GEORGES DE FEURE – ART NOUVEAU BING – CANDLESTICK, CIRCA 1900
CANDLESTICK, CIRCA 1900
Bronze
29 cm. high
Bibliography
Art et Décoration, 1901, vol. I, ill. p. 87
L ‘Art Décoratif, April 1901, ill. p. 28
Showing 121–144 of 391 results
CHARLES VITAL-CORNU – SUSSE FRERES – “LE SOMMEIL”, CIRCA 1900
“LE SOMMEIL”, CIRCA 1900
Bronze with a brown patina
Signed, with foundry mark, stamped N; the base is stamped SOMMEIL
30 cm. high
Exhibition
Société des Artistes Français, Paris, 1901
Bibliography
La Revue des Arts Décoratifs, 1901, ill. p. 260
JEAN DAMPT – A FIVE LIGHT HANGING FIXTURE “COLOMBINE”, CIRCA 1900
A FIVE LIGHT HANGING FIXTURE “COLOMBINE”, CIRCA 1900
Gilt bronze and molded satinated glass, four glass flower buds
96 x 75 cm.
Bibliography
Edith Mannoni, Meubles et ensembles style 1900, Charles Massin éd., Paris, 1968, ill. p. 11
Wolf Uecker, Art Nouveau and Art Deco Lamps and Candlesticks, Abbeville Press Publishers, New York, 1986, ill. p. 44
GUSTAV ADOLF MOSSA – “JERUSALEM”, 1907
“JERUSALEM”, 1907
Watercolor, ink on paper
Signed, dated 1907 and titled GUSTAV ADOLF MOSSA NICIENSIS HOC OPUS PINSIT MCMVII lower left
and JERUSALEM lower right
51 x 32 cm.
Bibliography
A preparatory drawing of this work is illustrated in: Roger Soubiran, Gustav Adolf Mossa 1883-1971, Nice 1985
Gustav Adolf Mossa, catalogue des oeuvres symbolistes, Somogy éditions d’art, 2010, ill. p. 249
Provenance
Drouot, Paris, 8 April 1986
Private collection, USA
PRINCE BOJIDAR KARAGEORGEVITCH – PAIR OF SILVER SERVICE PIECES, CIRCA 1900
PAIR OF SILVER SERVICE PIECES, CIRCA 1900
The shovels shaped as foliage; the handle in flower buds
Signed in full, with French Minerva and silversmith’s marks
23.5 cm. long
22 cm. long
MAURICE CHARPENTIER-MIO – A BRONZE BAS-RELIEF, 1919
A BRONZE BAS-RELIEF, 1919
Featuring five poses of the dancer Anna Pavlova in Rondino
Bearing the monogram of the artist, dated 1919 and numbered 1
Bearing an old label at the back: Croquis de gestes dancés / Anna Pavlova dans Rondino / de Beethoven-Kzcissler
11 x 29 cm.
ALPHONSE LAMARRE – MAISON PAUL LOUCHET – MAISON PILLIVUYT – VASE, CIRCA 1900
VASE, CIRCA 1900
Porcelain vase, high-fired decor of ombelliferes on a blue-brown background
Openwork bronze mount
Signed P L and bearing the initials of Alphonse Lamarre
28.5 cm.
CHRISTOFLE & CIE – MAISON BACCARAT – “SWANS” SALT AND PEPPER SHAKERS, AFTER 1901
“SWANS” SALT AND PEPPER SHAKERS, AFTER 1901
Gilt metal and Baccarat crystal
Each stamped CHRISTOFLE, one numbered 1964008 and the other 2012839
11 x 13.5 cm.
EDOUARD RICHTER – “LA COUPE ET LES LEVRES”, CIRCA 1900
“LA COUPE ET LES LEVRES”, CIRCA 1900
After a poem of Alfred de Musset
Oil on canvas, signed and located Paris
Titled “La Coupe et les lèvres
Belcolore : Moine, la bière est vide.
Franck : Alors c’est que Franck est vivant
(se démasquant): Va-t-en, prostituée…..”
Alfred de Musset
100 x 73 cm.
