NILS DE BARCK – IMPORTANT VASE, 1900
IMPORTANT VASE, 1900
Grès with a design of nudes in high relief
Signed, located St. Amand and dated 1900
Height: 43.5 cm.
Showing 49–72 of 633 results
EDOUARD-LOUIS HENRY-BAUDOT – “LA GUERRE”, CIRCA 1910
“LA GUERRE”, CIRCA 1910
Charcoal, watercolor and gouache
Signed lower right
100 x 95 cm.
Provenance
The artist’s estate
LUCIEN BONVALLET – VASE, CIRCA 1910
VASE, CIRCA 1910
Patinated copper, entirely hammered with a algae repoussé design
Signed, numbered 8 and 24
Height: 27 cm.
LUCIEN BONVALLET – VASE, CIRCA 1910
VASE, CIRCA 1910
Copper, entirely hammered
Signed in full, located Paris and decorated with a clover.
Height: 22 cm.
Bibliography
L’Art Décoratif, January 1910, ill. page 22
HENRI HUSSON – LARGE POT, CIRCA 1904
LARGE POT, CIRCA 1904
Patinated copper, precious metal applications and inlay
Edited by A. A. Hébrard, Paris, France
Underside incised H Husson and impressed A HEBRARD/PARIS
26.8 x 32 x 30 cm.
VICTOR PROUVE – “LA DANSE DU VENTRE, SCENE DE HAREM”, 1892
“LA DANSE DU VENTRE, SCENE DE HAREM”, 1892
Fire engraved wood panel with gold and silver highlights
Signed lower left and dated 1892
160.5 x 58.5 cm.
With the frame: 170 x 69 cm.
Exhibition
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin..., Nancy, musée des Beaux-Arts,
musée de l’Ecole de Nancy, 6 May-28 August 2006, ill. p. 191, n. 110 in the exhibition catalogue
Victor Prouvé 1858-1945, Musée des Beaux-Arts, Nancy, 17 May-21 September 2008, ill. p. 147, n. 30 in the exhibition catalogue
Bibliography
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis publisher, 2002, ill. p. 169
Provenance
Collection of Mr Solvay, acquired directly from Victor Prouvé for 450 francs
LOUIS HESTAUX – TRAY, CIRCA 1900
TRAY, CIRCA 1900
Carved pearwood in the shape of a tree with foliage and branches above leaves and fruits
Signed
43 cm. long
Together with Victor Prouvé, Louis Hestaux was Emile Gallé’s closest collaborator
BERNARD HOETGER – EUGENE BLOT – LA MAISON MODERNE – “PETITES NYMPHES”, CIRCA 1900
“PETITES NYMPHES”, CIRCA 1900
Bronze with a brown patina
Signed and bearing the foundry seal EUG. BLOT / B. DE LA MADELEINE / PARIS
30 cm. high
Exhibition
Darmstadt Ein Dokument Deutscher Kunst 1901-1976, Die Künstler der Mathildenhöhe,
22 October 1976-30 January 1977, ill. vol. 4, p. 103, n. 328 in the exhibition catalogue
(collection Barlach-Heuer, Paris)
Bibliography
La Maison Moderne, Documents sur l’Art Industriel au vingtième siècle, nd,
Edition de la Maison Moderne, ill. p. 11, n. 3423-1
Laurence Buffet-Challié, Le Modern Style, Baschet & Cie éditeurs, nd, ill. p. 50, n. 2
ERNEST-EMILE CHAPLET – VASE, CIRCA 1900
VASE, CIRCA 1900
Ceramic with a green and blue glaze on a rouge sang-de-boeuf background
Signed with the rosary mark
12.5 cm. high
COMTE ENGUERRAND DU SUAU DE LA CROIX – PLIQUE A JOUR ENAMEL PENDANT, CIRCA 1900
PLIQUE A JOUR ENAMEL PENDANT, CIRCA 1900
Green and red enamelled leaves and berries
The chain in silver
Pendant height: 4 cm
WALL SHELF, CIRCA 1900
WALL SHELF, CIRCA 1900
Sculpted oak, repoussé leather panel with mountain landscape decor
Bearing a monogramm
55 x 78 cm.
PIERRE ROCHE – “LA MORT” (DEATH), CIRCA 1900
“LA MORT” (DEATH), CIRCA 1893-1894
Patinated bronze sculpture
Signed
Height: 55 cm.
