FRENCH – CHAMPAGNE GLASS, CIRCA 1900
CHAMPAGNE GLASS, CIRCA 1900
Silver and clear glass with a design of foliage
With French Minerva mark and bearing the inscription:
A . F .
20 Octobre 1826
20 Octobre 1906
12 cm. high
9.5 cm. diameter
Showing 337–360 of 657 results
MAXWELL ASHBY ARMFIELD – TEMPERA ON WOOD “OEDIPE ET LE SPHINX”, CIRCA 1910
TEMPERA ON WOOD “OEDIPE ET LE SPHINX”, CIRCA 1910
After an ink drawing by Charles Ricketts, R.A titled “Oedipe et le Sphinx”
34 x 24 cm.
BURGUN SCHVERER & CIE – VERRERIE D’ART DE LORRAINE – VASE, CIRCA 1895
VASE, CIRCA 1895
Internally decorated blown glass acid-etched,
wheel-carved and hammered, with applied rhododendrons highlighted with gold
Signature in gilded enamel underneath
24 cm. high
Bibliography
Jules Traub, The glass of Désiré Christian ghost for Gallé, 1978, p. 101, pl. 52
HENRI HUSSON – ADRIEN-AURELIEN HEBRARD – BOWL, 1910
BOWL, 1910
Chased and hammered silver, with a relief decoration of leaves and a cockchafer
Signed and bearing the foundry mark A. Hébrard / Paris
5.5 cm. high
23.3 cm. diameter
HENRI HUSSON – ADRIEN-AURELIEN HEBRARD – “SENECON” VASE, CIRCA 1900
“SENECON” VASE, CIRCA 1900
Bronze and silver, vegetal shape with an applied insect
Signed H. Husson and A. HEBRARD PARIS and bearing the mark H h in a square
18 cm. high
Exhibition
Exhibition of fifty original works by H. Husson, Galerie A.-A. Hébrard, 8, rue Royale, Paris, number 44
Bibliography
Dominique Forest, Marie-Cécile Forest, La Dinanderie Française 1900-1950, les éditions de l’amateur, Paris, 1995, ill. p. 8
ALBERT DAMMOUSE – IMPORTANT BOWL, CIRCA 1900
IMPORTANT BOWL, CIRCA 1900
Pâte d’émail with a design of roses and foliage
13.5 cm. high
12 cm. diameter
Exhibition
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis Publisher, London, 2002, ill. p. 513
RENE LALIQUE – “LES TROMPETTES DE LA RENOMMEE” NECKLACE, CIRCA 1900
“LES TROMPETTES DE LA RENOMMEE” NECKLACE, CIRCA 1900
Gold, Pâte de verre and enamel
Signed
With its original chain
In its original box Sold
Exhibition
Artistic Luxury-Fabergé Tiffany Lalique, The Cleveland Museum of Art, Cleveland, Ohio, 19 October 2008-18 January 2009
Fine Arts Museums of San Francisco, San Francisco, 7 February 2009-31 May 2009, ill. p. 108
JEAN SERRIÈRE – ADRIEN-AURELIEN HEBRARD, BONBONNIERE, CIRCA 1900
BONBONNIERE, CIRCA 1900
Hammered and chased silver with a stylised decor
Signed JS under the base. Bearing the foundry mark A HEBRARD / PARIS. With silversmith mark and silver mark (boar’s head)
14 cm. high; 26.3 cm. diameter
LA MAISON MODERNE – HAND MIRROR, CIRCA 1900
HAND MIRROR, CIRCA 1900
Silver
With French Minerva mark
23.5 cm. long
Design probably attributed or in the style of Henry Van de Velde for La maison Moderne
The mirror was made for the German restaurant Konss, designed by the German architect and urban planner Bruno Möhring (1863-1929). On Boulevard des Italiens in Paris, it’s interior decoration was commissioned to La Maison Moderne in 1901. The hand mirror was probably part of a set for the dressing rooms.
