EMILE GALLE – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Earthenware, with a polychrome poppy decoration highlighted in gold
Restorations
Signed underneath: E (Cross of Lorraine) G / Déposé / Gallé – Nancy
Height: 25 cm.
Showing 1–24 of 744 results
PITCHER, CIRCA 1900
Earthenware, with a polychrome poppy decoration highlighted in gold
Restorations
Signed underneath: E (Cross of Lorraine) G / Déposé / Gallé – Nancy
Height: 25 cm.
“HEBE” PLATE, CIRCA 1900
Pewter. Numbered 9780
Diameter: 26 cm.
Bibliography
Siot-Decauville catalogue, ill. pl. 105
VASE
Porcelain. Mount by AM Tallois
Signed in green enamel with the three-crown mark and the maker’s monogram
Height: 13 cm.
CANE, CIRCA 1900
Silver knob engraved with a satyr
Signed Lasserre
Height: 7.5 cm.
CANE, CIRCA 1900
Wooden cane with a silver knob depicting a woman playing a mandolin
Silver hallmark (small guarantee). Maker’s mark illegible.
Height: 6.5 cm.
“ALGUES” BOWL, CIRCA 1900
Pâte d’émail
Signed with the circular stamp S. Dammouse and S (for Sèvres)
5.8 x 11 cm.
Exhibition
Jugendstil aus Münchener Privatbesitz, Museum Villa Stuck, München, 1973, ill. in colour, n. 16
SET OF 39 KNIFE RESTS, CIRCA 1900
Glazed stoneware
Length: 11 cm.
Bibliography
This model is illustrated in the Maison Denbac catalogue
PITCHER
Beige-green stoneware, handle and body decorated with three women
Signed and numbered 411
Height: 23 cm.
VASE, 1901
Foliage decoration in light relief, with shaded brown-green glaze
Signed wth the initials EMN and dated 1901
Bears a handwritten label Collection Cte Robert de Montesquiou
Height: 14 cm.
Diameter: 19.5 cm.
PATTYPAN SQUASH VASE, CIRCA 1900
Iridescent purple and celadon glazed ceramic
Two small chips in the glaze
Signed with the monogram K.G
Height: 8.3 cm.
BOX, CIRCA 1900
Leather, silver and hardstone. Suede interior
Gilded monogram. Most probably executed at the La Maison Moderne workshops for leather goods.
With its key
19 x 14 x 5 cm.
“LA SOURCE”
Repoussé and patinated leather panel. Titled at the bottom.
159 x 63 cm. (including frame)
THREE INCISED LEATHER PLATES FOR BOOK BINDINGS
One is signed and dated 1906 in the plate
The other two bear the atelier’s seal
PICTURE FRAME
Interior in moiré fabric, fully covered in brown leather
Decorated with three stylized flowers
Signed lower right
27.5 x 13.7 cm.
Exhibition
Documents sur l’Art Industriel au XXème siècle, Editions de La Maison Moderne, Paris, ill. p.11, under the number 3093-IV
Emile Seyden, Maroquinerie d’art”, L’Art Décoratif, May 1901, p. 74 to 80 : Article reserved exclusively for leather objects by Maurice Dufrène, with numerous illustrations
VASE
Bronze with a brown patina featuring pine cone decorations in high relief on the sides
Signed
Height: 10 cm.
This vase is identical to the one acquired by the French State at the 1908 Salon des Artistes Français, when Barboteaux exhibited for the first time after leaving his position with René Lalique.
Exhibition
Salon des Artistes Français, 1908
Bibliography
Art et Décoration, July 1909, ill. p. 59
“A VERLAINE”, 1894-1895
Lithograph. Printed in olive green on cream vellum, numbered in the lower left corner
Stains, losses, and short tears at the sheet edges. Traces of adhesive in the corners on the verso. Full margins
27 × 17 cm.
“MUSE DEVANT PARIS”, 1896
Lithograph. Printed in blue on thin vellum, with remarque, signed in pencil and numbered No. I
Minor handling creases. Full margins
65 × 49.9 cm.
Framed: 70 × 88 cm.
“L’OPIUM”, 1894
Color lithograph, edition of 100 for the 7th album of L’Estampe Originale. Blind stamp, signed in blue pencil and numbered 30. Framed.
62.5 × 40 cm.
Another example is kept in the Musée Lorrain, Nancy, in the Graphic Arts collection
Exhibition
L’Estampe originale. Artistic printmaking in France 1893-1895, New Brunswick, The Jane Voorhees Zimmerli Art Museum, 1991, n. 56
Victor Prouvé 1858-1945, musée Lorrain, Nancy, May 17 – September 21, 2008, ill. p. 249, n. 246 in the exhibition catalogue
Bibliography
Stein and Karshan 56
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin…, Nancy, Musée des Beaux-Arts, Musée de l’Ecole de Nancy, May 6 mai – August 28, 2006, ill. p. 54
“LA VITRIOLEUSE OU LA TASSE DE THE”, 1893
Black chromolithograph, hand-colored with stencil in 6 colors, on heavy cream vellum,
with full margins. Example n. 93/100 of the original edition published in L'Estampe moderne,
Album VI (April–June 1894). Bearing the monogram on the plate, signed and numbered in pencil,
with the editor's blind stamp in the margin
59.4 x 43 cm.
The blind stamp was designed by Alexandre Charpentier
Similar example at the Musée lorrain, Nancy
Another example at the Bibliothèque d'art et d'archéologie Jacques Doucet, Paris
Exhibition
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin…, Nancy, Musée des Beaux-Arts, Musée de l'Ecole de Nancy, May 6 – August 28 2006, ill. p. 299, n. 237
Eugène Grasset, 1845-1917. L'art et l'ornement. Musée cantonal des Beaux-Arts, Lausanne, March 18 – June 13, 2011, n. 91 ill. p. 78
Bibliography
L'Estampe originale, première année, Edition du Journal des Artistes, Paris 1893, Grasset,
ill. p.78 full page color
Anne Murray-Robertson, Grasset – Pionnier de l'Art Nouveau, Bibliothèque des Arts,
Paris, 1981 ill. p. 207
Renate Ulmer, Art Nouveau Symbolismus und Jugendstil in Frankreich, Arnoldsche, 1999,
ill. p. 52, n. 40
“EXPOSITION INTERNATIONALE DE L’EST DE LA FRANCE”, 1909
Poster printed by Berger-Levrault & Co., Nancy
Signed lower right, dedicated and dated 1909 by the artist
95 x 65 cm.
Exhibition
L’Ecole de Nancy, 1889-1909, Art nouveau et industries d’art, Nancy, galeries Poirel, April 24 – July 26 1999, ill. p. 290, n. 31
“FILLETTE SE CHAUSSANT”
Bronze sculpture with brown patina
Signed B. Hoetger Paris
19 x 11 x 11 cm.
SCULPTURE, CIRCA 1900
Bronze with a medal and brown patina featuring a reclining nude young woman
Black marble base with brown veining
Signed and bearing the circular stamp MEDAILLE D’HONNEUR.
Length: 35.5 cm.
Height: 26 cm.
Base in marble: 38.5 x 22 x 4 cm.
“BACCHANTE”
Bronze with a green patina featuring a dancer. The base decorated with vine and grape motifs
Signed, bearing the editor’s mark
Height: 53.3 cm. (56 cm. with the base)
BOOKENDS, CIRCA 1900
Wood and repoussé copper
Unsigned
Each: 38.5 x 15 cm.