GYULA BETLEN – SCULPTURE, CIRCA 1900
SCULPTURE, CIRCA 1900
Bronze sculpture with dark patina
Black marble base
Signed
28 x 18 x 13,5 cm
The sculptures were sold by La Maison Moderne
Showing 361–384 of 698 results
CECILE COMBETTE – LADY BAG, CIRCA 1900
LADY BAG, CIRCA 1900
Supple veal, embossed, patinated and gilded on both sides, decorated with branches, leaves and berries
Inside, doubled with chamois leather, compartments in leather and shot silk containing a small toilet bag in its leather case, mirror, powder compact and tiny purse covered in chamois leather
17 x 26 cm (when closed)
Bibliography
Comparer à des pochettes à peu près identiques reproduites dans l'Art Décoratif aux Expositions des Beaux-Arts, 1901, planches 99 et 100
MANUFACTURE NATIONALE DE SEVRES – ALPHONSE SANDOZ – VASE DE CHAMPROSAY, 1ERE GRANDEUR, 1900
VASE DE CHAMPROSAY, 1ERE GRANDEUR, 1900
Gourd-shaped, covered in blue and green overlaid
Designed by Alphonse Sandoz in 1898
Signed with the triangular mark dated 1900
14,5 cm. high
Exhibition
“Sèvres 1900”, Musée des Beaux-Arts de Nancy, identical model in dark colored overlaid, ill. p. 30 of the exhibition catalogue, collection of the Musée National de Sèvres, inventory n° 924 1 6.
Bibliography
Jean Paul Midant “Sèvres – La Manufacture au XXème siècle”, Michel Aveline éditeur, 1992, p. 27 : Illustration du même vase en 2ème grandeur et à couverte à cristallisations, collection Mobilier National, Paris.
MANUFACTURE NATIONALE DE SEVRES – ALPHONSE SANDOZ – VASE D’APREMONT, 1902
VASE D’APREMONT, 1902
Colocynth vase in hard-pasted new porcelain with faceted body with decor in relief and application of leaves and vine branches wrapped around the vessel, forming two handles
Enamels in lovat green, ochre and brown on yellow background
Designed by Alphonse Sandoz
Bearing the manufacturer’s stamp for 1902
35,4 cm. high
An identical vase is in the collection of the Musée National de la Céramique, Sèvres, inventory n°15 913
Exhibition
1900, Galeries nationales du Grand Palais, Paris, 14 March-26 June 2000, ill. p. 282, n°300 in the exhibition catalogue
Bibliography
E. Molinier “Les plus récents Travaux de la Manufacture de Porcelaine de Sèvres”, Art et Décoration, November 1903, ill. p. 364, “Signalons encore une autre innovation : les vases à décor en relief exécuté par le moulage. On trouvera ici quelques échantillons de ces nouvelles pièces, notamment une bouteille de M. Sandoz qui est d’une belle venue. En ce genre et dans cette nouvelle voie on peut produire beaucoup de choses intéressantes”.
Antoinette Faÿ-Hallé, Barbara Mundt : “La porcelaine européenne au XIXème siècle”, Office du Livre S.A., Fribourg, Switzerland, 1983. ill. p. 232, pl. 415.
JEAN CARRIES – VASES, CIRCA 1900
VASE, CIRCA 1900
Colocynth stoneware vase with silver and grey dripping
14 cm. high Sold
Provenance
Collection of Jean-Pierre Hassler, Saint-Georges, Switzerland
VASE, CIRCA 1900
Two-lobed stoneware vase, with incised striae on its bulge, brown-marbled, covered in ocher and grey, pink and dark purple enamel dripping from the neck
Incised signature under the base
13 cm. high
Provenance
Formerly in the collection of Maître Francis Lombrail
VASE, CIRCA 1900
Two-lobed stoneware vase, with incised striae on its bulge, covered in yellow ocher, marbled with brown spots and pink with hints of grey enamel dripping from the neck
Unsigned and numbered 91
13 cm. high
Provenance
Formerly in the collection of Maître Francis Lombrail
Drouot-Montaigne, 22nd april 1997, lot n° E
Jean-Pierre Hassler collection, Switzerland
JEAN CARRIES – VASE WITH GOLDEN SPOTS, CIRCA 1900
VASE WITH GOLDEN SPOTS, CIRCA 1900
Stoneware vase with hemmed neck, grey dripping from the neck, enhanced with golden spots
Engraved signature under its base
Height: 15 cm.