JULES HABERT DYS – VASE, CIRCA 1900
VASE, CIRCA 1900
Yellow and orange multilayered glass with metal inclusions
Bearing the monogram JHD
41.5 cm. high
GEORGES DESPRET – YVONNES SERRUYS – VASE, CIRCA 1900
VASE, CIRCA 1900
Multilayered glass with powder inclusions imitating hard stones
Signed, bearing the monogram of Yvonne Serruys and numbered 606
33 cm. high
Bibliography
“Le maître verrier Despret a eu l’heureuse idée de demander à un sculpteur de talent, Mlle Serruys, les belles formes robustes de ses coupes ; pour leur robe, d’une sourde splendeur, il semble avoir eu la collaboration de la terre et des siècles.” L’Art Décoratif, 1906, p. 182
DAUM NANCY – VASE “VIGNE ET ESCARGOTS”, MODEL N. 2434, 1904
VASE “VIGNE ET ESCARGOTS”, MODEL N. 2434, 1904
Conical shape with circular foot, clear glass with colored powders inclusions, overlaid and cut with foliage and vines, two applied snails
Signed
32.5 cm. high
Bibliography
The Daum firm has the original drawing for this and other vessels with the same decoration.
SERAPHIN SOUDBININE – PAUL JEANNENEY – “LA DOULEUR”, 1907
“LA DOULEUR”, 1907
Grès overlaid with green glaze
Signed and dated
35 cm. high
32 cm. wide
19 cm. deep
Bibliography
Marc Ducret and Patricia Montjaret, L’école de Carriès, art céramique à Saint-Amand-en-Puisaye
1888-1940, Paris, éditions de l’Amateur, 1997, similar example ill. p. 125
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, Norma éditions, 2015, similar example ill. p. 349
RENE LALIQUE – “HUIT NAIADES” CIRE-PERDUE, CIRCA 1895-1900
“HUIT NAIADES” CIRE-PERDUE, CIRCA 1895-1900
Silver
Signed LALIQUE
6 cm. high
16 cm. long
16 cm. wide
Bibliography
For the motif in ivory on a jewel by René Lalique, see the Lalique sale, Sotheby’s New York, 1 December 1995
A centerpiece with a similar motif in silver was donated by Mr and Mrs Gillion Crowet to the Royal Museums of Fine Arts of Belgium, in 2006. See Michel Draguet, l’Art Nouveau Retrouvé, Skira/Seuil, Milan, 1999 , p. 85
DAUM NANCY – VASE, CIRCA 1900
VASE, CIRCA 1900
Acid-etched, wheel-carved and hammered glass, decorated with dahlias
Engraved signature
18 cm. high
ALPHONSE LAMARRE – LOUCHET PAUL, Maison – PILLIVUYT & CIE – VASE, CIRCA 1901
VASE, CIRCA 1901
Porcelain decorated with peacock feathers,
the mount in vermeil with the same decor
The mount signed LOUCHET
11.2 cm. high
Exhibition
A variation of this design was displayed in 1901
In 1907 Pillivuyt & Cie. displayed about fifty pieces at l’Exposition de la porcelaine, son décor, sa monture
that was held at Musée Galliéra. The exhibition catalog mentions a silver mounted vase
with the same decor designed by Lamarre and mounted by Louchet (see exhibition catalogue, p. 5).
This is the vase that had already been displayed in 1901 (See The Paris Salons, vol. V, p. 391).
