Art Nouveau & Art Déco - Gallery in Monaco
Showing 1–24 of 394 results
CANDLESTICK, CIRCA 1902
Bronze
Signed and with foundry mark
44 cm. high
Exhibition
Société des Artistes Français, Paris, 1902
Bibliography
L’Art Décoratif aux Expositions des Beaux-Arts, 1902, 1st volume, ill. pl. 36 to 38
“PORTRAIT DE JEUNE FILLE A LA ROBE BLEUE”, 1890
Pastel
Signed, dedicaced A la petite Jeanne and dated 1890
50 x 28 cm.
“LE VICE”, CIRCA 1900
Pencil on paper
Signed
22 x 47 cm.
“LE GRAAL”, CIRCA 1900
Oil on panel
Signed lower left
115 x 144 cm.
“APRES LE BAL”, 1906
Biscuit
Signed on the base; bearing the Sèvres triangular seal dated 1906
25.5 cm. high
Exhibition
Salon des Artistes Français 1906 (for the model in stone)
VASE, CIRCA 1899
Iridescent glass with a floral design attributed to Loetz. The mount and the base in silver attributed to Debain.
With French Minerva mark; silversmith mark; Russian import mark 84
These pieces were sold at the Maison Moderne
The mount with two handles can be attributed to Henry Van de Velde
11.3 cm. high
“LES DEUX ORPHELINES”, CIRCA 1900
Pencil, gouache and pastel on paper
Signed lower right
88 x 104 cm.
“HELIOTROPE” PERFUME BOTTLE, CIRCA 1900
Molded glass
Original stopper and label
11 cm. high
BRETONNE A LA COIFFE, CIRCA 1900
Biscuit
Signed. Bearing the manufacturer seal for 1904 and the initials HR for Henri Robert (molder)
This model was also edited in bronze
11 x 12 cm.
“NESSUS ENLEVANT DEJANINE”, CIRCA 1900
Silver; the base in sculpted onyx
Signed Tonnelier HC
16 cm. high
“DEUX CHOUETTES”, 1901
Enamelled porcelain
Stamped Royal Copenhagen Denmark; bearing three waves and numbered 283
33 cm. high
Bibliography
Art et Décoration, March 1907, vol. I
Sammlung Bröhan, Kunsthandwerk II, 1977, ill. p. 259, n. 370
“LA FUITE DE L’HEURE”, 1898
Unique piece
Sculpted padouk and gilt bronze
Signed three times with the monogram ALMC
83 cm. high
28 cm. long
20 cm. deep
Exhibition
La Libre Esthétique, Bruxelles, 1899
Salon de la Société Nationale des Beaux-Arts, Paris, 1899
Exposition Universelle, Paris, 1900
Intertionale Kunstausstellung, Dresde, 1901
Salon d’Automne, Paris, 1905
Exposition d’art français contemporain, Basel, 1906
Les Peintres de la femme, Société artistique de Roubaix-Tourcoing, 1910
Exposition Universelle, Bruxelles, 1910
Alexandre Charpentier, Naturalisme et Art Nouveau, Musée d’Orsay, Paris, 2008, n. 86
Bibliography
Julius Meier-Graefe, Horloges et pendules, Art et Décoration, April 1899, p. 7
Alexandre Charpentier, Naturalisme et Art Nouveau, 2008, ill. p. 116 in the exhibition catalogue
“SENECON”, 1905
Repoussé copper with silver inlays decoration; applied with a branch and foliage in chased silver
Engraved signature under the base and bearing the monogram of the artist
16 cm. high
Exhibition
Société Nationale des Beaux-Arts, 1905, ill. p. 61,
n. 2337 in the exhibition catalogue
Hessisches Landesmuseum Darmstadt,
22 October 1976-30 January 1977, Ein Dokument deutscher Kunst – Darstadt 1901-1976, n. 250
“LE LYS”, CIRCA 1900
Gilt patinated bronze
Signed
43 cm. high
48 cm. wide
27 cm. deep
“CHARDONS” TEA, COFFEE AND CHOCOLATE SERVICE, CIRCA 1895
Comprising coffee pot, teapot, cream jug, chocolate whisk, sugar bowl and cover, and sugar tongs
in silver ; samovar, burner, and tray in silver-plated metal ; the handles in stained ivory
Each marked CARDEILHAC PARIS, with Minerva and silversmith marks
The samovar: 38 cm. high
The tray: 67.3 cm. wide
Bibliography
Dedo Von Kerssenbrock-Krosigt, Modern Art of Metalwork – Bröhan Museum,
Berlin, 2001, p. 385 (chocolate pot with mistletoe design illustrated)
Between 1894 and 1899, Lucien Bonvallet designed several silverware pieces intended
for the Exposition Universelle of 1900, all decorated with a vegetal pattern such as thistles,
columbines, mistletoe, clovers, etc.