Diameter: 18 cm.
Bibliography
L’Estampille, n°32, May 1972, ill. p. 62
Provenance
Formerly in the collection of:
– Alain Blondel, Galerie du Luxembourg, Paris
– Alain Lesieutre, Paris
– Maître Francis Lombrail
– De Quay-Lombrail, Drouot Montaigne, 22 April 1997, lot L
– Jean-Pierre Hassler, Switzerland
JEAN CARRIES – COLOQUINTE VASE, CIRCA 1900
COLOQUINTE VASE, CIRCA 1900
Glazed stoneware, multilayered in green, thick pink dripping
Signed underneath
15 cm. high
Provenance
Formerly in the collection of Maître Francis Lombrail, Paris
EMILE GALLE – “LES ROCHERS DANS LA MER” VASE, CIRCA 1900
“LES ROCHERS DANS LA MER” VASE, CIRCA 1900
Outstanding vase in multilayered glass with marine landscape decor
Original bronze base cast with butterflies
Engraved signature
54 cm. high
Bibliography
Janine Bloch-Dermant, L'Art du verre en France 1860-1914, Edita-Denoël, 1974, ill. p. 62
Provenance
Private collection, Italy
EMILE GALLE – “ANEMONE” VASE, CIRCA 1897-1900
“ANEMONE” VASE, CIRCA 1897-1900
Conical multilayered vase, internally decorated and engraved
Signed
21.5 cm. high
Exhibition
Emile Gallé, Exhibition in six Japanese museums, 2000-2001, n. 45 in the exhibition catalogue, ill. pp. 90 and 91 (example at the Juken museum)
Bibliography
A similar 27 cm. high vase in the collections of Juken Museum of Art, Yoshiwa, prefecture of Hiroshima, Japan
Another, 28,2 cm. high, is in the collection of Her Royal Highness Margrethe II, the Queen of Denmark
EMILE GALLE – “MEDUSE” VASE, CIRCA 1900
“MEDUSE” VASE, CIRCA 1900
Double glazed footed vase modelled as a fish, internally decorated with powder inclusions, partially iridescent, ornamented with an acid-etched and wheel-carved jellyfish on a hammered background echoing the surface of the water
Wheel-carved signature
30 cm. high
EMILE GALLE – CONICAL VASE, 1898
CONICAL VASE, 1898
Multilayered and wheel-carved conical vase with faceted corners in amber, purplish-blue and red marquetry glass, internally decorated with columbines on a background with silver foil inclusions, acid-etched, the original bronze base in the shape of leaves and spurs
Signed and dated 1898
26.1 cm. high
Exhibition
Société Nationale des Beaux Arts, 1898
Wood One Museum of Art, Hiroshima, Japan, 2005, n.33, ill. p. 36 in the exhibition catalogue
Emile Gallé – Nature and Symbol / Le Langage des Fleurs et des Choses Muettes, 16 January – 10 April 2016, Tokyo Metropolitan
Teien Art Museum; 24 April – 5 June 2016, Utsunomiya Museum of Art, n. 069, ill. p. 90
Bibliography
Revue des Arts Décoratifs, 1898, ill. p. 148
Renate Ulmer, Art Nouveau Symbolismus und Jugendstil in Frankreich, Arnoldsche, 1999, ill. p. 319, n. 318
Emile Gallé et le verre, la collection du musée de l'Ecole de Nancy, Ed. Somogy, Paris, 2004, similar example ill. p. 164, n. 280
Provenance
Daimaru Museum, Japan
Other examples of this design are owned by important museums worldwide:
Kitazawa Museum of Art, Japan
Kunstmuseum, Dusseldorf (Collection Gerda Koepf), Germany
Suntory Museum, Japan
Musée de l'Ecole de Nancy, Nancy, France
Budapest Museum of Applied Arts, inv. n. 55.284, Hungary
JEAN CARRIES – JAPANESE BOTTLE, CIRCA 1900
JAPANESE BOTTLE, CIRCA 1900
Glazed stoneware, highlighted with gold
Signed underneath
15 cm. high
Provenance