ERNEST BUSSIERE – KELLER & GUERIN – “CHARDON” VASE, CIRCA 1900
“CHARDON” VASE, CIRCA 1900
Glazed stoneware
28.5 cm. high
Similar example at the musée de l’Ecole de Nancy
Exhibition
Exposition de la Céramique, Esplanade des Invalides, Paris 1900
Pavillon de Marsan, Paris, 1903
Nancy 1900 – Jugendstil in Lothringen, Münchner Stadtmuseum, 28 August 1980-6 January 1981,
n. 410, n. 67
Céramiques végétales – Ernest Bussière et l’Art Nouveau, musée de l’Ecole de Nancy,
21 June-25 September 2000, ill. p. 46, n. 48
Bibliography
La Lorraine, July 1900, ill. p. 27
Der Moderne Stil, volume 4, Julius Hoffmann junior, ill. pl. 50
Klopp, Gérard, Nancy 1900 – Rayonnement de l’Art Nouveau, 1991, n. 217
Jean-Paul Midant, L’Art Nouveau en France, L’Aventurine, Paris, 1999, ill. p. 35
ALBERT DAMMOUSE – GILBERT RENE PEJAC – TABLE LAMP, UNIQUE, 1910
TABLE LAMP, UNIQUE, 1910
The base in copper; the shade in pâte d’émail with a decoration of leaves and butterflies in flight
27 cm. high
11 cm. diameter
At the Société Nationale des Beaux-Arts of 1910, Gilbert Pejac exhibited two table lamps in patinated copper with shades by Dammouse
The other was offered at Christie’s Geneva in 1993
Exhibition
Musée du verre de Conches, Conches en Ouche, Animal – Bestiaire de verre de la fin du XIX siècle à nos jours, 9 March-24 November 2019, ill. pp. 32, 33
Bibliography
Karin Blanc, Ferronnerie en Europe au XXème siècle, éditions Monelle Hayot, 2015, ill. p. 195
Provenance
Acquired from Dammouse nephews
EMILE GALLE – LOUIS HESTAUX – “CHAUVE-SOURIS ET PAVOTS” BOTTLE, CIRCA 1890-1892
“CHAUVE-SOURIS ET PAVOTS” BOTTLE, CIRCA 1890-1892
After a design by Louis Hestaux
Multilayered and parly hammered glass, acid-etched and wheel-carved decor of a bat and poppies
Signed underneath: Emile Gallé fecit.
24.5 cm. high
Exhibition
Exposition Emile Gallé et Toulouse-Lautrec / Lumières et couleurs de la Belle Epoque, 1995, Suntory Museum of Art, Tokyo, p. 30 et 31 in the exhibition catalogue, n. 16
Exhibition on Emile Gallé in five museums in Japan between April 2000 and March 2001, ill. p. 57, 58 and 59, n. 19 in the catalogue.
Gallé et le Japonisme, 2008, Tokyo-Osaka, n. 62 in the exhibition catalogue
Emile Gallé / Nature & Symbolisme / Influences du Japon, Musée Départemental
Georges de la Tour, Vic-sur-Seille, 5 May-30 August 2009, ill. p. 135, n.114
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-24 November 2019, ill. pp. 16, 17
Bibliography
Janine Bloch-Dermant, L’Art du verre en France 1860-1914, Edita Denoël, 1974, ill. p. 63
LOUIS MAJORELLE – WALL PLANTER, CIRCA 1878
WALL PLANTER, CIRCA 1878
Earthenware, japanese decor in semi-relief of a bird fisching a carp
Made in the Toul workshop
Signed
34 cm. diameter
LOUIS MAJORELLE – DAUM NANCY – TABLE LAMP, CIRCA 1900
TABLE LAMP, CIRCA 1900
Marmorean glass and wrought iron. The base in marble
Dimension of the shade: 30 x 14 cm.
63 cm. high (with the base)
This model is illustrated in the Maison Majorelle catalogue without the base
BING & GRONDAHL – JENS DAHL-JENSEN – LA MAISON MODERNE – VIDE-POCHE, 1898
VIDE-POCHE, 1898
Bluish white poreclain
Signed and dated 98. Bearing the manufacturer’s stamp
This model is illustrated in the Maison Moderne catalogue under the number 1349-11
MANUEL ORAZI – LA MAISON MODERNE – RARE LITHOGRAPH “FEMME AUX ORCHIDEES”, CIRCA 1902-1904
RARE LITHOGRAPH “FEMME AUX ORCHIDEES”, CIRCA 1902-1904
Colour lithograph
Signed, with the artist’s circular seal adapted from a Japanese motif
46 x 61.5 cm.
Bibliography
Victor Arwas, Art Nouveau: The French Aesthetic, Andreas Papadakis Publisher, London, 2002, ill. p. 197-198
Manuel Orazi designed important Art Nouveau posters for La Maison Moderne, as well as for Sarah Bernhardt, the 1900 Exposition Universelle, Loïe Fuller, and the Palais de la Danse. His works in oils, gouache and watercolours were exhibited
at the Société Nationale des Beaux-Arts from 1897. He also supplied illustrations for periodicals and for books. As the principal artist working for La Maison Moderne, besides a poster, he created objets d’art and jewellery
JULES HABERT DYS – TWO VASES, CIRCA 1910
TWO VASES, CIRCA 1910
Multilayered glass with powder and silver inclusions
Each signed underneath
21.5 cm. high
16.5 cm. high