Showing 1–24 of 744 results

EMILE GALLE – PITCHER, CIRCA 1900

PITCHER, CIRCA 1900
Earthenware, with a polychrome poppy decoration highlighted in gold
Restorations
Signed underneath: E (Cross of Lorraine) G / Déposé / Gallé – Nancy
Height: 25 cm.

FRENCH – CANE, CIRCA 1900

CANE, CIRCA 1900
Wooden cane with a silver knob depicting a woman playing a mandolin
Silver hallmark (small guarantee). Maker’s mark illegible.
Height: 6.5 cm.

ALBERT DAMMOUSE – “ALGUES” BOWL, CIRCA 1900

“ALGUES” BOWL, CIRCA 1900
Pâte d’émail
Signed with the circular stamp S. Dammouse and S (for Sèvres)
5.8 x 11 cm.

Exhibition
Jugendstil aus Münchener Privatbesitz, Museum Villa Stuck, München, 1973, ill. in colour, n. 16

ETIENNE MOREAU-NELATON – VASE, 1901

VASE, 1901
Foliage decoration in light relief, with shaded brown-green glaze
Signed wth the initials EMN and dated 1901
Bears a handwritten label Collection Cte Robert de Montesquiou
Height: 14 cm.
Diameter: 19.5 cm.

LA MAISON MODERNE – BOX, CIRCA 1900

BOX, CIRCA 1900
Leather, silver and hardstone. Suede interior
Gilded monogram. Most probably executed at the La Maison Moderne workshops for leather goods.
With its key
19 x 14 x 5 cm.

MAURICE DUFRENE – LA MAISON MODERNE – PICTURE FRAME

PICTURE FRAME
Interior in moiré fabric, fully covered in brown leather
Decorated with three stylized flowers
Signed lower right
27.5 x 13.7 cm.

Exhibition
Documents sur l’Art Industriel au XXème siècle, Editions de La Maison Moderne, Paris, ill. p.11, under the number 3093-IV
Emile Seyden, Maroquinerie d’art”, L’Art Décoratif, May 1901, p. 74 to 80 : Article reserved exclusively for leather objects by Maurice Dufrène, with numerous illustrations

GEORGES BARBOTEAUX – VASE

VASE
Bronze with a brown patina featuring pine cone decorations in high relief on the sides
Signed
Height: 10 cm.

This vase is identical to the one acquired by the French State at the 1908 Salon des Artistes Français, when Barboteaux exhibited for the first time after leaving his position with René Lalique.

Exhibition
Salon des Artistes Français, 1908

Bibliography
Art et Décoration, July 1909, ill. p. 59

SOLD

GEORGES DE FEURE – “A VERLAINE”, 1894-1895

“A VERLAINE”, 1894-1895

Lithograph. Printed in olive green on cream vellum, numbered in the lower left corner
Stains, losses, and short tears at the sheet edges. Traces of adhesive in the corners on the verso. Full margins
27 × 17 cm.

VICTOR PROUVE – “L’OPIUM”, 1894

“L’OPIUM”, 1894
Color lithograph, edition of 100 for the 7th album of L’Estampe Originale. Blind stamp, signed in blue pencil and numbered 30. Framed.
62.5 × 40 cm.

Another example is kept in the Musée Lorrain, Nancy, in the Graphic Arts collection

Exhibition
L’Estampe originale. Artistic printmaking in France 1893-1895, New Brunswick, The Jane Voorhees Zimmerli Art Museum, 1991, n. 56
Victor Prouvé 1858-1945, musée Lorrain, Nancy, May 17 – September 21, 2008, ill. p. 249, n. 246 in the exhibition catalogue

Bibliography
Stein and Karshan 56
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin…, Nancy, Musée des Beaux-Arts, Musée de l’Ecole de Nancy, May 6 mai – August 28, 2006,  ill. p. 54

EUGENE GRASSET – “LA VITRIOLEUSE OU LA TASSE DE THE”, 1893

“LA VITRIOLEUSE OU LA TASSE DE THE”, 1893
Black chromolithograph, hand-colored with stencil in 6 colors, on heavy cream vellum,
with full margins. Example n. 93/100 of the original edition published in L'Estampe moderne,
Album VI (April–June 1894). Bearing the monogram on the plate, signed and numbered in pencil,
with the editor's blind stamp in the margin
59.4 x 43 cm.
The blind stamp was designed by Alexandre Charpentier
Similar example at the Musée lorrain, Nancy
Another example at the Bibliothèque d'art et d'archéologie Jacques Doucet, Paris

Exhibition
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin…, Nancy, Musée des Beaux-Arts, Musée de l'Ecole de Nancy, May 6 – August 28 2006, ill. p. 299, n. 237
Eugène Grasset, 1845-1917. L'art et l'ornement. Musée cantonal des Beaux-Arts, Lausanne, March 18 – June 13, 2011, n. 91 ill.  p. 78

Bibliography
L'Estampe originale, première année, Edition du Journal des Artistes, Paris 1893, Grasset,
ill. p.78 full page color
Anne Murray-Robertson, Grasset – Pionnier de l'Art Nouveau, Bibliothèque des Arts,
Paris, 1981 ill. p. 207
Renate Ulmer, Art Nouveau Symbolismus und Jugendstil in Frankreich, Arnoldsche, 1999,
ill. p. 52, n. 40

ALIX MARQUET – SCULPTURE, CIRCA 1900

SCULPTURE, CIRCA 1900
Bronze with a medal and brown patina featuring a reclining nude young woman
Black marble base with brown veining
Signed and bearing the circular stamp MEDAILLE D’HONNEUR.
Length: 35.5 cm.
Height: 26 cm.
Base in marble: 38.5 x 22 x 4 cm.