Formerly in the collection of Maître Francis Lombrail
ROYAL COPENHAGEN – H. MICHELSEN – VASE
VASE
Small decorated vase, circle silver base, neck mounting and lid in silver
Signed, with hallmarks
7.5 cm. high
RORSTRAND PORSLINFABRIKER AB – NILS LUNDSTRÖM – “CYCLAMENS” BALUSTER VASE, CIRCA 1900-1915
“CYCLAMENS” BALUSTER VASE, CIRCA 1900-1915
Baluster vase with shoulders and small straight neck, white porcelain decorated with cyclamen in relief in green and pink tones
Bearing the manufacturer’s seals and the monogram of the artist
22.5 cm. high
Provenance
Provenance: Ancienne collection Martin Eidelberg, New York
RORSTRAND PORSLINFABRIKER AB – NILS LUNDSTRÖM – “TULIPS” VASE
“TULIPS” VASE
Cylindrical vase with bulging neck, in white porcelain decorated in relief with tulips in pink and green tones
Bearing the manufacturer’s seals and the monogram of the artist
23 cm. high
Provenance
Provenance: Ancienne collection Martin Eidelberg, New York
RORSTRAND PORSLINFABRIKER – KARL LINDSTRÖM – AXEL WALDEMAR LINDSTRÖM – “CHARDONS” VASE
“CHARDONS” VASE
Openwork neck, decor in semi-relief
Signed Rörstrand and WL (for the designer of the form, Waldemar Lindström) and KL (for the executant, Karl Lindström)
36 cm. high
ASTRID EVERLÖF – RUBEN RISING – RORSTRAND PORSLINFABRIKER AB – VASE, CIRCA 1907-1909
VASE, CIRCA 1907-1909
Small porcelain vase, with a low relief decor, openwork neck
Three crowns seal, marked E in green, A, 3415 and RR incised
12 cm. high
ROYAL COPENHAGEN – “SWEET PEA AND BUTTERFLY” PLATE
“SWEET PEA AND BUTTERFLY” PLATE
White porcelain plate with sweet pea and butterfly decor in green and blue tones
Customary seals, numbered 1174/10520 in green and 90 in blue
22 cm in diameter
ROYAL COPENHAGEN – ANNA SMIDTH – “HERMIT CRABS AND SEAWEED” UNIKAT VASE, 1901
“HERMIT CRABS AND SEAWEED” UNIKAT VASE, 1901
UNIKAT vase decorated with hermit crabs and seaweed, January 1901
Numbered 7713
49 cm. high
ROYAL COPENHAGEN – ANNA SMIDTH – LARGE BALUSTER VASE
LARGE BALUSTER VASE
Porcelain, with lacustrine decor in blue tones on a white background
Signed at the bottom and under its base
Bearing the manufacturer’s customary seals
Marked 12 Z and numbered 10410
44 cm. high
ROYAL COPENHAGEN – ARNOLD KROG – “TÊTE-À-TÊTE” TEA AND COFFEE SERVICE
“TÊTE-À-TÊTE” TEA AND COFFEE SERVICE
Porcelain
Exhibition
Exposition Universelle, Paris, 1900
Bibliography
Art et Décoration, décembre 1900, repr. p. 196
ROYAL COPENHAGEN – JENNY SOPHIE MEYER – “EPIS ET FLEURS BLEUES” UNIKAT VASE, 1896
“EPIS ET FLEURS BLEUES” UNIKAT VASE, 1896
Decorated porcelain
Bearing the manufacturer’s seal and marks, numbered 6048, signed and written out in full and dated M and 10 (for October 1896)
23 cm. high
ROYAL COPENHAGEN – TOP-SHAPED BOUQUET HOLDER
TOP-SHAPED BOUQUET HOLDER
Enameled porcelain with spinning polychrome orchids decor, the neck ornamented with three small handles
The cover of the suspension ring in bronze and ropes
Signed with the manufacturer’s stamp in green, numbered 62 in blue for the artist and 5/5 in green
21 cm. in diameter ; 17.5 cm. high
ROYAL COPENHAGEN – “PHALENES” VASE
“PHALENES” VASE
Openwork vase in enameled white and blue porcelain decorated with pepper moths and foliage
Signed with the circular stamp under its base and numbered 1295/777 and 58
Painted by Fr A Richter
14 cm. high