameter
IMPORTANT VASE, CIRCA 1900
Earthenware decorated with stylized flowers heightened in gold
Stamped with the Chaplet seal and in the decor Ed DAMMOUSE
37 x 24 cm.
PAIR OF BOTTLES “EPIS DE MAIS”, 1900
Glazed porcelain; each with original stopper
Bearing the manufacturer’s stamp for 1901
16.5 cm. high
Exhibition
Exposition Universelle, Paris, 1900
An identical bottle without its stopper was acquired in 1905 by the French State for the Musée des Ursulines in Mâcon and another one complete for the Musée de Saint-Nazaire. Both are today in the collection of the Cité de la Céramique in Sèvres. Another, with stopper, is in the Holburne Museum, Bath (Handley-Read collection), and a further example, without its stopper, is in the Musée des Beaux Arts de Quimper
Bibliography
L’Art Décoratif, October 1900, La manufacture nationale de Sèvres à l’exposition universelle, similar example ill. p. 12
“LA MOSELLE”, CIRCA 1900
Watercolor and carved frame
Signed lower right
20.5 x 32 cm.
“MELANCOLIE”
Bronze with a brown patina
Signed and bearing the foudry mark I H F Paris
Exhibition
SNBA, 1901 (plaster)
Bibliography
L’Art Décoratif, December 1901, p. 111, model in plaster ill. “…C’est la Mélancolie, avec la vérité de la pose de tout le corps, d’un bras abandonné sur les genoux, du visage penché sur l’autre bras reployé et soutenu par le dossier du siège”
“LA VISION DU DEMON”, CIRCA 1900
Oil on panel
Signed lower left
34.5 x 26.5 cm.
VASE, BEFORE 1889
“Cristallerie” glass engraved in intaglio and enameled
Signed with a diamond point
Design attributed to Louis Hestaux
Height: 19.5 cm.
VASE, CIRCA 1905
Internally decorated, applied and wheel-carved. The neck is pulled, cut and finished by hand
Signed
33 cm. high
Exhibition
L’Art Nouveau la Révolution décorative, Pinacothèque de Paris, 18 April-8 September 2013, p. 82,
n. 43 in the exhibition catalogue
Bibliography
Clotilde Bacri, Daum, Milan, 1992, ill. p. 127
Provenance
Bought directly from the Daimaru Museum, Japan
SEAL, CIRCA 1900
Gilt bronze with a vegetal decor
Signed
10 cm. long
VASE, CIRCA 1910-1912
Stoneware vase in yellow ochre in the shape of a cone turned upside down and sunk neck leaving in reserve four handles, enhanced with lines and dots in gold
Signed
Small firing crack at the base
21,5 cm. high
Bibliography
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, Norma éditions, 2015, ill. p. 347
PEDESTAL TABLE, CIRCA 1900
Marquetry on the upper shelf. Bears the inscription Semper gardate and is signed in marquetry within a cartouche Gallé 1898
Height: 75.5 cm.
Top: 71 × 41.5 cm.
PURSE CLASPS, CIRCA 1900
Silver and turquoise with a stylised floral design
One is signed G. FOUQUET and numbered 5325
19 cm. wide
15.8 cm. wide
“FEMME NENUPHAR” CARD HOLDER, CIRCA 1900
Gilt bronze resting on a molded glass base
Signed
Height: 15 cm.
“LA FEMME A LA FLEUR”, CIRCA 1900
Oil on panel
Bears a shipping label at the back evidencing a loan from Miss Morere, Paris
24.5 x 19 cm.
DRESSING TABLE, CIRCA 1900
Carved wood with a vegetal decor
146 cm. high
Bibliography
Laurence Buffet-Challié Le Modern Style, Baschet & Cie, éditeurs, n.d., ill. p. 66, falsely attributed to Georges Hoentschel
Coiffeuse en noyer ciré teinté et érable blanc sculpté d’un décor végétal
Hauteur de la table : 75,5 cm
Hauteur totale : 146 cm
Largeur max. du plateau : 90 cm
Bibliographie
Laurence Buffet-Challié, Le Modern Style, Baschet & Cie, éditeurs, n.d., repr. p. 66, faussement attribué à Georges Hoentschel
