GEORGES DE FEURE – “LES LYS ET LA MORT”, CIRCA 1900
“LES LYS ET LA MORT”, CIRCA 1900
Chinese ink and watercolor drawing
Signed lower right and also signed and dedicated left
25 x 17 cm.
Showing 25–48 of 633 results
RUPERT CARABIN – MIRROR, 1896-1897
MIRROR, 1896-1897
Rectangular shape in wood, the frame in repoussé copper with a dark brown patina
Design of trees, reeds and three women
Signed lower left
45 x 60 cm.
Exhibition
Société Nationale des Beaux-Arts, 1897, n. 190-1
Les Industries d’Arts au Salon de la Libre Esthétique dans le Musée d’Art Moderne de Bruxelles, 1897
Exposition Carabin, Musée Galliéra 1934-1935
Exposition Carabin, Galerie du Luxembourg, Paris, 1974
Bibliography
Catalogue de l’exposition L’Œuvre de Rupert Carabin 1862-1932, Galerie du Luxembourg, Paris, 1974, p. 178 ill. under the n. 82
Catalogue de l’exposition L’Art Nouveau : La révolution décorative, 18 April 2013 – 8 September 2013, Éditions Skira, 2013, Paris, the model in bronze ill. p. 59
ALFRED JOREL – “JEUNE FILLE AU CHAT”, CIRCA 1900
“JEUNE FILLE AU CHAT”, CIRCA 1900
Statuette in sculpted wood and patinated ivory
The base in marble
Signed
Height: 11 cm.
Alfred Jorel was Sociétaire des Artistes Français and exhibited in Gallièra in 1903. (Exposition de l’ivoire), in 1908 (Exposition de la Parure Précieuse de la Femme) and in 1914 (Exposition de la Statuette). His pieces are unique
ERNEST-EMILE CHAPLET – PITCHER (ATELIER D’AUTEUIL, PERIOD 1882-1886)
PITCHER (ATELIER D’AUTEUIL, PERIOD 1882-1886)
Enamelled grès
Signed
Height: 33 cm.
Bibliography
The Paris Salons, p. 82
HENRI HUSSON – LARGE FOOTED COUPE, CIRCA 1907-1910
LARGE FOOTED COUPE, CIRCA 1907-1910
Patinated copper inlaid and applied with silver flowers and leaves
Bears the artist’s seal and signed by hand underneath H. Husson
Diameter: 30.5 cm.
Height: 7 cm.
FRANCOIS-RUPERT CARABIN – “AUBERGINE” COVERED BOX, 1896
“AUBERGINE” COVERED BOX, 1896
Red burgundy enamelled grès shaped like an eggplant. The mount in wrought iron
Signed with the monogram of the artist
28 cm. long
Exhibition
Salon de la Société Nationale des Beaux-Arts, Paris, 1897
Cocarde, 22 October 1897
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 186, ill. p. 227
PIERRE RANSON – “PRAIRIE ET RUISSEAU”
“PRAIRIE ET RUISSEAU”
Pastel
Signed lower right
46 x 29.5 cm.
Bibliography
Catalogue raisonné de l’artiste, Brigitte Ranson Bitker, Gilles Genty, Paris, 1999, n. 677, ill. p. 361
ALBERT DAMMOUSE – PIERRE ROCHE – PLATE, CIRCA 1900
PLATE, CIRCA 1900
Stoneware
Stamped A DAMMOUSE, with the letter S (for Sèvres)
23 cm. diameter
Bibliography
Paul Arthur French, Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 327
No other similar piece executed by Dammouse is known to exist. Nevetheless we know Alexandre Bigot executed similar works designed by the sculptor Pierre Roche, who collaborated with Dammouse. This piece is probably a result of their collaboration
HENRI SIMMEN – VASE, 1910-1914
VASE, 1910-1914
Grès with a symmetrical design. Dark brown, light brown and black enameled glaze
Signed
Height: 28.5 cm.
Diameter: 13 cm.
HENRI SIMMEN – EXCEPTIONAL VASE, 1910-1914
EXCEPTIONAL VASE, 1910-1914
Grès, with brown-black painted decoration of three stylised women in the manner of the work of Mackintosh at the Glascow school and the drawings by Hoffman of the Vienna Secession
Application of gold pastilles in relief
Signed H Simmen
Height: 35.5 cm.
Provenance
Collection Marcel Tessier (1934-2024), s.c.p. Antoine Glück et Etienne Mercier, Drouot, Rive-gauche, 16 June 1978, lot n. 160, ill. p. 43 in the exhibition catalogue
CHARLOTTE BESNARD – ALBERT DAMMOUSE – “LA SALAMANDRE”, CIRCA 1903
“LA SALAMANDRE”, CIRCA 1903
Stoneware overlaid with sang-de-boeuf and beige glaze
Monogrammed AD and S (for Sèvres) and signed in full
20 x 21 x 15 cm.
Identical example inventoried in the collections of the Petit Palais, musée des Beaux-Arts
de la ville de Paris
A similar example was part of the Marcel Tessier collection, Les Arts du Feu, Drouot, Mes Glück et Mercier, 16 June 1978, lot 77
Exhibition
Société Nationale des Beaux-Arts, 1903
Albert Besnard, Modernités Belle Epoque, Evian, Paris, 2016
Bibliography
L’Art Décoratif aux Expositions des Beaux-Arts, Armand Guérinet Editeur, Paris, 1903, ill. pl.1.
Art et Décoration, June 1903, p. 200
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill. p. 57
ANDRE METTHEY – “ESCARGOT” VASE, CIRCA 1900
“ESCARGOT” VASE, CIRCA 1900
Polychrome grès
Signed
Height: 26 cm.