EMILE ROBERT – PLANT STAND, CIRCA 1900
PLANT STAND, CIRCA 1900
Wrought iron
69 cm. high
92 cm. wide
The vase is sold separately
Bibliography
Karin Blanc, Ferronnerie en Europe au XXème siècle, éditions Monelle Hayot, 2015, ill. p. 195
JO HAHN LOCHER – BING & GRONDHAL – UNIKAT VASE, CIRCA 1905
UNIKAT VASE, CIRCA 1905
Decorated with flowers and water lilies
Bearing the monogram of the artist and numbered 464
38 cm. high
RENE DEFLANDRE – A MUSIC CABINET, 1900
A MUSIC CABINET, 1900
Chery wood; the figures in carved orange wood
170.5 cm. high
68 cm. wide
Bibliography
Meubles de style moderne à l’Exposition Universelle de 1900, Sections française et étrangères, published under
the direction of Th. Lambert, architect, Charles Schmidt editor, Paris, nd. ill. pl. 39, fig. 7
Exhibition
Exposition Universelle de 1900, Paris, section de l’Ecole des Beaux-Arts et des Sciences industrielles, Toulouse
LOUIS-AUGUSTE THEODORE-RIVIERE – “ADAM ET EVE”, OR “L’ETREINTE”, OR “PARADIS PERDU”, CIRCA 1900
“ADAM ET EVE”, OR “L’ETREINTE”, OR “PARADIS PERDU”, CIRCA 1900
Bronze with a green patina representing a naked couple, embracing; lost wax cast
Signed
33 cm. high
Another example in bronze: Gift of Mrs Alma de Bretteville Spreckels to the Museum of the Legion of Honor,
San Francisco, inv.: 1937-8-6, 1948, now at the Maryhill Museum, Washington, USA, inv.: 14-19
Another example in ivory: acquisition of the city of Paris for the Musée Galliéra collection, 1906, now at the Petit Palais,
Paris, inv. : O.GAL.129
Exhibition
Musée Galliéra, 1903, Art de l’Ivoire
Salon de la Société des Artistes français, 1905, section des Arts Décoratifs, n° 5017
Palais Galliéra, 1914 Exposition de la statuette et du meuble qui l’accompagne, n. 379
Inaugural Exposition of French Art in the California Palace of the Legion of Honor, Lincoln Park,
San Francisco, California, 1924-1925, example in bronze, n. 197
Bibliography
Maurice Rheims, The flowering of Art Nouveau“, Harry N. Abrams Inc., New York, n.d., example in ivory ill. p. 203, n° 250
L’Estampille, mars 1983, n° 155c, p. 63. “Adam et Eve enlacés, le visage de l’homme enfoui dans le creux de l’épaule de sa
compagne qui, angoissée, regarde le ciel…”
EMILE GALLE – VASE, CIRCA 1889
VASE, CIRCA 1889
Polychrome “cristallerie” glass decorated with enamelled water lilies, aquatic flowers, stems,
and three dragonflies; original bronze base decorated with four snails
Enamelled signature in Japanese style
17 cm. high
EMILE GALLE – VASE, CIRCA 1900
VASE, CIRCA 1900
Multilayered glass vase; imitating Japanese brush-holder and decorated with orchids
and buttercups in inlaid and carved marquetry
Wheel cut signature
18 cm. high
EMILE GALLE – SMALL POT, CIRCA 1900
SMALL POT, CIRCA 1900
Clear glass with inclusions; with two applied
handles, the decor in marquetry
and chased
Wheel-carved signature
9 cm. high
16 cm. long
DAUM NANCY – “CROCUS” VASE, CIRCA 1900
“CROCUS” VASE, CIRCA 1900
Mottled and hammered glass vase with purple inclusions
The flowers are padded and carved
Signed
30 cm. high
DAUM NANCY – “OEILLETS DES INDES”, A RARE VASE, CIRCA 1905
“OEILLETS DES INDES”, A RARE VASE, CIRCA 1905
Multilayered glass with yellow and orange inclusions. The stems and leaves are
acid-etched, the flowers are padded and wheel carved
Wheel carved signature
35 cm. high
Bibliography
Noël Daum, Daum Maîtres verriers, Edita Denoël, 1980, ill. p. 20
LOUIS-ERNEST BARRIAS – SUSSE FRERES – “LA NATURE SE DÉVOILANT DEVANT LA SCIENCE”, CIRCA 1900
“LA NATURE SE DÉVOILANT DEVANT LA SCIENCE”, CIRCA 1900
Gilt bronze and marble sculpture with
polychrome highlights; the scarab in sodalite; the base in green marble
Signed E. Barrias, and with foundry mark Susse Frères éditeurs, Paris
58 cm. high
Exhibition
Exposition Universelle of 1900, an example with two patinas illustrated in the exhibition catalogue,
Liège, 1903
Bibliography
Illustrated in the Susse Frères catalogues,
1905 and 1910
Les bronzes du XIXème, P. Kjellberg, Éd. de l’amateur 2005, p.50
Bronzes Sculptors & founders 1800-1950, H. Berman, Abage publishers, 1977 tome 3 n. 1387 p. 375
PAUL GRANDHOMME – “PALLAS ATHENA”, 1896
“PALLAS ATHENA”, 1896
Polychrome enamel on copper
Signed lower left in gold
18.2 x 13.3 cm.
JULES DESBOIS – ADRIEN-AURELIEN HEBRARD – “DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906
“DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906
Bronze sculpture; lost wax cast by Hébrard
Signed
34.3 cm. high
A similar example in terracotta at the musée d’Orsay, inv. n. RF3199
Model in plaster and tissue, Zimmerli Art Museum, New Jersey, USA
Exhibition
1914, Musée Galliéra, Exposition de la statuette et du meuble qui l’accompagne
Bibliography
Musée d’Orsay. Catalogue sommaire illustré des sculptures, similar example in terracotta illustrated p. 142, n. RF3199
Breaking the Mold-Sculpture in Paris from Daumier to Rodin, Edited by Phillip Dennis Cate,
published by the Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, ill. p. 67, n°140,
October 23, 2005-March 12, 2006
CAMILLE COLOT – TABLE LAMP, CIRCA 1909
TABLE LAMP, CIRCA 1909
Wrought iron; the original shade in carved horn
Signed
53 cm. high
Exhibition
Salon des Artistes Français, Paris, 1909
Bibliography
L’Art Décoratif aux Salons de 1909, Librairie d’Art Décoratif, Armand Guérinet éditor, ill. pl. 35-36
JOSEPH ET PIERRE MOUGIN – PITCHER “ALGUES”, CIRCA 1900
Patinated stoneware
Numbered J112
23 cm. high
Bibliography
Jacques Peiffer, Les frères Mougin, Sorciers du grand feu, éditions Faton, Paris 2001, ill. p. 47
DAUM NANCY – AN IMPORTANT VASE, CIRCA 1900
AN IMPORTANT VASE, CIRCA 1900
Blown glass vase decorated with mushrooms, oak leaves and pincones
Acid-etched, wheel-etched, carved
Engraved signature
51 cm. high
Exhibition
Takashimaya, exposition itinérante au Japon, 1986, n. 86, ill. p. 19