Exhibition
Intérieurs 2011 – L’Art de vivre avec l’art, Artcurial, Paris, 8-22 September 2011,
exhibited on the booth of Mrs Roxane Rodriguez
Bibliography
L’Art Décoratif, April 1901, ill. p. 8 (Detail in glossy earthenware)
Art et Décoration, April 1904, ill. p. 121
Catalogue des Objets d’Art Moderne faisant partie de la Collection Roger Marx, p. 23,
n. 132 for an example in glossy terracotta
Musée des Arts décoratifs, inv.27961: “Ce buste en terre cuite polychrome appartient sans doute à un projet de décor inachevé. Le visage hiératique de La Mort est rehaussé de touches verdâtres sur les paupières et les lèvres, évoquant le bleuissement d’une noyée et accentuant l’étrangeté de l’œuvre. Cette iconographie unique dans son œuvre montre une nouvelle fois l’influence du courant symboliste dont la mort est une thématique centrale”
There is also an example of just the bust in the Musée des Arts Décoratifs:
Titre : La mort
Dénomination : buste de femme
Date : 1895
Dimensions : H : 17 cm ; L : 15,4 cm ; P : 8 cm
Inscriptions – marques : aucune
Lieu de conservation : Paris, musée des arts décoratifs (inv.27961)
Matériaux : terre cuite lustrée avec rehauts de couleur verte sur la bouche et les yeux
Historique : don de Louis Massignon et de sa soeur en souvenir de leur mère, entrée le 12 novembre 1931
FRANCOIS-EMILE DECORCHEMONT – “GRAND VASE TROIS FIGURES”, DESIGNED IN 1914, EXECUTED IN 1914-1919
“GRAND VASE TROIS FIGURES”, DESIGNED IN 1914, EXECUTED IN 1914-1919
Model n. 59, translucent and partly coloured pâte-de-verre, decorated with three relief
moulded medallions, each featuring a women set in profile
Stamped with artist circular mark
Height: 22.5 cm.
Exhibition
Véronique Ayroles, François Decorchemont Maître de la pâte de verre, éditions Norma, 2006,
ill. p. 65 and 239 for the design
Four examples of this model were executed and only one other severely damaged has appeared in auction in 2016
CHARLES KORSCHANN – LOUCHET PAUL, Maison – “LE SECRET” TABLE CLOCK, 1897
“LE SECRET” TABLE CLOCK, 1897
Gilt bronze
Signed Korschan / PARIS and dated 97. Signed LOUCHET under the base
31 x 11.5 x 10.5 cm.
ALBERT DAMMOUSE – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Grès with a floral design on a turquoise background with sang-de-boeuf glaze
Signed underneath with the initials and S (For Sèvres)
Height: 11 cm.
FELICIEN ROPS – “CLOWNERIE INTIME”
“CLOWNERIE INTIME”
Ink and red pencil on paper
Stamp bottom left M. Pereire
Stamp bottom right JO
12.5 x 9 cm.
With the frame: 32.5 x 27.7 x 2.2 cm.
FELICIEN ROPS – “LES SATANIQUES”
“LES SATANIQUES”
Pencil and watercolor on paper
11 x 17.2 cm.
With the frame: 30.3 x 36.5 x 1.3 cm.
LOUIS ICART – WATERCOLOR
WATERCOLOR
Watercolor used for the illustration of “Gargantua and Pantagruel” by François Rabelais
Signed bottom right and annotated on the left Livre 1 Chap LV
24 x 18.5 cm.
ALPHONSE DEBAIN – IMPORTANT FOOTED BOWL, CIRCA 1900
IMPORTANT FOOTED BOWL, CIRCA 1900
Silver, baluster shape, with a design of clovers. Internal and external parts engraved with undulating streaks
Bearing the French Minerva mark and silversmith mark
15 cm. high
32.5 cm diameter
MARIE LAURENCIN – Stencil enhanced with watercolor
Stencil enhanced with watercolor
Signed
ALBERT BARTHOLOME – “LA PLEUREUSE”, CIRCA 1900
“LA PLEUREUSE”, CIRCA 1900
Gilt bronze modelled as a woman covering her face
Signed
25 cm. high
PIERRE-ADRIEN DALPAYRAT – “PANTHER”, CIRCA 1904-1906
“PANTHER”, CIRCA 1904-1906
Grès enameled in tones of brown, red and blue green
Impressed signature: Les Grands Feux de Dalpayrat
14 cm. high
30.5 long
15.5 cm. large
Bibliography
Horst Makus & al., Adrien Dalpayrat – Céramique française de l’Art Nouveau, Arnoldsche, 1998, catalog n. 115
ALEXANDRE BIGOT – FIREPLACE, CIRCA 1900
FIREPLACE, CIRCA 1900
Grès with a design of leaves
Signed
101 x 108 x 31 cm.
ALBERT DAMMOUSE – BALUSTER VASE, CIRCA 1900
BALUSTER VASE, CIRCA 1900
Enameled Grès with sang-de-boeuf glaze
Bearing the monogram of the artist and located at Sèvres
Height: 16.5 cm.