These models were exhibited on the occasion of a retrospective dedicated to Lucien Bonvallet
in January and February 1913, at the Pavillon de Marsan, Musée des Arts Décoratifs, Paris
PLANTER, “QUI S’Y FROTTE, S’Y PIQUE”, 1909
Grès with green, yellow, pink, purple and beige glazes
Signed J. Mougin and J. P. Mougin céramistes underneath
Numbered 3144 and Esquisse de J. Mougin
34 cm. high
39 cm. diameter
Exhibition
Exposition Internationale de l’Est de la France, Nancy, 1909
Bibliography
Art et Industrie, January 1912
Catalogue de la maison Mougin, 1914, ill. pl. 1, n. 2
“POINCARE” FLOOR LAMP, VERY RARE, CIRCA 1900
Patinated wrought-iron, the shade in alabaster
197 cm. high
Bibliography
Alastair Duncan, Majorelle, Flammarion, 1991, ill. n. 114
PENCIL BOX, CIRCA 1905
Hammered, wrought and engraved copper, gold and silver inlays;
decorated in relief with an applied insect on an engraved background of leaves
Signed h husson
21.5 x 4.5 x 3.5 cm.
“L’APPARITION DU GRAAL A PERCEVAL”
Oil on panel
Signed
72 x 67 cm.
This painting depicts the moment in Richard Wagner’s opera Parsifal when “The light radiates,
the Graal sets itself ablaze and a dove comes down from the dome above Parsifal.
He refuses to kiss Kundry whom remorseful falls and dies”.
VASE, 1913
Ceramic with a polychrome stylized floral decor in a Persian style
Signed in gold and dated 1913
28 cm. high
“LA DOULEUR”, 1907
Grès overlaid with green glaze
Signed and dated
35 cm. high
32 cm. wide
19 cm. deep
Bibliography
Marc Ducret and Patricia Montjaret, L’école de Carriès, art céramique à Saint-Amand-en-Puisaye
1888-1940, Paris, éditions de l’Amateur, 1997, similar example ill. p. 125
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, Norma éditions, 2015, similar example ill. p. 349
“LA NIGELLE DES PRES”, AN IMPORTANT FOOTED VASE, CIRCA 1900
Marquetry and finely wheel-carved glass, the pink surface overlaid with white
and blue flowers and an applied motif of brown branches
Engraved Gallé
20.5 cm. high
No other example of this design is known to exist
Exhibition
Exposition Universelle, 1900, Paris
Bibliography
Gallé, exhibition catalogue, musée du Luxembourg, 29 November-2 February 1986,
éditions de la Réunion des Musées Nationaux, ill. p. 54 in the “Les granges” vitrine
VASE, 1913
Enamelled floral decor with applied openwork design
Signed with the monogram of the artist; marked Methey 1913
32 cm. high
Exhibition
Exposition Universelle, Gand, 1913
VASE, CIRCA 1900
Polychrome earthenware with a design of flower buds and leaves
Signed KG/Lunéville/Majorelle
48 cm. high