Art Nouveau & Art Déco - Gallery in Monaco
Showing 121–144 of 601 results
RARE CHAIR IN SCULPTED WALNUT, CIRCA 1900
After the design by Louis Hestaux
94 cm. high
Bibliography
Fin de siècle Masterpieces from the Silverman collection, New York, Abbeville Press, p. 75
Gallé furniture, Antique Collectors Club Ltd, 2012, ill. p. 259
Provenance
Formerly in the collection of Benedict Silverman, New York
“EPIS DE BLE” VITRINE, CIRCA 1900
Sculpted walnut, the shelves decorated with wheat stalks in exotic wood marquetry
Signed
185 x 84 x 54 cm
Another example of this design is part of the collections of the Musée d’Orsay, Paris
PITCHER, CIRCA 1900
Multilayered pitcher, overlaid, acid etched and wheel carved, enameled design in the “fluogravure” technique, applied handle, gold highlights
Signed
20 cm. high
Exhibition
Sunderland Museum & Art Gallery, The Art of Glass – Art Nouveau to Art Deco, 17 July – 27 October 1996
Verrerie Art Nouveau, l'Exemple des Frères Muller, Musée de l'Ecole de Nancy, 6 October 2007 – 7 January 2008, ill. p. 85, n. 16 in the exhibition catalogue
Bibliography
Victor Arwas, The Art of Glass, Andreas Papadakis publisher, 1996, p. 32, n. 42.
Provenance
Dr Henry Blount, Chattanooga, Tennessee, USA
“GALATEA” PLATE, CIRCA 1900
Pâte de verre featuring Galatea asleep being watched by a beast, in shades of pink, yellow brown and orange on a blue background
Signed
27 cm in diameter
A similar piece is in the collections of the Musée des Arts Décoratifs, Paris, inventory n. 19647, acquired at the sale of the Roger Marx collection in 1914.
Exhibition
Chefs d'oeuvre de la verrerie et de la cristallerie française au Musée des Arts Décoratifs, 1800-1990, Suntory Museum of Art, Tokyo, Japan, 1991, p. 32, n. 25, in the exhibition catalogue
A RARE TEA SERVICE, CIRCA 1900
Chased silver and vermeil, comprising a teapot, a sugar bowl, and a milk jug decorated with flowers and leaves
Signed F. Boucheron, with silversmith marks
The teapot: 13 cm. high; 18.5 cm. long
The sugar bowl: 8 cm. high; 13.75 cm. long
Bibliography
Compare the design of the teapot with another one in Tony Bouilhet, L'Orfèvrerie française au XXe siècle, éditions Emile-Paul frères, Paris, inset plate
“DEPART POUR LE BAL”
Grès
Signed by both artists
22 cm. high
Bibliography
Die Kunst, 1900, vol. II, ill. p. 330
L’Art et les Artistes, april 1907, ill. p. 22
André Metthey, la quête du feu et de la couleur, MUDO, Musée de l’Oise, 2022, ill. p.35
VERY IMPORTANT TEA AND COFFEE SET, 1904
Very important coffee set and tray comprising a coffee pot, a sugar bowl, a milk jug, two cups and saucers
The tray in lacquered wood, the four corners with an applied silver gilt motif with turquoise cabochons, all other pieces in hand repoussé silver gilt, ivory and turquoise cabochons
Each element bears the makers mark and is dated 1904
Most probably unique
Exhibition
Société Nationale des Beaux-Arts, 1904
Bibliography
Art et Décoration, 1909, vol. II, page 55. Three pieces illustrated
Provenance
Acquired in 1983 from Jean-Claude Brugnot
Soon after being rewarded a first class medal at the 1900 Exposition Universelle, Lucien Gaillard retained the services of Master Japanese lacquerers and engravers as well as metal alloys experts to work exclusively for him. They produced very few silver and lacquer objects such as the panel we exhibited at Masterpiece London in 2014 as well as objects and vases with patinas imitating tree barks made of metals of a special alloy often wrongly described as bronze. The highly technical lacquered composition of our tray could have only been executed by such a master. The set was executed and exhibited in 1904, the year Gaillard was awarded another first class medal at the Société Nationale des Beaux-Arts.
PANEL, CIRCA 1906
Metal lacquered panel, silver overlays and mother-of-pearl inlays
Signed
43.5 x 63 cm
Exhibition
Japonisme: From Falize to Fabergé / The Goldsmith and Japan, Wartski, Londres, 10-20th May 2011, n°67 of the catalogue, ill. p. 39
Bibliography
Art et Décoration, 1906, vol. I, page 187, “Les Arts décoratifs aux salons”. Mention of Gaillard's lacquered panels with mother-of-pearl inlays inspired by Japanese art.
