ALBERT DAMMOUSE – BALUSTER VASE, CIRCA 1900
BALUSTER VASE, CIRCA 1900
Enameled grès with a decor of a blackbird and flowers
Signed with the circular stamp. Some firing losses at the base
Height: 27 cm.
Showing 73–96 of 633 results
ANDRE METTHEY – FOUR FROGS GOURD – CIRCA 1900
FOUR FROGS GOURD – CIRCA 1900
Rare grès (neck reduced)
Engraved signature, numbered 27/1 and AC
Height: 23 cm.
Exhibition
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 274
PACO DURRIO (DURRIO DE MADRON FRANCISCO) – “MISTERIO DE LA NOCHE” (MYSTERY OF THE NIGHT), 1900-1905
“MISTERIO DE LA NOCHE” (MYSTERY OF THE NIGHT), 1900-1905
Sang-de-boeuf grès in the shape of a moon profile ending at the base as joined hands
Signed with the monogram of the artist and numbered 1
Height: 18 cm.
A similar work in blue and white enamel is part of the collection of the Fina Arts Museum of Bilbao, inventory number 07/415
Bibliography
La Gran Enciclopedia Vasca, Bilbao, vol. VIII, n°80, ill. on the cover and titled “Luna”
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 153
JEAN DAMPT – “BUSTE DE BÉBÉ RIANT”, 1893
“BUSTE DE BÉBÉ RIANT”, 1893
Important and rare sculpture in damascened steel
Signed and dated
Height: 20 cm.
Width: 26.5 cm.
ALBERT DAMMOUSE – SHOULDERED BALUSTER VASE, CIRCA 1900
SHOULDERED BALUSTER VASE, CIRCA 1900
Grès with a design in pâte d’émail of anemones and white rowan, yellow-green and brown on a red ocher background
Signature with stamp
Height: 40 cm.
MAURICE DUFRENE – ATELIER DE GLATIGNY – IMPORTANT VASE, CIRCA 1900
IMPORTANT VASE, CIRCA 1900
Shouldered baluster vase in grès with green and burgundy drippings at the neck on a white
background, the design attributed to Maurice Dufrêne
Interior with sang-de-boeuf drippings
Signed Glatigny and numbered 277
Height: 40 cm.
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 188
AUGUSTE DELAHERCHE – COVERED POT, CIRCA 1900
COVERED POT, CIRCA 1900
Grès in slate color with brown and green glaze. The lid is openwork and decorated with fruits and stems
Bearing the monogram of the artist on both parts
Diameter of the base (incl. the handles): 39 cm.
Diameter of the lid (incl. the handles): 36 cm.
Height: 22 cm.
CARL VILHEM MILLES – “APRÈS LE BAL”, 1901
“APRÈS LE BAL”, 1901
Grès
Signed
32 x 36 x 30 cm.
EMILE DECOEUR – BOTTLE, 1904
BOTTLE, 1904
Grès in a vegetal shape and a small handle at the neck
Polychrome enamel in shades of green, brown, blue and sang-de-boeuf
Signed in full and impressed with a trefoil mark
The underside with a label : Collection / Gaston Derys / 10 rue Poussin / Paris
Height: 32 cm.
Exhibition
Art Nouveau Belgium / France, Houston & Chicago, 1976, similar model ill. n°266, page 187
MICHEL CAZIN – VASE, CIRCA 1900
VASE, CIRCA 1900
Vase in the shape of a bottle in light beige grès, with a design of a wreath of flowers and leaves
Signed with the monogram of the artist
The base in gilt bronze, with a design of flowers, signed with the initials of the artist
Height: 33 cm
Bibliography
L. de Fourcaud, Les Arts décoratifs au Salon de 1899 / Les objets d’art (II)
La Société Nationale Revue des Arts décoratifs, 1899, page 330 :
Michel Cazin offers us a beautiful suite of whitish, reddish and dark vases, decorated with a relief of mistletoe, oak, foliage and woven cords
Paul Arthur, French Art Nouveau Ceramics : An Illustrated Dictionary, Norma éditions, 2015, ill. p. 99
CARL VILHEM MILLES – HECTOR CACCIPUOTTI – SOCIÉTÉ DES ARTISTES RÉALISTES – “A LA BELLE ÉTOILE”, 1902
“A LA BELLE ETOILE”, 1902
Grès depicting a couple sitting on a bench and a sleeping character on the other side of the bench
Signed
Marked Hector CACCIPUOTTI / Editeur / 65 rue Violet à Paris and Société des Artistes Réalistes, Marque déposée Paris
Height: 21 cm.
