Showing 217–240 of 574 results

EMILE GALLE – “ANEMONE” VASE, CIRCA 1897-1900

“ANEMONE” VASE, CIRCA 1897-1900
Conical multilayered vase, internally decorated and engraved
Signed
21.5 cm. high

Exhibition
Emile Gallé, Exhibition in six Japanese museums, 2000-2001, n. 45 in the exhibition catalogue, ill. pp. 90 and 91 (example at the Juken museum)

Bibliography
A similar 27 cm. high vase in the collections of Juken Museum of Art, Yoshiwa, prefecture of Hiroshima, Japan
Another, 28,2 cm. high, is in the collection of Her Royal Highness Margrethe II, the Queen of Denmark

EMILE GALLE – “MEDUSE” VASE, CIRCA 1900

“MEDUSE” VASE, CIRCA 1900
Double glazed footed vase modelled as a fish, internally decorated with powder inclusions, partially iridescent, ornamented with an acid-etched and wheel-carved jellyfish on a hammered background echoing the surface of the water
Wheel-carved signature
30 cm. high

EMILE GALLE – CONICAL VASE, 1898

CONICAL VASE, 1898
Multilayered and wheel-carved conical vase with faceted corners in amber, purplish-blue and red marquetry glass, internally decorated with columbines on a background with silver foil inclusions, acid-etched, the original bronze base in the shape of leaves and spurs
Signed and dated 1898
26.1 cm. high

Exhibition
Société Nationale des Beaux Arts, 1898
Wood One Museum of Art, Hiroshima, Japan, 2005, n.33, ill. p. 36 in the exhibition catalogue
Emile Gallé – Nature and Symbol / Le Langage des Fleurs et des Choses Muettes, 16 January – 10 April 2016, Tokyo Metropolitan
Teien Art Museum; 24 April – 5 June 2016, Utsunomiya Museum of Art, n. 069, ill. p. 90

Bibliography
Revue des Arts Décoratifs, 1898, ill. p. 148
Renate Ulmer, Art Nouveau Symbolismus und Jugendstil in Frankreich, Arnoldsche, 1999, ill. p. 319, n. 318
Emile Gallé et le verre, la collection du musée de l'Ecole de Nancy, Ed. Somogy, Paris, 2004, similar example ill. p. 164, n. 280

Provenance
Daimaru Museum, Japan

Other examples of this design are owned by important museums worldwide:
Kitazawa Museum of Art, Japan
Kunstmuseum, Dusseldorf (Collection Gerda Koepf), Germany
Suntory Museum, Japan
Musée de l'Ecole de Nancy, Nancy, France
Budapest Museum of Applied Arts, inv. n. 55.284, Hungary

ROYAL COPENHAGEN – TOP-SHAPED BOUQUET HOLDER

TOP-SHAPED BOUQUET HOLDER
Enameled porcelain with spinning polychrome orchids decor, the neck ornamented with three small handles
The cover of the suspension ring in bronze and ropes
Signed with the manufacturer’s stamp in green, numbered 62 in blue for the artist and 5/5 in green
21 cm. in diameter ; 17.5 cm. high

ROYAL COPENHAGEN – “PHALENES” VASE

“PHALENES” VASE
Openwork vase in enameled white and blue porcelain decorated with pepper moths and foliage
Signed with the circular stamp under its base and numbered 1295/777 and 58
Painted by Fr A Richter
14 cm. high

LOUIS LOURIOUX – LA MAISON MODERNE – ABEL LANDRY – VASE, 1902-1904

VASE, 1902-1904
Molded porcelain vase with square shoulders and small neck, decorated with delicate enamel flowers in blue, green and beige heightened in gold
Signed with the monogram
17.5 cm. high

Bibliography
Alastair Duncan, The Paris Salons volume IV : ceramics and glass, Antique Collectors' Club, Woodbridge, 1998, modèle similaire reproduit p. 285