Provenance
Formerly in the collection of Anna Blake, acquired directly from the artist
“LE PRINTEMPS”, CIRCA 1890
Large plaque in copper, translucent enamels, on a golden foil, showing one of the characters from “Primavera” by Botticelli
Signed by both artists
Wooden frame
30 cm. high; 14.5 cm. wide
An identical plaque is in the collection of the National Ceramics Museum in Sèvres. It was part of an order by the State and is registered in the State’s records. It was removed by the national museums on October 16th, 1891 (archives of the Musée d’Orsay).
Our plaque comes from Roger Marx’s inheritance. After his passing, it was bought back by his family at the estate sale on May 13th, 1914. It still bears on the back of it, the label corresponding to lot 114.
Exhibition
Société Nationale des Beaux-Arts, 1891, n°55 (5)
Bibliography
Pascal Massé “Gustave Moreau, Botticelli et la peinture des Maîtres dans les arts du feu sur métaux à la fin du XIXème siècle – Un émail peint de Grandhomme et Garnier au Musée National de Céramique : Flora”, Revue de la Société des Amis du Musée National de Céramique, n° 10, 2001
Provenance
Formerly in the collection of Roger Marx
“L'ENLEVEMENT D'EUROPE”, CIRCA 1880
Enamel on copper
10 x 12.5 cm
After the right hand side of the painting titled “L'enlèvement d'Europe”, circa 1869 by Gustave Moreau and kept at the Musée d'Orsay
Bibliography
The painting illustrated in: Pierre-Louis Mathieu “Gustave Moreau / Monographie et nouveau catalogue de l'Oeuvre achevé“, ACR édition, 1998, page 58
“LA FEMME AU VOILE”, CIRCA 1900
Bronze with green and dark patina, and marble
Signed and bearing the Siot-Decauville foundry mark
66 cm. high
Bibliography
Gerald M. Akerman, La vie et l’œuvre de J. L. Gérôme, catalogue raisonné, A.C.R. Edition, p. 331, n° S 65
Catalogue de l’exposition de la galerie Tanagra J.-L. Gérôme, sculpteur et peintre de l’art officiel, Paris, 25 avril au 15 mai 1974, n° 14
PLATE
Deep plate in porcelain, with cutout edges on a basketwork background, decorated with a bird on a branch in Japanese taste on a lacustrine landscape background, polychrome enamels with blue edges
Signed on the back Dammouse et Sèvres 731 and Tiffany & Co in fine gold
24 cm in diameter
SCULPTURE, CIRCA 1900
Bronze sculpture with dark patina
Black marble base
Signed
28 x 18 x 13,5 cm
The sculptures were sold by La Maison Moderne
PORTRAIT OF SARAH BERNHARDT
Bronze plate representing the actress’ bust from the side, signed and dated (or numbered) 75
16 x 15.5 cm
An identical work is on view at the following museums :
– Kunsthalle Museum in Bremen, inv. n° 426-1965/3
– Billy Rose Theatre Collection, The New York Public Library for the Performing Arts
Exhibition
“Sarah Bernhardt, the Art of High Drama”, The Jewish Museum, New York, December 2, 2005 to April 2, 2006, ill. p. 48.
Bibliography
Renate Ulmer “Art Nouveau Symbolismus und Jugendstil in Frankreich”, Arnoldsche Art Publishers, ill. page 82, n° 68.
LADY BAG, CIRCA 1900
Supple veal, embossed, patinated and gilded on both sides, decorated with branches, leaves and berries
Inside, doubled with chamois leather, compartments in leather and shot silk containing a small toilet bag in its leather case, mirror, powder compact and tiny purse covered in chamois leather
17 x 26 cm (when closed)
Bibliography
Comparer à des pochettes à peu près identiques reproduites dans l'Art Décoratif aux Expositions des Beaux-Arts, 1901, planches 99 et 100
VASE DE CHAMPROSAY, 1ERE GRANDEUR, 1900
Gourd-shaped, covered in blue and green overlaid
Designed by Alphonse Sandoz in 1898
Signed with the triangular mark dated 1900
14,5 cm. high
Exhibition
“Sèvres 1900”, Musée des Beaux-Arts de Nancy, identical model in dark colored overlaid, ill. p. 30 of the exhibition catalogue, collection of the Musée National de Sèvres, inventory n° 924 1 6.
Bibliography
Jean Paul Midant “Sèvres – La Manufacture au XXème siècle”, Michel Aveline éditeur, 1992, p. 27 : Illustration du même vase en 2ème grandeur et à couverte à cristallisations, collection Mobilier National, Paris.