Exhibition
V. Pica, Artisti Contemporanei: Karl Millès, Emporium XXIX, no. 196, Jan. 1909, pp. 3-19, ill. p. 12
WILLIAM LEE – SAKE BOTTLE, CIRCA 1900
SAKE BOTTLE, CIRCA 1900
Grès overlaid with kaki green glaze, mottled yellow ocher and brown drippings
Signed with the monogram of the artist
Height: 16.5 cm.
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 238
EMILE DECOEUR – BALUSTER VASE, CIRCA 1905
BALUSTER VASE, CIRCA 1905
Gray-beige enamel on a blue background. Openwork design with stylized flowers
Signed E Decœur, engraved trefoil mark under the piece
Height: 22 cm.
Width: 16 cm.
LOUIS DEJEAN – ALEXIS RUDIER – “LES PASSIONS S’ÉLEVANT VERS LES MUSES”, CIRCA 1900
“LES PASSIONS S’ÉLEVANT VERS LES MUSES”, CIRCA 1900
Two sculptures in bronze with a black patina
Signed on each element in full letters and Alexis Rudier Fondeur à Paris
35 x 27 cm.
These are the sculptures placed above the bookcase made by Dejean for M. Paix-Séailles
Exhibition
L'Art et les Artistes, March 1910, model in plaster ill. pp. 271 and 273
EMILE-RENE LAFONT – PIERRE-MAXIMILIEN DELAFONTAINE – GRIFFIN HOLDING A MIRROR, 1880-1885
GRIFFIN HOLDING A MIRROR, 1880-1885
Bronze with dark brown patina
Signed E Lafont on the base and bearing the foundry mark Delafontaine.
Height: 54 cm.
DAUM FRERES – EUGENE GALL – EMILE WIRTZ – VASE, CIRCA 1919-1922
VASE, CIRCA 1919-1922
Tinted vase with internal irregular bubbles applied with mauve glass bunches of grapes
on stylised branches in black glass, the applied mauve foot with a black border.
Executed by Eugène Gall from a model by Emile Wirtz. Signed Daum Nancy with the cross
of Lorraine.
Height : 15 cm
Exhibition
The Art of Glass Art Nouveau to Art Deco, Sunderland Museum & Art Gallery,
17 July-27 October 1996, ill. in the exhibition catalogue
ABEL LANDRY – COLIN & CIE. – TRAY, CIRCA 1900
TRAY, CIRCA 1900
Silvered bronze, decorated with foliage. Handles in the shape of snakes
Signed A Landry and Colin
67 cm. long
Exhibition
Salon de 1903
Bibliography
L’Art Décoratif aux Expositions des Beaux-Arts, 1903, Armand Guérinet éditeur, ill. pl. 187
JULES DESBOIS – ADRIEN-AURELIEN HEBRARD – HEAD OF A WOMAN, CIRCA 1900
HEAD OF A WOMAN, CIRCA 1900
Bronze sculpture on a wood base
Signed and marqued Cire perdue A. Hébrard
24.5 cm. height
36.5 cm. height with the base
PHILIPPE-JOSEPH BROCARD – VASE, CIRCA 1880
VASE, CIRCA 1880
Exceptional vase modeled as a mosque lamp with applied handles
Blown glass with a richly polychromed enameled decor highlighted with floral motifs, arabesque and a frieze of oriental scriptures
Signed “Brocard Paris”
15 cm. high
EUGENE FEUILLATRE (1870-1916) – “ARTICHAUT FLEURI” VASE, CIRCA 1900
“ARTICHAUT FLEURI” VASE, CIRCA 1900
Copper and translucent enamel. The lower part is decorated with green enamel artichoke leaves highlighted with gold. The upper part is decorated with pink enamel.