Exhibition
Société des Artistes Français, Paris 1903
Bibliography
“M. Methey, lui, nous montre des pièces absolument réussies. Certaines sont fort belles de colorations, aux tons profonds et puissants. Certaines autres, l’une ornée de grenouilles, et surtout celle ornée d’escargots, ont un aspect un peu rustique tout à fait amusant. C’est là, en somme, un très bon envoi”. M. P.-Verneuil “Les Objets d’Art à la Société des Artistes Français”, Art et Décoration, July 1903, page 229
FERDINAND FRICK – LITTLE GIRL PLAYING WITH HER CAT
LITTLE GIRL PLAYING WITH HER CAT
Bronze sculpture
Signed
Height: 24 cm
ALFRED JOREL – SCULPTURE IN IVORY, CIRCA 1900
SCULPTURE IN IVORY, CIRCA 1900
Featuring a naked woman holding a garland of flowers on a pyramidal marble base
Height: 23.5 cm
17.5 cm. high for the ivory
PAUL GRANDHOMME – SET OF THREE RECTANGULAR PLAQUES, CIRCA 1890
SET OF THREE RECTANGULAR PLAQUES, CIRCA 1890
Mother-of-pearl, with a design in light relief of women in the antique style
Signed Grandhomme Morel
Height: 8 cm.
ALFRED JOREL – TWO CHILDREN IN CLOGS
TWO CHILDREN IN CLOGS
Pair of carved ivory statuettes
Signed on the marble bases
Height: 8.7 cm and 8.8 cm.
Total height: 13.3 cm. and 13.4 cm.
BING & GRONDAHL – VASE, CIRCA 1900
VASE, CIRCA 1900
Porcelain, with a polychrome country design
Bearing the manufacturer’s stamp, numbered 6760/95 and bearing the decorator’s mark
Height: 27 cm
BING & GRONDAHL – KAI NIELSEN – SET OF FIVE FIGURES, CIRCA 1900-1910
SET OF FIVE FIGURES, CIRCA 1900-1910
Grès, featuring fauns and women in harvest scenes
Signed, bearing the manufacturer stamp
Height: 9.5 to 23 cm.
Bibliography
Skonvirke, vol. 1, 1914-15, p. 40
HENRI SIMMEN – IMPORTANT VASE, CIRCA 1911
IMPORTANT VASE, CIRCA 1911
Large grès baluster footed vase decorated with brown and black enamel dotted spiral patterns
Signed. With original handwritten label H° 1 250
Height: 34 cm.
Exhibition
Salon d’Automne, Paris, 1911
AUGUSTE LEDRU – THIEBAUT FRÈRES – IMPORTANT VASE, CIRCA 1900
IMPORTANT VASE, CIRCA 1900
Bronze with a brown patina, decor in light relief of several figures. The handle in the shape of a naked woman
Signed
Height: 51 cm.
Exhibition
SNBA 1895
Bibliography
The Paris Salons, ill. p. 372 (model in pewter)
EMILE GALLE – LOUIS HESTAUX – “CHAUVE-SOURIS ET PAVOTS” BOTTLE, CIRCA 1890-1892
“CHAUVE-SOURIS ET PAVOTS” BOTTLE, CIRCA 1890-1892
After a design by Louis Hestaux
Multilayered and parly hammered glass, acid-etched and wheel-carved decor of a bat and poppies
Signed underneath: Emile Gallé fecit.
24.5 cm. high
Exhibition
Exposition Emile Gallé et Toulouse-Lautrec / Lumières et couleurs de la Belle Epoque, 1995, Suntory Museum of Art, Tokyo, p. 30 et 31 in the exhibition catalogue, n. 16
Exhibition on Emile Gallé in five museums in Japan between April 2000 and March 2001, ill. p. 57, 58 and 59, n. 19 in the catalogue.
Gallé et le Japonisme, 2008, Tokyo-Osaka, n. 62 in the exhibition catalogue
Emile Gallé / Nature & Symbolisme / Influences du Japon, Musée Départemental
Georges de la Tour, Vic-sur-Seille, 5 May-30 August 2009, ill. p. 135, n.114
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-24 November 2019, ill. pp. 16, 17
Bibliography
Janine Bloch-Dermant, L’Art du verre en France 1860-1914, Edita Denoël, 1974, ill. p. 63
ALEXANDRE BIGOT – ALFRED JEAN HALOU – “SERPENT ENSERRANT UN CRAPAUD”, MODEL OF 1898
“SERPENT ENSERRANT UN CRAPAUD”, MODEL OF 1898
Very rare plate in grès
Signed and dated 1900
Tiny old restoration
Diameter : 27 cm
Exhibition
At the Exposition Universelle of 1900, Bigot had his own pavilion entirely made in grès.
He also exhibited afresco of three squares depicting a circle of toads after Halou.
At the end of the exhibition, the entire pavilion
was acquired by the Museum of Applied Arts in Budapest
EMILE GALLE – VASE, CIRCA 1900
VASE, CIRCA 1900
Multi layered glass with powder inclusions, thickly overlaid and carved with a crocus
Signed with a diamond point
Height: 14 cm.
MANUFACTURE NATIONALE DE SEVRES – LOUIS-MAURICE BOCQUET – GENEVIEVE RAULT – VASES D’ANGERS, 1902
VASES D'ANGERS, 1902
Hard-paste porcelain. Polychrome design of fuschias
Author of the decor: Geneviève RAULT
Decorated by: Louis-Marie BOCQUET
Height: 60 cm
Bibliography
L'Art Décoratif, June 1902, ill. p. 126