VASE D’APREMONT, 1902
Colocynth vase in hard-pasted new porcelain with faceted body with decor in relief and application of leaves and vine branches wrapped around the vessel, forming two handles
Enamels in lovat green, ochre and brown on yellow background
Designed by Alphonse Sandoz
Bearing the manufacturer’s stamp for 1902
35,4 cm. high
An identical vase is in the collection of the Musée National de la Céramique, Sèvres, inventory n°15 913
Exhibition
1900, Galeries nationales du Grand Palais, Paris, 14 March-26 June 2000, ill. p. 282, n°300 in the exhibition catalogue
Bibliography
E. Molinier “Les plus récents Travaux de la Manufacture de Porcelaine de Sèvres”, Art et Décoration, November 1903, ill. p. 364, “Signalons encore une autre innovation : les vases à décor en relief exécuté par le moulage. On trouvera ici quelques échantillons de ces nouvelles pièces, notamment une bouteille de M. Sandoz qui est d’une belle venue. En ce genre et dans cette nouvelle voie on peut produire beaucoup de choses intéressantes”.
Antoinette Faÿ-Hallé, Barbara Mundt : “La porcelaine européenne au XIXème siècle”, Office du Livre S.A., Fribourg, Switzerland, 1983. ill. p. 232, pl. 415.
VASE, CIRCA 1910
Stoneware vase in yellow ochre in the shape of a cone turned upside down and sunk neck leaving in reserve four handles, enhanced with lines and dots in gold
Signed
Small firing crack at the base
21,5 cm. high
Bibliography
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, Norma éditions, 2015, ill. p. 347
VASE, CIRCA 1900
Colocynth stoneware vase with silver and grey dripping
14 cm. high Sold
Provenance
Collection of Jean-Pierre Hassler, Saint-Georges, Switzerland
VASE, CIRCA 1900
Two-lobed stoneware vase, with incised striae on its bulge, brown-marbled, covered in ocher and grey, pink and dark purple enamel dripping from the neck
Incised signature under the base
13 cm. high
Provenance
Formerly in the collection of Maître Francis Lombrail
VASE, CIRCA 1900
Two-lobed stoneware vase, with incised striae on its bulge, covered in yellow ocher, marbled with brown spots and pink with hints of grey enamel dripping from the neck
Unsigned and numbered 91
13 cm. high
Provenance
Formerly in the collection of Maître Francis Lombrail
Drouot-Montaigne, 22nd april 1997, lot n° E
Jean-Pierre Hassler collection, Switzerland
VASE WITH GOLDEN SPOTS, CIRCA 1900
Stoneware vase with hemmed neck and incised striae on its bulge, covered in chamois and grey dripping from the neck, enhanced with golden spots
Engraved signature under its base
15 cm. high; 18 cm in diamater
Bibliography
L'Estampille, n°32, May 1972, ill. p. 62
Provenance
Formerly in the collection of:
– Alain Blondel, Galerie du Luxembourg, Paris
– Alain Lesieutre, Paris
– Maître Francis Lombrail
– De Quay-Lombrail, Drouot Montaigne, 22 April 1997, lot L
– Jean-Pierre Hassler, Switzerland
COLOQUINTE VASE, CIRCA 1900
Glazed stoneware, multilayered in green, thick pink dripping
Signed underneath
15 cm. high
Provenance
Formerly in the collection of Maître Francis Lombrail, Paris
“LES ROCHERS DANS LA MER” VASE, CIRCA 1900
Outstanding vase in multilayered glass with marine landscape decor
Original bronze base cast with butterflies
Engraved signature
54 cm. high
Bibliography
Janine Bloch-Dermant, L'Art du verre en France 1860-1914, Edita-Denoël, 1974, ill. p. 62
Provenance
Private collection, Italy
“ANEMONE” VASE, CIRCA 1897-1900
Conical multilayered vase, internally decorated and engraved
Signed
21.5 cm. high
Exhibition
Emile Gallé, Exhibition in six Japanese museums, 2000-2001, n. 45 in the exhibition catalogue, ill. pp. 90 and 91 (example at the Juken museum)
Bibliography
A similar 27 cm. high vase in the collections of Juken Museum of Art, Yoshiwa, prefecture of Hiroshima, Japan
Another, 28,2 cm. high, is in the collection of Her Royal Highness Margrethe II, the Queen of Denmark
“MEDUSE” VASE, CIRCA 1900
Double glazed footed vase modelled as a fish, internally decorated with powder inclusions, partially iridescent, ornamented with an acid-etched and wheel-carved jellyfish on a hammered background echoing the surface of the water
Wheel-carved signature
30 cm. high