Signed.
9 cm. high
Identical model at the Kunstgewerbe Museum in Berlin, acquired at the Exposition Universelle in 1900.
Another identical model in the musée des Arts décoratifs in Paris inv. n°10751.
Together with an advertising label illustrating the piece.
Bibliography
L’Art décoratif moderne, June 1898, Les objets d’art aux salons, Arthur Maillet, ill. page 133.
L’Art décoratif, January 1901, ill. page 166.
Wolfgang Scheffler, Werke um 1900, Kunstgewerbe Museum Berlin, 1966, ill. page 28, n° 29 in the exhibition catalogue.
Sotheby’s Parke Bernet Monaco S.A., 23 juin 1979, lot n°325, identical model in green enamel, the upper part in pale blue and mauve.
Exhibition
Salon de 1898.
French Jewellery of the Nineteenth Century, Wartski, Londres, 13 – 23 June 2001, n°194 in the exhibition catalogue, ill. p. 42.
EUGENE FEUILLATRE – SMALL PLATE, CIRCA 1900
SMALL PLATE, CIRCA 1900
Repoussé copper with a polychrome enameled design of a sand thistle with white petals.The heart is opalised
Decor of green leaves on a red background
16 cm. diameter
HENRY CROS – PLAQUE, CIRCA 1900
PLAQUE, CIRCA 1900
Large rectangular plaque in pâte de verre figuring an elongated naked woman, in white pâte de verre, abundant red hair, all on a green background under a blue sky
47 x 21 x 2 cm.
FELIX BRACQUEMOND – HAVILAND & Cie – ROUND PLATE LANDSCAPE, CIRCA 1874-1876
ROUND PLATE LANDSCAPE, CIRCA 1874-1876
Hard-paste porcelain, manufactured at Charles Haviland & Co, in the Auteuil workshop after a design by Félix Bracquemond.
Signed with the B monogram.
Diameter : 50 cm.
Exhibition
La céramique “impressionniste” / Emaux atmosphériques, Musées de la Ville de Rouen, Musée de la Céramique, 2010, similar example ill. pp. 40 & 41 (detail) & page 98, n. 16
FELIX BRACQUEMOND – HAVILAND & Cie – SERVICE PARISIEN, 1876-1878
SERVICE PARISIEN, 1876-1878
Complete series of twelve plates titled as:
Le brouillard
Le combat
Le calme
L’effroi
La lune
La neige
La nuit
L’orage
Plein-soleil
La pluie
Le soleil couchant
Le soleil levant
The complete series is in the collection of the Adrien Dubouché’s museum, ADL 2813 à 2824
A plate is in the collection of the Metropolitan Museum of Art, New York, Acquisition number 23.31/18, gift of Monsieur George Haviland, 1923
Exhibition
La porcelaine de Limoges des origines à 1880, musée de l’Evêché, Limoges, 1949
Chefs d’œuvres de la porcelaine de Limoges, musée du Luxembourg, 30 January – 28 April 1996,
n. 130 of the exhibition catalogue
Félix Bracquemond et les arts décoratifs – Du japonisme à l’Art nouveau, Musée national
Adrien-Dubouché, Limoges, puis Deutsches Porzellanmuseum, Selb-Plösberg et Musée départemental de l’Oise, Beauvais, 2005/2006, ill. pp. 92 à 95
Félix Bracquemond et les arts décoratifs – du japonisme à l’Art nouveau,
Musée national Adrien-Dubouché, Limoges, 5 April- 4 July 2005, cat. n°34/1 à 34/12, pp. 86 à 96
Bibliography
Chefs d’œuvres de la porcelaine de Limoges, éditions de la Réunion des musées nationaux, Paris 1996, ill. page 217
Félix Bracquemond et les arts décoratifs, éditions de la Réunion des musées nationaux, 2005,
pp. 88 à 96
Paul Arthur French Art Nouveau Ceramics / An Illustrated Dictionary, Norma éditions, 2015, ill. p.77